Louis Kraft’s upcoming books: Errol Flynn & Olivia de Havilland lead the way

Website & blogs © Louis Kraft 2013-2024

Contact Kraft at writerkraft@gmail.com or comment at the end of the blogs


First, an ad for Kraft’s next blog,
which, as usual, will be long and detailed
(that is not this blog, as it isn’t a book)

This is the 20-pound bronze Wrangler that LK won for Sand Creek and the Tragic End of a Lifeway in 2021. I won my first Wrangler Award in 2012. (photo © Louis Kraft 2022)

I haven’t written and posted a blog since September 2020 due to my ongoing work preparing for the first two deliveries to the new Louis Kraft Collection at the University of New Mexico’s Center for Southwest Research & Special Collections (UNM CSWR). Pailin and I made the first delivery in a large rented Dodge Minivan in June 2021. Tomas Jaehn is the director of this huge and unbelievable archive. He flew to SoCal in December 2021, and in a rented SUV picked up the second delivery. He will also pick up a third (and smaller) delivery on 25apr2022.

The scope of the LK Collection at UNM CSWR is unbelievable, and is by far the greatest honor this writer will ever receive.

It includes not only my writing life, but my entire life including family documents that date back the end of the 19th century, restored photos, and memoir material. The photos all have captions identifying people and events and are delivered as 8×10 inch glossies and digital copies.

But it doesn’t end with just myself, my family, and my professional life, for it also includes key people in my life as well as what I have collected over the years. This includes in part an 1856 daguerreotype of Ned Wynkoop when he was 16 as well as a small ivory calendar that he owned (he has played a huge role in my writing and later acting life); Chiricahua Apache mystic and war leader Geronimo’s signature; photos and art with signatures ranging from Brooklyn Dodgers baseball great Duke Snider and my favorite player of all time Bill Buckner to Tex Ritter and Alan Jackson to Errol Flynn to 20+ letters from Olivia de Havilland, and film stars Gong Li, Val Kilmer, and Olga Kurylenko, to mention a few (still to be delivered); as well as over 300 posters (one-sheets, half sheets, inserts, and lobby cards), many of which I had restored and mounted on linen. There is also an Errol Flynn and Olivia de Havilland Collection, and it grows with each delivery.

The year 2021 was also a great year for my last published book, Sand Creek and the Tragic End of a Lifeway (University of Oklahoma Press, 2020), as it won two best nonfiction awards:

  • Western Heritage Museum’s Wrangler Award (which is major)
  • Colorado Authors’ League Award

Photo of Pailin Subanna Kraft & Louis Kraft just before entering the second banquet at the National Cowboy and Western Heritage Museum’s Wrangler Awards four-day event on 18sept2021. During the first banquet on the 17th Bruce Boxleiltner sat with us at our table, and then introduced me on stage when I accepted the Wrangler for Sand Creek and the Tragic End of a Lifeway. We had hung out together in 2012 when I won my first Wrangler and he was inducted into the Western Heritage Cowboy Hall of Fame. (photo © Pailin Subanna Kraft & Louis Kraft 2021)

Sand Creek and the Tragic End of a Lifeway was life changing for me as former University of Oklahoma Press editor-in-chief Chuck Rankin said to me after it was published: “This is your masterpiece!” Regardless if it is or not, it felt good for after almost three years of us discussing how I wanted to write the manuscript he agreed. And it was a challenge to fit everything together in a linear fashion, bring the leading and supporting players to life, while completing a book wherein I delivered it with the final agreed upon word count. Not once, but twice I cut over 60,000 words from the manuscript.

I can’t tell you how many wanna-be historians stuff their error-riddled fabricated pieces of crap that they pack with fiction disguised as fact exist. One of these wanna-be she-wolves with bottle in hand will dance in the street in delight if I die before her … I mean him … oh hell, I don’t know what this she-wolf is.

I don’t know when my next blog will go live, but it won’t be soon. … Don’t worry for it won’t feature any she-wolves.

Now to this blog …

My wonderful bro Glen Williams took this great image (right) of LK in May 2012. For me it represents exiting the past and walking into the future. In my dedication for Sand Creek and the Tragic End of a Lifeway (2020) I wrote: “For Glen Williams, my brother throughout time. Our friendship began in 1990 in a software company, and he soon became my best male friend ever. Our relationship has experienced a world of change that neither he nor I ever dreamed possible, but we have survived it. He is with me in life as he will be in deathforever linked.” Glen died on August 26, 2020, and my life has been a lot lonelier ever since.

(photo © Louis Kraft & Glen Williams 2012)

Perhaps an LK explanation would be nice

With my life, and my life expectancy, my upcoming books are my writing life. This portion of my future has been a long-time coming, and the shift in direction has been in my vision for decades. This means a number of things. ..

No more articles (I’m sick of my pitches being accepted and then an editor tells me he wants Gatewood,  Geronimo, or Custer articles—that’s past tense, as I don’t write about them any longer … not quite true with Mr. Custer (see below). Most likely there will be no more talks unless I receive my former fee of $750.00 and all expenses; no more writing for the software world and they eventually paid me six figures (I’m still approached multiple times each week) as I’m no longer Scrooge McDuck (of Donald Duck and Walt Disney fame). … This said, and when I quit the entertainment world cold turkey in the mid-1980s, I made it clear that I’d never act again. Oops! “Never say never,” at least for me, for in the first decade of this century I wrote four versions of a one-man show on Ned Wynkoop that played in Kansas, California, Colorado, and Oklahoma, and then a full-length play, Cheyenne Blood, that played for five weeks in Southern California. … What’s in my future? I don’t know.

Hopefully Olivia de Havilland enjoyed—as much as possible—her 104th birthday. I have every intention of enjoying my 104th birthday.

Key questions

As the years flash by at lightning speed there are two things that I now always ask myself:

  • Will I read the book or primary source material again for pleasure?
  • Do I need the book or primary source material for research?

If the answer is not “yes” to either question, the book/publication or primary source material has to go.

The Louis Kraft book list

The first three books in this list are most likely in the correct order, but after that it will probably turn into a flip of a coin numerous times before the following story ideas are ordered correctly.

Errol & Olivia (nonfiction)
This book has been in development since the mid-1990s. In case you didn’t know it, I’m “slow Kraft.” During this time the scope of Errol & Olivia has grown. This is good, as this manuscript will now include key events in their lives during the 1940s that are important.

Bragging aside, I have more primary source information about Mr. Flynn and Ms. de Havilland than I have for any of my Indian wars race relation books. For the record I have a ton on George Armstrong Custer; Lt. Charles Gatewood/Geronimo/Apaches; Ned Wynkoop/Cheyennes; and the Sand Creek massacre including Cheyennes/Arapahos, whites who married into the tribes, their offspring, whites who craved Indian land at all costs, and the few whites who spoke out against the sexual mutilation of human beings books, … meaning I have an EF & OdeH goldmine.

LK introducing my then girlfriend Diane Moon to Olivia de Havilland at an Academy of Motion Picture Arts & Sciences (Beverly Hills, California) on 15jun2006. There’s a story here. Hell, there’s always story in LK’s life. Do I tell it here? No, for it will be in Errol & Olivia. (photo © Louis Kraft 2006)

I enjoyed a 20-year letter correspondence with Olivia, and she invited me to her Paris, France, home twice to spend time with her and to interview her, as well as inviting me to the Academy of Motion Pictures Arts & Sciences gala when they honored her life and career. A large portion of my research on her and Mr. Flynn (and I have more on EF) is now housed at the LK Collection at the University of New Mexico’s Center for Southwest Research & Special Collections (it is the largest collection of them in the USA).*

Oh yeah Kraft knows the sword. I had planned on using art of Errol Flynn here, but got tired seeing my art stolen and then see it all over the internet. No one’s going to steal this collage for they couldn’t give a bleep about Kraft handling a blade. I will deal with EF’s swordplay in the books. I know that some people aren’t interested in this. I am, so they lose. This line of thought didn’t last long, for there is art of EF directly below. (all images © Louis Kraft 1970s & 1982)

* Any archival information I have, such as from the USC Warner Bros. Archives (Los Angeles, California), Arizona Historical Society (Tucson), or Colorado Historical Society (Denver), and so on, including photocopies, PDFs, and photos, belongs to the archive that I obtained it from and it can never be in the Louis Kraft Collection at UNM CSWR (not catalogued or available to the public yet) or in the first Louis Kraft Collection at the Chávez History Library, Museum of New Mexico, Santa Fe (created in 2002).

I changed my mind from the above caption as I’m certain that this image will not appear in my books. Flynn and Livvie (as Errol and others called Olivia) made their last film together in 1941—They Died with Their Boots On (Warner Bros.). Flynn played Custer and Olivia played Elizabeth Bacon Custer (“Libbie”). I have much to say about this film and their lives while working on it. (art ©  Louis Kraft 2013)

As with my last four Indian wars books Errol & Olivia will be published by a university press. The reason is simple: University presses strive to eliminate errors while including notes that allow their readers to locate and view the authors’ research whereas popular presses reprint errors ad nauseam while also printing new errors that will also be reprinted by writers too lazy to do real research.

My Flynn/de Havilland collection is locked down until this book and Errol Flynn: The Defining Decade are published or December 31, 2031, whichever comes first.

**********

The next book is fiction, and thereafter there is more fiction in my future than nonfiction (I know, pure heresy) but I’m a writer. I have written screenplays, plays, talks, articles, and books, not to mention 20 years writing for the software world. I have always been in control of my writing life (and even when writing technical documentation). Here’s two examples:

Louis Kraft at the Western Heritage Wrangler Awards event in April 2012. This photo was taken shortly before the book signing on the afternoon of the twentieth.

In 2011 Wild West magazine sent me a proof of my article, “When Wynkoop was Sheriff.” When I saw it I called photo editor Lori Fleming, and told her to enlarge my art of Ned Wynkoop on the first page of the article as it was dinky and the story was about him. She told me that the issue had already been designed and there was no room. I told her to remove one of the two images of Rocky Mountain News editor William Byers that I had supplied, and she told me “no.” “Fine,” I said, “kill the article for you will no longer publish it.” There was a long pause. “You call Greg, and talk to him!” she screamed and hung up. Greg was/is editor of Wild West, Gregory Lalire. I didn’t call. A few days later he called me and said, “I hear you have a problem.” “No, I don’t have a problem, but Lori does.” I told Greg what I wanted, and he said, “I’ll take care of it.” He did and “When Wynkoop was Sheriff” won my first Wrangler Award.

In 1990 when I landed my first writing job in the software world at Infonet Services Corporation I quickly realized that the only thing the other technical writer did was edit engineer copy when provided. Otherwise he spent his time on the phone with his girlfriend. I couldn’t believe what I saw. On my third day on the job I walked into documentation manager Howard Burnaugh’s office and told him that I needed the software for the product I’d be writing about on my computer. “Why?” “How can I write about a product when I don’t know how to use it?” I then added that I wanted a list of all the engineers that I’d be working with—two days later Howard provided both to me.

**********

Navajo Blood (fiction)
Before saying a word about this story that has been dormant since the mid-1990s, I was in the process of preparing yet another delivery to the LK Collection in the Chávez History Library, when I uncovered a polished draft of my novel and all the accompanying documentation.

I prepped it for that delivery, but it never happened as Tomas Jaehn’s pitch to create a second LK Collection ended my deliveries to Santa Fe. … Am I a traitor/deserter to the first LK Collection? Maybe, but the newly created LK Collection at UNM CSWR is, and will forever be, the greatest honor bestowed upon this writer who learned his craft by the seat of his pants.

Marissa Kraft sitting near a ledge on the north side of the three canyons that are known as Canyon de Chelly on the Navajo Reservation on 7aug2012. In the background is Navajo Fortress Rock, which is a key set piece for Navajo Blood . This was her third, and my fourth extended trip to the Canyon de Chelly National Monument, and the only national monument not on USA land. (photo © Marissa & Louis Kraft 2012)

Changing focus, in June 2019 my daughter Marissa Kraft and  I enjoyed a work and R&R trip to Tucson, Arizona, a city that I fell in love with in the 1970s, when my first wife and I spent a lot of time with her brother and his bride while he attended the University of Arizona. I can’t begin to tell you how much time I’ve spent there, but my research for the two Gatewood/Geronimo/Apache books kept me there for many months, and it is easily over six and a half months throughout the years. …

That 2019 June in Tucson Marissa and I saw and spent time with friend/literary agent Cherry Weiner at the Western Writers of America convention. We didn’t attend the event, but instead mingled with it at the hosting hotel. The polished genre draft of Navajo Blood was 65,000 words, and since discovering it I had been thinking about increasing its size by 35,000 words to make it an historical novel. Cherry totally agreed and might be interested. … The goal here is to add more Navajo words, culture, and mysticism, as well as more dialogue, character development, and action.

Colonel Kit Carson (right) receiving his orders from Brigadier General James Carleton in 1863 to launch a war against the Navajos, an assignment he didn’t want as the Diné were his friends. This is a detail of art displayed at the Bosque Redondo Memorial Museum in southeastern New Mexico. This museum is magnificent, and puts many national historic sites in the USA to shame.

The leading players are a Diné (as the Navajos call themselves) warrior, his granddaughter, Kit Carson, and his family during the early 1860s. I’ve shared more in the past, but not here. I will easily complete and polish a 100,000-word draft while continuing primary-source research on Errol Flynn: The Defining Decade.

Navajo Blood is also locked down at the Louis Kraft Collection, UNM CSWR, until it is published or December 31, 2031, whichever comes first, per my contract.

Errol Flynn: The Defining Decade (nonfiction)

I discovered Errol Flynn while in elementary school about two years before he died on 14oct1959. He grabbed my attention then, and believe it or not he has never let go. I’m going to say a few words that are probably in total disagreement with what has circled the news media, the internet, and in way too many publications since 1980 when Charles Higham’s heinous and untrue biography, Errol Flynn: The Untold Story, was published. In the United States you can defame the dead. In Canada you cannot defame the dead, meaning that in the USA Higham got away with murdering EF’s life and legacy. Not so in Canada where Higham’s despicable book was also published. Flynn’s two daughters Deidre and Rory with his second wife Nora Eddington sued him there. To avoid going to count Higham never again traveled to Canada during in his lifetime.

I hate to say it but there are other books as despicable as Higham’s or worse.

LK’s art based upon a 2009 photo taken at her home in Paris, France, in July 2009. Believe it or not years back a person accused me of creating this false piece of art us as I didn’t know Olivia. (art © Louis Kraft 2013)

For what it is worth, Olivia shared only a few thoughts about Higham’s book on EF or his book on her and her sister film star and Oscar winner Joan Fontaine. I share her thoughts on Higham in Errol & Olivia. Beyond that, she refused to talk.

As stated above more archival research is still needed and it is ongoing as time permits. The title says it all, and, God willing, I’ll see it published. Sorry, no more information at this point in time as there are thieves out there who would love to steal my story idea and publish long before I do.

My Flynn/de Havilland collection is locked down until this book and Errol & Olivia are published or December 31, 2031, whichever comes first.

Everything that follows will be determined when it is time to choose a follow-up book to Mr. Flynn. .. At the same time I’m wondering how much I can share of upcoming fiction without giving away too much of the plots.

LK Memoir (nonfiction)
This has been an announced project a decade or more back. Will it ever be written? I don’t know but hope so. There’s been a lot of failure, a lot of tragedy, a lot of special people, a lot of idiots (including a racist pig—my view of this piece of slim isn’t printable), a lot of incidents that will make you cheer or laugh or cry or scream or cringe. Say it “ain’t” so LK! Alas, ’tis so. …

The LK Collection at UNM CSWR includes a large section called “Louis Kraft Memoir,” and it grows with each delivery. It includes everything from notes documenting an event to historical documents, such as my father’s discharge from the U.S. Marine Corps on 1aug1946 to a package of hair with one word on the outside of the 8½ x 11″ manilla envelope that proclaimed “SHAME” in large red letters that made me thrilled that I lived on the West Coast while the lady who sent me the package lived on the East Coast as the threat was real.

My beautiful wife Pailin Subanna Kraft at the end of our Thanksgiving dinner on 25nov2021. I have just completed preparing this image of her with a caption for the third delivery to the LK Collection at UNM CSWR on April 25. Oh, the second portion of the dedication in Sand Creek and the Tragic End of a Lifeway stated: “And for Pailin Subanna-Kraft, my lady, best friend, wife, and love, who has accepted my life and world without question. Without her I would have no life.” After she became a U.S. citizen in 2020 she removed the hyphen from her last name and made “Subanna” her middle name. (photo © Pailin Subanna Kraft & Louis Kraft 2021)

I was working on the third LK Collection delivery to UNM during the Oscar telecast on 27mar2022, but had a link for “Oscar Winners” on the internet so during breaks I could see what was happening. On live TV Jada Pinkett Smith was verbally insulted/attacked before a global audience. This was not an ad-lib by any stretch of the imagination. No! It was heinous in its intent and Will Smith walked onto the stage and slapped Chris Rock on the face and then returned to his seat where he later yelled: “Keep my wife’s name out of your fucking mouth!” Mr. Smith has since taken a lot heat. On April 1st he resigned from the Academy of Motion Picture Arts & Sciences. while humbly apologizing for his actions.

I understand his live apology when he accepted his Oscar for best actor, again the following day, online, and his announcement on April 1st. He’s a real human being, and I have nothing but praise for him. On April 8 the Academy banned Smith from all events (not their wording) for 10 years. Will Smith had the perfect response: “I accept and respect the Academy’s decision.” … When your lady, your wife, you loved one is verbally assaulted as Jada was, or as my beautiful wife Pailin has been, it is totally unacceptable. …

Pailin didn’t learn of Will Smith defending his wife until the following morning when she saw the news on a Thai broadcast. I was working on the delivery to UNM and was at my computer when she asked me what I would do? I followed her into the kitchen, and when she turned back to me I swung at an invisible figure with an open hand. She grabbed me with joy and we shared a long hug as I would defend her in the flesh against some of the heinous insults that have been directed at her and myself, and they will be in the memoir.

In Errol Flynn’s great autobiography/memoir he attempted to tell the truth—good or bad—but it was mostly (not all; but mostly) from his memory. There are some errors (and not all were created by him; read his publisher or ghost writer). How many celebrity memoirs have you read? How many were total gloss-overs wherein the subject never cursed, never lied, never stole, never cheated, never did drugs, never was a racist? In other words they were God’s gift to humanity. The absolute perfect person. Errol got it right (however, if he had been living when it was published in late 1959 he could have been sued). If ever I write a memoir my goal will be to tell the truth.

Finally, and like Mr. Flynn, I need to be dead when this book is published as I don’t want to be confronted by a mob armed with guns, knives, bombs, and an army of lawyers.

Muse Eternal (fiction)
Archaeologist Olivia Mitchel uncovers a disturbing array of Anasazi bones at newly discovered ruins outside of Albuquerque, New Mexico. Close examination leads her to believe what she has found could be an example of ritualistic cannibalism. As this is heresy she keeps her discovery to herself.

This image was taken on 8sept1989 at Taos Pueblo, New Mexico. In this image my daughter Marissa is six and a half years old. At this point in time I may make Elsa, Olivia’s daughter, six while also considering making her 10 or 12. This decision is still floating on the wind. (photo © Marissa & Louis Kraft 1989)

Olivia, her daughter Elsa, and renown archeologist Charles Fairbanks go to Albuquerque for a weekend of R&R. Charles is Olivia’s mentor and lover. During their three days of partying Charles is invited to a banquet wherein the keynote speaker is a noted Indian wars historian. The evening of the event begins fabulously but ends on a sour note in the after hours when the writer named Jon Werner wins over Elsa while Olivia and Charles party with the elite of New Mexico. Later that night Olivia hesitantly presents her mutilated bone theory to Charles. He warns her that she is treading on dangerous ground. Many in the archeological field prefer the status quo of the Anasazi—that of the peaceful, sedentary people of legend. Olivia discounts the warning as little more than hidden jealousy.

The above is just a tad of what I already have in place with what could be a story that hopefully pops off the pages. Originally Werner was set to be a song writer/country singer but recently I changed him to a historian, as that will ease him into the plot with a personal interest in what is, or is not, happening.

This story is close to me; real close in ways I can never disclose. Because of this, Muse Eternal currently will become reality before The Land of the Heathen (at least at this moment). My view, these are two novels that I must complete and see published.

Land of the Heathen (fiction)

Land of the Heathen is based upon the Chinese presence on the Monterey peninsula and Stockton, California, in the 19th century. It deals with race relations during the 1880s, and yes it is a western. I have a lot of research already in-house, including an outline, synopsis, and character descriptions.

This photo of LK may represent the image that I use for Wade Hardin. (© Louis Kraft 1973)

Sheep herder Wade Hardin, brother Will, and his wife Emma defend their flock from white rustlers, but Will and his infant son are wounded. Hardin travels to Stockton to get a doctor and sell their sheep. To calm himself enters a saloon. Ling Cheng, a Chinese fisherman who was visiting friends, is pushed around by cattlemen. Normally, Hardin wouldn’t interfere, but still seething over the attack on his sheep he does and stands down the mob. Cheng departs, but Hardin is now seen as a Chinese lover and the town physician will not attend to his relatives and he receives no offers on the sheep.

When Hardin returns to camp, his young nephew is dead. Soon after cattle baron William (Billy) Johnson appears and offers a lowball amount of cash to buy the sheep. Although Johnson looks familiar Hardin accepts. He, Will, and Emma break camp and move south. At another Delta town, Hardin goes in alone for supplies. A celebrating Johnson is present and tells the sheep man, “I should have never paid for something I could have for free.” Hardin realizes that Johnson had raided his flock, and as he flees the cattle baron shouts out that Hardin “is in cahoots with the Chinese.”

Hardin finds Will murdered and Emma in shock. They flee toward Arizona but are tracked down. Hardin is shot, robbed, and  beaten. Just before Emma is raped she guts her attacker with a knife only to be shot to death. That night Hardin kills his guard and vanishes into the night on a stolen horse.

This image of Gong Li is from Zhou Yu’s Train (2004). Along with Olga Kurylenko, she is one of my top two actresses of all time. Mainly because both listen, react, and then speak. Way too many actors don’t do this. I’m using Li for my physical image of Tama.

Changing direction the wounded man rides toward the California Coast, eventually stumbling into a wooden shanty in Point Aloma, a Chinese enclave on the Monterey Peninsula. His arrival causes an uproar as the Chinese consider this white man a heathen, a devil, same as they do with all whites. Cheng arrives with news that the white devils hunt this heathen and that they make a gift of him.

An old man stands up for Hardin, as earlier he had seen him protect Cheng in the Stockton saloon. This brings the wrath of his Chinese brethren on him, but surprisingly Cheng agrees when white devils are seen riding toward the village.

Cheng hides Hardin in his house. But not all is good. The Chinese are wary of the devil within their midst and keep their distance. Hardin’s recovery is slow, and he has a difficult time adjusting to the cultural barriers. However, as he regains his strength, he attempts to fit in. Cheng’s children, and Tama, his sister, respond. The elders do not, and Cheng warns Hardin to keep to himself, as he is only welcome until he heals.

This is what a Chinese fishing town looked like on the Monterey coast about 10 years prior to Land of the Heathen.

When Cheng and the other men are at sea fishing whites invade Point Alones. Their assault includes rape of old and young. Hardin has recovered enough to step out from hiding and intervene, but Tama physically stops him. That night, after fishing, Cheng burns for revenge, but knows this cannot be. Then he sees the flicker of a relationship between Tama and Hardin. He takes Hardin aside and tells him that Tama is a rarity in the land of the heathen, the white man—a Chinese female who is not married and who isn’t a whore in the Devil’s world. She will marry one of her own. It’s simple: if Hardin touches her, he will die. … This is the beginning of the story.

Obviously this story is close to my life, and is a coin flip with Muse Eternal for which novel will be first. Best of all, and like Muse Eternal, I have a lot of research in house.

Reenter Howard Burnaugh,
LK’s documentation manager
at Infonet Services Corporation in El Segundo, California

I ought to say something here. In 1995 there was a major software convention in San Francisco that was free. ….  Howard had hired me as a technical writer in 1990 with zero experience (my background consisted of design and freelance writing).

I asked him if I could attend the convention, pitching that it would expand my knowledge on how to improve the look and feel of the books I currently wrote and designed. Without hesitation he said, “Yes.” … Before I left his his office he told me that he’d only pay for the airfare. The quotes I obtained were high. When Howard saw them he said, “No, instead I’ll pay your gasoline.” … That night I called great friends Tony and Cindy Graham, who lived in Santa Cruz, and asked if I could stay with them while I attended the convention. They said yes. I told them that I’d arrive on Wednesday evening and return home early Sunday morning. Tony and Cindy were oh-so key in my brother Lee’s life. Their children Sarah and Anthony were very young at this time. … On Sunday I detoured to explore Monterey, and stumbled upon a photographer’s shop that featured Chinese photos from the nineteenth century that he restored, printed, and sold. I spent three or four hours with him and bought Chinese Gold before I continued my drive south. All I could think about were the Chinese. By the time I got home I had a story idea.

On Monday I handed my gasoline bill to Howard. At that time I drove a 1982 F-150 Ford pickup (which he knew), and it didn’t get good mileage. When he looked at the cost I thought that he would faint, but then his face turned beet red. It was a struggle not to laugh. “If you had agreed to the air flight,” I said, “I would have stayed in an expensive hotel in downtown San Francisco that I couldn’t afford, but you didn’t. I stayed with friends in Santa Cruz.”

Untitled Kit Carson/Indians (nonfiction)
This untitled, and most-likely my last nonfiction book that deals with race relations and American Indians on the frontier, will focus on Kit Carson.

As the caption in the photo of this LK art of Kit Carson states, it is already in the first LK Collection at the Chávez History Library, and it is copyrighted art. … The art shows how Carson appeared in the first portion of the 1860s. This portion of Carson’s life may or may not be in my nonfiction manuscript. Research will be the determining factor.

This manuscript has been in the works for a long-long time, and is of great importance to me. And doubly so, for like my previous Indian wars books, it is a story that has never been told as I hope to tell it, and then with only a paragraph or three that shares nothing or is so fictional or biased that it should have never been printed. Shame on the publishers!

As always I have a lot of information that is already in-house, and much of it is primary research. But it is not enough. More primary source research is required, and it is mandatory to proceed with this manuscript. If I can’t discover and mine what is necessary it will be a tragedy for then my last nonfiction Indian wars book will have already been published.

For the record, if I am lucky, obtain long lost information, and draft a decent manuscript, my publisher of choice will be the University of Nebraska Press. If this happens, the reasons will be shared.

The Pirate Drake (fiction)
“The Pirate Drake” is mostly what I call Francis Drake, but I doubt if it will ever be a book title. … A lot about the pirate Drake needs to be said (but not here). This said, I should begin with director Richard Steele Reed, who was my acting manager in1976-1977. Unfortunately Richard is long gone, that is he no longer walks Mother Earth. After I had returned to Los Angeles after a summer of dinner theater in Lubbock, Texas, we contracted. It was a good working relationship, but it wouldn’t last. During this time we partnered on a novel dealing with Drake’s early piratical voyages to the New World. I wrote, and even then I had all the books published on Drake to that point in time, while Richard, who knew nothing about the pirate, edited. Alas, this story went on hiatus in 1977, which was good for me as my future life as a writer had just exploded although I wouldn’t realize this for years. This sounds like fiction—unpublished Kraft fiction—but it isn’t.

This image shows Drake’s ship entering a small harbor. His vessels were much smaller at the end of the 1560s and into the early 1570s. It was during this time he befriended the Cimarrons, mixed-blood African slaves who escaped from the Spaniards and married indigenous people who lived in Panama. The art is in the Louis Kraft Collection in Santa Fe.

This portion of Drake’s life isn’t well documented as there isn’t much documentation at this time of his life as he lived in obscurity. He sought revenge against the Spaniards who had promised that John Hawkins’ damaged fleet a safe harbor to repair vessels but then attacked and destroyed all the English ships save two: a small vessel named the Swan that Drake captained and another that Hawkins had boarded after his ship was engulfed in flames. … As soon as possible Drake made exploratory trips to the Caribbean Sea and the Spanish mainland to decide how he would begin his private war against Spain. During this time he wooed and won Mary Newman, who became his wife in 1569. The pirate Drake’s war against Spain began in 1572.

The Pirate Drake (nonfiction)
… And he has the potential of jumping to the top of this list in a heartbeat but it won’t happen. This is no joke. No joke. Francis Drake has been with me since early childhood, but for some reason has always been pushed to the back of my writing life.

The second time was when the Golden Hinde II was docked in Oxnard, California, but I only have photos of the vessel and not of me on it.

For the record, I’ve always been a pirate, and have always walked shoulder to shoulder with Francis Drake. I’ve made a point of exploring the Golden Hinde II as this was the vessel in which he circumnavigated the globe (1577-1580). Folks, this was a major accomplishment.

LK photo of the replica of the pirate Francis Drake’s Golden Hinde II in Oxnard, California (June 1988). Unlike my first and third times aboard his vessel I didn’t have it to myself, as his ship was jammed with people. (photo © Louis Kraft 1988)

Francis Drake was an exceptional human being. If you study the second half of the sixteenth century and are aware of the racial and religious hatred that were predominant, and more the brutal and at times the savage butchery of human beings at this time, you may understand my attraction to Drake the pirate.

Yes, he was a pirate, and the Spaniards considered him a pirate during his entire life even though he was knighted by Queen Elizabeth I of England after the circumnavigation. But he wasn’t the typical bloodthirsty pirate who butchered other human beings. Instead he treated them with respect (even though he hated Spain for their heinous murder of indigenous people in the New World and Protestants whenever captured). By the end of my college years Drake had hooked me, and thereafter I have purchased everything on him that I could find.

What’s this book going to be about? I’m not sure yet, but it will not deal with anything in my novel about him. For more on the pirate Drake see: https://www.louiskraftwriter.com/2017/05/20/the-pirate-francis-drake-and-louis-kraft/.

Phraya Phichai Dap Hak, the soldier with the broken sword (fiction)

I discovered Phraya Phichai on my second full day in Thailand in November 2014 after I joined Pailin in her homeland, and it was her first visit since leaving in 2004. We mostly stayed with family and friends (one cottage on my first night after joining Pailin and one hotel on our next to last night). Pailin’s good friend Colonel Daranee Konsin (retired) opened her home to us in Lampang. Her statue was the same as I would see time and again. Next we lived with Not and Font Subanna (they are Pailin’s sister and brother-in-law). We spent nine or eleven days with them in Uttaratt and the trip to Bangkok.

Art of Font Subanna & LK at his home in Uttaradit, Thailand, on his birthday (27nov2014). I created the painting in 2016. (art © Louis Kraft & Font Subanna 2016)

Sabrina Subanna, Not and Font’s daughter, and Pailin’s niece is her only relative in the USA. Luckily Sabrina and her hubby Carlos Castillo live near us as Pailin and Sabrina are sisters. Sabrina’s sister Lek and her husband Sophon, who live walking distance from her parents, gave us a tour of their city, and as I learned it featured Phraya Phichai. This included a huge museum that housed three paintings of him and finally the Temple where there is a huge statue of him (that the small ones replicate) plus a museum that featured him.

A boy named Choi (which meant “little one”) was born in 1741. While still a boy Thai boxing grabbed hold of his life and would not let go. Without his parents knowledge he studied it. At an unknown date he met Thiang, a master trainer who saw his potential. Although unknown at the time, their connection was key to the boy’s future. When twenty years old and now known as Thong Di he was in the town of Tak during an annual festival that included boxing matches. An unknown in the boxing world, he entered the contest but refused to fight anyone but the best. Arjarn Nai Hao, the town’s master agreed to the fight anticipating an easy victory. To the crowds’ surprise, the upstart defeated the master. Phraya Tak, who hosted the boxing matches and was an officer in the Thai army, asked Thong Di to enlist. He did.

Who says they don’t raise cowgirls in Thailand? Not true and I have photos to prove it. What you see here is Pailin Subanna in the front yard of Tujunga House in 2013. My bro in Thailand Font Subanna gave me his statue of Phraya Phichai in 2016 when Pailin visited. The soldier with the broken sword has been on my desk ever since. (photo © Louis & Pailin Kraft 2022)

Years passed, and Phraya Tak became King Taksin, “the great of Thonburi.” During all this time Thong Di never lost a boxing match. This impressed King Taksin and he asked him to become his bodyguard. But King Taksin’s kingdom was only a portion of Siam, much of which was under Burmese control. Between 1766 and 1769 Kao Tsung, the emperor of China, invaded Burma four times to stop its aggression but failed.

LK took the photo of the monument to Phraya Phichai Dap Hak. Lek and Sophon spent one perfect day with Pailin and myself in 2014, and it concluded here. They purchased the postcard (left) for me. The art at right was created by a monk (I have his name and need to find it). (photo © Louis Kraft 2014)

During this time Phraya Tak/King Taksin saw an opportunity and began a revolt with 500 followers including Thong Di. at one point Taksin was forced to flee to the East Coast of Siam. It was here that due to Thong Di’s prowess in battle and leadership abilities Taskin made him commander-in-chief of the military. Total war was declared against Burma. Thong Di, who fought with two swords, at the front of his army, hadn’t broken his sword yet. When he did it would turn him into a legend.

With Pailin I am lucky to enjoy many video phone calls to family and friends in Thailand. I enjoy our talks with TookTa (Monrumpha Subanna), Pailin’s sister, who I didn’t meet when I visited their homeland. During a recent conversion with my lady and TookTa she asked about my projects. I told about “Phraya Phichai Dap Hak,” the soldier with the broken sword and of my desire to hire a Thai historian who was fluent in English to do primary source research with me when next I travel to a country that has welcomed me with open arms.

LK’s office in the backyard of Not and Font Subanna’s home in Uttaradit on 26nov2014. (photo © Louis Kraft 2014)

TookTa told me that there isn’t much known about him. I replied that was what I thought. If true, and I totally strike out, it would eliminate any chance doing a nonfiction book on his life. Still hope burns eternal.

I have dueled with sabres in competition, I have learned swashbuckling/stage combat and have choreographed and fought duels on stage. When I return to Thailand I want to learn how to duel with two Thai swords.

Thai culture, language, religion, dialogue, action, character development and Phraya Phichai Dap Hak’s life will make a great novel.

LK’s future writing life has arrived.

Sand Creek Massacre, Errol & Olivia, Pailin’s big day & Louis Kraft’s dark times

Website & blogs © Louis Kraft 2013-2020
(All rights reserved.)

Contact Kraft at writerkraft@gmail.com or comment at the end of the blogs


Pailin and I hope and pray that all of you, your loved ones,
and friends worldwide are healthy and safe.

I never thought I’d make it to this wonderful time in my life,
and let me tell you that I feel like the Devil’s got a strangle hold on my left leg
and isn’t about to let go. … Not a good feeling.

Pailin took this photo of me in our front yard—which is always a place of peace for me—after a sleepless night but a good early morning on 7mar2020. I chose to use it here as an introduction to my current writing world and hopefully the beginning of the end of a living nightmare that began in June 2019. Not a promising start for what will hopefully be a very positive blog. At the same time the last nine months have perhaps been the best in my life. My brain functions—it always functions—and it has been key to me maneuvering through a maze of dead ends and false leads while not only making my deadlines, but setting myself up for the best times of my life. If not yet, the answers are getting closer. (photo © Pailin Subanna-Kraft & Louis Kraft 2020)


Sand Creek
and the Tragic End of a Lifeway
has become reality

I completed all of my work at the end of December 2019,
and damnit to hell I miss it! There is a big hole in my life but Errol & Olivia is
doing a good job of lessening the loss (see below).

Available at

University of Oklahoma Press
Amazon
Barnes & Noble
Goodreads
Target
and various National Historic Sites and museums

At first this project seemed like it was from hell, … a hell without end. Physically it has cost me a lot. If I had guts I’d post a recent photo here—an image taken between hanging from a limb and yet being able to scramble to safety yet again. When I was young and playing sports, we used to have a saying, “No guts, no glory.” Today I have no guts, which means no sharing of a photo wherein I’m hanging from that limb and it is starting to crack. … If I did, some of you might cringe, and I don’t want that.

Doris and Louis Kraft Sr. in Yonkers, NY, in 1947. Both were born in Yonkers, as I was, but in less than six years would migrate to Southern California, a state they had long decided would be their home after they had driven across the country twice to visit it. (photo © Louis Kraft 1947)

As the days pass, I’m good with where I am. However, I should share some words that I said at my father’s funeral in 1999:

“As my papa got older, his world shrank. By the time he died, the furthermost extension of his world was his neighborhood. And what a neighborhood it was. When I was growing up it was just like one of those fantasy neighborhoods in the ‘sixties TV shows. The world changed, got harsher, different—but not the neighborhood. It remained the same. It was still that fantasy neighborhood from a 1960 TV show. Pardon me, for I know I’m going to forget someone, and I don’t mean to. You all played a big part in my papa’s life, and Linda* and I will remain forever grateful.”
* Linda was my sister (24dec1950–1mar2006).

This was the only software badge that I bothered to capture. Sun Microsystems was flourishing when it purchased Seebeyond, but five years later it was spiraling toward oblivion when Oracle bought it for peanuts on the dollar.

My neighborhood isn’t like the one I grew up in, for it isn’t magical. That’s okay, for many people of different races and cultures surround me. I like this. My house was built in 1928 and I have lived in it since January 1993. It’s home, and I love it here, as my dad did his final home that he bought in 1955 (yeah, I’ve got a ways to go yet). Still, my life has begun to mimic his, for as I age, my world has also shrunk. (Certainly current events have impacted the previous sentence tenfold.) Maybe I’ll talk about it, and maybe I won’t.

Still, I should share that my life includes my small family of six (representing three races); Pailin’s family and friends in Thailand; our Los Angeles connections; and all of my friends that I met during my personal quest of knowledge, exploration, and creativity. This includes writers, historians, editors, directors, actors, artists, museum and National Park Service personal, the entire software world (which played a major part in my development as a writer and human being), and everyone else that has touched me in one way or another.

Sand Creek & the world it created for me

I am going to share photos of some people that have played key roles in bringing the Sand Creek story from the mists of Neverland to the reality of a book.

LK and Glen Williams, my bro for all time, on a road trip to Tucson, Arizona. On 15jan2012 we had just arrived at Mission San Xavier del Bac. I needed this trip with my good friend; some research (walking into the past and reliving it, if only for a short while), but more importantly doing some mending within myself.(a joke times two in 2011; if I ever share these two episodes from my life that are joined at the hip for all time you’d fall off your chair you’d be laughing so hard). … My sister-in-law worked with the Indian kids at the mission school in the early 1970s. I have some photos from that time, and need to find them. (photo © Louis Kraft and Glen Williams 2012)

Alas, there are many people who played major roles in this process but I don’t have images of many of them. This said, I don’t want them to be ignored or forgotten, and hopefully they won’t be.

An obscure beginning to the Sand Creek story in the 1980s

When I was preparing to walk away from the entertainment industry cold turkey in the early 1980s—and I was about to turn my back on writing screenplays as I had already had begun to write and sell magazine articles—I decided to write a novel about race relations during the time of the 1860s Cheyenne wars. By this time I was aware that some U.S. Indian agents were using their government-appointed positions to become rich by working with traders to steal from their wards. At this time my Indian wars knowledge was minimal other than my study of George Armstrong Custer, which was decent and growing.

LK walking with Leo Oliva (left) and George Elmore (right) on the parade ground at Fort Larned in Kansas on 12may2012. NPS ranger Ellen Jones shot this image as we were walking toward the reconstruction of the building that Ned Wynkoop rented from the post trader for his Cheyenne and Arapaho Agency, which was just outside the southwest perimeter of the fort. Since the early 1990s George, who is now chief historian of the National Historic Site, and Leo, who is a historian, writer, and lecturer, have played major roles in my understanding of the Cheyenne Indian wars. Ellen, after a long career in public service, which includes 17 years at Fort Larned, is retiring this April.

I had seen a little of the soldier turned Indian agent Edward W. Wynkoop in general Indian wars books (a paragraph or two here and another there with both saying basically the same thing), none of which I could recommend at this time for no matter how accurate or how inaccurate they were, the authors glossed over their subjects with a scattering of facts. Worse, much of the information was repeated from book to book with little that was new.

Jack Hines art of George Armstrong Custer and Sitting Bull in “Two Trails to Destiny.” I’m not crazy over his text, but I’ve always liked his portraits of Sitting Bull and Custer, even though he based his rendition of GAC on a famous Civil War image of the soldier. Oh, for those of you who aren’t  aware of it, Custer had his already short hair cut before setting out on what would be his final campaign in May 1876; he died at the Little Bighorn on June 25, 1876. I state this as some people who have seen the Warner Bros. 1941 film, They Died with Their Boots On with Errol Flynn and Olivia de Havilland mistakenly think that the battle site was a short distance from Fort Abraham Lincoln, and it was not. (painting © Jack Hines 1985)

I was well aware of the Indian Ring (or tradership) scandal of 1876 due to George Armstrong Custer’s testimony in March and April of that year. This led to President Ulysses S. Grant’s secretary of war William Belknap’s resignation, and his brother, Orvil Grant, being implicated. An angry president refused to see Custer, and when the lieutenant colonel left Washington D.C. without orders he was placed under arrest. This almost removed Custer from taking part in the 1876 Sioux war. Again, those film buffs who know They Died with Their Boots On (1941) intimately, Custer was punished, but it wasn’t for exposing a fake war due to gold being discovered in the Black Hills but for his participation in the Indian Ring scandal. Also, Custer wasn’t reinstated to command the Seventh U.S. Cavalry due to Flynn’s Custer confronting Grant. No! Generals Alfred Terry and Philip Sheridan requested that Custer be reinstated.

As Wynkoop was good looking, had risked his life to meet with warring Indians in an attempt to end a war, and had later become an Indian agent, I decided that he would make the perfect villain for my novel. I began to research him, and Oops! … He wasn’t who I thought he was, and he wasn’t on the take. I never wrote that novel, but my discovery of who Wynkoop really was led me on a journey that has continued to this day.

Portrait of Wynkoop that has been published in two books and I think three magazines. (art © Louis Kraft 2007)

Ultimately it would be how he reacted to the Sand Creek Massacre that allowed me to be open to writing a book about the subject. This said, it took roughly 25 years before a friend who had a hand in Lt. Charles Gatewood & his Apache Wars Memoir being published and who contracted Ned Wynkoop and the Lonely Road from Sand Creek broached the subject of writing a book that I had no desire to write. He pitched that I had a lot of the required information in-house.

I didn’t have anything close to all the research in-house, but I didn’t know that then. Luckily then University of Oklahoma Press editor in chief Chuck Rankin didn’t give up.

LK with OU Press Editor-in-Chief Chuck Rankin at the Western History Association convention in Oakland, California, on 15oct2011. Chuck gave me the Wynkoop book poster hanging behind us. I framed it and it has been displayed at Tujunga House ever since. (photo © Louis Kraft & Chuck Rankin 2011)

I said “no” numerous times, but Chuck—God bless him—refused to accept my answer, and the rest is history. … Meaning he won me over, we worked out a proposal that was acceptable to both of us, the contract was signed, and I quickly descended into the depths of hell as I struggled to locate mandatory information while at the same time trying to piece the jigsaw of facts and quotes and actions of the leading and supporting players into a readable story.

Although the beginning of the project was a disaster as I searched for what was mandatory to bring the story to life, I did find numerous leads that led to block walls and dead ends. At times this was costly, … not always in cash, but always in time—special time, which is oh-so fleeting for it is something that is gone in a flash never to return except in our memories. This said, some of these failures are worth their weight in gold, for they proved without a doubt that what appeared to be history was nothing more than fiction that had been reprinted so often that it is now accepted as fact.

Gordon Yellowman (left) and Harvey Pratt standing on the overlook to the Cheyenne Washita River village site where Chief Black Kettle and his wife Medicine Woman Later where killed by Custer’s troops when the Seventh U.S. Cavalry charged into the village at dawn on 27nov1868 without knowing who the occupants were. On that day Harvey spoke about Cheyenne warriors from the past and in today’s wars around the globe. Gordon blessed the village site on this day, and on the following day talked about what it was like to be a Cheyenne chief. (photo © Louis Kraft, Gordon Yellowman, and Harvey Pratt 2011)

Of course there is one instance of this that isn’t true. Actually the documents exist but the Oklahoma state government—in an effort to hide the theft of American Indian land—blocked the access to this valuable information from researchers such as myself as the dark past had to vanish to protect the guilty. This was also tragic to historian Dee Cordry, whose upcoming book on key players that I also write about will be must reading when published. Harvey Pratt, his good friend, and a man I was privileged to meet at the Washita Battlefield NHS during a two-day symposium wherein we both spoke in 2011, provided us with the citation we needed.

My memories of the entire process of creating Sand Creek and the Tragic End of a Lifeway slowly morphed into the best project of my life. It far exceeded anything from my acting career, anything from my software writing career, and anything from my fictional and nonfiction projects (including articles and talks). This is a big statement from me. … One of the highlights was Gordon Yellowman allowing me to use his magnificent art, Sand Creek, on the cover of Sand Creek and the Tragic End of a Lifeway.

Pailin took this image on 3oct2014. Good friend and great Cheyenne and Indian wars historian John Monnett (center) and his wife Linda took us to the Sand Creek Massacre NHS in southeast Colorado. Before walking along the bluffs to the west of the extended village site Jeff C. Campbell (NHS ranger–interpretation) kindly spent time with us. I consider him the foremost expert on the village and the terrible actions of November 29-30, 1864. He has since provided me invaluable information in phone conversations, and by providing his documentation and commenting on mine. I can’t begin to tell you how much John has contributed to my understanding of the Cheyenne wars of the 1860s. This was a good day for me. (photo © Jeff C. Campbell, John Monnett, Pailin Subanna-Kraft, and Louis Kraft)

Southern Cheyenne Chief Harvey Pratt (left) on 30mar2017 near El Reno, Oklahoma, when he was honored by the Cheyenne and Arapaho tribes for his service to the tribal community. He is with his friend Dee Cordry, an historian and former police officer, on the day of the ceremony. Eleven chiefs of the Cheyenne Tribal Council of Forty-four were present, as were the tribal governor and lieutenant governor. (Good friend Dee Cordry shared this image with me.)

I’m already feeling the loss of having a day-in and day-out schedule that was non-ending. No matter what else I had to complete, and there was a lot going on during these long-long years that I had to deliver: talks, articles, software books (I think that my last full set of books at Oracle was 23, which I delivered on deadline—I think the cost for them was $100,000), and a novel from hell (but it contained many of the same obstacles as did the Sand Creek manuscript, and I used it as a training ground). I’m proud of The Discovery, a medical-legal thriller that goes in totally unexpected directions and of the Sand Creek story.

One thing that I have is a brain, and it functions on all cylinders at all times.

But that doesn’t mean that there aren’t a lot of people who help me, for there are, and they range from good friends from my Indian wars, American Indians, and Golden Age of Cinema connections. This also includes archival staffs, library staffs, and book and magazine editors and their staffs. Some I know in the flesh and have spent good times with them in SoCal and in many locations across the USA from Virginia to Tucson, Arizona, and in the case of Olivia de Havilland in Paris.

I have many-many more who have worked with me on the phone, via email, and with letters but have never met in person, and some of these people have become good friends, especially Dee Cordry, who, God-willing, I’ll meet in person later this year (at the moment COVID-19 has put that trip in jeopardy). For a number of years now Dee and I have enjoyed an open-door round-robin phone calls and emails wherein we’ve done everything possible to help each other out with our writing projects. Dee administers a terrific page on Facebook that I highly recommend: Cheyenne Trails & Tales. It is a wonderful location to learn about the “Called Out People,” the Tsistsistas (Cheyennes), and rub elbows with them and other American Indians, artists, writer-historians, and people who know and care about their lives, culture, and history.

Harvey Pratt, who, as mentioned above, came to my and Dee’s rescue with invaluable documentation that is related to his family, but is no longer available to writer-historians due to a law that the state of Oklahoma set in place years back to protect unscrupulous people that were thieves and worse. I can’t begin to say how grateful I am to him for his kindness.

I created this painting from a photo I took of Paul and Connie Hedren at the National Cowboy and Western Heritage Museum Wrangler Awards in April 2012. Paul won a Wrangler for his book, After Custer (OU Press, 2011) and I won one for “When Wynkoop was Sheriff” (Wild West, August 2011). (art © Louis Kraft © 2016).

There have been many others who contributed, and one, Indian wars historian Paul Hedren did an in-depth peer review of the Sand Creek manuscript that was easily worth a bag of gold. So did my other peer reviewer but this person chose to remain unknown. As I know a lot of writers who distain or refuse to consider constructive criticism, I have just a handful of words for you—stuff your egos in a box and do what you can to improve your work. … Once there was a Custer historian who thought that he was God’s gift to Indian wars history. Decades back one of his books was being reprinted by another publisher, and I asked him if he would do anything to improve it. He answered, “No. It’s perfect.” He moved on to the other side many years back. Before he did, I never had the guts to tell him that I couldn’t get through the first chapter of “his masterpiece.” Back to Paul; he’s an award-winning author and a well respected authority on the Indian wars. Thank you, Paul, from the bottom of my heart.

I had hoped to post photos and talk about others here, but due the unfortunate truth that I don’t have photos that I had requested of many of them, along with the fact that I don’t have enough room to do so, I hope to address this in future blogs.

LK’s writing world is an ongoing swirl
of research & creativity

Errol & Olivia

Know that some of my copyrighted photographs have been lifted illegally; ditto some of my art. All I can say is that it is a sad state of affairs in the United States when distortion, lies, theft, and violence are condoned. A sad state. The current government is responsible for this (and I have little respect for most of the elected candidates in both major parties), for most of our elected officials think nothing about blatantly lying while doing everything to better the rich at the cost of the electorate, and in some cases doing everything possible to destroy anyone who disagrees with them.

I know, … a strange beginning to my current number 1 book project. I know.

This photo of Tujunga House was taken on 13oct2016 shortly before nightfall, and for the record our rooms are in constant change. One of the reasons is downsizing. To date the largest hit has been on books and research (and I hate to say it but they are in every room except for the bathroom and kitchen). It’s simple with the books. Do I need them for my current and future projects or will I perhaps read them again for pleasure? If no to either question—good bye. This is similar with the research, except some of the past as well as some that is still in the future is going to move to the Louis Kraft Collection at the Chávez History Library (History Museum of New Mexico, Santa Fe) later this year. I had hoped (and still hope) that this could be an in-person delivery. If not, it will be via FedEx. I sold a lot of American Indian (actually everything I had up for sale last year), Custer, Indian wars, and fiction. More has since been boxed for local bookstores but my health shut that down. COVID-19 has now shut down the local stores (although one bought four huge boxes prior to the Federal government waking up to the fact that the pandemic is real) and a surgery has shut me down until mid-June. More will be eliminated ranging from Custer (my collection is still huge), more Indian wars, probably some film stuff, certainly more fiction (including a first edition Steinbeck along with other key novels), and whatever else I dig up. … Back to the room, which enters into my office and then into a hallway. Change is good, but there’s always a part of me present (and now a part of Pailin is in all the rooms, and you can see some of it here). This said, some of what you see are key to my future writing. The Flynn posters have been up for a long time for two reasons: I like them and each time I look at them they remind me to get the work done! The two small framed images by the lamp are of the pirate Francis Drake for the same reason. The two swords I designed, and they are totally illegal in dueling competition. They are your basic sabres, except that the blades are for épées (where you score points by merely plucking a wrist or arm with the point of the blade) and they don’t bend like foils or sabres, the bells are for sabres but are oversized (and not allowed in competition). Almost all the good dueling you see on stage or in film is with both thrusting and slashing, which you do with sabres. (photo © Louis Kraft 2016)

Progress
Progress is slow, but good. … This is the only way that I work, and honestly I’m thrilled. Just so you know, I easily have enough research in house to complete this project, but believe it or not, since I have returned to Errol & Olivia full time in January 2020 (not counting about four weeks that I have lost due to my health and other work that had to be dealt with, including this blog) my research continues to outpace my writing by easily 75 percent of the time that I have allotted to this manuscript. This is good, for as my knowledge grows so does the twists and turns in the storyline. This  is how I work, and for me it is the only way to work. And this means that I must be focused at all times while being ready to change direction at the drop of a hat.

Scope
The scope has grown considerably, but there’s nothing new here for the growth was already in place in 2015—I just didn’t advertise it. More exactly I needed to sit on this growth for five years. Am I good with this? You bet! Currently this expansion is already over 30,000 words, and more is a comin’.

The reason should be obvious, and it is based upon how long it takes me to complete a polished draft, and the fact that I need to live a long time for there are other Flynn book ideas hovering on the horizon.

What I bring to the table
I wrote these words in August 2013, and they are appropriate here.
I think you need to know a little about me that relates to me being capable of writing Errol & Olivia. Obviously I write biographies, but more is required. I don’t want to drag this out with a lot of words, so we’ll use a few bullets:
  • I discovered Flynn and de Havilland’s films when a boy
  • Flynn’s acting and writing influenced my life
  • While a young teenager I studied fencing with Ralph Faulkner in Hollywood
    • This led to me learning sabre and dueling competition in college
    • It eventually led to me learning “swashbuckling,” or stage combat, and choreographing duels and dueling on stage
  • In junior high school I began studying acting and performing
    • This continued in high school
    • In college I majored in acting and directing
  • For about 15 years after college I attempted to survive in the acting world
  • After quitting acting I have survived as a writer
  • When opportunity presented itself in 2002 I returned to the stage but only in plays I have written
  • I have a track record of bringing historical figures to life in print, on stage, and when speaking before an audience … not to mention my skill with a blade

LK working out with a lady I loved crossing swords with on 3dec1981, as she was a good swashbuckler and fun to be around. That’s our coach on the right side of the image as he and a cameraman shot this workout. Alas, I never saw the filmed footage. (photo © Louis Kraft 1981)

I believe the above qualifies me to not only write about Mr. Flynn and Ms. de Havilland but to approach their lives during a very short period of time in a different and perhaps avant-garde manner. These words are key, for they provide a hint to how I’m writing Errol & Olivia. … And better, I’m going into detail and it’s going to be fun detail; fun and multi-leveled. All I have to do is make it happen.

“Must See, Must Read”
Five intriguing books and five films about the Indian Wars
by Louis Kraft*
Wild West (August 2014)
They Died With Their Boots On (1941, on DVD, Warner Home Video): If Errol Flynn hadn’t played George Armstrong Custer, there would have been no Kraft writing about the Indian wars. Long years past through the present day, critics of this film have pounded it for its historical inaccuracy. Although true, let me invite you to actually research it—which I’ve done since the mid-1990s in preparation of multiple books on Errol Flynn (the first to be called Errol & Olivia). The thrust has been simple: In 1941 Warner Bros. feared being sued, and historical players and facts changed to fiction. Even though the film is fiction, it is so close to truths that have been disguised and altered that it’s scary. I can’t list them here, but trust me, for ’tis true. Don’t buy it? Do your own research. … Errol Flynn’s performance as George Armstrong Custer is magnificent, for he captured the spirit of the man; and Olivia de Havilland is perfect as Libbie Custer. It is arguably Flynn’s best performance, and by far their best performances in the eight films they did together.”
* This column is ongoing in Wild West (by contributors to the magazine).
Usually five books and five films have mini reviews. I made my comments personally related to my writing career. This issue also included two other LK articles.
One, a feature, “Wynkoop’s Gamble to End War,” was, I believe, the best
article that I have written about Ned Wynkoop.

Errol Flynn as George Armstrong Custer in They Died with Their Boots On just before he sets out for Montana Territory and destiny, and the real Custer 11 years before his death at the Battle of the Little Bighorn. For the record Custer set out from Fort Abraham Lincoln in Dakota Territory on his final Indian campaign on May 17, 1876. He didn’t engage Sioux, Cheyenne, and Arapaho Indians on the Little Bighorn River until June 25, 1876. This fact is here for, believe it or not, people have stated to me numerous times that Custer fought his final battle a day or two after setting out. (This image is in the Louis Kraft Collection)

A glimpse at Captain Blood

Here I’m talking about Rafael Sabatini’s great 1922 novel, Captain Blood: The Odyssey, and the classic 1935 Michael Curtiz-directed Captain Blood, which made Errol Flynn a superstar (this term wouldn’t be created until decades after his death) and Olivia de Havilland (and she said this), “a small star.”

This image is based upon a photo taken during a workout shortly before nightfall on 15sept2015. For the record, stage combat/swashbuckling is done with a minimal amount of protective gear, such as elbow and knee pads. Also, in case you didn’t know, the slashing offensive moves have numbers with the same numbers attached to the defensive actions to parry (block) the attack. It’s just like dance, and both combatants must know the moves in slow motion before confronting each other in real time. If not, and one of the duelists gets lost, he/she must get back on track by calling out the numbers so that both parties know exactly what is happening, or simply back off and halt the encounter. I know this for a fact, for while playing Miles Hendon in a 135-performance tour of The Prince and the Pauper in Northern California in 1982 I came within an inch of losing my left eye when the villain got lost and improvised. After the performance the other actors had to hold us apart as I wanted to tear his head off. … When allowed, the first thing I’ll be doing is strengthening my legs, midriff, and arms, and then working out with a blade. BTW, that’s my hair. Yep, sometimes I’m a little slow cutting it. Also I was trying to sell Johnny D. Boggs to allow me to adapt his great novel, East of the Border (Five Star, 2004), which was about Wild Bill Hickok joining Buffalo Bill Cody and Texas Jack Omohundro on the stage. I wanted to play Hickok. Neither Johnny or my great friend and only director this century, Tom Eubanks, weren’t interested. After several years I gave up. You win some and you lose some. Oh, Mr. Eubanks, this image is for you. Guess why. (image © Louis Kraft 2020)

Sabatini’s Captain Blood played a large role in the creation of the Curtiz film, which is in stark contrast to his terrific novel The Sea Hawk. I’ll spend a fair amount of time with the story line of the film, as I think what I’ll say is important. Also, what I have discovered this year has improved my view of the film at least tenfold.

I don’t think that I’m giving anything away when I state that the only thing that Warner Bros. used from Sabatini’s The Sea Hawk, was his title.

That’s it? That’s all you’re going to say about Captain Blood?

I know, … I know, and I know, but I need to say something and it is important:

I could easily add 7,500 words to this blog discussing Captain Blood, my progress with Mr. Flynn, Ms. de Havilland, and the early part of their life and times working together at Warner Bros. The lead-in to this section guarantees that I must keep my mouth shut or face the consequences—the ongoing theft of my copyrighted material, and facts turned into readable prose is a much greater loss than the images. Besides if I share everything there would be no reason for you to buy the book.

I track the thefts. Obviously I don’t have the money to sue each and every cretin. This said, if I ever meet one of them in the flesh, I will deal with them exactly as Mr. Flynn dealt with columnist Jimmie Fidler. Those of you who know Flynn, know exactly what I’m talking about (but it will be juicier than what you know); those of you who don’t will be in for a treat.

E&O on a daily basis

I bought this book (left) when it was first published in 1962, and although treated with kid gloves it hasn’t aged gracefully. The pages have all yellowed and the cover has begun to darken on the edges. There are a lot of quotes in the chapter on Flynn, but I don’t dare trust any of them. That’s right, my view of this book is not worth stating here. All I’ll say is that it won’t appear in my bibliography unless I decide to use a small portion of it to demonstrate how amoral writers deceive their readers. Honestly, this isn’t going to happen for I’m not going to waste any of my word count on a book that should never have been published.

One Flynn historian (who was clueless on how to write nonfiction, and lordy-lordy help us for the fiction will fly fancy-free with zero documentation when his BOOK to END ALL FLYNN BOOKS sees print. I know this for a fact, for after he provided me with a great quote, AND after a month’s worth of my time searching the confirmed archival file for the proof of what he provided, I realized that he was F—g me in the rear end; his research was pure bullshit). This clown once asked me why I read everything that I can get my hands on that is related to my research on Flynn and de Havilland. My answer was simple: “If you don’t know what is in print, regardless if it is accurate or not, you’ll never know this unless you read it.” This was above his egotistical comprehension. Let me just say this, a lot of what has been published about Flynn and de Havilland is error-riddled crap. Lucky us, for there is yet another book moving toward publication that will join this club. If it is ever published buy it at your own risk.

For example, the nonfiction book, “Get Me Giesler” (above) by John Roeburt (the title of the book is a quote). Jerry Giesler was the famed defense lawyer who took on Errol Flynn’s statutory rape case in 1942. I don’t know what I thought about the book in the dark ages. However, now I view it is a sensationalized piece of crap. Of course it is loaded with errors, some of which are egregious. Outrageous might be a better choice of words here, for when the author introduces that Flynn was again confronted with sex with a minor when he had just married his third wife, Patrice Wymore, in Europe, the reader is told that this crime again took place on his ketch, the Sirocco. As Errol had sold the Sirocco not too long after he was acquitted of the charges in 1943, and didn’t marry Pat until 1950, this error pops off the page. Why? Was Roeburt shooting from the hip and didn’t confirm any of his facts? Or did he do it on purpose to make a parallel comparison? If yes, why? These types of errors also make me wonder how many other errors are present in the book. If ever you read the book, and see what I’m talking about, you should also ask the same question. Mainly, are Roeburt’s errors simply piss-poor research or did he create them on purpose? Trust me, this is an either/or question.

Although writing isn’t everyday, for the simple reason that the days aren’t long enough to get everything on my daily list accomplished. More, research is ongoing from day to day. It might be working on tracking down something that may have happened and may not have have happened. Regardless, I must know the answer. Or it might be rummaging through my massive collection of primary source documentation. When I do this, I’m usually looking for something that I know I have and want to add it to the manuscript. Or it might be spent reading selections from my massive library on Mr. Flynn, Ms. de Havilland, and the supporting players in their lives.

Errol, Olivia & the Sand Creek story

One of the things that took so long to complete Sand Creek and the Tragic End of a Lifeway was that I needed to get the historical events in the correct order (no easy task) and bring the main and supporting players to life (and this was totally based upon their actions, their words, and what other contemporaries said about them). This is exactly how I intend to present Mr. Flynn and Ms. de Havilland.

Pailin took this image Tom McNulty at our house on 11apr2014 when he and his beautiful wife Jan visited. (photo copyright © Thomas McNulty, Pailin Subanna-Kraft & Louis Kraft 2014)

I’m certain that many of you who know anything about Errol Flynn’s life are acquainted with Thomas McNulty’s magnificent biography of him, Errol Flynn: His Life and Times (McFarland & Company, Inc., Publishers, 2004). If you aren’t aware of Tom’s book, or haven’t read it, do yourself a favor and get your hands on it. I first read it when it was published, and immediately realized that it was—by far—the best biography written about Mr. Flynn, actor, writer, sailor, father. It was then and it still is today. I’m proud to call Tom and his wife Jan friends.

Tom went the extra mile with his EF book, he did a massive amount of research and added a lot of information that isn’t present in other biographies—that is, he did everything possible to bring Errol to life using his actions, quotes, and others’ thoughts about him.

**********

Like my writing about race relations between Cheyennes, Arapahos, Apaches (and soon to be Navajos), and whites, I have a fairly large network of Flynn/de Havilland archives and knowledgable people (and most are friends, but due to the distances between us some I only know long distance. Those of you in this category I hope to meet in the flesh someday. Flesh? Meaning naked? If you are a beautiful woman, yes! A man? Absolutely not! Regardless of your view of these words by LK, for true or not it was just my mind floating in Na-na land, Pardon me.

This photo of Selene Hutchison-Zuffi was taken in November 2019. She is a historian who works at the Duncan Tavern Historic Center in Paris, Kentucky, who loves to research, is an avid reader (“an avid reader” … my kind of person), and has a deep-rooted interest in the study of Errol Flynn. Because of this David DeWitt made her a co-administrator on his The Errol Flynn Blog on Facebook (also see below). (photo © Selene Hutchison-Zuffi 2019)

To repeat myself, E&O is about their life and times, and if all goes as planned I hope to add a lot that you may not know about them, and not just the good (although there will be good where you thought there wasn’t). All lives are not all good, although in many memoirs and biographies the subjects are pristine individuals without any faults. I have trouble reading these books for all of us—certainly me—have made decisions that weren’t good or mistakes we shouldn’t have made along the way. This is what makes us who we are. Errol and Olivia are no different, and by showing who they were/are will hopefully bring them to life. What I share will not be all positive and certainly not all negative, for the story will be about two people who thought they acted correctly when they did what they did. Trust me, Errol and Olivia were/are two exceptional human beings. Both were/are very intelligent; both were people of the world (Errol beginning with his early days and Olivia when she decided to change her life’s course); both were very desirable to those who knew/know them or wanted to know them; and damn, but both had/have great senses of humor. They were/are real people with real emotions and desires, and not clichés.


I am responsible for every word I write that is published. it doesn’t matter
if an editor messes up my facts or stuffs something into my manuscript that they
know nothing about but spit forth crap as if they are God’s gift to the published word.
When I fix their errors back to what is correct, I expect to see it in print. But sometimes this doesn’t happen. Sometimes the fixes make it into the proofs but then poof! They
are removed from a final proof that I wasn’t allowed to see. It makes no
difference why this happens, for whatever the reason for the errors,
theirs or mine, are now mine and only mine. Everything is on me.
Everything. … This said, I love my editors no matter how livid
I may become when something that should
have happened didn’t.


This is a library binding of Sabatini’s book that I purchased from a library used book sale in the San Fernando Valley decades ago. It is a 1950 reprint of the classic 1922 work.

As with all my writing, and I can’t stress this enough, is how much people help me during the entire process of discovery and comprehension while I slowly piece my manuscript together. The process continues until the work is published, and often never stops unless I decide to walk away from the subject. Selene (her photo is above) is one of these people who has kindly helped with E&O. Better, this has led to a friendship.

Oh, one more thing and it is important. Over the years I have talked about Captain Blood and The Adventures of Robin Hood (1938), and some Flynn and de Havilland historians and fans haven’t been too pleased with some of my views—which I will discuss in E&O. This year I have spent a lot of time with both films digging through my primary source research, studying the scripts, and viewing selected scenes from the films that will be highlighted in the book.

To those of you who think that I need a good stoning or tar and feathering for my heretical views, mellow out. My opinions of both films* have improved considerably, and this, too, will be highlighted.

* When I complied a top 12 Flynn film list a number of years back Captain Blood and The Adventures of Robin Hood didn’t make the cut. I know, heresy. Neither did Four’s a Crowd, which I love and would have made the list if it been a top 13 list. Flynn and Livvie, as he called her, shine in this film.

Some thoughts that aren’t new

Before louiskraftwriter.com I had the long dead louiskraft.com, but I didn’t design or control it (I only supplied the words, images, and links). Eventually I couldn’t get anything updated (nothing—nada), and it didn’t matter what I offered $$$-wise to get the website updated. This was a joke, a bad joke, and there were other reasons that I couldn’t get it updated. Enough was enough! I walked away and waited for it to die a lonely death. A website (or blog) must be a living presence on the internet (and the administrator can’t disappear). A website/blog can’t be static. The end had been coming for some time, but when the website vanished—gone as if it had never existed I didn’t know it, as I wasn’t informed. It took months before I stumbled upon its demise. … A fleeting image, a ghost, remembered but no longer reality.

About two years later great bud and Errol Flynn expert David DeWitt visited LA and stayed at Tujunga House in early 2013. I had already been planning to create louiskraftwriter.com (even though I didn’t know what the name would be at that time), and he hooked me up with PressHarbor and set up the key information for the new website & blog. He also provided me with some training, a lot of tips, and information on how to proceed.

See David’s great The Errol Flynn Blog, and also his The Errol Flynn Blog on Facebook, both of which he administers. Selene Hutchison-Zuffi, who has become my friend, is also an administrator on the EF Facebook blog.

David_DeWitt_jan2013

I took this image of David DeWitt in the front of Tujunga House in January 2013 when he visited and helped me set up this website/blog. Great times for LK. (photo © Louis Kraft & David DeWitt 2013)

David is an extraordinary gentleman, funny, bright, and I can’t begin to tell you how many great hours we shared just letting our minds connect and flow deep into the night while we talked during his visit. Certainly we discussed Flynn and Olivia de Havilland during his visit, but we also chatted about our current worlds—his and mine—and our past worlds. David is one of my great friends and a go to-expert that I respect.

We live near oceans. I have a mountain range (Santa Monica Mountains) between me and the Pacific, which means if ever a tsunami assaults SoCal as has have happened to Thailand, India, and many other locations Pailin and I will survive the devastation (I shouldn’t say this, but will: there are a lot of stories to tell about LK and the Pacific and some of them are R-rated). David lives on a beach on the South Carolina coast of the Atlantic. When he shares some of his images that he has taken while walking along the sand it looks like heaven. I can’t tell you how envious I am, if I ignore the hurricanes. … Luckily we have a great relationship that grows and thrives. I just wish that we were both lived on the same USA coast.

As everyone who sees these blogs knows that louiskraftwriter.com deals with my thoughts on writing, history, work, life, opinions, and sometimes craziness. I don’t need to say anything else about it, other than when you visit I hope that I don’t bore you to tears.

The website has been updated; some pages have vanished while others have appeared, and certainly Errol & Olivia is featured under Projects.

psk_hallowween_2016_1_ws

Something that hasn’t happened—yet

Jasmine took this image of Taipae, her dog, and my beautiful Pailin at Green Day Spa on Halloween 2016. (photo © Pailin Subanna-Kraft 2016)

In mid-September 2016 I learned that louiskraft.com would become available to purchase at a bargain, and I started the process to buy it. Why? I don’t know, but it didn’t matter, for after I had the winning and only bid I was told that they wanted more money. Adios, amigos. Viya con Dios (Go with God). End of subject. No loss for LK.

Timing is always everything. At that time when the website name became available, but before I realized it was a scam, Pailin had presented me with a Thai word that she told me meant “happy.” When I started using it, she laughed and laughed. Something smelled fishy, but what? Finally we agreed that I’d use the word as it related to a friend (forever unnamed) and she’d film it. Afterward she laughed and laughed. We viewed the video together and she again laughed and laughed. I had used an angry interpretation of the word but couldn’t understand why she was laughing. She enlightened me somewhat, but not totally. I told her that I needed a take no. 2. We taped it. Much better, as I came across sincere, but she couldn’t stop laughing when I viewed it with her. Why? She refused to share the reason. I said that I’d post take 2 on You Tube.”No! No!” she exclaimed, “You can’t do that!” “Huh?” Silence. … I pressed her for what was really going on and eventually she told me the word’s real definition. … What it really meant, … and it wasn’t close to what she had originally told me. The word actually meant something totally different—something good, something that’s always on my R+ rated mind (sorry, but no details are forthcoming).

Pailin at Tujunga House on 22nov2018—Thanksgiving. (photo © Pailin Subanna-Kraft & Louis Kraft 2018)

My turn. I laughed and laughed. She was right. Neither tape could ever be posted anywhere. Ever!

*****

Still the two tapes gave me an idea on how to try to expand my writing projects to the public. Heck, you never know—it might even bring in extra money. Wouldn’t that be nice? More important, this idea might be another way for me to raise questions that I need to ask. How can I truthfully write about people if I’m unclear who they were or why they did what they did? … Alas, this still has not happened due to time limitations. Fingers are crossed that it may now be in my near future.

February 14 throughout time …

Time is short, and I don’t have much to spare, but this day has always played an important role in my life. … And it continues until this time. Actually the here and now is much-much more important than ever.

February 14 is Pailin’s day and it is my day, and nothing can
change this. Ever. Night has arrived. The Vette is ready to growl
(something that makes my lady nervous, but it shouldn’t as the car
and I have bonded over the years). We are off to celebrate not
only this special day but also our marriage on this day in
2014—time flies when you are in love for all time.
(photo © Pailin Subanna-Kraft & Louis Kraft 2020)


Oh yeah, the wrinkles are deeper now, thanks to the past nine months.
Still, I’m grateful for each and every minute since June last,
for this time has been the most special in my entire life.

This image of us playing in the snow was taken in 1956; most likely at Mount Baldy, which is local to Los Angeles and was an easy drive from Reseda, where we lived in the San Fernando Valley. (photo © Louis Kraft 1956)

My mother was my first Valentine
And she was so for many-many years. As the song that Elvis Presley sang and excelled at, says, “Oh, mama liked the roses in such a special way …,” and mine did, especially on Mother’s day and Valentine’s day. I was a mama’s boy, and I can’t begin to tell you how close we were over the years. … We still are.

It’s hard to believe that she’s now been gone for over forty years.

Five women who played major roles in my life
I’m not sharing their names (but you know one of them for she’s in this blog—and she and one other are the only two people I would forfeit my life for in a heartbeat), but some of you may have known one of the other three. There are stories to tell here. Some would make you laugh; others might make you cringe. This said, I’m lucky to know or have known all five. … One I still have contact with and another currently plays a huge part in my life (our relationship has grown and matured over the decades).

My father
He was never my Valentine, but he was forever present in my life … as I was in his (and there are stories to tell here; I could write a book about our relationship). Over most of those years we clashed, and yet he always had my back. There was never a doubt that we loved each other, although at times our actions may have seemed to contradict this. … As the years passed and he grew frail I took care of him, and saw him three- or four- or five-times each week. We ate together, drank together, joked together, discussed our lives (past and present) and enjoyed each others company.

When this photo was taken I wrote for Storm Control Systems, a company that created software that controlled unmanned spacecraft after they were in orbit. We had one customer, the Hughes Satellite Wing of the Hughes Space and Communications Company, which was across the street from us in the South Bay of Los Angeles County in El Segundo. My hours began at 6:00 am and the 26-mile drive was a breeze, but it didn’t matter if I left at 3:00 pm or two or three hours later—the drive was a nightmare (at least an hour and a half to his house and two to mine). I did all his shopping and ate with him about four times a week. Although he was totally against me not following in his footsteps, he saw every play I did locally and read and commented on my drafts, screenplays, articles, and books. On this day (probably a Sunday) we were watching a Dallas Cowboys football game. Johnny Unitas was my man (and always will be). I did like Joe Montana, and Jim Plunkett looked like he played sandlot football (which I did often) but he won some big games. They were gone and I dropped football like a hot potato, except when with my dad—although I did enjoy John Elway’s perseverance. It took Tony Romo (near the end of his career) and Tom Brady to bring me back to football. In this image my dad was enjoying a glass of whiskey and water or Coke, and I may have had a glass of vodka and juice. (photo © Louis Kraft 1998)

My presence, along with a family with three boys across the street, did everything we could so that he could remain in his home. We almost succeeded, but he became so frail that he needed to spend time in an assisted living facility. He was there a week, maybe a little longer, and I could see he wouldn’t leave. I saw him and spent good time with him every day. On a special evening as I was leaving, he said, “I love you.” I always knew this, for during our entire lives together it was obvious. This was the first and only time he ever said this to me.

The next day, February 14, 1999, began early in the morning but quickly turned into a long day and night in living color—a nightmare without end. He died shortly before the wee hours of the fifteenth. This seems like a terrible memory. It wasn’t, for I was lucky to be with him to the end. It was as it had been when his wife/my mother died nineteen years earlier—just him and me (although on this late afternoon and evening three ladies/two are still major in my life) were with me even though a wall separated us when the time arrived. … Afterward my daughter and I were then able to spend time with him.

I’m one lucky cowboy,
for my father gave me the strength to follow my own trail.

Pailin’s perfect day

The following was mostly pulled from social media, but I posted it there so that it
was ready to place here. Those that have already read it, my apologies for
my lady’s perfect day was a major piece of her life and it belongs here.

As some of you knew I had problems beginning in late January before exploding into burning pain by mid-February. Unable to learn how to deal with it online I figured out how to work around this to allow me to escape from captivity even if only for a short time—don’t eat anything.

Pailin playing finger guns with me on 17jun2015. It’s a combination of hide and seek and shooting each other. (photo © Pailin Subanna-Kraft & Louis Kraft 2015)

Also, as some of you may know, Pailin and I are much alike. We are goofballs and we make each other laugh all the time. Perhaps this is because we are still kids at heart. We also have total focus on what we want to do, what we want to accomplish, and we do whatever is necessary to make this happen regardless of what we must overcome.

March 10 was an important day in my lady’s life and I wasn’t going to miss it. She drove while I chattered away, kept my legs as straight as possible, and applied pressure to the lower right side of my abdomen. The early morning rainstorm pounded her car while she maneuvered her way through bumper-to-bumper traffic while avoiding numerous freeways. She was heading to the USCIS building in downtown Los Angeles. This is a place that we both know well, and she intimately, for although I have been in key meetings there with her, on this day it would just be her. Oh, if you don’t know, USCIS stands for United States Citizenship and Immigration Services.

The rain had stopped by the time we reached her destination, and this was lucky for us for after we took an elevator up to a courtyard in a mall I led us up the wrong staircase. Outside we should have been facing the USCIS building, but weren’t. Still we crossed the street to figure out where we were. As it turned out we had used the wrong elevator, and the courtyard looked the same to the east and west staircase exits. As we could see the building to the west we worked our way to it. The cane worked fine as did the pressure I held on the trouble spot. Once inside the building and in the correct room Pailin checked in and sat down to await her turn. I tried to get comfortable while standing, but couldn’t do it. We had discussed this, and had agreed that I would return to the car.

Pailin in the huge garage across Los Angeles Street from USCIS on 10mar2020 (photo © Pailin Subanna-Kraft & Louis Kraft 2020)

As it turned out Pailin’s interview was elsewhere in the building. As she reached the door for her interview the person before her exited the room crying. Pailin knew immediately why, for this lady only carried her passport and what looked like her appointment letter. In stark contrast she carried a large briefcase with all the required documentation, including five years of tax returns, all the original documents from her life, which also included our marriage license, photos, her and my passports, and on and on. She also had two books that I had dedicated to her. She had studied for months (including a document with 100 possible questions to a handful of films and slideshows that showed the process as well as presented different questions), and I can’t begin to tell you how much her spoken and written English had improved. She had a good idea of how the meeting would play out and was not upset by what she had just seen.

She called me after she returned to the courtyard, and I hustled to get to her. She was so excited and happy. We hugged and hugged, and I’ll never be able to tell you how proud I am of her for it is beyond belief.

Pailin and LK shortly after see aced her USCIS interview. (photo © Pailin Subanna-Kraft & Louis Kraft 2020)

Pailin’s interviewer was a Latina, and the entire meeting was casual; that is, they mostly talked about this and that in Pailin’s life with the USCIS agent randomly slipping questions into their conversation. Basically they chatted and got to know each other a little. The meeting focused on Pailin’s life, civics, U.S. history, and the English language.

Pailin told me that the USCIS agent asked her about the drive that morning and how long it took, her name, her employer’s address, why did she travel to the United States, what is the number U.S. senators, how long has she lived at her current address, when is the presidential election, how did you meet your husband, … There were no numbers to the questions, and she answered everything correctly. This also included few questions on a tablet that Pailin read and then wrote her answers. After a while the interviewer said to Pailin, “We don’t have to go on, for you have answered everything correctly, and I can see how much you love your husband and living in the United States,” … yes, my lady was enthusiastic and full of joy with some of her answers … “and I have recommended that you become a United States citizen. You’ll learn the answer soon.”

I took this photo of my happy lady shortly after we returned home from her USCIS appointment on 10mar2020. (photo © Pailin Subanna-Kraft & Louis Kraft 2020)

Before the day ended Pailin received notice that her application to become a U.S. citizen had been accepted. The ceremony wherein she would swear an oath to allegiance the U.S was set for March 19. Appropriately just days before she swore her oath of allegiance, the ceremony was postponed due to the novel coronavirus that has been sweeping across the USA (in particular Washington, California, New York, and now also Florida) and the rest of the world. Whenever it is rescheduled you can bet that I’ll be present with a huge smile on my face.

Dr. Jekyll & Mr. Hyde or is it …
Dr. Kraft & Mr. Hyde, and a surgery

Some of the classic writers that were prolific in the late nineteenth century or the early twentieth century or both have been some of the writers that I’ve enjoyed over the decades, from Robert Louis Stevenson to H. G. Wells to Edgar Rice Burroughs to Rafael Sabatini.

John Barrymore as Mr. Stevenson’s creations on a video cover (BTW, it’s on Amazon Prime). My mother told me more than once that her father was amazed with the Great Profile’s transformation from Dr. Jekyll to Mr. Hyde on the Broadway stage. I have yet to confirm that Barrymore played Jekyll/Hyde on Broadway and think her memory had been off and that her father/my grandfather (who died when I was six) was referring to the 1920 film.

Certainly Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde (1886) is a classic. At times I feel that I would be perfect casting to play both roles, and I could make the transition from Dr. Kraft by not getting a shot and nine days of declining pills; that is four pills twice for three days, three pills twice for three days, and two pills twice for three days. By the evening of the fourth day after the pills had ended I would begin to become Mr. Hyde. The transition would be complete by the morning of the fifth day.

The physician treating me (and he is special) and I realized that the only way for me to again become Dr. Kraft would be to administer a shot and begin another cycle of pills (BTW, these pills would differ over time). 

A little LK background before we talk monsters

Actually this is LK, but it is also the warrior/mystic Apache Geronimo and actor/writer Errol Flynn and the pirate Francis Drake and on and on with me listing everyone I have written about. That is, we are all human beings and we will be judged by our actions, our words, and what other people who know/knew us share. My life is totally different from Flynn, Geronimo, and Drake’s and their lives are totally different from mine. … When anyone writes about us or anyone else the goal should be to find the truth, for that is what defines the person—and not what has most often been printed, “goody-two shoe stories” or “an evil as dark as the devil.”

I’m no saint, and lordy knows I’ve been a hellion for a good part of my life. Does this make me a monster, such as Stevenson’s Mr. Hyde as created by Dr. Jekyll?” No. … For me, mass murderers, rapists, butchers of humankind, and out-and-out racists are or could be monsters depending upon how their actions, views, and words play out.

A long time back after completing roughly 12 days at sea on a Navy nuclear helicopter carrier while living at Hotel del Coronado—the historic beachfront hotel in the city of Coronado, just across San Diego Bay from the California city of San Diego—and better, just steps from the harbor. After location filming concluded I returned to LA. On December 14 of that year this image of me was taken while I was in makeup as Dr. Frankenstein’s monster. Other than dealing with death it was a good time for me. (photo © Louis Kraft 1979)

Slipping back in time I was for a short instant a monster, and so was the lady at my side. This slight detour should really be labeled “beauty and the beast,” for she was (and still is) gorgeous, and well, hell, the image of me in makeup is closer to my view of myself.

Yuck! Just nasty!

After years I’ve learned to live with what I look like, but also over this time I have covered my face with all sorts of mustaches, goatees, and beards—at least then I could envision myself as a pirate or a frontiersman. AND NO, I’m not looking for a comment here. I know, “Kraft, that’s a bad attitude.” What can I say, other than it has been present for decades.

In June 2019 during a trip to Tucson, Arizona, to meet with Stuart Rosebrook, editor of True West, to discuss me writing for the magazine, reality crashed into my world and totally upset the apple cart. No longer would I have to avoid mirrors as I didn’t like my mug, for something, and it is still unknown (although my key physician has worked his way down to a few obscure diseases that aren’t contagious), attacked my face. The dreaded mug that I have cursed until I’ve become blue in the face suddenly shocked me into a new reality. “You think that you’re ugly, cowboy? Well, hold onto your saddle, for you ain’t seen nothin’ yet.”

As I had announced elsewhere on social media I was considering talking about my health but only if I could play around with Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde and somehow deal with my ongoing situation in a humorous way. … I had recently reread Stevenson’s 1886 classic work for the first time in decades and enjoyed it even more this time. Alas, what follows won’t be hilarious.

BTW, for those of you who know Flynn’s 1953 swashbuckler, The Master of Ballantrae, Stevenson wrote the novel that it is loosely—very loosely—based upon. The Richard Thomas (Henry Durie), Michael York (James Durie; the Flynn role) and Timothy Dalton (Col. Francis Burke) TV film (1984) is much darker and much closer to the storyline. … I had worked with Richard on the 1980 TV film, Johnny Belinda (1982) with Dennis Quaid and Rosanna Arquette, which updated the classic Jane Wyman and Lew Ayres 1948 film while making the leading player—Thomas—a member of VISTA (Volunteers in Service to America). I had been a member of VISTA in 1970. When I told him in detail of how clueless the script was on how the volunteers worked with poor people in the continental USA, he said that he couldn’t get it changed. Still, it stated a friendship that lasted until we drifted apart several years later.

Robert Louis Stevenson (perhaps a year or two after he wrote Jekyll/Hyde).

Mr. Hyde is Dr. Jekyll
At the beginning of Stevenson’s story, Mr. Utterson (a lawyer), who is good friend of Dr. Jekyll’s, and who leads us through a good part of the telling of events, had this to say about Mr, Hyde: “He’s is not easy to describe. There is something wrong with his appearance; something displeasing, something down-right detestable. I never saw a man I so disliked, and yet I scarce know why. He must be deformed somewhere; he gives a strong feeling of deformity, although I couldn’t specify the point.

And later Dr. Lanyon, upon receiving a letter from Dr. Jekyll, thinks his friend is insane, and yet follows his instructions and meets Mr. Hyde. He also described the gentleman: “This person (who had thus, from the first moment of his entrance, struck in me what I can only describe as a disgustful curiosity), was dressed in a fashion that would have made an ordinary person laughable; his clothes, that is to say, although they were of rich and sober fabric, were enormously too large for him in every measurement—the trousers hanging on his legs and rolled up to to keep them from the ground, the waist of the coat below his haunches and the collar sprawling wide upon his shoulders. Strange to relate, this ludicrous accoutrement was far from moving me to laughter. Rather, as there was something abnormal and misbegotten in the very essence of the creature that now faced me …”

Stevenson wanted to explore the two sides of man, good and evil. I could be talking about the evil in Kraft, but I’m not. I’m more interested in what Dr. Jekyll had stumbled upon with his experimentation.

Of course if you do some digging you might find that once I received a 10×13″ envelope with a 8×10″ envelope inside it. On the outside of the smaller envelope SHAME was printed in bold with a red marker. The envelope was filled with long dark hair. My heart missed a number of beats.

That delivery still makes my shiver.

People have asked about my heart and cracking my skull open more than once. The second time I photographed the scene of the crime after returning from the emergency room. Thirteen hours had passed since the incident and the blood had dried. I turned the result of falling on my noggin’ into art and posted it on social media (see above, © Louis Kraft 2017).

To learn more about cracking my skull, which led to an EEG of my brain, and ultimately me continuing to walk Mother Earth, see: Sand Creek Massacre, Errol & Olivia, Louis Kraft, and a perfect storm.

Most of my past, the really bad past is hilarious when I look back. In a time not too far gone I had been in a long relationship with a possessive lady; not the person above who scared the XXXX out of me. We had gone out to dinner; one we should have passed on. Later that night she was in her panties and washing her face in the sink in preparation to showering. I had just finished my shower and stepped to the sink to turn the water off as it was about to overflow. “That’s it!” she screamed. “I’m out of here!” … Nope, I don’t think I’ll share this here. Looking back I often ask myself do I dare present these events in a memoir? That’s a big question and I still don’t have an answer. This said, Mr. Flynn did his memoir the proper way (with a little help from a friend), and most likely will have the deciding vote. … I just need to make damn sure that I’m dancing with angels before it is published. If not, I’m certain that my rear end will be sued from here to kingdom come.

I’m going to focus on the transformation from doctor to mister and back. Again, I’m interested in the transformation and not the evil that Dr. Jekyll created.

I’m not a physician but my father-in-law, who became our family doctor shortly after we migrated to California in 1953, certainly was. Over my early adult years, many acting publicity photos were shot in his medical suite. The B&W image of me is one of them. I’m sitting in my father-in-law’s chair in his office (September 1979). This photo actually had a silent bit on the short lived TV show Tucker’s Witch (12 episodes, 1982-83) with Tim Matherson, Catherine Hicks, and Alfre Woodard. It was turned into a political campaign poster and gave me a nice payday for simply handing 2nd assistant director Pam Grant an 8×10. She was a dark-haired beauty and a sweetheart; I luckily worked with her on numerous projects.

This photo was taken on 4oct2019, the night after the assault returned with a vengeance. it would be nothing when compared to what was to come. (photo Louis Kraft 2019)

An ongoing problem without end
As the cyclic attacks occurred twice a month after the shot and pills ran their course, my problem shot through the months. Although the pill prescriptions changed slightly whatever invaded my facial skin and turned my back into a bumpy mess of itchiness, it did not affect any other part of my body. When I looked like Mr. Hyde I avoided all contact with the public except my physicians.

I saw my go-to physician who has been doing everything possible from obtaining various blood tests, biopsies (I wanted a “Z” cut on my face so that I could say that I crossed swords with Zorro; my doctor simply smiled and shook his head no), and referred me to other doctors for second opinions and/or to do additional testing.

LK with Dejah Thoris, my doberman pincher, in 1978. She was fully grown in this image, and was the kindest animal I’ve ever known. My sweetheart died in 1992, and I’ve never owned another animal since. (photo Louis kraft 1978)

Over three weeks last fall an allergist stuck 260 needles in my arms twice to see what might be attacking me. … Milk products (duh; this has been ongoing for decades). … Dogs and cats (I haven’t had a dog since 1992, … my beloved Dejah Thoris, whom I named after the princess of Mars in Edgar Rice Burroughs’s series of books on John Carter of Mars). After the second session he told me, “I don’t know what is attacking you, and I can’t help you. Good luck.” … AND goodbye.

The problem raced into December. I kept my doctors smiling, as I had as many appointments as five or six per week. Ditto my pharmacy, where I think that I became their No. 1 client. That was my social life. … No big deal, for I had to complete all my work on Sand Creek and the Tragic End of a Lifeway no later that December 31, 2019, for it to see a spring publication.

I viewed this as do or die. It was that important to me.

At the end of December 2019 another physician took the lead. He discovered that I was bleeding internally, had a terribly low red blood count, and was anemic. To combat this he eliminated the shot and the drugs that controlled my mysterious skin disorder, which he wasn’t interested in, and replaced them with an expanding range of prescriptions—some of which affected my system but not totally in a positive way.

On subsequent visits with him he refused to look at my detailed printouts of my current health situation and would not listen to what I knew was now happening to me. This would cost me big time.

Dr. Kraft becomes Mr. Hyde & here we’re only talking about the transformation of the real me to the monster
The new drugs prescribed at the end of December 2019 were too potent and ongoing for way-too-long. Oh, they would slowly raise my red blood count. They also plugged me up; by the end of January 2020 I had a hernia. No matter what I said about the growing pain, the physician ignored it for I was now set for the first of two procedures that hopefully discover where the internal bleeding was located.

The drugs also did something else. … and somehow prevented the burning attacks upon my face from returning until the beginning of February. When they returned it was like nothing before, for the transformation was horrifying.

This is one of a series of photos that Pailin took on the evening of 3feb2020. It does not do justice to what I then looked like. Here you can see the bulging red puffs under my eyes, the frightening physical change to the structure of my face, and the arrival of wrinkles that are here to stay. I had become Stevenson’s Mr. Hyde. (photo © Pailin Subanna-Kraft & Louis Kraft 2020)

The disease had returned with a vengeance, turning my face into a burning infernal. Like the flames that have destroyed a good part of California the past three years, my skin  burned around the clock. When the skin began to peel, the burning continued, creating new layers of peeling skin below the top layers (trust me, this would be difficult to recreate with makeup).

When Pailin returned home at 9:30 on February 3 I was waiting for her with my cell phone in hand. She cringed when she saw my skin for it was much worse than when she had left for work. I got in her face and asked her to snap a few photos. My next appointment with the physician now in charge was set for the seventh and I wanted proof of what was happening.

I can’t begin to tell you what this does to one’s hope for the future, and especially so since it had been ongoing since June 2019. But now, … NOW I had proof to show the physician currently in charge of my health, even if what had happened disappeared before my appointment.

Sometimes my faith in the medical profession is pushed to the limit. … Changes are a comin’.

I need not have worried, for my new look was going nowhere. Kraft had become Hyde and needed another medical concoction to reverse what I now had become. My  subsequent medical appointment on the seventh was ludicrous. The first procedure, which this doctor had not ordered, proved negative and did not identify the location of my internal bleeding. Still his only interest was the second procedure (which he also did not order). … Not that I was stuffed up, had a blossoming inguinal hernia that now burned, and had my skin problem staring him the face. … “You don’t look so hot,” he finally managed to say. “I don’t feel so hot,” I sarcastically mimicked. He wouldn’t even refer a surgeon for the hernia. The appointment had ended, for there was nothing more to say.

I ran to the office of my doctor that I trusted and walked in unannounced. He saw me immediately, gave me a shot and an old prescription. But this was just a stop gap; I would see him on the thirteenth to discus my future.

Another of the photos that Pailin had taken on 3feb2020, but this one is better for it shows that I’m a benevolent monster. This said, I wasn’t much in the mood for socializing (the U.S. government had downplayed the coronavirus to the point that I didn’t know anyone who felt at risk at that time). (photo © Pailin Subanna-Kraft & Louis Kraft 2020)

Throughout all this I remained Mr. Hyde
I obtained a reference for the hernia surgery, didn’t bother to tell my physician, and met the surgeon. The surgery was set for March 13. Would I make it to that date?

The second procedure was scheduled for February 27, but the hernia pain now grew by the hour. I couldn’t sit for more than five minutes, and standing was almost as bad. I frantically searched for answers without success.

Then, quite by accident, I discovered that if I lay on my back with my legs stretched in front of me the pain went away.

By this time the burning pain reached the point wherein I could no longer sit on a chair. I had to work on my iMac standing—and then no longer than five minutes (but even then I was at risk of not getting back to bed, my only sanctuary).

LK’s special doctor and a bed
On the thirteenth I met with the physician who had stuck with me throughout my skin ordeal, and who I have nothing but praise for as he has listened to me as he fought to figure out what is going on. We had already discussed perhaps me moving to the UCLA Medical Center to continue the testing. On this day he talked about obscure diseases that were hit or miss at best. I had another shot  but there would be no pills. He moved me to a non-steroidal cream. As he said, “It was a shot in the dark.” I couldn’t lose.

I took this image of my new office on 29feb2020. The room also serves as a work space for my delivery to the Chávez History Library later this year, as does the living room and my real office. A huge project that the hernia has put on hold. Oh, that’s a cavalry saber on the wall; you don’t duel with cavalry sabers because it is impossible to do so. (photo © Louis Kraft 2020)

The bed became so important that as soon as there was a hint of trouble I used a cane to wobble to it, for no matter painful the hernia became once I was flat on my back the pain would slowly subside. … But until that time (15 minutes? 20 minutes?), I couldn’t touch the area or push the hernia back into my body.

About two weeks before the hernia surgery I stupidly sat at the iMac as the work was so detailed I couldn’t do it standing. Like an idiot I ignored the pain as I frantically tried to finish the task. … As soon as I stood the pain blew out of control and I struggled to inch my way to the bed. I made it to the room and moved past a wooden cabinet (to the left of the above photo). That was it. I could no longer place my right foot on the floor and the cane couldn’t support my awkward balance with all my weight on it. I couldn’t reach back and grab the cabinet and I still had two large steps to get to the bed. It was daytime. I was alone, although the cell phone was in my pocket. I couldn’t move back or forward, and this left me one choice—dive for the bed. I’ve always been a good athlete, but not worth much at the moment. There was one catch; I had to land on my back. “No guts, no glory.” I dove for the bed, flipping as soon as I was in the air. I landed on my back on the bed, but not all of me. My knees were at the edge of the bed and my calves hung to the floor. The pain increased tenfold. Using my hands I slowly pulled myself onto the bed. Over a half hour passed before the pain subsided.

I needed an “after” photo for this blog to show that I no longer look like the “Kraft-Hyde” that I hope never to see again. Today (5apr2020) we enjoyed ourselves in the front yard of Tujunga House while she shot a few images. (photo © Louis Kraft and Pailin Subanna-Kraft 2020)

I shared my heroic performance with my bro, Glen Williams, and he asked if Pailin had been home to film it. I told him that she hadn’t been home, and he said, “Too bad, for it could have gone viral on YouTube.” That was a first class idea. That night when she returned home I told what had happened and of Glen’s suggestion to film it for YouTube. “No,” she replied. “I think it’s a great idea and I want to reenact it tomorrow.” “No.” “I think that it would be a fun thing to do.” “NO!” … I’m not always the boss.

The second procedure found no internal bleeding. The pre-opt for the surgery showed that my red blood count was up to 13. Yes! The inguinal hernia surgery was successful, but was not robotic as anticipated. Scar tissue from a surgery in 2003 prevented this, and it became an old fashioned cut and slice performance. Unfortunately I wasn’t awake, for I would have requested a “Z” (I really don’t have a Zorro complex). Alas, I have pain, but then I won’t be fully recovered until mid-June (meaning no exercise, no yardwork, no heavy lifting, no bending … no bending? Give me a break!).

Best of all: to date the cream has worked wonders on my face. I’m certain that my physician will be as pleased as I am when I see him on April 6.

As the great New York Yankees catcher Yogi Berra used to say, “It ain’t over till it’s over.” My heart surgeon, a technician from Boston Scientific (the company that manufactured my pacemaker and the device that sits next to my desk and monitors my heart 24/7), were in the room where I awoke from the hernia surgery testing my pacemaker.*

* This is a story I’ll save for the future.

I’m in my prime

I would  be remiss if I didn’t end this blog with Val Kilmer’s great quote from Tombstone (1993) when he played Doc Holliday, a thin, consumptive, alcoholic who played a large role in the 1881 shootout at the OK Corral and the vendetta waged by Wyatt Earp afterwards.

A card of Val Kilmer as Doc Holliday that artist-actor Buck Taylor, who played Jack Johnson in Tombstone, sent me years back. (art © Buck Taylor)

Shortly after Wyatt Earp (Kurt Russell) and Doc have arrived in Tombstone and Wyatt has set himself up as a faro dealer, Curly Bill Brocius (Powers Boothe) and Ike Clanton (Stephen Lang) confront him at a gaming table, pushing for a confrontation.

Johnny Ringo (Michael Biehn) steps up to Doc, who is drunk, shortly after Earp has said that he’s retired: “And you must be Doc Holliday.”

 Doc Holliday (Val Kilmer): “That’s the rumor.”

Johnny Ringo: “You retired too?”

Doc Holliday: “Not me. I’m in my prime.”

And so am I.

Through all this Pailin has been my nurse, my private driver, and an angel.
What more could I want?

A wow day for Louis Kraft

Website & blogs © Louis Kraft 2013-2020

Contact Kraft at writerkraft@gmail.com or comment at the end of the blogs


The next blog was tentatively scheduled to be in October of this year but will go live in December.

Guess what? … Not quite true as the work load previously shared became more than expected. Much more than expected. It will actually happen in late December and most likely on the thirty-first.

(photo © Louis Kraft 2014)

I haven’t finished writing the Epilogue for Sand Creek and the Tragic End of a Lifeway (a huge understatement for I can’t begin to tell you how large it will be) but have shared the first 30 pages of it to great friend Glen Williams to review on 27may2018.

And better, …

Did I say better? Yes better!! It is 7:38 pm on May 27 and I was about to shut down for the day. … But then I realized something out of the ordinary. I have tinnitus and it is ongoing. The only time it goes on vacation is when my focus is so intense that it delivers a Muhammad Ali knockout punch, a Duke Snider home run, a Johnny Unitas touchdown pass, a Kobe Bryant slam dunk.

This is an early image of my muse on the morn before one of our great explorations. This is one of my favorite photos of Pailin. (photo © Louis Kraft and Pailin Subanna-Kraft 2013)

Guess that tonight I was Muhammad, the Duke, Johnny U., and Kobe all at the same time.

What I’m saying is that at this time, beginning about 7:00 pm LA time (when I realized my condition and continuing through at least 10:25 pm I able to hear like all of you that don’t struggle with this heinous malady. I know that it will only be for a short time, but realize at this moment in time I’m walking on clouds.

The only time this happens for me is when my concentration on what I need to accomplish is so focused that nothing else enters my brain.

Everything in my life is zeroed in on one target—I’m Errol Flynn’s Robin Hood splitting the arrow, I’m Johnny Unitas throwing one last TD bomb to Jimmy Orr in Baltimore, I’m Kobe scoring 60 points in his last NBA game; I’m LK catching a punt and zigzagging my way through eleven defenders. I’m alive and totally focused.

This great image at left was taken by my bro for all time, Glen Williams, at Mission San Fernando Rey de España (San Fernando, California). (photo © Louis Kraft and Glen Williams 2012)

Dear Lord, let me find and grab this zone on a daily basis and your lone cowboy will quietly ride into the sunset without a fight when the time comes.

Regardless of what I said at the end of the my last blog, I’m back, or better … “Here’s Louis!”

On May 31 I will deliver the preface, 15 chapters, and the incomplete epilogue of the Sand Creek manuscript (actually, nothing is close to being complete—there is still a lot of work in front of me before I have a first draft). These words will go out for review.

The last seven years have been pure hell. They have also been the most focused of my life. I have gone from six figures in salary to a pauper, have signed the most important contract of my life (Sand Creek), have written damned good book that wasn’t planned as I needed hard-cold cash to pay bills (The Discovery), have met my muse and the most amazing person I’ll ever know (Pailin), have bashed the hell out of my head way too many times, and have realized that I should be dead (more than once) but due to a lot of events at the midnight hour I’m still walking. … I’m the luckiest guy you know, and let me tell you that my brain still functions (and works in overdrive when necessary).

LK loading a revolver in a image I discovered last year on a roll of negatives from September 1973. (photo © Louis Kraft 1973)

I walk, work out with light weights, stretch, deal with my balance, and swing the sword. I still challenge everything that enters my life that I don’t like (I talked about the most recent incident on other social media, and there is a party next door as I write these words and the music is quiet). More important, I am meeting my Sand Creek writing deadlines, and best I am one with the three people in my life.

These words have taken a little less than an hour to write, but I needed to share them in case the unexpected happens.

Firm Sand Creek delivery date, Louis Kraft massacre views & a future update

Website & blogs © Louis Kraft 2013-2020

Contact Kraft at writerkraft@gmail.com or comment at the end of the blogs


It’s probably best to start with a little LK fun.

The Loikathong River is celebrated in Thailand every November. Good friend Pete Senoff used it as a backdrop when he created this dancing image of Pailin and myself in 2014. … Without words it is a simplistic entry into our relationship.


The above is a hint to what I cryptically advertised elsewhere on
social media early this year.

Unfortunately I’ve become Mr. Unsociable

I’m a recluse (but luckily I’m not one of the 58,000+ homeless in LA and some I know personally as I talk to them while I walk the streets, or the 139,000 homeless in California, and boy do I have a lot to say here but not in this blog), … actually I prefer “loner” for what I do is a one-man job that takes a lot of research, concentration, and time. I have been working seven days per week since last fall (I did take Thanksgiving off, and most of Christmas). The amount of hours increased big time last December, and I now know that it will continue until September 15. I seldom work less than 10 hours per day but way too often it is closer to 13 or more. … Worse, I know for a fact that the next four and a half months are going to be hell. Pure hell … There will be no room for me to get lazy, for each and every day must push toward September 15.

I saw my pulmonary specialist this week and we discussed a clinic that would be helpful (I’m already a member of a heart clinic). After he shared the benefits and the time commitment, I brought up the drive time. As the clinic is about 12 miles from home; a 9:00 am appointment would mean at least an hour and a half drive, while a 1:00 pm appointment approximately 45 minutes (double those drive times for a round trip). I told him that I’m really interested and he said he’d put through the prescription, but then I told him that I can’t lose those hours until September 15 passes. Yeah, parts of my health are on hold.

Pailin and LK at the one-year anniversary of The Massage Place in Santa Monica, Ca. (and also the birthdays of owner Marut  Manorat and his manager Amber) on 18apr2018. There have been many people that have played major parts in Pailin’s emergence as a successful contractor in Los Angeles. Marut, along with his wife Whitney, are two of these people. Oh yeah, LK does take time off for special occasions with his lady. Pailin made Thai tea for the party (heaven); that’s what we were both drinking in the red cups. (photo © Pailin Subanna-Kraft & Louis Kraft 2018)

Unfortunately most of my local relationships are on hold and have been since my last two trips to the emergency room (July and August 2017), but this hold was not because of what I now view as the two luckiest months of my life (July and August 2017), but because of the crimp they put on my Sand Creek delivery deadline.

My lonely road may be costing me friends locally but there is nothing I can do about it other than infrequently touch base with them on social media or the phone. … It’s a two-way street and I need to do my share. Unfortunately I’m not good at this. Once my work begins in the morning (before Pailin gets up and then after she sets out in the AM/if she only has a PM shift after I have made our juice I’ll return to work until we eat together).

I’m not the world’s best husband, but my lady and I have something between us. Call it love, call it craziness, call it what ever you want but we have it, … and it is key to my future (see below).

Sand Creek and the Tragic End of a Lifeway

This manuscript is the culprit, the villain, perhaps the death of me. It is also the most important book I’ll ever write. I must complete it.

Errol Flynn was a great writer, and I don’t give a bleep what anyone has said about his writing. My Wicked, Wicked Ways (1959) is a masterpiece. I’ve already talked about some of what the envious-baloney cretins have written about his last book, and I’m not going to repeat it here. Flynn saw the galleys, but he never had the pleasure of seeing My Wicked, Wicked Ways in print. … I will see Sand Creek and the Tragic End of a Lifeway in print?

Simply, LK is moving toward the conclusion of his Sand Creek manuscript. If you accept that this has been a major part of my life for a long time you’ll understand.

A three-fold problem

Paying the bills, health, and completing the Sand Creek manuscript. … There is a lot to say here, and I want to keep it as positive as possible.

Surprise of surprises, my view on most of the leading players have changed (and some of the changes have been massive), as well as my view on the attack on the Cheyenne and Arapaho village on 29nov1864 on the Big Sandy (Sand Creek) in southeastern Colorado Territory. For many years I thought of it as a battle but this changed when I wrote Ned Wynkoop and the Lonely Road from Sand Creek (University of Oklahoma Press, 2011). But the scope of what happened during the lead up to the massacre, the massacre, and the aftermath is what I now consider heinous.*

* I’m talking about decades here.

Pailin with John and Linda Monnett at Bear Lake (Rocky Mountain National Park) on 2oct2014. We had an absolutely wonderful time with them during our visit. (photo © Pailin Subanna-Kraft, John Monnett, Linda Monnett, and Louis Kraft 2014).

Recently I updated two terrific Indian war friends—John Monnett and Layton Hooper—of my current status on the manuscript, … including that I had the two final sentences in the epilogue in place and that they would not be cut. And that’s final; they stay, … editorial can cut the rest of the manuscript but the final words stay. John wanted to know the words, but bad friend Kraft didn’t share them or their background.

My view on humankind is simple: You, me, and almost everyone else believe that what we do is right when we do it (it may not be, but we didn’t realize it at the time). This, ladies and gents, was how Chuck Rankin and I agreed on how I would write the manuscript—people-driven. Honestly, this has been the most difficult manuscript that I have ever written.

Sand Creek deliveries …
LK’s schedule for the next four and a half months

On January 31 I delivered the first eleven chapters of Sand Creek and the Tragic End of a Lifeway to Adam Kane and Chuck Rankin (current and former editors-in-chief at the greatest Indian wars publisher in the world—the University of Oklahoma Press). On April 30 I delivered chapters 12 through 15 to them. … I will deliver the epilogue, updated 15 chapters, and the preface to them by the end of this month.

Adam has updated me on what must happen for the manuscript to make the University of Oklahoma Press Fall 2019 catalog and be printed by the time that the Western History Association meets in Las Vegas that October. … I need to have a reviewed, revised, and final manuscript to the press no later than September 15 of this year. This deadline schedule is huge in scope and it is demanding of my time. It is one that I will make.

I’m done talking about the struggle to complete the manuscript, I’m done talking about the ongoing research, for everything from this day forward will be about delivery.

An LK view: A massacre is a massacre is a massacre …

In Nashville on 1apr1971 a singer who has played a major role in my life since I was a little boy recorded the “Battle Hymn of Lt. Calley.”* The singer was Tex Ritter, and he was extraordinary (someday I’ll do an entire blog about him, and this will be an easy blog to write).

* But this date seems wrong as all hell had broken out when the 5dec1969 issue of Life Magazine hit the newsstands.

When this young LK rode the pony he was already glued to a green TV screen as he watched the heroic Tex Ritter (who did most of his own stunts and that easily included 90+ percent of the riding on White Flash, and there were multiple White Flashes until Tex bought a white horse that would become his White Flash until the end of time). I would meet Tex, and his music and B-western films are still with me. … and they will be until the end of my time.

Tex was religious and loved the USA. At the time that he recorded this song if not the U.S. press at least a major portion of the U.S. population still praised Lt. William Calley, Jr’s victory over the Viet Cong in the foreign war that was seemingly without end. And why not? The lieutenant was a hero, a major hero to many.

A former high school friend Dennis Riley captured this image of LK. He had become a photographer’s mate in the U.S. Navy in the late 1960s, and took this photo in June 1969. It would become a key image in the LK acting and modeling world for years. (photo © Louis Kraft 1969)

I was a villain.

Actually my view on race was firmly in place by the time I exited high school, and it would never waver in the coming years.

Villain? What are you talking about Kraft?

I’m not going to dig into my past, but I was truly a villain in 1970. There was a war going on—a heinous war—and I didn’t volunteer to kill people—civilians—regardless if I did not agree with their country’s politics.

I was a villain. There were many of us across the United States at that time.

When my university days ended in spring 1969 I no longer had a free pass on the mandatory U.S. military draft, and it was just a matter of time before I would be forced to make a decision that would impact the rest of my life. During WW II my father had enlisted in the U.S. Marine Corps as he didn’t want to be drafted into the Army. By this time I had college friends who had turned their backs on America and had taken asylum in Canada and elsewhere.

What would I do?

The USA has always been my country. Will it always be my country? That was a million dollar question in 1970 as I had no intention of deserting my homeland. Is it again a million dollar question?

LK’s history world has had a lot of people of interest

I discovered history in elementary school, and I met two people at about the same time—soldier George Armstrong Custer in the fourth grade and the pirate Francis Drake in the fifth grade. Over the course of my life I have learned a lot about both of these men. Like all of us they had faults, they had highs and lows, but that is what makes them interesting. They were also able to step beyond race and hatred of their enemies.

I met Custer on TV when I saw Errol Flynn’s They Died with Their Boots On (Warner Bros., 1941) for the first time back in the dark ages. Custer would appear in many films, TV shows, one TV series, and documentaries. I saw the pilot and a few of the episodes of the short-lived Custer TV series (17 episodes in 1967 with Wayne Maunder as Custer). You do not want to know my opinion of this TV series, even though Maunder looked great as Custer.

LK art of Errol Flynn as George Armstrong Custer in They Died with Their Boots On (Warner Bros., 1941). (art © Louis Kraft 2013)

Drake appeared a year later when he was featured in my school history book (words and cool images; I’ll share them someday). To my knowledge Drake appeared in two films, one TV series, and various documentaries (most of which are forgettable). I saw a few of the twenty-six episodes of Sir Francis Drake (1961-62 with Terence Morgan in the lead role …You need a multi-region PAL/NTSC DVD player to view this series in the USA today. I wasn’t impressed (and I’m being kind here, even though I haven’t seen it in decades).

History and times have been fairly kind to Drake over the centuries and much less so with Custer. Two books are planned on Drake (and I have much of the primary source material  in-house) but nothing published to date other than a blog that features him: The pirate Francis Drake and Louis Kraft. Upton and Sons published a book I wrote on Custer in 1995 (Custer and the Cheyenne). There have been numerous articles in such publications as American History, Wild West, Research Review, and talks on Mr. Custer have ranged from Texas to Missouri to Kansas to Montana to Arizona to California. The links on Drake and Custer give you an idea of how I view these two men. BTW, depending upon word count limitations in Sand Creek and the Tragic End of a Lifeway (vagueness is golden here), Custer may have a fairly large presence in the epilogue (at least he does at this time).

History got me to Drake and Flynn got me to Custer

… and Drake got me to studying Elizabethan England and piracy while Custer got me to the American Indian wars. Everything was a go beginning with junior high school.

Still, there’s one more piece. Tex Ritter and then Errol Flynn got me to acting. I took acting classes in junior high school, high school, and majored in theater (focused on acting and directing) in college. You know where this is going, and so do I. But then something happened in 1976 when I was doing a summer of dinner theater in Lubbock, Texas; something I would have never guessed in a lifetime. The first play was a generation-gap comedy. Two actors, the director, and I were hired in Los Angeles. The rest of the cast were hired locally. The two other LA actors and the director were also writers.

The Hayloft Dinner Theatre was in the round, which allowed for a fairly large audience while keeping the acting intimate. (photos © Louis Kraft 1976)

Long story short: Texas Tech is in Lubbock, and it was a wild town back in the ’70s. Racism was rampant, drug busts were all over the place, the theater department at the university had two cliques that wanted to kill each other. Add patriotism and by the time I finished the second play I was thrilled to put the Lone Star state behind me.

But, that summer led to me writing screenplays and landing an agent. By the mid-1980s I knew I wanted to write full time. I had parted company with my third screenwriting agent about 1984 and started writing and selling articles. In 1985 I quit the acting world cold turkey and the next year talked my way into a corporate insurance brokerage firm without ever touching a computer. I knew they were the future for writers and I wanted to learn while getting paid to do so. The vice president at Jardine, Emmett, & Chandler liked me, put me in a room with a computer with pay, and told me that if I learned how to use it in two weeks I had the job.

Massacre no. 1

Sand Creek was a massacre, and it will always be the number one massacre in my view. But I didn’t have this view until this century.

The Sand Creek manuscript has become the most difficult assignment I’ve ever had (and that includes everything I wrote in the software world). The days have been long while the progress has been slow. The reason is simple: I’ve focused on using a number of people to propel the story toward conclusion. Yes, there have been health problems (my life should have ended in August 2017), but the ongoing research and the struggle to mix this grouping of people together in a linear way has become the biggest challenge of my life. For the record some have smaller roles than anticipated while some have seen their participation in the events grow.

LK as Ned Wynkoop viewing the hacked-to-pieces remains of the Cheyennes that had been murdered at Sand Creek on 29nov1864 during a dress rehearsal for one of the performances of the Ned Wynkoop one-man shows at the Washita Battlefield NHS in 2008. (photo © Louis Kraft and Johnny D. Boggs, 2008)

After signing the contract with Chuck Rankin in 2013 I knew that this project would push me to the extreme, but I never dreamed what I would face over time. … This said, I’m thrilled that Chuck took the time over several years to bring me on board to write the manuscript. … For me it is the creation process from the beginning of the research through the publication of a book. I know that when I look back on these years that I’ll have fond memories.

Col. John Chivington was a hero. Don’t believe me? Just read the Rocky Mountain News in December 1864, all through 1865, and for years to come. Chivington commanded the 29nov1864 attack on Black Kettle’s village on Sand Creek. Butchery of children, women, and men happened on that day and the next. Butchery of men, women, and children who thought that they were under the protection of the U.S. military until it decided if the 1864 Cheyenne war would end or continue. In Chivington’s two official reports on the massacre he stated that he killed between 500 and 600 Indians. These numbers were inflated. Still, the good colonel, the war hero, was wrong, for easily many more Cheyennes survived his butchery count than died on that bloody ground.

My terrific friend and great Cheyenne Indian wars historian John Monnett took this image at the end of our time (that is his, mine, Linda M, and Pailin’s) on the Sand Creek Massacre NHS on 3oct2014. We had been walking along the bluffs to the west of the village site in southeast Colorado. (photo © Louis Kraft and John Monnett, 2014)

If you don’t know what I’m talking about, read Sand Creek and the Tragic End of a Lifeway when it is published. If you do, I guarantee that you will become ill. If not, you will have a very foul taste in your mouth.

Still, Chivington would years later state: “I stand by Sand Creek.” This quote is now in the manuscript. It took me years to locate it and figure out how to get Chivington’s most famous quote into the manuscript.

The LK view on race

LK speaking about Lt. Charles Gatewood and Geronimo at the Festival of the West in Scottsdale, Arizona. Over four days (18-21mar2004) I spoke about Gatewood and Geronimo twice, Custer and the Cheyennes once. (© Louis Kraft 2oo4).

In 1970 I volunteered to serve in Volunteers in Service to America (VISTA), which was like the Peace Corps but in the United States. Early in 1971 President Richard Nixon had a national draft lottery, and on the night that it was televised my eyes were glued to the TV set. I got lucky. My number was 273. This meant that every male of draft age (that is, between the ages of 18 and 35) with a lower number than mine would be drafted before me.

This eliminated me from the draft. … Even so, that June I reported for duty with VISTA. My life and view on race was already in place, but my time in VISTA would confirm what I already knew, … LK was not and is not a racist and accepts all people as human beings.

This statement has played a major part in my life. Both in my view of humankind and what I write about. My first novel dealt with race relations, as have my first four nonfiction books (my Sand Creek manuscript will be my fifth nonfiction book that deals with race relations). The following manuscripts (fiction and nonfiction) will also mostly focus on race relations. I’m a person. You’re a person. Every other person walking our earth is a human being. We’re all equal. Nothing else needs be said.

Back to Lt. Calley and massacre no. 2

I learned, as all of us did in the USA, that Calley’s victory was not a victory—it was a massacre of men, women, and children that were non-combatants. That’s right, they were just like you and me, … people who were not soldiers fighting a war. Five hundred four Vietnamese civilians were murdered, and that included 200 who were less than twelve years old.

This image was reprinted in the Los Angeles Times on 16mar2018. (The photo & copyright credit goes to Ronald L. Haeberle and the Associated Press, 1968) … This image is worth 1000s of words. Make your own decision of what happened on 16mar1968. … Sgt. Ron Haeberle was a photographer for the U.S. Army. The photos that he took for the military were black and white and they were vanilla-flavored. He shot color photos using his personal camera, and these he didn’t hand over to the Army. This image, although printed in black & white in the Times, was originally in color.

Kraft, why are you writing this? … If you don’t know why by now, don’t ask—just move on.

For the record Lt. Calley, and more important Capt. Hugh Thompson (I’ve also seen Thompson listed as a warrant officer), played important parts in my life. Calley for being a hero and then a murderer of innocent people (sound familiar to those of you who know what my Sand Creek massacre manuscript is about?). You bet!

On 16mar1968 Army photographer Sgt. Ron Haeberle had reached the hamlet of My Lai near the northern coast of South Vietnam. He came upon U.S. soldiers who pointed their weapons at mostly women and children. “Guys were about to shoot people,” Haeberle told Life Magazine (5dec1969 issue, p36). “I yelled, ‘Hold it,’ and shot my picture. As I walked away, I heard M16s open up. From the corner of my eye I saw bodies falling, but I didn’t turn to look.” This was the caption for the photo at right, which was on p37. (© Ronald L. Haeberle and the Associated Press, 1968; and Life Magazine, 1969)

But heroes in the USA have always been honored and set upon a pedestal. Lt. Calley initially joined this elite group. A man who was my first hero—a B-western star of the 1930s and 1940s who became one of the main people who made country and western music coast-to-coast in the USA beginning in the 1940s. Over the decades Tex Ritter honored the USA, religion, relationships, and heroes in song, and many of his recordings are classics. As soon as Tex and his producer at Capitol Records realized the truth of what happened the record’s release date was canceled. Without knowing the facts I am certain that the recording session that made Calley a hero has long since been destroyed.

A side story that is major …

You want to know my favorite storyline? Do you? It’s simple: Boy meets girl, girl doesn’t like boy, boy doesn’t give up, eventually boy wins over girl, and they live happily for the rest of their lives. … I’m not joking here.

This is what I want for me and what I want for you. I have it, and I am the luckiest man you know.

This LK art is based upon a photo that was totally useless, while showing that I am a decent cook. The image was also taken after I met the most fantastic person in my entire life. Yes, Pailin. She is unlike anyone I have ever met, and that includes a multitude of people from all walks of life. My meeting her was totally unexpected and it changed my life forever. This Wedgwood stove that dated to the 1950s is gone after years of great service. It is history, like just about everything I write about. (art © Louis Kraft 2015)

I have lived my life turning my back on false relationships and charlatans. Not good times for LK. This continued until 15jun2013 when I met Pailin (that day/evening changed my life forever).

LK and his beautiful wife, Pailin, on 2dec2014, just before we boarded the first of two planes on our return flight to California from Bangkok, Thailand. For the record Thailand is in my past and in my future. (photo © Louis Kraft and Pailin Subanna-Kraft 2014)

If you have read any of my blogs you know her. If not, look to the right.

Unfortunately my upbringing guaranteed that I could never write the above storyline. More important this year saw the 50th anniversary of what happened on 16mar1968. Like Sand Creek, we should never forget My Lai.


I know that a lot of you have bad thoughts of California and Los Angeles. How’s this for a sudden change of topic? Other than high taxes, high cost of living, and jealousy of people like me who enjoy great weather year round, I’m clueless why? Let’s talk about Los Angeles. There are more languages spoken in LA than any other city in the USA, there are more American Indians in LA than any other city in the USA, and there are more Thai people in LA than all of the rest of the USA put together. I live in the melting pot of the USA—I have it all; museums, theater, music, art, any food you want to eat, any film you want to see (and that includes numerous Errol Flynn films on the big screen every year), and most important any race, religion, and culture you may want to mingle with.

Flight commander Hugh Thompson’s actions

Helicopter pilot Hugh Thompson, and his two-man crew (which included Glenn Andreotta, his crew chief, and Lawrence Colburn, his door gunner), supported the USA attack on 16mar1968. However, this day would not be as he assumed, for when his helicopter swooped low over enemy lines he saw wounded children, women, and men spread across the ground. After marking their position, he called for medics, and returned to base to refuel.

This Associated Press © 1971 image of Thompson was published in the LA Times on 16mar2018.

When Thompson returned to the war zone he again flew the helicopter in low over the scene of the wounded civilians. They were no longer wounded; they were dead. Worse, it was obvious that they were not the Vietcong, they were not soldiers standing firm against an American assault on their homeland. No. They were civilians, simply people trying to flee while their country’s soldiers confronted an invasion of their land.

Thompson then saw a group of mostly women and children running from U.S. soldiers. He acted immediately—WITHOUT ORDERS (sound familiar with Wynkoop and my 1864 writing?)—for he saw what he needed to do. Act, now, or watch the murder of women, children, and men who were non-combatants. He landed the helicopter between the advancing soldiers and the fleeing Vietnamese. He told Colburn and Andreotta that if the soldiers didn’t halt or shot him to shoot them. He stepped from the ‘copter and confronted a portion of actually Capt. Ernest Medina’s Charlie Company (1st Battalion, 20th Infantry Regiment, 11th Infantry Brigade), to whom Lt. Calley reported.

If Thompson did this on 29nov1864 he probably would have become a casualty of friendly fire or he would have cashiered out of the military, … not to mention major racial hatred directed at him. Luckily the USA—our country, my country, your country—has progressed to the point that it recognized murder (at least with the My Lai massacre and hopefully more and more with the Sand Creek massacre as we age).

Actually my wish list on this subject is quite large.


Hugh Thompson’s name is right there with Gatewood and Wynkoop, as well as Capt. Silas Soule and Lt. Joseph Cramer. His actions mimics theirs. This is not an overstatement; it is fact. He was an American hero, as they were. For the record Thompson, Andreotta (posthumously), and Colburn received the “Soldier’s Medal for acts of extraordinary bravery not involving contact with the enemy” twenty years later.

Also for the record, William Calley apologized for his actions against the Vietnamese people in August 2009; Something that John Chivington was incapable of doing.

I live a simple life of fun and goofiness

If you have followed these blogs you know that Pailin and I are gunslingers … with our fingers, and that at times we attempt to surprise each other. This is pure fun. For us it is being five years old, or six, or seven again. Maybe older.

On one night when Pailin returned home after a long day of massages I didn’t open the back door, which forced her to enter the house through the front door. Immediately she focused on where I was. In a closet? Hiding behind a door? In the bathroom hidden behind the shower curtain? She cautiously searched the house.

No LK. It was after ten that evening, and suddenly the game became one of concern.

Not for yours truly, for I sat under the dinning room table. It had a table cloth, which cloaked my hiding spot. No notes, which I usually leave if I’m not home or are already in bed. Pailin entered the kitchen, which leads into the dinning room. She set her massage bag down and prepared to relax. I pushed the chair to the side and appeared from under the table. At the same time I fired a bullet from my finger gun. “BANG! BANG!” I yelled. She grabbed her midriff as she sank to the kitchen floor, laughing all the way down. I stepped from under the table, and, also laughing, crossed to her and pulled her to her feet. Point LK! We hugged.

Pailin is my lady, my love, my life. … And we do play games, as they keep our lives fluid and alive.

Pailin is as different from me as I am from her, and yet our interests and views on life (and remember that she is Thai and I’m American) are night and day. Somehow, without consciously attempting to create a world for Pailin and LK, … we have done just that.

We have connected between race and culture and created our own world that thrives in two worlds, two religions, two cultures.

Our world also includes an openness to just being ourselves. She and I have learned who we are in this mixing of culture and religion and lifeway. I met Pailin on 15jun2013 at a dinner party I hosted for five people; two couples and myself. One of the ladies insisted that she bring a coworker for me as I had been at that time girlfriend-less for two years. I refused. The lady—Pailin—also refused, but eventually we both gave in.

What happened was quiet magic, for I found a beautiful woman who knew few English words but was totally alert to what was happening around her. Before the day/evening ended I knew that I wanted her in my life.

This is my lady in the front yard of Tujunga House. (photo © Louis Kraft and Pailin Subanna 2013)

Much has happened. Her first visit to my world, our marriage, her first Green Card, her first Indian wars talk, and the following year her first Indian wars trip and meeting my friends, my first visit to Thailand and her family (who are now my family), her California drivers license (no easy task as the written test is in English), her passing the California Massage Council massage therapy test and receiving her license (this English test was 10 times tougher), her becoming a massage therapist in major demand on the Westside of Los Angeles (and this is an understatement as she could work 15 hours a day ten days a week if she desired as she is in that much demand), her receiving her 10-year Green Card extension, and now in place to obtain her U.S. citizenship. This is a mouthful, but I thought that you needed to know who my lady is. Bottom line: She is special, and I haven’t mentioned any of her personal traits that far outweigh her professional life.

Sadness and my future … a future never imagined

This is the first announcement of this (although I did hint elsewhere on social media that a large change was coming, even offering 100-1 odds that no one would guess it). Pailin returned to Thailand this February due to the death of a special person in her life. Her brother, my brother-in-law, who she loved with all her heart and a brother I thought the world of. I couldn’t go due to an overdue Sand Creek manuscript delivery and a physical problem that, honestly, made me fearful of flying. Palin totally understood.

Pailin shared this video that she taped on 27feb2018 early during her trip, and I believe often. It increased my fame, or infamy, in Thailand. Anyway, everyone saw it and commented, and I think it indirectly helped what was about to happen. … I say “rich” in it, but I don’t mean rich in dollars; rather rich in knowledge.

It seems silly to describe LK wearing black shorts and a T-shirt while dancing to a tune without music,
but the video’s coding will not allow the image to appear in a PDF file and a description is needed.

Pailin and I video-talked almost every day (6:00 am LA time/9:00 pm Thai time). I knew a lot of our relatives, but not all. No matter. Magical minutes for LK and his lady, but also pure gold for me as I was able to connect in real time with my extended family. These calls made me realize how much a part of my life they were and are. During this time I met a colonel in the Thai Army and his beautiful wife (I had known about them since 2014, but had never met them). At different times during Pailin’s trips she has spent great time with them and her brother and sister-in-law. This led to my introduction to them, cemented a friendship, and opened the door to an offer I never expected.

Last year the colonel and his wife (a dentist who has three offices) shared with Pailin (and I believe they have been close for a long time), a wonderful piece of information—their first children will enter the world in the future. During our California/Thailand video time the officer and his lady decided to approach me with a proposal. And through Pailin they did, they asked me if I’d consider teaching their still unborn children English as a first language.

LK’s office in Uttaradit, Thailand, on 26nov2014. Pailin and I spent a lot of time at her sister and brother-in-law’s home, and Not and Font have certainly become my sister and brother. Great memories, and good work on my last Geronimo article for Wild West as well as making decent progress on my book projects. (photo © Louis Kraft 2014)

Wow! A magnificent offer I never expected. Believe it or not, my brain still functions and quickly when necessary. I replied positively; at the same time I made it clear that all my Sand Creek deadlines would have to be made. They shared an approximate starting date, and as of today I think that this is doable. The basics are in place; the what, where, when, and how are still to come (but won’t be shared).

This is Font Subanna and LK on his 27nov2014 birthday. This man is my brother, and so much more, … he is one of my best friends on this earth. I had met him after my arrival in Langpang, Thailand, but our friendship didn’t begin until days later when he picked Pailin and I up and drove us to his home in Uttaradit. During the drive he told Pailin, “I don’t know what to say to him.” My mastery of the Thai language and his of the English language isn’t very good, but over many great days we had no trouble communicating. During one of our joint dinners at his home he said to Pailin, “Why don’t you teach him Thai so I can talk to him?” Everyone laughed. At another dinner a few nights later, and again at his home, opportunity presented itself. I said to Pailin, “Why don’t you teach him English so I can talk to him.” Everyone laughed. Some of the best days in my life. (art © Louis Kraft 2016)

I already know that I can work in Thailand, for I wrote almost daily in 2014. This said, and with proper preparation I can work on nonfiction, fiction, articles, and talks (if not a thing of my past). While in Thailand my focus will be the children; when not with them my writing, research, and spending time with family and friends.

A neighbor’s 2017 Harley Davidson. (photo © Louis Kraft 2017)

I had broached the subject of buying a Vette in Thailand. “Are you crazy?” Pailin asked. “They cost more in Thailand than in the U.S.!” Oops! I suppose a Harley Davidson Sportster, which I have been considering buying in the USA, is also out of scope. BTW, Thailand is a motorcycle wonderland. Alas, easily 95 percent of them are small.

Actually much of what I saw of the Thai people is similar to the Cheyenne people, who are totally separate for they, even though they also originated in Asia, migrated south and then west into a land that would become Southern Europe. Their aimless wanderings continued north and then west and resulted in them crossing an ice-packed tundra and reaching what would eventually become North America. Carrying this thought farther, I compare the Thai and Cheyenne people in the Sand Creek manuscript to make a major point that impacted the Called Out People (Cheyennes) and Cloud People (Arapahos) in a major way.

This is Phraya Phichai Dub Hak. It is a small bronze of the huge statue of him in Uttaradit, Thailand. It originally belonged to my brother Font Subanna, but he sent it home with Pailin in 2016 as he was very aware of my interest in this great man. Phraya Phichai joins me at work every day as he guards my computer. (photo © Louis Kraft 2018)

When I visited Thailand in 2014, I first stayed at Pailin’s sister’s house (she had retired as a colonel from the Thai Army). After days Daranee Kostin, who is a special lady, finally said to Pailin, “When are you going to tell him I’m not your sister?” If you know anything about the Cheyennes you know where I’m going. … Daranee and Pailin are childhood, school, and adult friends (to this day).

Sitting on the top of a small cabinet near the front door of Daranee’s house was a bronze statue of Phraya Phichai Dub Hak (the soldier with the broken sword; actually he was a general). He intrigued me, grabbed my attention, and eventually I asked about him. What I learned about him was mind-boggling. My brother Sophon and niece Lek introduced him to me in Uttaradit, and Font, although not present, was front and center with this world of discovery (see the above caption). … Phraya Phichai was close to his king in a major time of woe, for Burma was invading Siam. The enemy was winning. During a major battle, and like George Armstrong Custer, he was at the front of his troops in battle. The sword in his right hand was broken by an attacker, but instead of retreating he charged forward. He and his soldiers won the battle, and eventually the invasion of Siam ended.

There is much more to Phraya Phichai Dub Hak. I have seen a handful of pages here, paragraphs there, and they all say basically the same thing—and as far as I’m concerned none of it is confirmed. I am certain that there is a ton of primary research in Thailand that is available and I want to see it. … Obviously my translator will become a close friend.

My future is before me and it is mine

I am in good shape with Errol & Olivia and can complete the manuscript anywhere in the world. The first Kit Carson book will be a novel and I can also complete it anywhere.* There is also going to be a nonfiction book on Kit, but I have more research to complete (this will happen before year’s end). Both books are major for me; so much so that if I don’t find enough primary source material to write the nonfiction manuscript, I will merge that information with another portion of his life. As said above there will be two books on the pirate Francis Drake; one nonfiction and one fiction. I began a novel on El Draque in the mid-1970s when I had an acting manager, and it is my intention to complete it. There is also a Chinese/western novel set in Monterey, California, waiting in the wings (researched and outlined), as well as a modern-day story that deals with the Anasazi and cannibalism in the American Southwest (this will be based upon one of my screenplays, and it will be a thriller). Once Errol & Olivia is published I will ramp up my research on the second nonfiction Flynn book (this can only be done in the USA). (There had been hope for a partnership on a Flynn book but this is no more—LK’s loss, and perhaps yours).

* The novel will deal with Kit Carson and the Diné (the Navajos). I have a draft that was agented and contracted but then the publisher decided to eliminate their western line. It was genre, meaning 65,000 words; I plan to expand it and make it into an historical novel. Like The Final Showdown (1992), most of the characters actually lived, but the two leading Navajos will be fictional: an old warrior and his granddaughter.

That’s about it in a nutshell. …. Yikes! Actually it’s a mouthful.

 

Louis Kraft, SoCal fires, earthquakes, Sand Creek Massacre, & an Errol Flynn tidbit

Website & blogs © Louis Kraft 2013-2020

Contact Kraft at writerkraft@gmail.com or comment at the end of the blogs


For starters Pailin and I hope that the day we celebrated Jesus Christ’s birth was a peaceful and loving one for you with your family and friends. … Also that you had a safe and uneventful New Year’s Eve. Ours was at Wat Thai (Thai Temple of Los Angeles in North Hollywood) praying and seeing some friends as we welcomed in 2018.

On 20dec2017 Mimi took this image of us at Jantana (pronounced Jan-ta-na) and Richard’s (pronounced Ri-chard’s) apartment in Northridge, California. (photo © Pailin Subanna-Kraft and Louis Kraft 2017)

The year 2017, more than any other, has made me realize how
fragile life really is. For the record, I have a family of four—three ladies
and yours truly. I’ve survived some horrific car crashes, I’ve had guns
pointed at me, a knife at my throat, I’ve taken a motorcycle over a
a cliff, I’ve been knocked cold (I don’t know if this counts), and
I’ve survived cracking my skull open more than once as
well as surgeries that had to succeed or I would I have
been dancing with Angels long before now.

My view: I love walking on Mother Earth.

Fire, wind, more fire, & more wind … a SoCal story

Elsewhere I’ve documented the frightening Los Angeles and Ventura County fires of December 2017. It’s rough when you can watch flames billow into ever-growing puffs of brown smoke that obliterate the sky. You know that property is being destroyed and animals are dying.

This image in the Los Angele Times dates to December 6, 2017, and is of a man attempting to calm a horse during the Sylmar/Creek fire. These fires in SoCal were absolutely devastating on horses and over livestock. My great friend and Apache scouts expert Layton Hooper commented numerous times about this image (as he also cares about animals). I couldn’t agree more with Layton’s views on horses and how they are innocent bystanders to man’s destruction of our world.

But often the men and women who combat these horrific Santa Ana winds that range upwards to 80 MPH and fuel the fires that ravage SoCal year-in-and-year-out fall under the radar. These people, these heroes, risk their lives on a daily basis. During the recent Sylmar/Canyon fire in the San Fernando Valley that put Pailin and I at risk (a December 6 LA government text read: Strong winds over night creating extreme fire danger. Stay alert. Listen to authorities.”), they worked 24-hour shifts to combat an enemy (wind and fire) that is a hundred times more devastating than the earthquakes that are associated with SoCal. These brave human beings deserve all our respect and thanks. Believe it or not, they aren’t alone for volunteers joined them along with fire fighters from other states as well as people serving jail time in California.

All of them are magnificent!!! Perhaps some of these heroes serving jail time should see the remainder of their sentences commuted.

… and the Thomas fire continues to burn (as of 30dec17).

I have favorite animals. Just five: Mountain lions (pumas), horses, wolves, coyotes, and doberman pinchers, The last are dogs, and they are the most gentle animals I have ever known. The Pumas are beyond belief, and they are a major part of my life as I follow their struggle to remain free in SoCal. Today, tomorrow, and always. These photos are from an article in the 27Dec2017 issue of the LA Times. This young Puma was burned while attempting to flee from the Thomas fire. It has been rescued and is on its way to recovery.

Ye-ough!!! (a sound) … For California 2018 will be back to normal if what the LA Times just published is accurate, mainly that this winter would be one of the driest in California history. If true next year’s fires will again ravish the Golden State. Pailin’s and my home was at fire risk twice in 2017 (June and October).

This image of a condor (left) and its chick was on the front page of the LA Times on 1jan2018, as it featured a story on endangered species chick no. 871, who should have left its cave and flew for the first time in December. It didn’t as the Thomas Fire ravished the Los Padres Sespe Condor Sanctuary. Scientists have recently seen its parents near the cave and hope that the chick has survived.

If fires attack Los Angeles in 2018 it is not going to be 1,000 homes destroyed, it is not going to be 2,000 homes destroyed, … it will be thousands upon thousands of homes destroyed. The homeless count in LA is currently 55,000 (how large is the city you live in?). If, and I pray God this never becomes reality, … if the 2018 fires destroy the San Fernando Valley (one of numerous valleys in the county of Los Angeles) 1.3 million people will become homeless; the threat was ominous in 2017. … Will it become reality in 2018?

Earthquakes? What are they? Fire is the numeral uno enemy to the Golden State.

Oh, I forgot to mention that global warming is little more than fiction. My view on this: Everyone who thinks global warning is little more than a left wing piece of baloney have got their fingers firmly stuffed somewhere.

The year 2017 is one for the California record books

It is official, 2017 has been the hottest year on record for California. It has also been the worst fire year on record, and the Thomas Fire that started in Ventura County (which borders Los Angeles County) and has raged north and into Santa Barbara County is the largest fire in California since they began keeping accurate records in the early 1930s. This fire began on December 4; it was still burning on December 30 (but although it is supposedly 65 percent contained … homes are still threatened).

Something needs to be said about earthquakes

I have lived through the last two major earthquakes in SoCal: 1971 and 1994. I can’t tell you how often I have been quizzed about the horror of an earthquake when outside California. People I have met when giving talks or performances or on research trips are forever interested (some of them are terrified of experiencing one). … Let’s start this conversation with LK isn’t keen on living through a hurricane or a tornado.

I guess it’s all about perspective.

Let’s start with tornados. In 1974 I flew to Missouri to buy a 1951 Hudson Hornet, a great automobile that ruled NASCAR racing during the first half of the 1950s (I even wrote a screenplay about them cleaning up at the racetrack called Hornet; unfortunately my agent couldn’t sell it).

The Missourian picked me up at the airport. After checking out the Hornet and taking it for a test drive I bought the car. Tornado warnings were live on Missouri TV that morning. He and his family didn’t want me to leave. I ate his wife’s homemade ice cream and then allowed the family to show me the house where future U.S. president Harry Truman was born. I am a patient and polite cowboy. During this time I had visions of Judy Garland’s classic film The Wizard of Oz (1939) dancing around in my brain. If you don’t know the film, a tornado transports Judy’s character to the land of Oz. It was 1974 and I was picturing me and the 1951 Hudson Hornet being transported to the land of Oz.* Honestly, this was a living nightmare for me. When the seller’s family finally gave me a tearful goodbye about eight-thirty that morning I pushed the Hornet’s accelerator pad to the floor, … and hightailed it out of Kansas as quickly as I could.

Time is short, and this blog is about four months late. Thus this old collage. This picture of the Hudson that came from Missouri was taken in the still-rural Northridge in the San Fernando Valley. The photo of the Camaro was taken overlooking the Pacific Ocean in northern San Diego County. … BTW, bets were out that I wouldn’t make a wedding in Tucson, Arizona, which was a little over a week after I bought the car. I covered the bets and won.

From left: Hattie McDaniel, OdeH, and Vivian Leigh in Gone with the Wind. Olivia was nominated for a supporting Oscar in this film. She didn’t win. At first she was angry, but later was thrilled for Hattie’s win. I couldn’t agree more with her view. (photo in LK personal collection)

* The Wizard of Oz should have won the Oscar for best film of 1939 (I know, heresy). Gone with the Wind did. I have a large connection with Gone with the Wind due to Ms. Olivia de Havilland. Writing about her connection with this film will take up quite a number of pages in Errol & Olivia, and these words have and will flow speedily forward on the keyboard. Her story here is good stuff. No-no-no; it’s great stuff! All I want to say here is The Wizard of Oz, which took me decades to accept and like, is a great film, while Gone with the Wind, which I’ve hated since the first time I attempted to see it is not. For the record, I have never seen this film completely in one screening (and that includes seeing it in a movie theater; I walked out before falling asleep). I doubt this is a high recommendation.

Let’s get back to earthquakes. On February 8, 1971, I needed a place to sleep. My then girlfriend. Joan McGirr, was living with her father. I parked my motorcycle next to her car in the apartment building’s underground parking lot and slept in it that night.

This image of LK was taken just months before the 9feb1971 earthquake. I’m sitting in my office just north of the apartment building where my then-girlfriend lived with her father. (photo © Louis Kraft 1970)

The next morning I was awake and reading the newspaper in her car when the earthquake struck. I was out of that parking structure in a flash and as far as I could be from the surrounding apartments. In front of me was a large swimming pool with tidal waves pounding the sides. The surrounding complex consisted of three-story apartments. They looked like old-time cartoons as they swayed back and forth in rhythm with the pool’s pounding waves.

The 1994 Northridge earthquake caught me asleep in bed in North Hollywood. It struck about four-thirty in the morning on January 17. Let me say one thing here. When a fairly large earthquake hits there is no guesswork. You know immediately what is happening. Get away from windows and anything that can collapse or fall on you.

Earthquakes don’t last long. One minute, two minutes, maybe three minutes and it’s over. There are after shocks that can go on for days.

Front and center in an unbelievable story

LK image choices are now being selected for Sand Creek and the Tragic
End of a Lifeway, and they will add great value to the book.

Pailin took this photo of me relaxing at home with guests on 13sept2017. This is one of the last images of me as I looked like this. A joke? I wish, but alas, no. (photo © Louis Kraft and Pailin Subanna-Kraft 2017)

I know, I know, I’ve always known (nothing new here). For the record I’m working on the Sand Creek manuscript seven days a week until I deliver a first rough draft to the great editor-in-chief of the University of Oklahoma Press, Chuck Rankin at the end of January. He has always been my friend since we met years back. By that I mean that he has done everything possible to see that my manuscripts saw publication, … and this was long before we signed the Wynkoop contract. Folks, in case you don’t know, OU Press is the largest and best publisher of Indian wars books in the world. In the world! They are my publisher, which makes me one of the luckiest guys in the world.

At times events happen and they affect all of our hearts in different ways. …
31dec2017 was one of those days, but with life there’s always hope.
Pain over the loss of a cherished person is always private. … Life
can be fickle. One day we’re here and healthy, but there is
no guarantee for tomorrow (I’m not talking about me).

A bashed-face and worse … that’s me!!!

Ouch! … for it is worse, and I hate to say it but this is the story of my life.

Christopher Juarez at the central Los Angeles Public Library in downtown on 19nov2017. I cannot begin to tell how much this young man helped me during my two days at the library studying the Nancy Morton microfilm from the Nebraska State Historical Society. (photo © Louis Kraft 2017)

On 11nov2017 I took the subway from the North Hollywood hub (the Red line) to the main LA Public Library. My bad from the beginning, but it was worse than that for good ol’ LK got lost. What should have been three miles of total walking turned into six + miles of walking. Huh??? Take one guess. LK was clueless and got lost. If you know downtown LA there are good places and there are bad places and I got to see all of them, including a male urinating in pure daylight (I know, this is not a major selling point for Los Angeles). When I finally reached the library I was in for a shock. It was November 11—Hello cowboy! … Veteran’s Day—and the library had shut down Friday, the 10th, through Sunday, the 12th, for the Veteran’s Day weekend. What can I say other than keep your views to yourself. That’s right, I don’t want to hear them.

My day excursion, which began at nine in the morning ended at 12:25 in the afternoon with roughly two and a half hours spent as LK walked as fast as he could. Again, and by my calculations, it was over six miles. … You do not want to know what my feet felt like that afternoon, for all you’ll get from me is a bunch of XXXs and !!!s.

See below for the continuation of this story. …

The creation of history

If I chose to list all the historians who have shaped history in their image you would be shocked. I know a very good Indian wars historian who once told me that he wanted to turn history upside down. Say what? Basically this person wanted to push Indian wars history to the extreme.

That’s right, and more often than you would ever guess historians do this. Facts don’t drive what they write, sensationalization does. Most of the time they choose people who are no longer with us as you can’t be charged with defaming the dead in the USA. This is not hard to do when you write about the American Indian wars or the Golden Age of the Cinema.

LK at Tujunga House on 5mar2017. (photo © Louis Kraft 2017)

This blog, as most in the near future, features events that led to the attack by Colorado Volunteers on people who thought that they were under the protection of the U.S. military on 29nov1864.

For the record I’ve been giving talks based upon reality for thirty years, since 1987. These are talks wherein I know my subject matter and I don’t read. At the moment I’m on self-imposed sabbatical. The reason is simple: I have a book to complete that is of major importance to me.

Believe it or not, I have been persona non-grata for more years than I’d like to count. You do not want to know about people who turn their back to me when I walk past them. What’s their problem? Hell, I don’t know. I’ll say this, they ain’t my friends.

Barbara Hershey and a film I like

What can I say about Ms. Hershey other than I’d like to know her well enough that we could share our views on the world, living, and creativity. Given decent parts in film or class TV productions she has time and again proven how good of an actress she is.

Last of the Dogmen

Barbara Hershey played an anthropologist whose expertise was the Cheyenne Indians in Last of the Dogmen (Savoy Pictures, 1995). In this film, which always makes my top 50 (now 60) film list had a great quote that Barbara said. But first she had to deal with a modern-day bounty hunter played by Tom Berenger.

As stated some of Barbara Hershey’s performances are top-notch, and certainly  in Last of the Dogmen and Defenseless. Also she is someone that I wish I knew. This, in the Kraft world, is a high recommendation for more reasons than one. (photo in LK collection)

Berenger had found evidence that points to Cheyenne Indians from a time long gone killing escaped criminals, and he’s trying to learn if people from the mid-nineteenth century could have survived undiscovered into the mid-1990s. Hershey finds his quest ludicrous. And it is, but it opens a door to explore race relations between people from a time dear to my heart with those living in the mid-1990s. From the get-go the film is fantasy for the simple reason that there were few Cheyenne Dog Men (whites called them Dog Soldiers) at the November 29, 1864, massacre of Cheyenne and Arapaho Indians on Sand Creek, Colorado Territory, an attack that saw children used for target practice, an unborn child cut from its dead mother’s womb and scalped, … it gets worse, much-much worse. … Before the story can take off Hershey gives Berenger a history lesson on the Cheyennes along with their struggle to retain their freedom, land, and lifeway before again making it clear that Dog Men could not and did not murder the escaped convicts as there were no “Dog Men” from the 1860s living as they had in 1864 in modern times. Lordy-lordy, you have got to love this premise as it is a good one. Barbara’s quote in the film was great, but you’re not going to read these words in this blog. See the film, … and when Sand Creek and the Tragic End of a Lifeway is published read the book. Here’s a big hint: Barbara’s quote is the final two sentences in the book.

Sand Creek players have been pounded time and again …

Certainly Ned Wynkoop has been labeled a “traitor” to his race, and an Indian-lover. This pounding centers on his acting without orders (not cool when you are in the military) to save white prisoners and bring seven Cheyenne and Arapaho chiefs to Denver to discuss ending the 1864 Cheyenne war with John Evans, the second territorial governor of Colorado. One premise holds that the massacre at Sand Creek would have never happened if he had not done this.

LK as Ned Wynkoop in an one-man show seeing the sexually dismembered bodies of the Southern Cheyennes months after the butchery at Sand Creek on 29nov1864. (photo: Johnny D. Boggs during a dress rehearsal for performances at a Washita Battlefield National Historic Site symposium in 2008).

Really? All I’ll say here is that illogic follows and stampedes its way into the foreground.

This isn’t worth talking about, other than to say there were many participants in the events that led up to the attack on a Cheyenne and Arapaho village on Sand Creek in November 1864. It was not just one player, it was a combination of multiple players and all their actions. People make choices. You make choices; I make choices. So did Evans, Wynkoop, Colonel John Chivington, Cheyenne Chief Black Kettle, Arapaho Chief Left Hand, and on and on.

The tragedy of Sand Creek is much more than an officer (Wynkoop) acting without orders to rescue four white children and bring seven Indian leaders to Denver to discuss ending a war. If illogical thinking rules the day, why not say that the Sand Creek village was “easy prey,” like some of those hunting estates where macho men with big guns can hunt big game that can’t escape as they are trapped within the preserve?

These people had their vaginas cut out, their penises hacked off. Their children had their skulls bashed in. The term “war crime,” didn’t exist in 1864, but it does now. What happened in 1864 was a war crime regardless of what it might have been called then. Pure and simple. You do this today, and you happen to be an American soldier, you will be tried for war crimes. … I’m not certain when this came to pass but it was certainly in place at the end of World War II when Nazis were charged with heinous crimes of genocide against the Jewish people. BTW, “genocide” became a word in 1945.

These crimes live into the twenty-first century when on March 12, 2006, an American soldier (Specialist James Barker) raped and murdered a fourteen-year-old Iraqi girl, Abeer Qassim al-Janabi. He and five soldiers with him then murdered her father, mother, and six-year-old sister in Mahmoudiya, twenty miles south of Baghdad. They burned the bodies in an attempt to cover up their crime.

… and the Cheyennes?

For starters there were a number of Southern Cheyenne bands trusting Chief Black Kettle’s efforts to remove them from the on-going war. Unfortunately their approximate location was known, making them an easy target. Chivington’s goal was never to fight Cheyenne Dog Men and Lakotas who rode the war trail farther north. Instead, he wanted a target that never expected to be attacked. That’s right, he wanted “easy prey.” Chivington would claim a lopsided victory with a huge death count that perhaps exceeded the total number of people that could have possibly been living in this Sand Creek village, and for a short time became a great Indian fighter.

From left: Leo Oliva, LK, and Fort Larned Chief Historian George Elmore. We are walking the on the parade ground, and we are heading toward the building that Wynkoop rented for his headquarters when he was a U.S. Indian agent, which was just outside the perimeter of the post. Good friends Leo and George have helped me oh-so many times over the years. Both have been instrumental in getting me to Kansas time and again to speak and perform, as well as aiding my research. … I can’t begin to tell you how much George has aided my Sand Creek research. This photo was taken on 20sept2012. Two days later Leo and I spoke on the now protected Cheyenne-Dog Man-Lakota village that Major General Winfield Hancock destroyed in April 1867. … This part of Kansas is in my blood. It is one of my homes away from home.

What can I say. My Sand Creek proposal was 37 pages long. I presented a detailed outline of what I thought the final manuscript should include. It also stated that nothing was set in stone, that my research would define the flow of the manuscript. … Boy, is this a true statement.

Actually Chivington is going to have a smaller role than planned. Such is life. This said, his impact on the story is huge.

On 24apr1999 Cheyenne Peace Chiefs Gordon Yellowman (kneeling) and Lawrence Hart (standing right-center) blessed the Pawnee Fork village site. The lady with the robe wrapped around her is Connie Yellowman, Gordon’s wife. This was the first time that I spoke at Fort Larned. That’s George Elmore in the sergeant’s uniform at the left of the image. (photo © Louis Kraft 1999)

Fort Larned plays an important role in the Sand Creek story. Black Kettle, Neva, Left Hand, Little Raven, William Bent, George Bent, John Smith, and Wynkoop all spent time there. The destruction of the Pawnee Fork village (about 35 miles west of the post) was a continuation of what began in the early 1860s.

Territorial governor John Evans has been pounded

But should he have been? I’m not so sure, and although I hate to admit this, I don’t totally agree with the University of Denver’s study of Evans, and his part in the disaster. Still, they uncovered key information regarding the governor ducking the issue while in Washington D.C., and he didn’t return to Denver until spring 1865.

As I didn’t use an image of John Evans in the Wynkoop book, and have not decided what image(s) of him that I’m going to use in Sand Creek, this color portrait of Black Kettle is good here. The chief and the governor met at Camp Weld on 28sept1864, and both walked away from that meeting with totally different views upon what had been decided. For all the chief’s efforts to avoid or end war he has been pounded as hard as the governor. (art © Louis Kraft 2015)

Let’s be up front, some of John Evans’ words and actions led to his downfall (which has been frighteningly similar to the racist backlash we have seen against the Southern states fight to remove themselves from the United States of America in the 1860s. Yikes!!!! How can the USA banish and remove one of the most important pieces of our history, the war between the states? Without a doubt slavery was (and is) heinous, and it has always been so. Owning another human being and playing god with his or her life is evil (but I’m talking from a modern POV). Times have changed in regards to racism for the better, but from what we have seen in 2017 we still have a long way to go.

Some of Evans’ proclamations are damaging. However, his attempts to avoid or end war were something he tried to do. More important, he left for the east on November 10, that was nineteen days prior to Chivington’s massacre of men, women, and children, and he didn’t learn of the battle until days afterwards. Evans wanted war and wanted the Cheyennes and Arapahos removed from the territory but he had no clue that this would happen to the people who tried to end the war.

Art of Mr. Carson dating to about 1845. (LK personal collection)

Evans’ fall from grace is similar to Kit Carson’s. … Folks, Kit was a good friend to the American Indians. He spoke seven languages: English, Spanish, and five native languages. If he were the butcher that modern times attempts to label him, why would he speak (at least partially) the words of the Navajos, Mescalero Apaches, Cheyennes, Arapahos, and Utes? Oh, I forgot to mention that he had three wives: Arapaho, Cheyenne, and a Latina of Spanish decent. One more fact, he converted to Catholicism to marry his Spanish wife. Does this sound like a racist? I think not. … Pray God I live long enough to complete two books that deal with Carson and his relationship with American Indians. … One fiction; one nonfiction.

John Evans has become an evil person. … Really? Guess what? John Evans was a human being who thought he was doing right when he did it. I’m not going to tell you that he was a good person or an evil one. If I do my job his words and actions will allow you to make your own decision of who he was.

Ditto everyone else, and this includes John Chivington. BTW, he will be the last piece of the manuscript to be completed. Oh, he has a presence now, but it is not close to being finished. Like Evans and everyone else, it is my job is to show what he said and what he did. There is nothing worse than an author (history or fiction, it matters not) who has a preconceived premise on an historical personage and will stay the course regardless of how much discovery disproves their premise. God forbid they shy away from their damnation of a human being because they see facts that shoots arrows into their task of destroying a person’s life. And especially people who are gone and cannot defend themselves. Yep, folks you can defame the dead in the USA (but be careful if you attempt to defame the living, for then you might set yourself up to join the homeless wandering the streets of LA).

Back to the reality of our times

Is it ethical to sell out truth for greater book sales? Honestly, you don’t want to know my opinion on this. Many writers have done this over the years, and it isn’t confined to the Indian wars. The most infamous—in my opinion—was Charles Higham. Higham, a film biographer, printed despicable lies about two of his subjects (see below), for the simple reason that he wanted to sell books. Other biographers and historians in modern times have mimicked Higham’s practice of creating false facts that bleed red for the same reason, to pocket as many greenbacks as possible. There’s one difference, these hacks of recent times (that is post 1980) stoop so low with their fictional creations that they are little more than cockroaches that run rampant in their readers’ minds as they spread filth that has no basis in reality.

In his 1980 best-selling piece of slop called Errol Flynn: The Untold Story, without proof Higham wrote that Flynn was both homosexual and a Nazi spy. Over the years real historians have debunked all of Higham’s falsehoods. Still the general public, if they remember anything about Flynn, it is that he was homosexual Nazi spy. Hell, the media still sells this as there is nothing better than trashing a star’s name for the simple reason that the public gobbles it up. As said above there is no punishment for defaming the dead in the USA. Not so in Canada; Higham’s book was also published in the land of our neighbors to the north. Flynn’s daughters Deidre and Rory went after Higham in Canada. To avoid going to court and potential prosecution Higham never set foot in Canada for the rest of his life. … I can’t speak about Higham’s other film biographies save one—Sisters: The Story of Olivia de Havilland and Joan Fontaine (1984). I presented Olivia with a lot of questions about this book in letters and in person. Olivia made one reply in writing in which she dismissed Higham with three words (and none were profane). In person the only thing she said about him and his book on her and Joan was that he never contacted her, never asked her one question.

Was Higham a charlatan? Are other historians charlatans? I believe in challenging history. I also believe that it must be done ethically and not by presenting outrageous statements that are fiction-based on preconceived premises with the lone goal of destruction.

Another story

He was flesh and blood, had a deep baritone voice, was a college professor, had lived through the revolution of the 1960s, had evolved into the 1970s, and when I met him in the 1980s he had fine-tuned his persona. Oh, I forgot, he was also a writer. Charm oozed from him. He instantly became a friend (think 1989 in San Diego).

Years passed. It was now 1995 and we were at the Western Writers of America (WWA) convention in Cheyenne, Wyoming (I’m foggy on the location but think the timing was with the publication of Custer and the Cheyenne).

I’m going to pull from a major lesson I learned from Errol Flynn’s magnificent memoir, My Wicked, Wicked Ways, which was published shortly after his death in 1959. Mainly, that at times one must remain vague to protect friends, former lovers, and yours truly. I hope that what I share here is okay. I’m back to the writer that evolved from 1960s to the 1980s. He was working on a book wherein he claimed his subject—Billy the Kid—outlived his death by decades. “Do you believe he wasn’t murdered?” I asked. He honestly replied that he did believe that the Kid was murdered. “Why are you writing this manuscript?” He again honestly answered that it would sell books. This author’s name was W. C. Jameson.

Kudos to him for his honesty. At the same time his words now mimic the truth of today’s world. If the truth gets in the way of your preconceived premise, dismiss it. If someone confronts you on your lie, one-up them and call them “little Billy,” or “bullshitting Johnny,” or “sex stalker Alex,” or “lying Donald.” The new key words here are: “Fake News.” Point your finger at them, scream, and if possible see that your hateful rants explode all over social media.

Luckily for me the Dennis the Menace cartoons continue to live in the Los Angeles Times (this cartoon appeared in the 22nov17 edition of the paper). Although cartoonist Hank Ketcham is long gone, his wonderful creation continues to live at dennisthemeance.com and in various newspapers. The North America Synd. holds the 2017 copyright.

Good Lord, is this really today’s world? If yes, I need say no more.

The struggle to bring the Tsistsistas (Cheyennes) into their new world

Ladies and gents, separating myth and fiction from fact is an hellacious task, and one I’ve struggled with for years now. Also, unfortunately, no one is ever going to get all the facts straight. It is an impossible task.

Believe it or not the Cheyennes have been mostly painted as villains throughout their history. Their views and their facts have been almost totally ignored as little more than lies. There’s an adage, and it is that the conqueror writes the history books. … The vanquished are savages or worse and the winners are heroes who have saved mankind.

… and this includes some mixed-blood Cheyennes

I’ll mention two here: Julia Bent and her step brother Charles (Charley) Bent. Their father was trader William Bent, who plays a fairly large role in my Sand Creek manuscript, but surprisingly wasn’t as I expected him to be (this statement should have a few exclamation points as the William Bent I now know is not the William Bent I thought I knew). … I can’t begin to tell how many hours I’ve spent on Julia and Charley. I know them somewhat, but I wish more. She is little more than a beautiful image that appears and disappears during the tumultuous times of the 1860s while Charles has been pounded to hell as little more than a vicious killer.

George Bent was Julia’s older brother and Charley’s older step-brother. He lived well into the twentieth century and left a wealth of information for anyone willing to dig into and understand, and by that I mean cross-reference and closely check what he wrote.

If you believe just half of the recordings of supposed Cheyenne raids between 1864 and 1867, Charley Bent was named way-too-many times as a traitorous leader of perhaps thirty percent of these raids, and yet when he died he had not yet reached his twentieth year, and this is an easy fact to prove regardless of David Lavender’s fanciful words without a drop of proof in Bent’s Fort (1954) or Halaas & Masich’s tons of research citations in Halfbreed (2004), which simply muddies the water while providing little support for important text in their biography of George Bent.

I don’t have much on either Julia or Charles, but what I do have will be in the book for both were exceptional young people during a time of death and destruction. I won’t come close to sharing who they really were, but I will present them to you in an honest way while at the same time destroying some of the undocumented baloney that has been printed and reprinted about them ad nauseam.

There is Sand Creek Massacre research coming that will open some eyes

The misinformation and out-and-out fabrications of reality in the Sand Creek story is mind-boggling. These ongoing fabrications range from Laura Roper becoming Black Kettle’s sexual object to Isabelle Eubanks being five when the Cheyennes gave her to Wynkoop on September 12, 1864 (a date that is erroneously documented easily sixty percent of the time).

A wonderful research surprise in Downtown LA

A young wife was captured one day after the Cheyenne raid that captured Isabelle, her mother, younger brother, a relative, and Laura Roper. This young woman, like those taken with Isabelle, also plays a key if small role in the story. I had seen most if not all of the published documentation about her. Her name was Nancy Morton. During an horrendous string of a few days mostly along the Platte River Route she, along with many other whites, survived while seeing her family murdered and hacked to pieces. Traveling settlers, ranchers, station employees were attacked, many murdered, while a small number of whites were taken prisoner. There is an old cliché, “Save the last bullet for yourself,” as death or captivity by Indians was not something anyone wanted to experience. … Nancy and a boy named Daniel Marble survived the attack on their wagon train.

I have spent a lot of good time with Marty Vestecka Miller, of the Nebraska State Historical Society, who secured the interlibrary loan of a microfilm reel on Nancy Morton for me. As the only library in the 100-library system of Los Angeles that still had microfilm readers that could also print was the central library in downtown Los Angeles I had to set up the loan there as the microfilm could not leave the library.

The west entry to the Central LA Public Library in downtown Los Angeles on 18nov2017. The library is a treasure, both inside and outside. (photo © Louis Kraft 2017)

On November 18 I got wise and looked at a map of the subway exit and the downtown library. They looked shockingly close to each other. On this day I used the Hope Street exit from the subway, looked to my left and could see the library two and a half blocks distant. On this day I worked closely with Christopher Juarez (pictured above), who not only got me set up on the microfilm machine but made me aware that I didn’t have to pay for printouts of the pages, but could scan them and email them to myself free of charge. Folks, when you are looking at over 250 images this is a pretty cool savings. Christopher worked closely with me on this day and then the next day as he ensured that I obtained every image that I needed. I have nothing but kudos to say about Christopher. The city of Los Angeles should give this young man a pay raise, and I’m not joking here. Los Angeles is lucky to employ him. Good work needs to be rewarded. Mayor Eric Garcetti, if you see this post or if you hear of this post, know one thing: Christopher Juarez is an extraordinary employee and the city is lucky to have him.

LK’s workstation at the Central Los Angeles Public Library in the History Department on 19nov2017. Cool times for LK. (photo ©  Louis Kraft 2017)

The people of Sand Creek

The major players range from the second territorial governor of Colorado Territory, the chief editor and co-partner of the most successful newspaper in Denver during the 1860s and beyond, the commanding colonel of the District of Colorado, the official U.S. interpreter for all four major treaties with the Cheyenne Indians between 1851 and 1867, a major partner of the most successful trading post who married into the Cheyenne tribe, one of his mixed-blood sons, and the one man who dared to act for he thought was for the good of mankind and has since been termed a traitor to his own race. They were ambitious, had views of success in their dreams, but like you and I had to survive in a world beyond their control.

I know. Where’s Cheyennes Black Kettle, Lean Bear, or Bull Bear; and Arapahos Left Hand, Neva, and Little Raven? Trust me, for they are a comin’ to life, … I want them to be surprises; I want them to explode off the pages. Actually Black Kettle and Little Raven will surprise you, but unfortunately I simply don’t have enough on the others to allow them to also dominate. Still Left Hand was a person I wish I could have known in life.

More important, and like most of us, they thought that what they did was right when they did it. … What I’ve learned is not what I wanted to know. I’m writing the manuscript as a biography through the eyes of (currently) nine people. I’m doing everything I can to be in their point-of-view (POV), a film term.

This is my lady, Pailin, on the bluffs to the west of the 1864 Sand Creek battlefield. Our terrific friends John and Linda Monnett took us to the isolated site in 2014. You want to read good history pick up some of John’s books that deal with the Cheyennes. … Pailin and I are totally different in all phases of our lives, and yet she supports everything that I do. I pray to my God that I am capable of supporting everything that she does. Life and love is a two-way street. You won’t believe what is in our future. (photo © Louis Kraft & Palin Subanna-Kraft 2014)

Where the hell am I? Simply, I’m treading water in the middle of pure hell. Does this sound negative? Probably, but it shouldn’t be as I’m inching closer to completing perhaps the most important manuscript of my life. If true, I must see Sand Creek and the Tragic End of a Lifeway through to print. Folks, I can’t see this happening before 2019. This means I need to live another two years. Doable? I think so, … I hope so. Time will tell.

This is the OU Press dust jacket for the Wynkoop book; I’ve had some great covers over the years but this jacket is by far my favorite. It was an image that I requested, and the art director turned it into a terrific duotone.

Sand Creek and the Tragic End of a Lifeway has 37 contracted images. Three will be maps; that leaves 34 photos or art. Good times for LK to fill in the blanks. At this moment I have chosen 16 (as I don’t own the rights to all these images the process to purchase and determine the use fees is under way. Actually several have already been procured, and all that needs to happen is working out the publishing details and paying the use fees. I hate to say it but at this point in time I must become secretive. Of the 16 I’ve previously used six of them. This is more than I hoped to use, but the images that will again be used are mandatory to telling the story of the events that led up to the Sand Creek attack and its aftermath.

For the record Chuck Rankin had requested I place as many women in the manuscript as possible. My research leading to the creation of the proposal and its acceptance was less than sparkling, meaning that there were no women who would be in the manuscript. Over the last three years of research this view has changed. I mentioned a couple of young ladies above. This is, for me, great news. Hopefully they will come to life when the book is published, even if their presence is small, for they are oh-so important to the Sand Creek story.

A small repetition

My Sand Creek proposal was a very-detailed thirty-seven pages, but it also included a “get out of jail” pass. This simply means that as a writer-historian I track all the usual suspects and try to follow where the trail leads. That is, the documentable facts. Actions and words define character. My job is not to create villains and heroes; rather it is to present people to you. If I do my job correctly you will make your own decisions of who they were and what happened.

As said above, this is a seven-day-a-week job. I’m up between four and four-thirty and often don’t get to bed until nine, ten, or later. … You guessed it. Sometimes I have to crash. But even on these days I must research and/or add word count.

I love what I do.

An Errol Flynn tidbit

I want to go off course here while still tiptoeing the straight and narrow. Thank you, Mr. Flynn. I’m not being sarcastic here, for Flynn’s My Wicked, Wicked Ways is the best book that I’ve ever read. His book dealt with time and memory, it dealt with good and bad, success and failure, and protecting the innocent in more ways than one (for example: Not saying much about a person or event, changing a key fact or two, or names of people that Mr. Flynn did not want to hurt, or perhaps because he did not want to be hurt). But sometimes it also included that his memory failed him, or worse a publisher changed facts or names.

The Flynn photo used on the dust jacket for the first printing of My Wicked, Wicked Ways. (photo © Esquire, Inc. 1958)

For the record, a successful writer named Earl Conrad was hired by Flynn’s publisher (G.P. Putnam’s Sons) to spend time with him at his home in Jamaica. Flynn had received a good advance to write his memoir, but he was almost at the end of his time on earth, was having trouble completing the manuscript, and needed help. Flynn was self taught, literate, and well published. He always had a story to tell, forever stood firm for what he believed, and never shied away from anything in his life. Without checking, and perhaps it is in Conrad’s memoir of his time with Flynn or in Thomas McNulty’s Errol Flynn: The Life and Career (by far the best biography on Flynn), but I think Flynn shared about 200,000 words during a handful of weeks with his guest Conrad. Flynn would see and sign-off on the galleys of his memoir but then died before seeing his last book published. (I’ll deal with this in my third book on Flynn; perhaps my second if I get lucky and something I want to do happens.)

My friends, … those of you who fear that I’ll never complete the first book
on Errol Flynn (and Olivia de Havilland), relax, for that book is closer
to publication than you think. Moreover, the two other planned
books on Mr. Flynn will happen. The second or third
books—there is no order here—will blow you
away in many ways.

Closing thoughts

There are pieces of my life, and luckily they didn’t deal with life and death on a major scale or decisions that would affect hundreds and thousands of people. Luckily I’ve lived in the shadows of time. Honestly, I think that this is a better place to be … for if I lived in earlier times when I would have had a target on my back as I would not have stepped in line and said, “Yes sir!” Luckily I didn’t live in the 1860s, for if I had, I’m certain that I would have been murdered on the streets of Denver as Captain Silas Soule was.

Still things have happened and they have affected my life in more ways than I’ll ever admit. During those times I wasn’t smiling. Looking back I can’t stop chuckling.

The little angel sitting on my right shoulder just whacked me in the face. The little devil sitting on my left shoulder simply snickered and said, “You wimp, you deserved that!”

What it all comes down to is life—my life.
My view is simply that you and I have different views of
our lives. … I wouldn’t have it any other way.

Sand Creek and a Louis Kraft book update

Website & blogs © Louis Kraft 2013-2020

Contact Kraft at writerkraft@gmail.com or comment at the end of the blogs


Kraft is slow because he wants to research
everything that makes it into his books. This takes time,
a lot of time. At times it is an ungodly amount of time
and yet it must happen before l can deliver a
manuscript to my editor.

I’d like to make a lot of money on my freelance writing, but that
isn’t the objective. What I really want is to write books that have value
and will outlive me. This is my goal, and it has always been my
goal. … The future will decide if I succeed or fail.

You may ask why I have so often talked about time.
The answer is simply that it is key to all of our lives.
For me, the clock is ticking at lightning speed.

I have work to complete …
and Ladies to protect.

This blog features Rocky Mountain News editor William Byers & Ned Wynkoop

Oops!!!! Sometimes it seems that nothing is easy in my life.

Dumb ol’ Kraft thought that William Byers would be a slam dunk. Since I just used a basketball term I guess that I should continue with the sport that has given me a lot of pleasure during this century. Let’s just say that I thought that Byers would be an easy layup. No-no-no!!!

This image was taken on 5mar2017. My face was lighted by a bay window while the two images on the wall were in almost total darkness. The top image is the poster for the publication of the Wynkoop book. My friend and editor Chuck Rankin gave it to me in 2011. The bottom image is of me as Wynkoop in Ohai, Calif., in 2002. … I have been ripped by a supposed friend, a supposed good writer friend originally from Ojai, Ca., for only writing about one subject—Ned Wynkoop. Pure BS!!!! I’ve written two books about Gatewood and the Apaches and one about George Armstrong Custer and one about Wynkoop. Nothing else needs to be said, other than I need to address this accusation by this oh-so-great writer friend (yes, I’m being sarcastic) who pounded me for not congratulating him for his most recent move from Williams, Az., to the Phoenix area, while asking me what happened to my Thai girlfriend. He failed to not only remember Pailin’s name, but also that I had sent him a long email about our marriage. That was the final straw for I could take no more from this egotistical prick. I had read all of his clichéd crap over the years (and was kind, an understatement), but no mas. I pounded his piss-poor subjects and inferior writing and said, “adios.” (photo © Louis Kraft 2017)

When I started my current inter-library loan request I was shocked. The Los Angeles Public Library system is huge (100 branches, and the main branch in downtown LA is magnificent). There were no biographies on Mr. Byers, who was one gutsy fellow, and better one of the most important figures during Denver City’s birthing years. He knew what he wanted for the city, for Colorado Territory, and eventually for statehood. Byers shot for the moon and he had no problem going after his competition or those who opposed him. … I have a T-shirt that simply says: pen > sword. I agree with this, and I think that William Byers would have also. Byers was not a man who carried a gun and shot people, but he had guts and then some. I think that if I had had the chance to have met him that we would have gotten along as long as I didn’t oppose his plans. If I did, woe to Kraft for whatever good press he might have given me would have gone up in smoke quickly.é

Art of Rocky Mountain News editor William Byers in later life. Louis Kraft Collection.

Those of you who have read Ned Wynkoop and the Lonely Road from Sand Creek (University of Oklahoma Press, 2011) know who William Byers was. For those of you who haven’t read my book on Wynkoop and who are clueless of who Byers was I hope the following introduces you to him. … I hope that the following introduces you to a magnificent man who had decided to publicize the new land that also happened to be to east of the Rocky Mountains in an area that would eventually become the boom town of Denver City. He, like Ned Wynkoop, would face many adversities for his views and, like Wynkoop, this could have led to a violent death on numerous occasions.

Byers and Wynkoop began their relationship when they met in Omaha, Nebraska Territory, in early January 1859. At this time Wynkoop provided details about the gold fields near the confluence of the South Platte River and Cherry Creek, but these details were mostly based upon rumors as mining was then on hold until the following spring when temperatures warmed. Byers gobbled up what he heard as he was then writing a book that publicized the so-called “Pike’s Peak Region.” It and other books would send hordes of men west in the hope of becoming rich. Most would fail.

This is a variation of an image that I created of Wynkoop for an article I wrote for Custer and His Times Book Five. “Ned Wynkoop’s Lonely Walk Between the Races” was published in 2008. The art has appeared in four or five publications since then, with the most important being an article that I wrote for Wild West magazine, “When Wynkoop was Sheriff,” which was published in April 2011. Again, this is a variation, for the image printed in Wild West was an oval and it wasn’t a duotone. (art © Louis Kraft 2007)

Byers and Wynkoop hit it off that January of 1859. It wasn’t long after their meeting that Byers would set off for the gold fields; he arrived in Denver City in April 1859 and began publishing the Rocky Mountain News soon after. Wynkoop, who had braved the dead of that 1858-1859 winter reached civilization shortly after meeting Byers. He presented the Denver City Town Company’s claim only to fail and not secure the reason for his trip. There was one thing about Wynkoop. Like Byers, he never turned his back on what he thought right, and he refused to quit even though the bid had failed. Wynkoop continued to push for the town company; he also negotiated with the St. Charles Town Company, whom his land group had claim-jumped. Even at this early age Wynkoop was good with words, had charm, and prevailed in merging the two land development companies.

Upon his return to Denver City in fall 1859 Wynkoop and Byers became friends even though Ned survived by the seat of his pants while Byers and his wife Elizabeth socialized with the elite of the booming town.

This would soon hit the fan when Byer’s wife went ballistic with Wynkoop’s future lady. For some reason Byers refused to take sides in this altercation. Actually Byers often allowed Wynkoop to get away with his transgressions wherein if someone else had done what Ned had Byers would have attacked that person in print. To me it appears that the two men had a good friendship to the point that Byers mostly turned his back on his friend’s actions and mostly kept those wherein he stepped outside the law out of the press. But then that terrible event of November 1864 happened, and Wynkoop, then an officer in the First Colorado Volunteer Cavalry but not present when Chivington’s command attacked the Cheyenne and Arapaho village circles at Sand Creek on 29nov1854, refused to keep his opinions silent. Byers had been able to turn his back to a lot of his friend’s antics and indiscretions but not his vocal view that innocent men, women, and children had been murdered and butchered.

This image dates to April 2012 and the Western Heritage Awards extended weekend in Oklahoma City. My article, “When Wynkoop was Sheriff” (Wild West, April 2011) won a Wrangler, which is a cool bronze statue of a cowboy on a horse. This was a fun time with friends and people that I just met. Even though my connection with Wynkoop is deep and ongoing (and I do publicize our connection), to claim that he is the only un-racial person I write about is a joke. I’ve written two books about Charles Gatewood, one about George Armstrong Custer, and when I complete my trilogy on Errol Flynn I will have written more about him than anyone else. To date I have written one book about Wynkoop (although he will be a key player in Sand Creek and the Tragic End of a Lifeway). Two books are planned on Kit Carson and two on the pirate Francis Drake. Those of you who have no clue of what you talk about—and I’m pointing my finger at a writer who runs off at the mouth without knowing anything—you need to get educated, you need to do a little research, you need to prepare before you say a lot about nothing. Period! (photo © Ownbey Photography & Louis Kraft 2012)

Friends—good friends—became enemies. For all time. LK has been there and done that. Why? How? I don’t know the answer, but with the drop of a quarter good friends, people who I thought were friends until the end of time changed colors, and attacked with a vengeance and a hatred beyond imagination. They were friends of long standing and suddenly they bared their fangs and struck to kill. …

I have not yet survived the shock, or have recovered from their vicious verbal and written attacks of hatred. Most likely I never will. There’s a hole in my life that can never be repaired, never become whole again.

NEVER!

What I have experienced I am certain that Ned Wynkoop also experienced. The shock in my life was not as extreme as the shock that he lived through for he knew people who were murdered and I only deal with egotism, stupidity, and love turned into venom. How can a person I liked and respected for decades turn into a viper whose sole goal was to belittle another’s writing career? How can people that I have been close to create lies and then believe them as truth? How do I—or they—survive this? … We don’t. It’s just like seeing fresh roadkill lying in a broken clump with blood seeping onto the pavement. An innocent life had ended for no reason other than being at the wrong place at the wrong time.

LK as Ned Wynkoop viewing the butchered remains of the Sand Creek dead when he visited the massacre site in 1865, as photographed by my good friend, writer, historian, and editor Johnny D. Boggs in December 2008 during a dress rehearsal in Cheyenne, Oklahoma. (photo © Johnny D. Boggs & Louis Kraft 2008)

These are scenes that I have experienced and I have never forgotten. I’m certain that Wynkoop’s and Byers’ experience was much harsher on both of them than mine has been.

Wynkoop was not me, … nor am I him, yet we are joined across the centuries because of our views on race and racial equality (and not because we had good relationships that flamed out and burned). Does that make him evil … or me evil? Without blinking an eye—No!

Research is mandatory to writing a good book. No real research and a “so-called” nonfiction book is basically bullshit. That is crap, and let me tell you that there are a ton of these pieces of shit published every year. All I can say is: “Shame on these authors!” … “Shame on them!” for their goal was book sales and to hell with truth or reality. You do not want to know my opinion of these cretins for it really isn’t printable. … Ditto the publishers that printed their travesties.

Where am I headed? I’ll tell you …

Suddenly what should have been easy research on Editor Byers has gone belly up. This cannot be for William Byers must be a leading player in my manuscript, even when he is AWOL in book print. He was a major part of my pitch and I have no intention of deserting him or his cause. Trust me. This man had a vision for a new land, and it was a good vision if we view his roadkill attitude of taking no prisoners in print from his point-of-view.

Know this, I don’t give up. I want Arapaho chief Left Hand to be as large as possible. I also want William Byers to be a major presence in the Sand Creek manuscript. … Hint, hint, hint. Ha-ha-ha. … I know the answer but I ain’t a tellin’.

OU Press editor-in-chief Chuck Rankin speaking at the Western Heritage Awards banquet in April 2012. (photo © Ownbey Photography 2012)

Last December I had a great phone conversation with Chuck Rankin, who had initially pitched me on writing about Sand Creek. It took us two years before we agreed upon a vision for the book and then more years  for me to create a 37-page proposal (that Chuck reviewed in progress and in which he had massive input) before we finally signed a contract in 2013. … Going into the project I knew I had bitten off a huge bite, but that would be worth all the wrong turns, dead ends, and honestly the struggle to use a select group of players to drive a non-biography to conclusion. … I don’t get headaches; never. That was then. Now is now, and now I get headaches. But then perhaps this is only because I have fallen on my head and cracked my skull open way too often.

I have an angle to follow. It is not where you might think. It is not where I would have ever guessed. But it is close to LK’s desires. My fingers are crossed that I can make my pitch and that my arrow splits the arrow dead center in the target. I’ll soon know, but not you for you, for regardless if it is an LK win or yet another failure you will have to wait—most likely years for an answer. Sorry, but that’s just life in the real world.

But an unforeseen problem

As mentioned above, I failed to locate a biography of William Byers in the Los Angeles Public Library’s 100 branches. Abebooks.com, which I often use for research, also had no hits. Ditto Amazon.com. At the moment I have a zero mark on landing a major biography on one of the most important players in Denver and Colorado Territory’s early years. Why? WHY?

I have some great primary sources on Mr. Byers. Hell, a week doesn’t go by when I don’t have my nose pressed against my computer screen reading an issue of the Rocky Mountain News. Someday this will cause me to go blind. Don’t believe me, read the sucker, that is the RMN, without glasses or a magnifying glass. Byers’ paper that he used to conquer all who opposed his vision is a magnificent document. Magnificent as long as you understand the paper’s stance and viewpoint. … That’s right, for sometimes you must read between the lines or more important question what you have just read.

Heck, the Los Angeles Times is a magnificent newspaper—today, in 2010, and in 1941 or 1937 or before. This does not mean that I buy what the paper has printed in well over a century sight unseen. Actually, just like I challenge the Rocky Mountain News, I also challenge the LA Times, and I do use it for historical research, today’s events, and even the paper’s selection of cartoons, which are first class (and often hit the target dead center).

This is an artistic rendering of the west coast of Costa Rica. It could have been the southern coasts of Spain or France, or, if I eliminated the water and changed some of the colors, New Mexico. … I love Los Angeles. It has more culture and artistic events than anywhere else in the USA, and that includes NYC and Santa Fe, which is my favorite city in America. Moreover, and much more important, Los Angeles has more people of ethnic origin than any city in the USA, and even more important has more Thai people than any city in the USA (and if you add all the Thai population in the other cities stretched across our great country together LA still remains number one). This is a major fact for my lady, and the major reason for us to not leave this great city. Put mildly, Los Angeles is our home and we don’t want to move. That said I constantly study Costa Rica and New Mexico. The future? Someday we’ll know. (art © Louis Kraft 2015)

On 20mar2017 the Los Angeles Times led with “Trump’s immigration plan faces obstacles,” by Don Lee (pA1+). If you read the article and dig, just a little, you will see that the threat is much more than to just immigrants without papers and to immigrants with no criminal records and are in the U.S. as it offers them a much better life. … Actually the threat is frightening and it is much larger than you might expect.

This is one of my favorite images of my cowgirl, my lady, my best friend, my love, and my wife (although she wasn’t my wife when I took this photo in the front yard of Tujunga House on 7nov2013). This photo is framed and is placed in a prime position on my desk. (photo © Louis Kraft and Pailin Subanna 2013)

In my freelance writing I try to challenge everything that I discover and read and discuss with my network of writers, historians, editors, artists, and other creative people. The thoughts and ideas are lively. Many have helped me, and I hope that I have helped some of them. I use my network to not only widen my knowledge but to keep up our friendships. Besides some of what I learn or now understand might eventually make it into a talk, article, or book. … I also try to do this with my every-day life and world, but most of this I do on my own. I believe that eventually the United States will regain its senses and most of this ugliness that is currently in vogue will begin to fade away. If perchance it doesn’t make a major U-turn, most of my adult life will have been lived in vain and all that you and I have seen change for the good will have been for naught. What does that say about our time walking this earth? Without naming names my current view of our future is frightening.

A William Byers strikeout

At the moment I feel like one of the Major League Baseball players that whiff (that is strike out) 200 or more times every season while justifying their failure to hit the baseball and their piss-poor .245 batting average means nothing as they belted 37 balls over the fence (that is 37 home runs). Give me a break! I’ve seen great ballplayers perform on TV and in person, and there aren’t many that are great. One was Duke Snider of the Brooklyn Dodgers (who, and luckily for me, moved to Los Angeles when the Dodgers deserted Brooklyn, New York, after the 1957 season).

The signature to LK was on the cover of a magazine that printed a feature on the Duke by yours truly. I would write numerous articles about him, but when I pitched him to co-author his autobiography I stuck out for he had already contracted with writer Bill Gilbert. … I spent a fair amount of time with the Duke during a few years in the 1980s. He was a good man, gracious, and I treasure our time together. Not bragging, and I’m not a big fan of celebrity signatures, but I’ve got a lot of the Duke’s. (A side note on another great player, Barry Bonds: His swing was so compact and smooth. Regardless if he took drugs or not and I’m not going to state what I believe about this, he belongs in the Baseball Hall of Fame. Yes, he certainly grew larger during the second half of his career, and the extra muscle certainly helped his home run output. But he still had to hit the baseball, and if you’ve never attempted to hit a ball that is coming at you at 90+ miles per hour you have no idea of how difficult it is to do.)

I hate feeling like that ball player who hits .245 when he’s lucky. And I’m not talking about money or poor performance. Rather I’m racking my brain trying to figure out how I’m going to make Byers fully dimensional. … At the moment I have more strikeouts than hits, and this isn’t acceptable.

I know that a Byers’ bio exists and I hope that I’ll be able to see it. If not, Mr. Byers won’t get too much press in future LK blogs. A shame, for it would be fun to challenge him at times. And especially so, since I already know that he wouldn’t meet me on the field of honor at 10 paces with revolvers in our hands—something that John Simpson Smith would not have blinked an eye before making or accepting such a challenge.

This image was published in “When Wynkoop was Sheriff” in the April 2011 issue of Wild West. William Byers is standing in the upper right. This article was almost never published. When I saw a proof I wasn’t pleased. It had but two images of Ned Wynkoop in the feature, and the portrait on the first page of the article was dinky. I had suggested most of the images in the article, including two of William Byers. I spoke with the person in charge of the images and told her that I wanted the above group shot removed so that the portrait of Wynkoop on the first page could grow in size. She told me that the design was complete and nothing could be changed. I restated what I wanted. She refused to budge and the phone call went downhill. Finally I said that if the portrait wasn’t enlarged it wouldn’t appear in the magazine. She told me to talk with Greg Lalire, and then hung up. Greg L is a great editor, and probably the major reason behind Wild West’s success for decades. He is also my friend. I didn’t call him. Two days later he called me and asked if I had a problem? “No,” I said, “but one of your coworkers has a problem.” He already knew what was going on; still we talked it through. … I want to say this up front, Greg has done everything possible to print my stories over the years, and he didn’t desert me at this critical time. … A few days later he called again and said that he had cut the other image of Byers. I saw another proof. My art had grown but not completely—still I was pleased. The Wynkoop article saw print and out of nowhere it won a major award, the Wrangler.

Does this make Byers a coward? Absolutely not! He was a brave man who put his life at risk day in and day out. … A little change of subject: Los Angeles has returned to its modern-day version of Dodge City. That is people are again gunned down or knifed to death at an alarming rate. I haven’t been saving these articles in the LA Times for it seems that almost every day another one or two or three or more people die violently (and many of them are innocent bystanders, and that includes infants, children, women, and men). Will their murderers be apprehended, brought to trial, and convicted? The answer is sadly not always yes.

This is a sad state of affairs, but this is nothing when compared to the dark-dark days that California will soon face. Although the Golden State isn’t a country I’ve seen it listed as the sixth richest economical area in the world. Well that bold claim may not hold up too long if the presidential prejudice and anger that is aimed at destroying its economy becomes reality. … That said, I’m totally against California becoming a separate country (as many idiots are proposing and pushing to get onto an upcoming ballot).

I have a lot of favorite images of my lady, and some of them are two-shots. This photo is one that I really like (it is framed and in our living room). This image dates to 13nov2013. We were enjoying the opening of the Lily Pad Thai Spa & Massage in Sherman Oaks, California. For the record, we were sitting on the floor. (photo © Pailin Subanna and Louis Kraft 2013)

Folks, the country of California is a joke. It is also a frightening possibility for those of us who love the USA and are thankful that we live in the United States regardless of how bad and racist our land has become in just a blink of time.

A return to the Sand Creek manuscript in a totally different direction

The young Cheyenne woman (she was in her early-to-mid-teens at the time of Sand Creek) Mo-nahs-e-tah, and this is the phonetic spelling and pronunciation of her name (I say this for often her name has been written as Mo-nah-se-tah (and other variations), which is/are wrong). Dr. Henrietta Mann, a Southern Cheyenne, who’s entire career has been one of exceptional achievement, including being one of the founders of the Cheyenne [and] Arapaho Tribal College in Weatherford, Oklahoma, shared this with me in 2012.

Dr. Henrietta Mann speaking at the Washita Battlefield NHS symposium on 6de2008. (photo © Leroy Livesay 2008)

I met and became friends with Dr. Mann—Henri to me—at the Washita Battlefield NHS in December 2008. … In April 2012 we smiled and joked, we shared gifts, and we talked about serious subjects when I drove to Weatherford to visit her in her office at the college. She ordered lunch in and our time together continued with a mix of good and bad.

The Cheyennes are unfortunately on the bad side (if you’ve read my writing or heard my talks or seen my plays you know why). I’m not on that “bad” side; actually I’m on the opposite side. The Cheyennes in the 1850s, 1960s, and beyond, were on the good side. Although the word wouldn’t exist until the end of WWII, they faced “genocide.” Genocide! White people craved their land, and they did whatever they could to secure it (a better word is “steal” it). … And this included murder. Of course, when the Cheyennes and their allies fought back they were reported as “vicious savages who murdered and raped.”

The lady 2nd from the left is Mo-nahs-e-tah, and I am certain of this. She is holding her child who was pure Cheyenne. Prior to when this image was created she accompanied George Armstrong Custer on his mission of peace on the Staked Plains of the Texas panhandle. Her child, which was then an infant, did not accompany her. I have used a full view of this image in Custer and the Cheyenne and in Ned Wynkoop and the Lonely Road from Sand Creek. … My great friend and bro for all time, Glen Williams (who is one-quarter Cheyenne), gave me this print of Mo-nahs-e-tah, and it is now part of the Louis Kraft personal collection. … During my visit with Henri in 2012 I asked her how she would phonetically spell and pronounce Mo-nahs-e-tah’s name. She gave me the above information.

When your total lifeway is at risk, and that includes your lives, what are you going to do?

FIGHT! Or in the case of Arapaho Left Hand, and Cheyennes Black Kettle, Lean Bear, and White Antelope they would do everything possible to keep the peace between the races with words and not weapons.

Does this make them a “savage?” Or did this make those who refused to fight for freedom without weapons traitors to their own race? The answer to both questions is: No!

LK art of Bull Bear, the great Dog Man chief, and of Black Kettle, who, in my opinion was the greatest Cheyenne chief of all time. (art © Louis Kraft 2013)

Until Sand Creek and the Tragic End of a Lifeway goes to press I will struggle to define and document the Cheyennes (and to a lesser degree) the Arapahos lifeway and history. This time in their lives, this critical time in their lives must be recorded. And it must not be forgotten. … Also it must be recorded with an unbiased opinion.

I know that Mo-nahs-e-tah was at Sand Creek on 29nov1864, and I know that she escaped, but that was it. Now, thanks to my good friend, Gary Leonard, who is very knowledgable about this lady and the Cheyennes, I now know that she did not make her run for freedom that winter day before a soldier’s ball wounded her. Do I have enough to write about this? That is a big question at the moment. Perhaps Gary and I will be able to open a conversation wherein we can share and discuss, confirm some facts, and learn more about her. I hope so; otherwise this would be a tragedy for me.

I can’t begin to tell you how difficult this is to realize. Unfortunately this problem is generally the case, and that is that the victors write the history, and the losers’ stories are forgotten or ignored or buried. This should not be; it should never be!

As previously stated … 

I have to complete Sand Creek and the Tragic End of a Lifeway and Errol & Olivia. Fear not for I will do this. Know also that I am one tough cowboy. I will outlive my ladies for I must protect them, I must keep them safe (especially Pailin and Marissa). … This means that you will endure decades more of my writing. Smile, for you have good—or bad—reading a comin’.

John Smith, Gordon Yellowman, & the Sand Creek massacre

Website & blogs © Louis Kraft 2013-2020

Contact Kraft at writerkraft@gmail.com or comment at the end of the blogs


 

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“Sand Creek” (above) is Southern Cheyenne Peace Chief Gordon Yellowman’s interpretation of what happened at the joint Cheyenne and Arapaho village that thought they were at peace with the U.S. military in November 1864. The results of this attack—read butchery—were horrific. In my humble opinion it says everything we need to know about that tragic day of November 29, 1864, in Colorado Territory. (art © Gordon Yellowman 1996)

This is the first time that I have led a blog with artwork and then featured it later in the same blog. The reason is of extreme importance to me.

The Sand Creek tragedy has returned to my life with a vengeance; actually
for some time. Progress is good, but slow (I could give myself a few
nicknames here but won’t for I don’t want any of them to stick).*

And as in the past I have found primary source documentation
that is an eye opener.

To give you an idea of how much, … in the late 1980s I
had outlined a novel with Indian agent Ned Wynkoop
as my chief villain. I had without enough research
added Wynkoop to the list of Indian agents
who robbed their wards while lying to
their U.S. government employers.

One problem: Wynkoop didn’t do
what I originally thought.

I never wrote
that book.

OVER THE LAST 30+ YEARS I’VE LEARNED A LOT,
AND BETTER I LEARN MORE EVERY DAY.

To quote Yogi Bera, the late and great catcher of the NY Yankees
during the Golden Age of Baseball, “It ain’t over ’til it’s over.”


* Actually I hate nicknames, but some people ignore this, and no matter how often I state that I don’t want a nickname they insist upon stuffing one down my throat. This makes me cringe every time I hear one or see one in print. For example, I’ve been called “Kit” Kraft, and nothing I say or do has killed this name. It’s not my name, will never be my name, and just thinking about it makes me want to vomit. Luckily the jerk didn’t call me “Wild Bill” Kraft. For the reason why see: https://www.louiskraftwriter.com/2016/09/17/the-tom-eubanks-louis-kraft-ned-wynkoop-errol-flynn-connection/.

Sand Creek is a story of people

Sand Creek and the Tragic End of a Lifeway is a story of people creating a future, retaining a lifeway, race relations, survival, and it is of major importance to me. Although I am working in familiar territory this manuscript is 100-fold more difficult to write than any of the previous nonfiction books that I have written.

A short detour

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(book cover art © Louis Kraft 2016)

My recent novel with partner Robert S. Goodman, The Discovery, which took place in Los Angeles over two decades (between 1951 and 1973), presented me with a lot of information that had to be accurate (medical, legal, not to mention historical facts), such as when the 101 Freeway that cuts through the north side of downtown LA, through the Cahuenga Pass and into the San Fernando Valley before continuing north and west as it skirts the Pacific Ocean. For the record it didn’t exist in 1952. CNN news didn’t exist in 1973; I had never watched it (but I do now on the internet). The Discovery had an enormous list of facts that had to be correct. Yeah, that’s right, even when you write fiction you have a responsibility to stick to reality.

When you write nonfiction it is a crime to get creative with facts and distort or change or invent them to support preconceived premises.

Sand Creek hasn’t been easy

What did I say? Sand Creek and the Tragic End of a Lifeway “is 100-fold more difficult to write”? This is perhaps the truest statement that I have ever made about my writing world. Honestly, this story, and remember I don’t write lists of facts but about people, is a living-breathing nightmare. … My average day? Try five to six or eight hours of research and if I’m lucky two or three or four hours of writing. I’m not talking polishing here, simply trying to get facts that I think are accurate written.

Word-smithing comes later—much later.

I’m approaching the Sand Creek manuscript as a biography but with multiple leading players. The goal is to smoothly flow all the key players’ actions into a storyline that shows what they did without allowing it to turn into a jerked-together mess of telling. As in the past this is a work that is taking longer than anticipated. The plus for me here is that, and as in the past, I have a lot of very knowledgable friends that constantly supply information and run thoughts, questions, and ideas by me. They open my eyes to information that I hadn’t known previously existed, and believe it or not, some of this information has changed my views on key people and their actions.

Dr. Gary Roberts and the beginning of a friendship

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This is Dr. Gary Roberts latest book (Abingdon Press, 2016), and in it he presents well-thought-out insights into to both Colonel John Chivington, who commanded the Colorado Volunteers that attacked the joint Cheyenne and Arapaho village at Sand Creek on November 29, 1864; and the second territorial governor of Colorado, John Evans. His book is available on Amazon.

Lately I’ve been enjoying a round-robin discussion with Gary Roberts, which began when my question of approximately how many miles would the Reverend John Chivington have been able to cover on a normal day’s travel during his first journey to Denver was forwarded to him. Gary kindly dug into it and answered me (and more than once on what he found). This opened an ongoing question-answer-thought provoking conversation that has led to a friendship.

During the last two or so months Gary has also opened my eyes to something that Wynkoop had done that I wasn’t aware of as well as other key questions I’m tracking on Chivington and others, and this includes primary source material on trader and interpreter John Simpson Smith that to date I haven’t been able to get my hands on, and by the way he is proving to be an unexpected surprise. I’ve also been focusing on Arapaho Chief Left Hand, and the more I learn about him the more I wish I knew.

Buddying up to John Simpson Smith

Actions—peoples’ actions—drive how I explore the people in my books, for what they did tells me who they were and what drove them. I cringe when someone tells me who they were. I don’t need opinions of who they were and neither do you. Also, I need to get as close as I can to walking in their shoes, boots, or moccasins as possible. Doing this is the only way I know of to prevent my bias from tarnishing how I present them in my writing. By this I mean that I must view and document their actions as they viewed them.

But first a little of LK and my lady

If you listen to some people who claim to be my friend I’m a loser, a failure, and an evil person. They secretly spread malicious rumors about Pailin’s and my life behind our backs.* For all the things that I’ve done in my life, I’ve done them while thinking that I acted correctly at all times.

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This is my lady and me on the Skywalk above the Grand Canyon in Arizona in late September 2013. We were one then and we are one today. Anyone who says different is a liar and asshole. (photo © Louis Kraft and Pailin Subanna 2013)

* I know a handful of people with Green Cards who are only in the United States to use our country, … that’s right, “to use our country” to their advantage and then desert it. They are by far a small minority, a small headcount, but still they are taking up precious space, headcount, and preventing someone who truly wants to make the USA their home from doing so. I find their actions despicable. Moreover, one of these people has taken my comments on other social media out of context and lied about it for unknown reasons. For the record, Pailin and my life together is one of love and is on course for our ultimate goal—her U.S. citizenship.

What I have just shared about our life is true, and Pailin will obtain her citizenship in the not-too-distant future.

The principle people in my manuscript did what they thought right when they acted

I honestly believe that Black Kettle, John Chivington, Left Hand, Ned Wynkoop, John Evans, Little Raven, George Bent, William Byers, John Smith, Charley Bent, Silas Soule, Edmund Guerrier, George Shoup, Scott Anthony, Tall Bull, and Bull Bear thought that they were right when they did what they did during the 1860s.

And this is exactly what I must do when I write about them.

It will be up to you to decide if you agree with their actions or not.

Finally to Mr. Smith

Alas, some of the players that I thought would have larger roles are shrinking while others are growing. One person, John Simpson Smith, the interpreter and trader that had married into at least two tribes has become a total surprise to me in the second decade of the 21st century. Those of you who read my biography on Ned Wynkoop, have heard my talks or read my articles about him know that Smith and Ned did not get along. This began when Wynkoop, who, along with others in their land development group that had traveled to the gold region near where the city of Denver would be founded, threatened to hang Smith in 1858 if he did not leave the area or join their company.

Have you ever been knocked cold with a sucker punch?
I have, and it affected my life.

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This is a cropping of the famed Camp Weld image that was taken after Governor John Evans and Colonel John Chivington met with Cheyenne and Arapaho leaders that Major Edward (Ned) Wynkoop (kneeling left) escorted to Denver in late September 1864 after he had met with them on a tributary of the Smoky Hill River in Kansas earlier that month. This is not the image that I used in Ned Wynkoop and the Lonely Road from Sand Creek, but is a cropped version of the original by an unknown person. Sitting directly behind Wynkoop is Southern Cheyenne Peace Chief Black Kettle (and who, with the Chiricahua Apache war leader Geronimo, I would gladly trade one year of my remaining life to be able to spend two weeks with these gentlemen). John Smith is standing left behind Black Kettle. The meeting on the Smoky Hill tributary was the first time that Smith and Wynkoop worked together after Wynkoop insisted that Smith translate for him at Fort Lyon at the beginning of the month (and this was their first connection since the threat of hanging Smith in 1858). Wynkoop needed an interpreter and he had only one choice—Smith. The events of September 1864 led to a four-year working relationship that neither Smith nor Wynkoop wanted. That month also began Wynkoop’s friendship with Black Kettle, a friendship that led to his turning his back on racial prejudice and accepting Cheyennes and Arapahos as human beings. … That is Captain Silas Soule kneeling next to Wynkoop. He was forced to participate in the attack on the Sand Creek village (Wynkoop wasn’t present at the attack as he was in transit to Kansas to await a potential court-martial). At Sand Creek Soule refused to fire his weapons. In 1864 he spoke out about the savage and brutal mutilation of men, women, and children and in 1865 testified about the attack. He was murdered in the streets of Denver in April 1865.

Don’t you doubt for one minute that the threat of death did not affect John Smith in the coming years. Don’t you doubt that he never forgave Wynkoop and the others that threatened his life. Almost six years later events forced Smith and Wynkoop to work together, and they would do so for another four years. Neither Smith nor Wynkoop liked or wanted this relationship, but they made the best of it. Knowing my connection with Wynkoop over the years, it’s a safe bet that my view of Mr. Smith has been less than sparkling. But times change with deeper research and understanding of people’s actions. … While struggling to understand how the people that I have chosen to propel Sand Creek and the Tragic End of a Lifeway toward conclusion I’ve found Smith to be a major player. Every time I turn around there he is again.

Damn you Smith! Go away and hide!
You’re gobbling up precious word count.

Too many historians tell us how bad a person John Smith was, but alas they don’t do much showing us why they damn him to hell as an evil creature. They make no attempt to understand his actions or the actions that affected his life. This said I am in the middle of trying to find primary source material that proves beyond a doubt why the Arapahos wanted nothing to do with him. This is absolutely key and I must locate it. … ‘Course Mr. Smith, who walked between the races for decades, survived as a key U.S. interpreter for Wynkoop and even more impressive as the interpreter for all the Cheyenne-U.S. treaties. If he was the “liar” as some historians proclaim, why didn’t he end up with a knife in his guts, why weren’t his sexual organs hacked off, and why didn’t he meet a sudden end?

Let’s return to my belief that actions define a person and when documented allow readers to decide how they view the person being examined.

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LK art of a debonair John Smith in the early 1860s. If I use this image in the Sand Creek book I need to improve the final product for it needs more work. (art © Louis Kraft 2016)

The book contract allows me 37 images, and currently I’m planning to have three maps. That leaves 34 images, and at the moment at least three could feature Smith. … And this is because I am discovering a man who had a lot more to offer than his less than sparkling relations with Wynkoop. … I try not to repeat images in my books, but one will definitely be reprinted in Sand Creek and the Tragic End of a Lifeway, and that is the Camp Weld image of Black Kettle, Bull Bear, Neva, John Smith, Silas Soule, and Ned Wynkoop that was taken shortly after Governor John Evans, Colonel John Chivington, Black Kettle, and other chiefs spoke on 28sept1864 (see the above group shot). Most likely only one of the other Smith images will make it into the final book, but whichever one makes the final cut will be of massive importance.

What I know to date is that every image that I have seen of John Smith was taken when he was in a controlled area and was dressed in dapper clothing. Ladies and gents, John Smith walked between the races and he married American Indian women. It is not a huge stretch to surmise that he did so because he loved them (and perhaps because he saw that an interracial marriage presented him with an opportunity to trade with the Cheyennes). Yes, he could have married them because he thought that by doing so would have opened a large door of trading with native people, but this is a stretch in today’s thinking and an even larger stretch during Smith’s lifetime. … John Smith ventured westward at the time of the trappers, and although marrying into one tribe might have saved his scalp with the people he chose to marry into it didn’t preserve it in the eyes of all the tribes at war with his new wife’s people. What did John Smith gain from such a marriage? Yes, when the day of trapping neared its end might have been reason for such an interracial marriage, but to date I haven’t been privy to Smith’s views on his marriages (if indeed they exist somewhere; alas, this is unlikely). Did Smith know that he would become an Indian trader? Probably yes, but also maybe no. … Like rebels of our time he didn’t fit in with his time. Before taking that huge step and marrying an American Indian woman he knew that such a relationship would immediately cast him as an outsider to his own race, and a man to be scorned. Without a doubt he came to respect the Indians he associated with, and especially the Cheyennes (again, I have seen zero proof in Smith’s words, but I do believe there is enough documentation of his actions to support this view). Add the correct woman, and Smith gladly accepted a racial marriage at a time when it was almost universally rejected. This was a brave decision by him, and one that he had to have made with his eyes wide open.

A possible dust jacket

I have at times used an image of a photo that I took of the Pawnee Fork village site in Kansas to represent Sand Creek. I did this to use a dark representation of a horrific murder of people who thought that they were under the protection of the U.S. military.

darkCheyVillage_byLK

This image was created from a photo that I had taken of a Cheyenne re-enactor village on the Pawnee Fork village site in Kansas in modern times. I had turned it into line art, darkened the image and have at times used it to represent the 1864 Sand Creek village. My friend and historian Eric Niderost has panned me for using this image more than once, and he’s right. Still I needed an image to represent the Sand Creek village. Not to worry for this image will never appear in any of my books. (art © Louis Kraft 2013)

I’m having a terrible time trying to come up with a good illustration for the cover of Sand Creek and the Tragic End of a Lifeway. I hate the way-over used painting by Robert Lindneux of the assault that resulted in the murder of way-too-many innocent people at Sand Creek (as I don’t think that it is accurate). … As you know, I dabble in art for my articles and books but I have absolutely nothing that could possibly represent my Sand Creek manuscript.

For the record I also hate dust jackets that have a bunch of portraits (photos or art). In the case of Sand Creek and the Tragic End of a Lifeway an assembly of Black Kettle, John Chivingrton, George Bent, John Evans, Little Raven, Ned Wynkoop, George Shoup, William Bent, William Byers, Bull Bear, Silas Soule but without key player Left Hand as we don’t know what he looked like, would be pure crap. These covers tell us nothing, and as far as I’m concerned they were created because the writer had no opinion and the art director at the publishing house was clueless.

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LK with Gordon Yellowman at the conclusion of the Washita Battlefield National Historic Site symposium on 12nov2011 (this is the correct date). (photo courtesy of the Washita Battlefield NHS)

What do I currently have? Nada (Nothing).

Or do I? … There is a print that I purchased, framed, and then hung in Tujunga House as soon as I returned home from my first Fort Larned National Historic Site speaking engagement in Kansas in 1999. (See “Sand Creek” above.) It was at that event when I first met Gordon Yellowman, who also spoke at the event. His art is a great rendering of that tragic day of the butchery of innocent people.

There’s one problem, and it is a major one, Chief Yellowman’s painting is landscape where most book cover jacket artwork is portrait. How do I deal with this? … I think I know the answer, but I can’t/won’t deal with it until Editor-in-Chief Chuck Rankin and OU Press are in line with my tardy text delivery. I was slow and took forever to deliver Ned Wynkoop and the Lonely Road from Sand Creek. With luck all will be good with my Sand Creek manuscript delivery. When Chuck and I agree with my current manuscript, and not until then, my focus must be on the research and words. Until then nothing else counts, for if my words and storyline fail there is no book.

A printable manuscript is absolutely mandatory before we move into the publication process. To repeat myself, until Chuck and I agree that the manuscript is ready to go to press, and only then, it is not time for me to move forward into a world that I have at times not been welcome. … Over the years I’ve had some book covers that I like, and have played a part in a number of the covers. I designed Custer and the Cheyenne (nothing more need be said here), I created the art for Gatewood & Geronimo, it was upon my insistence to use the 1861 Wynkoop portrait and colorize or duotone it for Ned Wynkoop and the Lonely Road from Sand Creek, and I created the art and designed the book cover for The Discovery.

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LK with OU Press Editor-in-Chief Chuck Rankin at the Western History Association convention in Oakland, California, on 15oct2011. OU Press created the poster for Ned Wynkoop and the Lonely Road from Sand Creek (seen behind us) for the event. Chuck kindly gave it to me, I had it framed, and it is displayed at Tujunga House. (photo © Louis Kraft & Chuck Rankin 2011)

I know, the above sounds egotistical. It isn’t, for I’ve played a major role in over 200 other book covers (that don’t count for they were in the software world), and that doesn’t include the five or six that I designed for Upton and Sons, Publishers, in El Segundo, California. Give me a break! I know what is good design and I know what is bad design, and that said I’ll never push for bad design for any of my freelance books. Never! And you can take that to the bank.

You can bet that once Sand Creek and the Tragic End of a Lifeway moves into production, and Chuck and crew are in agreement with my view of Chief Yellowman’s art, I will approach Gordon. When we get to this point, hopefully he’ll agree that his art would make a magnificent book cover. But, and this is important, if the press’s art director insists that Gordon’s art won’t work because it is landscape I will approach Gordon to see if we could compromise. BTW, my playing with size proportions and using the Wynkoop book dimensions lead me to believe that we can use Gordon’s entire painting with small black bleeds to the left and right, a slightly larger bleed above the top, and a larger bleed below his art for the title and author credit.

I’m a firm believer in reaching for the stars. …

Finally a dark side that we cannot ignore

Our life, and ultimately our future, is based upon our past. It is on us to correctly document our history (and I’m talking about your history and my history). If we can’t honestly do this how can we move into our future? We need to know who we are and how and why we have become who we are. … We live on one earth, and we are but one people even though our colors, religions, politics, and races are different. The key here is people, one people—us. It is on us to get beyond all our greed and fears and hatreds and accept all of us as one. … For only then will we get beyond attacking and raping and murdering other people because their god is different, they have land and resources that we crave, and that we must decimate or dominate them to insure our freedom and safety.

Again, we are one people on one earth. If we fuck it up, or if they fuck it up—we all lose.

Green Card 2016 … Two lives since September 2014

Website & blogs © Louis Kraft 2013-2020

Contact Kraft at writerkraft@gmail.com or comment at the end of the blog

This blog continues with our lives since Pailin received her
first Green Card in September 2014. You will again travel to the
American West, you will travel to Thailand, and you will be introduced
to the special people in our lives while seeing a glimpse of our
cultures, work (Green Day Spa & LK’s writing), and how it
relates to who we are and the love that we share.

On 9Sept2014 Pailin, our lawyer, interpreter, and I met with the Immigration officer who interviewed us in downtown Los Angeles.

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Pailin and LK with our lawyer, Priscilla Tasanont, on 9Sept2014. We were across the street from the Federal building in Los Angeles. It is about 15 minutes after Pailin had been told that she would receive her Green Card, and we were two happy people. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

It was a good day. We passed and Pailin would soon receive her first Green Card, but as it was only good for two years we are again preparing for our next meeting which will be in late summer or early fall. As we had in 2014 we are creating a photo album and this blog, which will share some of the highlights from our lives.

To see the blog that I created for this meeting with U.S. Immigration, and which I
delivered as a printout to the official who interviewed us see:

https://www.louiskraftwriter.com/2014/08/10/pailin-lk-and-an-upcoming-date-with-our-future/

The 2014 blog deals with when we met in June 2013, the beginning of our relationship,
Pailin’s introduction to the Southwest and a part of my world,
our marriage, and some of our friends.


Colorado, New Mexico, & Texas here we come!

As both of us are positive and work at what we want to accomplish we felt that Pailin would obtain her Green Card in 2014, … I set up a research trip to the West to give her a taste to my writing world and introduce her to some of my good friends. The trip began on 28sept2014 with our first destination Lafayete, Colorado.

John Monnett and Sand Creek massacre research

Good friend and great Indian wars writer-historian John Monnett, and his pretty wife Linda, invited us to stay at their house while John aided my research for Sand Creek and the Tragic End of a Lifeway (under contract with University of Oklahoma Press).

It was a long two-day drive from North Hollywood (a town in Los Angeles), California, to Lafayette, Colorado. During the first day we detoured to The Valley of Fire, which is north of Las Vegas, Nevada, and off I-15.

valley_ofFireCollage_28sept2014_diffFONT_wsOnce we got out of Nevada the landscape improved. Utah is gorgeous. The second day started out nicely in Utah, and again the landscape was beautiful to behold. But soon the climate changed. It started out with showers mixed with sunshine as we cruised through the eastern side of Utah and closed on Colorado. At Grand Junction, Colorado, it turned cold and we drove through a three-hour downpour. It was downhill from there, and looked like a repeat of the last two or three times I had visited Colorado. After we closed on the Rocky Mountains the temperature dropped to 37, 36, 35, 34, and then 33 degrees.

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Pailin’s photos remind me of James Abbott McNeill Whistler’s nocturnes. He and Vincent van Gogh are my favorite artists.

Thirty-two degrees. Ouch! Snow began to fall and traffic slowed to a halt. I called John Monnett and left a message that we wouldn’t arrive until evening.

COLO_29sept2014_apr2013_psk&lkCollage_diffFONT_wsIt started to look up when the snow returned with a vengeance. Visibility dropped to perhaps 20 feet or less, … and I hate to admit it, but I don’t know how to drive on ice. Apache wars historian and good friend Layton Hooper told me what to do, but knowing and doing are two different things and I had Pailin with me. Caution and driving safely were the only things on my mind. … We arrived at John and Linda’s at six o’clock that night without a mishap. Linda prepared a great dinner and we enjoyed our time together.

Research with John and Linda

The next day we began the Sand Creek tragedy research with John.

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While I dawdled Pailin discovered my book, Ned Wynkoop and the Lonely Road from Sand Creek, in the museum. John suggested that I sign the Boulder History Museum’s copies of the books and they agreed. This was just the beginning of what John shared with Pailin and LK on this day.

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John Monnett with Pailin and LK a the “Chief Niwot Legend & Legacy” exhibit at the Boulder History Museum. Niwot (called “Left Hand” in English) died from wounds he suffered during the tragic attack on the Sand Creek village on 29nov1864).

This visit to the Boulder History Museum was Pailin’s introduction to research. Over the coming days I wore her out with what I requested she do, and she came through admirably.

psk_jMonnett_FtChambers_BoulderMontage_diffFONT_wsJohn took us to other historical sites and to museums, and on October 1, Pailin lived through her first day of doing archival research at the Western History Department of the Denver Public Library (DPL). Almost everything I looked at was pulled from the DPL’s vault and she served as my official photographer with her iPad as it couldn’t be photocopied. The day was long, but Pailin seemed to enjoy it. I told her that this was just the beginning, and she said, “I’m good as long as I’m with you.”

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Pailin with John & Linda Monnett at Bear Lake in the Rocky Mountain National Park on 2oct2014. It was chilly but we had a good time. (photo © Pailin Subanna-Kraft & Louis Kraft, John & Linda Monnett 2014)

By Thursday, October 2, the archival and museum research work in Colorado had ended. John and Linda Monnett drove us to the Rocky Mountain National Park, which was a short drive from their home. Beautiful vistas and landscapes.

John had hoped to get us above the snow line but the roads were closed. There were remnants of a recent snow on the ground at Bear Lake.

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(photo © Pailin Subanna-Kraft & Louis Kraft 2014)

As Linda, Pailin, and I snapped photos John rolled a snowball for me. I wound up a la Sandy Koufax (the greatest baseball pitcher I have ever had the pleasure to watch perform in person and on TV) and went through the motion of flinging a fastball while John and Pailin snapped away.

The next day John and Linda drove us to that tragic and yet now holy land that is a long-long drive into the middle of nowhere Colorado—the Sand Creek Massacre National Historic Site (NHS).

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I don’t remember what John was saying at this moment, but my guess is that he was pitching my Sand Creek manuscript. Pailin took this image on 3oct2014 just outside the Sand Creek Massacre NHS visitor center. (photo © John Monnett, Pailin Subanna-Kraft & Louis Kraft 2014)

This is perhaps the most important of all the Plains Indian war sites for what happened there paved the way for the conscious destruction of American Indian people and their lifeway. What has come to be known as the “Sand Creek Massacre” created a searing wound in the Cheyennes and the Arapahos that will never heal, while at the same time made it clear that greed, prejudice, right, wrong, and conscience really have a major impact on history and that it defines the participants. This location—and I don’t care if it is in the middle of Neverland, USA—this sacred ground is magnificent, and along the bluffs that skirt the western perimeter of the property present a marvelous view of the massiveness of the ground on which the November 29, 1864, attack on a peaceful Cheyenne-Arapaho village took place.

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My lady on the bluffs above the Sand Creek village site on 3oct2014. (photo © Louis Kraft & Pailin Subanna-Kraft 2014)

To gain an understanding of all the parties involved in the massive project of purchasing the land, creating the NHS, and then piecing together all the historical events has been a joint project with many factions involved, read Ari Kelman’s book A Misplaced Massacre: Struggling over the Memory of Sand Creek (Harvard University Press, 2013).

Although Kelman’s prose is a page-turner, especially when dealing with the events in the last 30 or 40 years as he brings the modern-day Sand Creek story together—and it was a fight for the Cheyennes, Arapahos, U.S. government, land owners, historians, would-be historians, and National Park Service to create this historic site, but be wary of his information related to the battle and the events surrounding it.

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Pailin on the bluffs above the Sand Creek village site on 3oct2014. Don’t know if you can see it, but as I photographed her, her sunglass lenses captured me. She is an explorer in the mode of frontiersman Kit Carson. (photo © Louis Kraft & Pailin Subanna-Kraft 2014)

Although Kelman used, at least his notes claim he used, primary source material, there are many errors. Why? I don’t know why. Perhaps there was a poor understanding of the primary source material, not checking facts, or a rush to go to print. There is a warning here: While in modern times and dealing with the fight, and it was a fight, to create this much-needed NHS that protects this oh-so-sacred ground, Kelman’s book is a wonder. However, if writing about the participants and events of that horrific time during the 1860s be careful or you will repeat his errors.

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The four of us are at the second and final bench on the walk skirting the village site. John is checking the brochure, which has a small map and I’m asking Pailin what she is doing. “Taking a photo” (with her iPad). (photo © Pailin Subanna-Kraft & Louis Kraft, Linda & John Monnett 2014)

The attack had been a running fight. When you walk the bluffs above the grounds you easily see the immensity of the village site and the open expanse on which the butchery took place. As Johnny Boggs’ quoted me in his terrific article, “Trail of Tragedy” (True West, November 2014, page 53), “War doesn’t give soldiers the right to murder, rape, and butcher. Not yesterday, not today, and not ever.”

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Dinner at The Fort. I wanted to use a photo that I took of John, Linda, and Pailin but there was a problem with the image. Linda took this photo with Pailin’s cell phone. (photo © Pailin Subanna-Kraft & Louis Kraft)

On our last night we went to dinner at The Fort in Morrison, Colorado. I always enjoy going there, and I think that John and Linda do also. This was a first for Pailin. My lady and I had duck (a first for me), while Linda enjoyed quail and John, I think, had a steak. Pailin and I often share, as she is small and I don’t want her to grow larger (always more than enough food for both of us). I like buffalo and would have loved to have had shared buffalo with her but many years ago she swore off eating any large animals (buffalo, venison, elk, beef, and so on). I’m good with honoring her wishes when we share, and on this night we did. Loved the chile and orange duck!

For those of you that aren’t familiar with The Fort, it was built to represent one the trading posts that William Bent and company built in the early half of the 19th century to the east of the Rocky Mountains in the land that would become Colorado.

Tomas Jaehn, Santa Fe, the Louis Kraft Collection, Taos, Kit Carson & Pailin doing more research

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The Lensic Theatre, which is just off the Santa Fe Plaza, in the early evening of 5oct2014. In the previous decade Tomas Jaehn (you’ll meet him below) attempted to get the Wynkoop one-man show into the Lensic but (if memory serves me) the cost was too high to rent this historic and gorgeous theater. A shame; I drooled when I saw the interior of the Lensic. (photo © Pailin Subanna-Kraft 2014)

We arrived in Santa Fe, New Mexico, on the afternoon of 5oct2014. After unpacking at our lodging, Pailin and I drove to the historic district and ate at the Blue Corn Café. Afterwards I led her the short distance to the Santa Fe Plaza, showed her the exterior of the Palace of the Governors, and finally the Fray Angélico Chávez History Library, which for years has housed the Louis Kraft Collection. While walking back to the car I pointed out the Lensic Theatre to Pailin. For one night in December 1940 it played a large role in the lives of the people of Santa Fe and surrounding areas when the Errol Flynn-Olivia de Havilland film Santa Fe Trail premiered in Santa Fe (actually in three theaters).

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We are in front of the New Mexico Museum Art Shop, which is just off the Santa Fe Plaza and near the original entry to the Chávez on Washington Street (the entry for the Chávez is now through the recently completed museum and auditorium complex) on 5oct2014. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

Santa Fe is home to me. Our visit was to introduce Pailin to Tomas, make a delivery to the LK Collection at the Chávez, do research, and let her explore the city, the culture, the mix of people, and the land. We both love Los Angeles and Pailin has a wonderful family of Thai friends living there (LA has the largest Thai population in the U.S., and better there are over 200 languages spoken in Los Angeles, also the largest in the U.S., according to the LA Times), which means that living in LA is very important to her. She is also aware that the City of the Angels is a very expensive location to call home, and the prices continuously climb.

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Pailin, Tomas Jaehn, and me enjoying coffee at his favorite coffee shop on the morning of 6oct2014. (photo by Pailin and © Pailin Subanna-Kraft, Louis Kraft, and Tomas Jaehn 2014)

On 6oct2014 Pailin and I met Tomas Jaehn at the entry to the New Mexico History Museum. In the early part of this century Tomas approached me about creating the Louis Kraft Collection at the Fray Angélico Chávez History Library. I liked the idea but it took a year for me to make a delivery and sign the contract. Over the years Tomas and his family have become good friends. On this day Pailin entered a new world, … my world of culture, race, and history.

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Currently the Louis Kraft Collection has 20 boxes (20 linear feet) that are available for researchers to view plus one of photos and art. In this 6oct2014 photo I am touching the 18th box (a portion of a 2012 delivery, this delivery, and three magazines that I gave Tomas in April of this year when he visited LA were catalogued in April 2016). I can’t begin to tell you how much Tomas has done for my writing career over the years. He’s a great friend. (photo by Pailin Subanna-Kraft; © Pailin Subanna-Kraft, Louis Kraft, and Tomas Jaehn 2014)

After completing the delivery Pailin and I did research in the Chávez archives. We were looking for subjects for magazine articles as well as additional information on the Sand Creek tragedy.

I must add that although Pailin had done a lot of work in Colorado both in archives and in the field, in Santa Fe the research was demanding. Click Louis Kraft Collection to see a listing of its contents.

There was nary a complaint as Pailin smoothly completed each research task I asked of her, and as they related to her photographic capabilities she never had a chance to rest.

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Pailin took this self portrait on her iPad on 6oct2014 (photo © Pailin Subanna-Kraft 2014) in the Chávez History Library after we spent more prime time with Tomas but before we focused on Ned Wynkoop’s scrapbook of documents and news clippings, especially those related to Sand Creek and Kit Carson. Tomas’s office is behind Pailin’s left shoulder, and yes, the time on the clock is correct (only a little after nine in the morning; we still had the entire day in front of us).

Note: The Wynkoop scrapbook has been robbed of at least one document and it is fragile. Tomas has talked about professionally photographing it as it is an important piece of Americana as related to Wynkoop’s life, early Colorado, and the Indian wars. I hope and pray that this becomes reality.

Before moving  on, I want to announce that my great friend Tomas Jaehn is now the director of Special Collections/CSWR, University of New Mexico Libraries as of 1jul2016. I couldn’t be more thrilled for him. Congratulations Tomas.

When we finished at the Chávez and said goodbye to Tomas, Pailin visited with the Indian traders on the portico of the Palace of the Governors (including the interior of the building), took a closer look at the Plaza, walked through the narrow streets of Santa Fe with her camera constantly clicking. Images for her and for me.

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Pailin loves art, and Santa Fe is the third largest art market in the U.S. after New York City and Los Angeles. Santa Fe has art on the streets and in the galleries in the downtown area, and in galleries that surround the historic district. Unfortunately we didn’t have time for her to explore even a portion of all the roads that are lined with galleries. (photo © Pailin Subanna-Kraft and Louis Kraft 2014)

Afterwards I took her to Tia Sophia’s. We ate chicken and green chile stew especially prepared for us by the chef as the only green chile stew they made that day had beef. Good for me; a little warm for Pailin.

On the seventh Lisa Smith, my long-time friend and real estate agent in Eldorado (a housing development Santa Fe), showed us two adobe-style homes on an acre plus of land.

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Actually, Pailin said: “Why? Why?” I replied, “I don’t know what you’re talking about.” “Why all these big beautiful houses (Monnett’s, Williams’, and the houses in Eldorado) and ours is small?” I explained to her that the cost of homes in Los Angeles is high and that if we moved away from LA we could buy a larger house for less money with or without acreage (I prefer acreage). We saw this house on 7oct2014.

Santa Fe has four Thai restaurants that I know of and another that serves Thai food once a week. That said I failed to learn the size of the Thai population in Santa Fe. It will be small, but I know that the chef and owner of Thai Vegan (a great restaurant) is Thai, so that means that at least one Thai person lives in Santa Fe. Pailin would make two.

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Yes, Pailin fit right in with the International Museum of Folk Art. LK photo on 7oct2014. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

After we said goodbye to Lisa we headed to a destination that I had seen only once (in 1987 I think). I had been bored to tears decades ago but thought Pailin would love it.

I don’t remember the other museums on Museum Hill but they could have been there in the 1980s. Certainly the exteriors and everything now in place didn’t look like I remembered it, and this is good.

ps_Intl_Museum_ofFoldArt2_7oct14_wsPailin fell in love with the Museum of International Folk Art the moment she started to explore it. And you know what? So did I. Like good wine, the folk art from around the world sparkled with life and color. “Multiple Visions: A Common Bond,” which has been on display since 1982 is a marvel of culture and art. This is the exhibit that bored me in the dark ages. All I can say now—other than what I said above—is that I must have been blind when I was younger.

Taos and Kit Carson’s home

Next up was Taos and Kit Carson’s home, which has always been primary on my list (for upcoming writing projects). Taos was another example of a city with adobe and adobe-style buildings and an artistic aura, which I wanted Pailin to experience.

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By now you know that Pailin is my sole mate and lady. She is like no one I have ever known in the past. I’m lucky. She’s an adventurer and open to anything; my kind of person. I took this close-up is of her sitting in front of the Kit Carson House on 8oct2014. Although the building has been stuccoed and its exterior is no longer an adobe structure, the look and feel is close to what Kit and his family lived in more than 150 years ago. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

The Kit Carson House has changed ownership and this has affected the size of the historic site (to the better) and the interior appearance (again to the better). I believe the last time I had been to his house was about a decade earlier. This was my fourth or fifth visit; the first was in 1987.

If you’ve visited the Kit Carson House you know that the front three rooms were the rooms in which Kit, his wife Josefa, and their children lived in during the time that they called Taos home. Two rooms were added later, with the larger of the two being added in the early 20th century (a stable); it is now the entrance and gift shop of this historic site.

Yes, Mr. Carson has been with me for a long time. After Sand Creek and the Tragic End of a Lifeway is published, Kit will take center stage in my nonfiction Indian wars writing world. I have already begun a slow, very slow, conversation with Chuck Rankin, the editor-in-chief at OU Press, regarding making my next nonfiction Indian wars book deal with Carson.

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This is the middle of the three rooms that Kit and family lived in during the 20+ years that he and they lived in Taos. While walking these three rooms I tried to focus on the size of the rooms and their layout. Reason: I think a lot of what is in these rooms now are not current to the Carson family tenure (certainly there are Carson portraits that date to after his moving away; they should be in the small museum section of the building). This room served as the kitchen and eating room for the Carsons, and their guests, which included numerous Native Americans from a handful of Indian tribes that considered Carson their friend. (photo © Louis Kraft 2014)

The quiet adobe pueblo of Taos dates way back, perhaps as early as 1615 with Spanish colonization. When the Mexican-American war ended with the treaty of Guadalupe Hidalgo (1848) Mexico ceded a large section of land to the United States and this included Taos and the area that became New Mexico Territory.

psk_TaosPlaza_8oct14_collage_diffFONT_wsKit Carson’s presence dated to the early 1840s, and Taos has been a favorite destination of mine since 1987. It was during that time that I became hooked on the real Kit Carson.

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This is a portion of the Taos Plaza as it looked on 8oct2014. Pailin took some images of the plaza area but I can’t find any of them. The plaza was most-likely dirt with scattered adobe buildings surrounding it during Kit’s time. (photo © Louis Kraft 2014)

The shops enclosing the plaza (and the plaza) grabbed Pailin’s interest and she looked at some of the merchandise (but didn’t purchase anything as she isn’t a spontaneous buyer). She focused on the plaza, enjoying its serenity of the late morning, and listened to my telling of Carson rescuing the American flag when malcontents threatened to burn it. I’m certain that at times she thinks that I’m a motor mouth.

Taos Pueblo

Next we drove to the Taos Pueblo, and here Pailin enjoyed meeting the Taos people and seeing a little of their life and culture.

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La Hacienda de los Martinez

Finally, on Linda Monnett’s recommendation, I wanted both of us to see La Hacienda de los Martinez for the first time.

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Pailin leans against the archway that separates the first courtyard from the second at the Martinez Hacienda. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

A drive into the country to the southwest of Taos, and I think closer to the Río Grande Gorge but not on the road that crosses this magnificent river, a narrow street wrapped in almost a horseshoe to this cool building that the Martinez family occupied from roughly 1804 (their arrival in Taos) until the 1930s. I’m going by memory here, but I believe it was in the 1950s when two gentlemen borrowed money on their homes to ensure that the hacienda would be not only restored but would become protected and made into a museum. There weren’t enough signs and those we saw were small, and at times we wondered if we had made a wrong turn. At one point I continued straight but luckily Pailin saw that I should have turned right. … A U-turn, then a left and we were back on course.

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LK leans against the same archway that separates the first courtyard from the second at the Martinez Hacienda. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

La Hacienda de los Martinez is off the beaten path and we almost had it to ourselves. As you drive into the dirt parking lot you get the feeling that it was built as a fortress. There are no exterior windows, and only one exterior door and one large double gate for wagon and livestock entry at the front of the building (and one double gate for entry into the second courtyard). At the top of the structure, which has two courtyards is a surrounding wall with notches for defending the structure if need be from attack. Rooms are at the base of the rectangular fortress enclosure and again slicing through the middle of the structure, which creates the two courtyards. The rooms are decorated and furnished in a manner that represents how it might have looked during the hacienda’s heyday. Lighting in the rooms makes it easy to study and enjoy them.

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This is the first of the two courtyards at the Martinez Hacienda. The second is dirt, as are all the rooms, which encompass the hacienda. … Not sure about the grass during the hacienda’s heyday. (photo © Pailin Subanna-Kraft 2014)

The Martinez family certainly predated Kit Carson’s arrival in Taos and choosing it as his home. What we saw has been restored and decorated to represent 1820 (or later, as it took time to build), but it also provides a great insight into how the Spanish families (and employees and slaves) lived before and probably up to the time that Kit’s tenure in the area began.

Pailin and I took our time as we explored every nook and cranny of the hacienda. I could picture myself living there in the early 1800s. When we entered and before we left we spent time with the lady who greeted the handful of visitors, and I learned a lot from what she told us. Our western states could use more of this type of preservation as it allows those of us that want to step back in time and get the feel of what it might have been like to live as our ancestors did.

The Bosque Redondo & Kit Carson

For those of you who don’t know what the Bosque Redondo (eastern New Mexico) was, General James Carleton, who in 1852 saw the land and thought it would be good for farming, decided to turn it in an Indian reservation in the 1860s. Fort Sumner was constructed and beginning with the 1863 Mescalero Apache campaign and then the 1863-64 Navajo campaign it would now provide the perfect location to incarcerate the defeated Indians.

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This is a detail from one of the placards at the Bosque Redondo Memorial at Fort Sumner. It deals with Carson accepting the Mescalero Apache campaign (with Carleton). The artwork at this memorial is exceptional.

One of his commanders, Colonel Kit Carson, had quickly forced the Mescaleros onto Carleton’s reservation. They lived south of the Pecos River. After Carson forced the mighty Navajos to capitulate by waging a burnt-earth campaign with very few deaths (with any other commander the death count could have easily grown into the hundreds or more). He didn’t participate in the Long Walk of the Diné, as the Navajos call themselves, to the land that would become hell on earth. Actually he didn’t want anything to do with the Bosque Redondo. Carleton refused to listen to him and ordered him to command the reservation that was anything but a garden place. Winds blew, nothing grew, the Mescaleros and Navajos didn’t get along, Comanches raided, and people died in large numbers from disease and hunger. Carleton provided nothing Carson requested and, frustrated, Carson resigned his military commission. Carleton refused to honor it. The third time Cason submitted his resignation Carleton again refused but did transfer his unhappy subordinate.

I didn’t know what to expect, but a wonderful visitor center/museum has been built (replacing the smaller and earlier structure next to the remnants of Fort Sumner). The museum isn’t complete, but judging by what the Bosque Redondo Memorial currently has in place it is going to be impressive. There is a lot of land to walk but Pailin and I didn’t have time to spend a day or longer at this important piece of Mescalero and Diné memory.

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Pailin took this image of us while we were at Navajo Treaty Rock, which has a Diné prayer attached to it. The Navajo Treaty (signed on 1jun1868) is a short distance southeast from the Rock. The treaty freed the Diné and allowed them to return to their homeland. Oh yes, there was a harsh sun on that 9oct2014 day. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

There is also a nature trail with plush vegetation (natural to the area?) that obscures and skirts the Pecos River. This area is as perhaps Carleton envisioned it, as the Bosque Redondo and the surrounding area looks to be good farmland today. Alas, for the Diné and the Mescaleros it was just a land of death and desolation. During their deadly occupation of the Bosque Redondo their crops mostly died from insects, drought, and perhaps bad luck, which included bad water and a failure of the U.S. government to supply them adequate supplies.

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Pailin in the former visitor center of the Bosque Redondo Memorial at Fort Sumner. Photo by LK on 9oct2014. It is now furnished to represent soldier barracks. Pailin, like myself, avoids the sun. On this day the sun blazed and the wind whistled (although not as much as I’ve encountered in this portion of the U.S. in the past). At times she looked like a Bedouin mounted on a camel roaming the sandy deserts of the Mideast in times long past. This is to protect her face. I call her my “Bedouin.” I also call her “Chiquita.” (photo © Louis Kraft & Pailin Subanna-Kraft 2014)

Sound familiar? A resounding yes! “Shameful” is a word that accurately sums up what happened during the 1860s and throughout the American conquest of the Indian people.

By this point of the trip Pailin knew exactly what I wanted from her and at the Bosque Redondo and at the remnants of Fort Sumner she split away from me to capture what hopefully will provide a good basis for understanding what this land—so barren when the Mescaleros and Navajos were imprisoned here—looked like … minus the vegetation that now thrives. My lady is in her element and it’s a joy to watch her work.

Texas with Glen & Ellen Williams (and Glen’s sister Linda)

Glen and Ellen Williams have been my friends since the early 1990s when we began socializing outside the workplace (Infonet Services Corporation, El Segundo, Calif., where I had been hired as a technical writer and Glen was in a management position). Over the years my relationship with Glen grew, until he became my bro for all time. He and Ellen moved from Torrance, California, to Denton, Texas, in 2012. The visit with John & Linda Monnett and Sand Creek and the delivery and research with Tomas Jaehn in Santa Fe moved to Texas and Ellen and Glen on 10oct2014 (it was great to finally meet Glen’s sister Linda). Our visit had the added bonus that Glen, Ellen, and Linda welcomed Pailin with open arms. They talked with her, hugged her, and she immediately responded and became a welcome a member of their household. Better yet she joked and laughed and felt a little more comfortable in joining the conversations.

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In earlier blogs I have said: “Who says they don’t raise cowgirls in Thailand?” In Justin’s Pailin and Linda looked at clothing while Glen and I looked at hats. I told him that Barron Hats in Burbank, Calif., which makes many of the hats currently seen in film, makes mine for me. Before we left Pailin wanted to see the hats. As I led her through the aisles she liked this one and tried on her size. “Do you want it?” “Yes.” “Let me snap a picture.” More proof that Thai cowgirls really do exist. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

The next day Glen drove Ellen and her mother, Judy, to the Dallas-Fort Worth airport. Pailin rested, I did some work. Later that day Pailin, Linda, Glen, and I enjoyed talking in the living room, which is like a great room in an adobe-style house in the Southwest. Glen and I never run out of subjects to talk about, and he and Linda included Pailin at all times.

On Sunday (12oct14) Linda, Pailin, Glen, and I visited one of the Justin Boot Stores (boots, hats, clothing, and so on) in Justin, Texas. Pailin likes hats and has more than I (actually she wears two cowboy hats that I previously gave her). Lunchtime arrived, and the four of us went to Mom’s in Justin. This was a funky place with cool and long-gone stuff on the the walls, including Elvis.

Good times. Yeah, this is social time with my longtime bud, his sweet sister, and my lady, and let me tell you it is as important as the Sand Creek and Kit Carson research, and the LK Collection delivery. Tomas Jaehn is also a long-time business associate and friend. John M. is a friend, and now Pailin and I consider his wife Linda a friend. People are what our world is all about. People are our lives. Some are forever (some aren’t), but without people we have no lives.

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From left: Glen Williams, LK, Pailin, and Linda Williams at Mom’s in Justin, Texas, on 12oct2014.

Sorry, but I need to repeat the following: No matter what I think about my research and writing and no matter how much importance I place upon it, without Pailin, Glen, Ellen, Linda W., Tomas, Linda M., and John my life is empty—nothing. They, and others like them, are key to my and Pailin’s lives, yesterday, today, and tomorrow.

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Glen took this great candid of LK and Pailin in front of the entry to the courtyard of his and Ellen’s home in Denton, Texas, on 12oct2014, and Pailin is wearing the hat she found and liked at the Justin Boot Store. My bro Glen Williams has taken many great photos of me, but this is one of my favorites. For the record, Pailin and I have a good time laughing together. (photo © Louis Kraft & Pailin Subanna-Kraft, and Glen Williams 2014)

Glen and Linda relaxed (Linda also prepared to return home) while I worked and Pailin corresponded with her family and friends in Thailand and California.

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The lady in the light blouse is Linda Williams, Glen’s sister. Pailin is holding Sophie, Linda’s dog. My lady has made great strides in her command of the English language, but still she holds back (except with me) as she is conscious of her pronunciation of the words and of her sentence structure (both of which she continues to improve). That said, she gets along with animals fabulously (perhaps as there isn’t a language barrier). That’s Glen w/Linda & Pailin in the left image. These images were taken just before Linda returned to her home on 12oct14. Left image is by LK and the right image is by Glen. (photos © Glen & Linda Williams and Pailin Subanna-Kraft & Louis Kraft 2014)

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Soon after Linda left for home the three of us drove to the grocery store for supplies, including celery, parsley, carrots, and lemons to make juice. Like the previous day, we enjoyed each other’s company, rested, and got some work done until we went to the Blue Ginger, a Japanese restaurant in Denton. Good food.

Ellen & Glen Williams (left) have been my great friends for decades. As you can see Ellen is petite. She is bright, funny, open, and kind. She is also gorgeous. It was terrific seeing her again, and it was also good to see her effort to befriend Pailin, which gave my lady the confidence to open up some. (photo by Pailin Subanna-Kraft and © Ellen & Glen Williams and Pailin Subanna-Kraft, 2014)

Ellen returned home, and I’m glad she did in time to be with us, and especially Pailin. After dinner, Ellen, who was beat, went to bed early, and so did Pailin. This allowed Glen and I to talk deep into the night. Recently Pailin called Glen my brother, and I told him this he said yes, “we’re ‘bros.'”

On 14oct2014 we said goodbye to Ellen and Glen and began the long trek back to Los Angeles. The drive was boring, but we had each other and this made the miles pass quickly.

Gallup, New Mexico, and Pailin’s research introduction to Errol Flynn

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This is supposedly the room that Flynn slept in during the Rocky Mountain location shooting in New Mexico.

I’ve been passing through and sometimes staying in Gallup for a week or longer while using it as a base for Kit Carson and Navajo research. This is not my favorite town and I’m not crazy over the food served in the restaurants. Love the red rocks, and at the same time this gorgeous area always makes me sad. Errol Flynn’s last western film, Rocky Mountain (Warner Bros., 1950), was basically a location shoot (not entirely, but close) and a good part of it was shot in the area near Gallup. Flynn, the other actors, and the film crew stayed at the El Rancho Hotel, which is now a national historic site. So why am I sad? The film was shot in black and white. With the red rocks the centerpiece to the film, and they are something to behold—the film should have been shot in color. Warner Bros. was cutting back on film budgets as it continued to end its relationship with its major stars, Flynn included. Too bad, as Rocky Mountain is a decent film.

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Unfortunately you can’t see the EF signature on the Flynn photo at the El Rancho Hotel. It is not only a fraud, but the person who signed Flynn’s signature had no clue of the spelling of his name. Flynn’s Name is “Errol” Flynn but the forger signed it “Earl” Flynn. This crap is all over the place when dealing with signatures. If you buy signatures be careful. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

In the past I’ve explored the El Rancho Hotel’s expansive entry and upper floor that is open to the main floor as well as photograph the exterior. On 15oct2014 this would change as I felt it would be time to expand the physical research, which in turn would be right up Pailin’s alley. It was and she gleefully took requested photos along with ones that she wanted. After exploring we shared a salad in the hotel’s restaurant (it was decent) but afterwards we weren’t able to see the bar, as it didn’t open until 5:00 PM. I told them I was a writer doing research for a book, that I didn’t want a drink and just wanted to see the bar. This opened conversations about Flynn’s time in Gallup but it didn’t open the bar, which was locked—Some other time.

Since leaving Glen and Ellen we had covered roughly half of the 1400+ miles needed to get home. …

Pailin, Thailand, & the opening of a new world and people to me

On October 31 Pailin flew to Thailand, and on November 12 I followed her to her homeland.

Put mildly my flight to Bangkok was a nightmare. The plane boarded an hour and 20 minutes after the anticipated take off; which meant I should have missed my transfer in Taipei, China. Instead of reaching Bangkok at 12:15 AM Thai time (15 hours ahead of California time), the plane landed at 1:45 AM. There were long lines to get through immigration and when I finally did get through the lines it was a little before 3:00 AM. The baggage claim conveyer belt had shut down and my luggage was missing, but luckily I found my suitcase. I managed one email to Pailin. She was awake and worried as I had warned her from LAX that I’d be late.

The beginning of my entry into the Thai world

Pum and Mana Subanna (two of Pailin’s brothers) and Pen Saelee (Mana’s wife) were to meet me at the airport at 1:45 AM. As the time inched toward 3:30 only a handful of people still worked, and I couldn’t find them. I tried to email Pailin again—no internet. The phone number she gave me didn’t work. … I wandered the airport.

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It was about 5:30 AM when I took this photo of Pum (left), Pen, and Mana at the Bangkok Airport. (photo © Louis Kraft 2014)

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LK in the Bangkok Airport (cool airport; I like it). It was about 6:30 when Pen took this picture with my camera. She also made the necklace of welcome flowers for me. (photo © Louis Kraft 2014)

One of the support ladies was concerned about me and suggested I go to a cheap hotel where there would be internet access. I refused. My relatives were in the airport and I wasn’t about to stand them up.

About 4:00 AM Mana, Pen, Pum, and I found each other, and had a great time for the next three hours. Using a pidgin English-Thai we were able to communicate somewhat, and better we were able to share images and ideas with our phones, Mana’s iPad, and my computer. Before it was time to go through security for my next flight I was one tired cowboy as I hadn’t slept in over 25 hours (sleeping while sitting in a cramped plane seat is an impossible task for me).

Lampang (a city in the north)

My flight landed in Lampang about 9:30 that morning.

Pailin had given me explicit directions on how to exit the baggage claim, go downstairs, exit the airport, walk to a raised railroad track, pass under the railroad bridge, and she would be waiting for me. I fell for her directions hook, line, and sinker. …

When I stepped from the baggage area, Pailin and some her family and friends surrounded me (I love a good joke, especially when I’m the target). I met Not and Font Subanna (her sister and brother-in-law), Somnuck and Noi Subanna (her brother and sister-in-law), as well as Daranee Konsin (her sister, or so I thought) and others at this time. Pailin later told me that they were happy and excited to meet me. I spent most of the day sleeping at a resort we spent one night in while Pailin ran errands. In late afternoon Daranee picked me up and drove to a mall. Here we joined Pailin and some of her key relatives for dinner. The next morning (Friday, 14nov14 in LA/Saturday, 15nov14 in Thailand) Daranee arrived and we ate breakfast at the resort.

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Pailin and Daranee Konsin look at what is displayed in the outdoor eating area after we enjoyed sweet crackers, sweet bread, and strong coffee. For the record, when I was young I was a “cookie monster.” Back 20 or 30 years ago I stopped eating sweets; I liked cookies and pie, but never cakes or candies (I love ice cream but it doesn’t like me). I cheated and enjoyed a few cookies, which were good, and so was the coffee. (photo by Louis Kraft and © Pailin Subanna-Kraft, Daranee Konsin, and Louis Kraft 2014)

After we checked out Daranee drove us to her house, where we stayed in Lampang. She is a retired colonel (Thai Army), and is bright, open, fun, and caring. We quickly became friends. Her English is much better than she thinks and we had little problem understanding each other. She is a sweetheart and now she’s my “sister,” but not as I originally thought (more later).

Several things about the Thai people became obvious immediately: 1) Religion plays a huge roll in their lives, 2) The King is honored and treasured, and 3) Thai people are open and friendly.

Later that morning (15nov14) we drove to a house in Lampang. Not and Font were there as were Somnuck and Noi, and many others. They ate and talked and joked. Not told some hilarious stories and held everyone in stitches. She is open and lively.

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Pailin as LK’s interpreter on 15nov14. As said in the flow of the text, I wanted Pailin to share my views on our relationship. I spoke words and she translated them to what appeared to be a captive audience. This is my Thai cowgirl in action and I enjoyed watching. (photo © Louis Kraft and Pailin Subanna-Kraft 2014)

I was the welcomed stranger and I asked Pailin to translate for me as I wanted to share Pailin’s and my relationship and gain a knowledge of what was being said about us.

I said words and she translated. Not and others spoke and she translated. How good was Pailin’s translation of our conversation? I don’t know. Knowing that her mastery of the English language was limited at that time I’m certain that what everyone heard was not exactly what I said, and also that what she translated for me also wasn’t as originally stated. (This brings me to white and Cheyenne negotiations during the 1860s Indian wars and makes me totally aware of how easily mistakes and misrepresentations can happen when words are translated.)

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The pig’s head and other assorted piggy pieces, along with the chicken and whiskey on the table would soon become offerings to God. Yes, Pailin is having a heck of a good time at my expense. Others also had fun with my problem with this gorgeous pig’s head. That is Tim sitting next to Pailin. She is Font’s sister. Over the coming days I would see a lot of her. BTW cowgirls like to have fun, and especially at their hubby’s expense; all fun and games as I began my relationship with the Thai people and their culture. (photo © Louis Kraft 2014)

All this time a pig’s head had been staring at me on the table under a cover that sheltered the front yard of the house where everyone gathered. The pig’s head was so pristine that I thought that it was plastic. Of course I asked about the head and learned that no, it was real and would be an offering to God. Time now moved quickly toward an event that I didn’t realize would soon happen. But of course, first Pailin and others needed to enjoy themselves at Kraft’s expense. I’m okay with this. Actually I like it and feel no ill-will toward anyone who can chuckle over things that don’t quite fit into my life and which make me feel uneasy.

Every time I looked at the pig’s head it seemed to glare at me, causing me to look away. Of course this generated more chuckles of delight.

Pailin told stories about us (I hope that they were sexy ones—Whack! LK is a bad boy.), and next she shared images on her iPad.

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Before the prayers began, Pailin shared some images of our life together with Not Subanna (left), Font Subanna, Pua (wearing glasses), who owned the house, and two unidentified neighbors. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

On the street a table had been set with the pig’s head, chicken, and other offerings. Incense was lighted and candles lit. The Thai people prayed—Not, Font, Daranee, Pailin, and many of the others. Even though I’m Christian I have prayed at Wat Thai of Los Angeles in North Hollywood many times, but at this time I watched and photographed the prayers.

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After chatting and everyone getting acquainted with LK, those who would soon go to Wat Thai of Lampang prayed (others would soon arrive to join the caravan). I photographed the prayers, as did Daranee. From left: Unknown neighbor, Tim (Font’s sister), Noi, Somnuck, Not, Pailin, and behind Pailin Font (purple shirt), and Pua. (photo © Louis Kraft 2014)

After the prayers ended, Font took the lead as everyone prepared to caravan to Wat Thai of Lampang. To this point in time he had been someone I saw and observed but hadn’t connected with. I liked what I saw for he was a special human being, and this would grow in the coming days.

Wat Thai of Lampang is gorgeous. In front of the temple they have begun to build another building, and everyone on this day came to donate for the completion of the building. Soon after we stepped from the autos people began to sing and dance as we moved toward the temple entrance. I joined in immediately.

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As soon as Not, Pailin, and others began to sing and dance toward the temple, I joined them. This was a cultural event and one I could take part in and experience. To this point in time I had been an observer. No more. I think to this point in time people looked at me with quizzical eyes. If there had been a turning point in my introduction to Thailand, these few moments may have been it. (photo by Daranee Konsin, and © Daranee Konsin, Not Subanna, Louis Kraft, & Pailin Subanna-Kraft 2014)

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After the prayers completed and everyone prepared for the donation (and I photographed part of this), I saw that the Monk Sak sat and quietly and waited. I stepped to him and using a pidgin English/Thai we communicated. I told him that I wasn’t Buddhist, but now visited Thailand with my Thai wife. He was pleased that I took part in the prayers. I asked if I could photograph him, and he agreed. (photo © Louis Kraft 2014)

To date I hadn’t had much of a connection to the Thai people in their homeland but suddenly I had an entry into their lives and culture (that was different than in Los Angeles). This wasn’t manipulative on my part; rather it was the joy of participation.

The interior of this temple is a wonder to behold, and it is my favorite of all the temples I would see in Thailand and back in Los Angeles. Regardless of me not being a Buddhist, I have always felt welcome in Buddhist temples. Always. Moreover I’ve always been at ease with monks for they have been open and kind.

My Thai companions came to pray and donate to the temple. I was the outsider and yet wasn’t a creature rejected. What I saw was communal. This word, “communal,” is key to what I would soon realize in my historical writing of the Cheyenne Indians. It was also something that hasn’t been a part of my life since my early years growing up in Reseda, California. This youthful experience—communal—vanished soon after I reached manhood, but on three later occasions it returned: My mother’s death in 1980, my brother’s death in 1990, and my father’s death in 1999. During those three days, when people celebrated their lives and mourned their passing, the communal days of my early life returned. In Thailand, and on one occasion in North Hollywood years later I observed and experienced this first hand.

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Sak at Wat Thai of Lampang, Thailand when everyone prepared to leave. (photo © Louis Kraft 2014)

I had just begun to experience the communal world of Thailand. … After the initial prayers with Sak everyone participated in preparing the donation to the temple.

A short while later, and after the donation had been made by Font, and everyone began to exit. Sak stood and moved so that he could watch. I again approached him and we again spoke for a few minutes. Pailin saw that we talked and rushed to us. She then knelt down next to Sak, and told me that when in the presence of monks I should kneel (I had  in Los Angeles, but no one had told me that it was mandatory and that I should).

I had again photographed Sak (including with Pailin kneeling next to him) before departing. My last view of Sak was of him standing at the entrance to the temple and watching everyone’s departure, and I captured a long shot of him and the temple. I don’t know what he thought of me, but I liked him. Will we meet again? Time will tell.

During our time in Lampang, Daranee, Pailin, and I were a threesome as the two ladies introduced me to what I requested and to other locations that they thought I’d enjoy seeing.

We saw temples (one was very old), an extraordinary open-air grocery store, and an elephant preserve. I listened, I observed, and I learned. …The Thai Elephant Conservation Center was special as we spent a lot of time up close with a cow and her calf.

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Pailin was just like a little girl on 15nov14 as she fed both an elephant cow and her calf. It was fun to watch her and the elephants react to each other. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

On 16nov14 Daranee, Pailin, and I went to the Thai Army Base in Lampang as I wanted to see the three restaurants that Pailin owned and operated before she left Thailand.

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Pailin’s visit to the Thai Army Base in Lampang was special as she not only relived some of the events in her life when she owned and ran restaurants, but also got to see some people who were special in her life. From left: Tun, Pailin, LK, and Daranee. Second Lieutenant (and now Captain) Nanta Homkanchan took this image with Pailin’s phone in her office. (photo © Pailin Subanna-Kraft 2014)

Visiting the Thai Army Base and seeing the two buildings that were still restaurants was certainly one of my highlights. Better yet, seeing the people light up with smiles while they gave Pailin big hugs. Certainly seeing Bunjob (see below montage), who was and still is Pailin’s “brother,” and let me tell you that his eyes filled with joy when he saw her.

16nov14_GolfREST_bunjob_Montage2a_wsA major road, Phahonyotin Boulevard (which is like a highway in the USA), splits the Thai Army Base in Lampang from the army hospital and golf course (which are across the street. Pailin’s first restaurant (1987) was in a cool old wooden building; it served everyone, the snooker room (also everyone), and a huge ballroom (only officers). In 1990 she added the restaurant on the Thai Army golf course, and finally her restaurant in the army hospital (2002), which no longer exists.

Our time in Lampang finished way-too quickly and before we knew it we were celebrating our last night with Daranee at the Riverfront Restaurant in Lampang, which is on the Wang (pronounced “Wong”) River. The next day Font would pick Pailin and I up and drive us to Uttaradit.

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Pailin and Daranee Konsin at The Riverfront Restaurant in Lampang (late afternoon on 17nov2014). (photo © Louis Kraft 2014)

Pailin and Daranee have known each other since they were both young and living in Uttaradit, which means that they aren’t sisters by birth but are “sisters” because of a close friendship (Cheyenne Indians often call those close to them brothers and sisters during the 1860s and today). With the truth finally revealed to me, and as Daranee and I had bonded when we first met, she is now my sister for all time.

wangRiver_LampangI took this photo (right) of a bridge crossing the Wang River through a window to Daranee’s left shoulder in the Riverfront Restaurant (above photo)  just before darkness arrived. … I took more pictures like this (landscapes, buildings, traffic, etc.), but during my introduction to Thailand I was mostly interested in the people in Pailin’s life. I decided to share this image as I loved the colored lights on the bridge and the reverse image that the water captured of the bridge. (photo © Louis Kraft 2014)

Early on our last morning with Daranee a retired nurse who had worked in the hospital on the Thai Army Base in Lampang drove 50 U.S. miles to see Pailin.

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LK, Pailin, and Sue Lyn at Daranee’s home just before Font Subanna arrived on 17nov2014. (Daranee took this image with LK’s camera)

She was quiet but open and a good listener. Sue Lyn, her Thai nickname, was a person I liked a lot.

Around nine Font Subanna arrived to drive us to Uttaradit.  Before setting out the five of us went out for brunch at a cool two-story restaurant on the Wang River. As always the food was good with a total cost of about $20.00 U.S. As it turned out, this meal would also be our dinner.

Uttaradit, two brothers, a niece & a special lady who lives forever in my heart

During the trip Pailin sat with Font in the front of his car while I sat in the rear. Pailin’s and my baggage took up most of the back seat and all of the rear of the auto. I had hoped to sleep. Fat chance!

The drive seemed endless. At one point Font said to Pailin, “I don’t know what to say to him.” (Pailin told me this later.) From the opposite point-of-view I had no clue what I should say to Font. … They chatted until we reached a magnificent temple. Font asked if we’d like to visit it. You bet!!!!

Suddenly it was three people exploring the temple, its grounds, and museum. My camera went belly up as the batteries had died. … Daranee had a statue of the “soldier with the broken sword” in her living room. I had asked about him and learned a little. The museum had the same statue of this soldier. Pailin translated as Font and I tried to talk about this special man. I learned a little more.

Font made two stops when we arrived in Uttaradit—one at a mall where he bought batteries for my camera, and then at his daughter’s (and her husband, Sophon’s) food and juice shop. It was here that I met Lek Subanna for the first time (she is Sabrina’s sister, who you’ll see a lot of below).

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On 18nov14 an unexpected moment took me by surprise. Luckily I had loaded my camera with the batteries that Font had just bought. From left: Unknown woman, Font, Pailin, and Lek Subanna in Lek and Sophon’s restaurant. (photo © Louis Kraft 2014)

It was shortly before dark when we reached Font and Not’s home. We settled into our room and shortly after dark Lek, Sophon, Mind (their daughter) and Ford (Sabrina’s son) arrived and I met them, never dreaming that I had just met my extended family. Mind and Ford studied English in school, and both Sophon and Lek had a terrific comprehension of the English language. As I had first learned with Daranee, then with Font on the drive to Uttaradit, I now realized that I could communicate with Thai people mixing English and Thai words with hand and body movements and facial expressions.

Without missing a beat Not and Font welcomed Pailin and me into their home, into their world, and into their lives.

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My loving wife is one of the most generous people that I have ever known. Back in her dark ages a tragic event happened and it destroyed her. It took her years to recover and if wasn’t for her mother, Daranee, and other magnificent people in her life, she wouldn’t have made it. At the time of the tragedy she owned and ran three restaurants mentioned above, she owned a home, and by any standard she was successful. Everything ended. In this 20nov14 image she is relaxing in Not & Font’s home in Uttaradit, and sitting upon a magnificent chair that she gave to her sister and brother-in-law when she left her homeland to roam the world. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

Unknown to me and to my initial displeasure when I learned this, Pailin had shared my ailments with Not in Lampang. … I had not traveled to Thailand to improve my health. No! I had traveled to Thailand to experience Pailin’s homeland with her. That said, what Not had told Pailin that she would do for me was unbelievable, but Pailin had to convince me to accept the treatments, which included detoxing, mineral baths, special juices, and deep tissue massages. … I’m not going to go into detail of the physical problem that I’ve had since the 1990s, but words below will give you a hint of what I’ve had to deal with.

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Pailin and LK during our two-hour bath in mineral water on 21nov14. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

Not and Font’s home was also Not’s medical center: She was a master of deep tissue massage combined with juices, minerals, medicinal pastes, and other healing techniques I had not seen practiced. Not had many licenses and certificates to back up what I just said, and people traveled long distances to become her patients. As Not had said in Lampang, she took me under her wing, and Pailin too. We became front and center of Not’s healing and massage practice.

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Pailin after her bath in mineral water on 21nov14. Later that day she rubbed healing paste onto her skin. (photos © Pailin Subanna-Kraft & Louis Kraft 2014)

But our time in Not’s clinic was not only to improve our physical health but to also give us ideas on how to continue bettering our health after we returned to the USA.

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Not teaches Pailin how to make her honey-lime (read honey-lemon) drink on 21nov14. (photo © Louis Kraft, Not Subanna, and Pailin Subanna-Kraft 2014)

It also included Pailin learning new massage techniques (she watched and studied while Not worked on me (and Not allowed me to watch while she worked on Pailin). And the training went well beyond types of massage and health techniques for it also included learning of a special juice that is beneficial to our health.

Not improved our physical lives. For me, and after my second full treatment, I would begin to see and feel an improvement.

I think that I should say something here that I have hinted at to friends on my blogs and other social media—mainly that I struggle to walk (every step is pure pain) and sleep at night is non-existent at times. This has been ongoing for two and pushing three decades. Over all of these years I have done everything possible to walk pain free and to get a good night’s sleep. Recently, that is now in 2016, the bar of what I need to do has increased yet again. Major testing has again begun; will it obtain the answers that I need to continue protecting and cherishing Pailin? Don’t know. That said, … I’ve got at least 30 years still in front of me, and they will happen.

Trip to Chiang Mai (city in the north)

On 23nov2014 Lek and Sophon picked us up and we drove to Chiang Mai. … A long drive to see Nat Rongkun, the White Temple. Artist Chalermchai Kositpipat conceived his religious grounds as a tourist attraction, and it is. That said, it is much more for the entire layout of the grounds that he designed is extraordinary in both conception and execution. The environment that he created is a joy to explore, and I believe at the time that Lek and Sophon took us to the White Temple the project had been ongoing for over 10 years (with how much more work still to come?).

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As Pailin and I chatted with Chalermchai Kositpipat under a blazing sun Sophon called out that he was taking a photo. I think that only Pailin found him in the crowd and looked toward him. The cement work in question (in the paragraph below) is directly behind us. (photo by Sophon Yamsavai 2014)

While we were there we passed by Chalermchai Kositpipat as he gave instructions to a couple of his cement artists that were creating a walking area near his art gallery. We stopped and watched as Chalermchai made clear what he wanted done with the wet cement. When he finished speaking with his workers Pailin and I stepped to him and he graciously spoke with us for a few minutes.

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Sophon and Lek at the White Temple on 23nov16. They are filling out ornaments with Pailin’s and my name that will hang forever on the trees of life. (photo © Louis Kraft 2014)

The White Temple (which was then not complete inside; actually artists painted the walls while we enjoyed the sacred and religious milieu) and art gallery and tourist attraction were amazing. We couldn’t use a camera in the temple (totally understandable) or in the gallery that displayed Chalermchai Kositpipat’s art. I should have used a flash to fill in shadows on everyone’s faces in the harsh sunlight when they stood before the temple but didn’t. (I think that the two-shot portrait of Lek and Sophon is perfect for this blog’s storyline.)

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I took this image of Pailin outside the perimeter of the King’s Garden in Chiang Mai. I took a lot of photos and many were decent of everyone (two- and three-shots), but I especially like this image of Pailin. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

Our agenda didn’t end after we left the White Temple for now we needed to meet up with Natapron Subanna. Pong (her nickname) is another of Pailin’s nieces and Somnuck and Kulab’s (nickname Rose) her daughters, … Anuchat Sanganit is her husband (sorry as I don’t know his nickname)—both are lawyers. They met us at a shopping area and we followed them to their absolutely gorgeous home. We were to spend the night there (a surprise to me). After we chatted and settled in Natapron/Pong joined us on a trip to the King of Thailand’s Garden.

Unfortunately the King’s Garden had already closed for the day when we arrived but we were able to explore the garden outside of the gated land that looked magnificent from a small hill on the exterior grounds that we climbed.

Afterwards we drove to a great restaurant in Chiang Mai, called Im Plapao that featured seafood.

psk_pong_ImPlapaoREST_group_24nov14_Collage2a_wsAnuchat, with his and Natapron’s son, joined us shortly after we arrived.

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I shot a number of images of the performance. The fellow with the white mustache and bikini had just lost his clothing that had been pulled from him. He appeared to be the “bad guy” of the play. It was a hoot, and I think I’d enjoy doing street theater (something I’ve never done) but, alas, not wearing a bikini for my costume. LK may have been on the wild side in the dark past but he is considerably more conservative with the image he presents to the world now. (photo © Louis Kraft 2014)

After eating at the restaurant Natapron, Anuchat, and their son drove back to their house while Lek, Sophon, Pailin, and I followed in their pickup. After driving through a portion of Chiang Mai we passed an outdoor theater performance that was just off the street. Sophon saw that it had captured my interest and asked if I’d like to stop. Yes! After parking we walked to the back of the audience, which extended almost to the street, and watched for five or ten minutes. I totally enjoyed myself (think Pailin did too).

The next day we explored the temple ruins in the “Old Town” area of Chiang Mai that are called “Wiang Khum Kham.” We were a group of five: Pong (that is Natapron, but I knew her as Pong), Lek, Sophon, Pailin, and myself.

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The temple ruins were amazing, and although not like the Indian temple ruins in the Americas they were surprisingly similar. There were underground tunnels that connected all of the many temples. Wish we could have experienced the tunnels but this wasn’t allowed. Pailin took the photo of me hamming it up like Wynkoop or Booth and I took the image of the ruins. (photos © Pailin Subanna-Kraft & Louis Kraft 2014)

We then drove to doiSuthep the hillside area above Chiang Mai that had a cool and ongoing bazaar and yet another temple that looked down upon the city of Chiang Mai far below.

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As we slowly worked our we through the bazaar in doiSuthep on 24nov2014 I hustled forward to capture this image. From left: Lek Subanna, Sophon Yamasvai, Ko Subanna (Pailin’s brother), Pong, and Pailin. This was an absolutely fun time for me. (photo © Louis Kraft 2014)

We only experienced a portion of the bazaar when we crossed the street where Lek and Sophon bought tickets for us step aboard an ancient elevator on a hook that slowly took us to the top of the hill where there was a huge temple grounds that we explored.

psk&somkid_Temple_above_doiSuthep_24nov14montage_wsDuring our wanderings Ko watched out for me, and whenever I fell behind as I wanted to experience and capture what I saw he slowed his pace to ensure that I didn’t get lost or left behind. I enjoyed my time with him.

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Pailin was looking at jewelry after we left the temple and returned to the bazaar in doiSuthep. From left: Pong (Natapron), Pailin, and an unnamed woman. (photo © Louis Kraft 2014)

I love to wander through bazaars and chat with the sellers. I’m not good at bartering, but as I’m mostly a “lookie loo” it’s a lot of fun. I purchased (actually, I should say that Pailin “purchased” for me) a couple of gifts for my daughter and her mother.

After we returned to our autos Ko gave Pong a ride back to her home while Sophon, Lek, Pailin, and I began our return to Uttaradit. But first we had a short detour in Chaing Mai to an area called Tawai, where we looked at first class art, furniture, gift, and jewelry shops.

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This is Sophon’s Isuzu in Tawai on 24nov14 just before we started the long drive back to Uttaradit. (photo © Louis Kraft 2014)

Night arrived quickly and Sophon handled all the driving, much of which was on dark one-lane mountain roads. … As Sophon reached a curve we could see headlights peeking around it. As he moved through the turn suddenly a stalled pickup with everyone in it blocked the road right front of us. Sohpon couldn’t swerve to the right (Thai roads are like Great Britain’s and the opposite of the USA) as the oncoming vehicle was too close. Without any chance to brake (even though he couldn’t have been going any faster than 20 MPH U.S. speed) he swung to the left and off the road and around the small pickup that was a disaster waiting to happen. Ladies and gents, I’ve been in a lot of tight scrapes with vehicles, including taking a motorcycle over a cliff and living through the destruction of a Corvette at high speed, but let me tell you that Sophon’s driving on that night was the best that I have ever seen. Thank you, my brother, for you saved everyone from major injury or worse.

24nov14_dinner_uttaradit_collage2_wsThat night after our arrival in Uttaradit, we shared meal as we talked and joked and enjoyed each other’s company. It was on this night that Font looked at Pailin while he pointed at me and said: “When are you going to teach him the Thai language so that I can talk to him?” Everyone laughed. Wow! What an opening for a little more fun. About an hour later I looked at Pailin while I pointed at Font and said: “When are you going to teach him the English language so that I can talk to him?” Everyone laughed again. Good times!

Beginning of the end of our trip to Thailand

Days of preparation wrapped up early on 27nov2014, a day that would be huge at Not and Font’s home in Uttaradit.

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On 27nov14 Not and Font hosted two ceremonies, the first was religious and the second honored Font’s birthday. Left to right: Boy (the minister who performed the ceremonies) and Not. Directly behind Not is Ann (the religious woman, who with her sister and Boy, created most of the decorations. Centered between Boy and Ann are Kai Subanna (Lek and Sabrina’s brother) and his wife Cat. Pailin can be seen in the background at the right side of the image. (photo © Louis Kraft 2014)

On this day they hosted two ceremonies. Both were religious, but the second honored Font’s birthday.

If my memory is good there were two full days of preparation (making the decorations from flowers). When it was time for the religious ceremony to begin, Sophon and I sat beside the holy structures at the front of the house and faced everyone who took part in the prayers (we photographed the religious ceremonies).

There was a renewal and hugging and tears as those closest to Not and Font lined up to share their views of these two special people. I missed most of this as I didn’t realize it would happen. Actually on this day I was more of an observer than a participant and a lot of what I saw was mysterious.

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After the ceremonies were completed, chairs were set in front of the holy decorations and loved ones of Not and Font came before them and shared their thoughts (Sophon and Lek are also pictured). Although I couldn’t understand the words, they were touching for often I saw tears. (photo Louis Kraft 2014)

 

 

 

 

There were a number of amazing things going on, and Font and Not allowed me to photograph them, and that they, and all the other Thai people allowed me to participate in/or watch the Buddhist ceremonies when I don’t practice their religion. This was one of the best things that I experienced in Thailand.

Shortly after some group photos were taken.

After the ceremonies people danced in the front yard. I like dancing and certainly enjoyed seeing my lady easily move to the music.
pskDance_27nov14_montage_wsI mistakenly thought that the day would revert back to normal, but without massages. This would have been good for me, as I could get in some writing, relax, and chat with family and friends. No.

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After the ceremonies (27nov2014) a number of photos were taken, including this one by Sophon Yamsavai  using LK’s camera. Left to right: Ann (the holy woman, who is partially hidden), her sister (I don’t know her name), Lek, Font, Not, Pailin, LK, Tim (Font’s sister), and “Doctor Na,” who spoke English (Pailin told me that she was a neighbor; we talked, and I enjoyed knowing her, if only for a short time). (photo © Louis Kraft 2014)

The major event(s) had ended and Sophon and Lek invited us to go out for lunch and then to explore a little of Uttaradit.

I had no clue of what was to come. …

We enjoyed soup (Tom Yam) at Guay Teaw Pakmo, and it was the best that I enjoyed in Thailand, a land where all the soups were extraordinary. Lek told me that the bowls of soup cost $1.00 in U.S. money.

uttaradit_GuayTeawPakmo_REST_27nov14_montage_wsAfter eating Sophon and Lek introduced us to some of the sights of Uttaradit, all of which Pailin and I hadn’t seen as almost all of our time had been spent at Not and Font’s home, while she used her amazing skills to improve our health.

On this day I saw portion of Uttaradit that I never imagined existed.

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LK’s office in Uttaradit on 26nov14. I enjoyed and drank Thai coffee. The empty mug held the juice that Not had made for me that morning.  (photo © Louis Kraft 2014)

A glimpse of a portion of LK’s days in Thailand. I had brought work with me: The Sand Creek manuscript (only editing what I already had as I couldn’t bring research), The Discovery, and “Geronimo’s Gunfighter Attitude,” which would become an October 2015 cover story for Wild West magazine (again, only rewriting as I didn’t bring research material). During those days and nights I wasn’t anti-social. While working on my projects I was completely open to spending time with Font and Not’s friends who visited and with Not, Font, Ford, Mind, Lek, and Sophon. Believe it or not, I actually lived in the perfect environment for a writer to function on all cylinders. I had found a home that wasn’t my home, but was (if that makes any sense).

I had seen the statue of Phraya Phichai Dab Hak (“Dab Hak” means “broken sword”) at Daranee Konsin’s home in Lampang. When Font drove us from Lampang to Uttaradit and we had stopped at a huge temple complex I again saw the statue of Phraya Phichai Dab Hak, and I had mentioned him to Sophon and Lek. They told me basically what I had already found on the internet in English. As a historian I knew what I had learned was totally unusable to create a magazine article or book, but still it made my interest in him grow.

We saw a lot that afternoon, but two locations will remain with me forever, and if I am ever able to collect primary documentation about Phraya Phichai Dab Hak in Thai and have it translated to English, I do believe that he will become an important project for me.

Two of our stops on that afternoon of 27nov14 were major to me: 1) The Uttaradit Folk Museum and Wat Pratansilaart (the Thai temple in Uttaradit), and 2) The city hall complex of the province of Uttaradit.

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The entry to the Uttaradit Folk Museum, which shared the same huge parking lot with Wat Pratansilaart. (photo © Louis Kraft 2014)

Sophon and Lek had a definite reason for taking us to the Folk Museum, which had a lot artifacts that dated deep into Thailand’s past. It was a wonder to explore.

It didn’t take long for me to discover why I wandered the aisles … a painting of Phraya Phichai Dab Hak by Dr. Prakujputmanjrak, who was also a monk at Wat Pratansilaart. (Actually he had created three paintings of Phraya Phichai Dab Hak.) It almost appeared as if the artist might have been familiar with Frank Frazetta’s fantasy art that has adorned 100s of book covers, many film posters, and are displayed in museums, the Galaxy Press (Hollywood, Calif.), and private homes in the USA.

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The statue of Phraya Phichai Dab Hak was in deep shade as the sun was at the back of this major hero of Siam’s fight for freedom when I took the photo at the Uttaradit city hall complex. As I couldn’t see his face, Lek bought the 3×5″ photo of the statue for me (lower left). The art is a detail of one of Dr. Prakujputmanjrak’s paintings of Phraya Phichai Dab Hak (lower right). (photo of Phraya Phichai statue © Louis Kraft 2014)

After praying in and viewing Wat Pratansilaart, which, by the way, also had paintings of Thailand’s history by Dr. Prakujputmanjrak adorning the walls, I remembered seeing a monk talking with a man with a German accent in the Folk Museum. Sophon and I returned to the museum and indeed it was Dr. Prakujputmanjrak. The German fellow spoke English and he translated for the doctor and myself while we talked about Phraya Phichai Dab Hak.

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There was also a cool Sword Museum on the city hall grounds of Uttaradit. Those of you that know me know that I can’t resist swords—love them. Other than swimming, there is no sport I like as much as stage combat (swashbuckling) or competition dueling with sabres. There was a mirror behind the two-handed swords dating back (I think) to the time of Siam. I need to take lessons when next I travel to Thailand. (photo © Louis Kraft 2014)

Our next stop was the city hall complex of the governor of the province of Uttaradit, but it wasn’t to see the impressive building. Rather it was to see the statue of Phraya Phichai Dab Hak (see above montage). When Thailand was still Siam, a boy named Choi eventually came to the attention of King Taksin as Thong Di when he won a boxing match. This eventually led to him becoming a general under the king and leading guerrilla warfare against Burma, which occupied much of Siam. He became known as the “soldier with the broken sword” when he fought in front of his army with two two-handed swords and one broke. Instead of retreating he continued to fight. Eventually the Burmese army was driven from Siam. From then on he was known as Phraya Phichai Dab Hak.

On this day I experienced a wonderful moment, and it didn’t matter if it happened in Thailand, the USA, Spain, or Costa Rica. After seeing us, a group of school kids raced to Pailin and myself and surrounded us. …

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The little boy to the right of LK (left in the image) clung to me from the moment that we met. He didn’t understand a word that I said and I didn’t understand a word that he said, but we connected. We had a golden five minutes or perhaps more. In the inset (above) I’m pointing toward Sophon and trying to make him understand that I want him to look toward the camera. He understood, but unfortunately the little girl standing in front of him blocked Sophon from capturing a good image of him.

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LK sitting in Sophon and Lek’s living room at the end of a special day in Uttaradit. (photo  © Louis Kraft and Sophon Yamsavai 2014)

Pailin and I stayed at Lek and Sophon’s home for the first time on this night.

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Good company and good food at Lek and Sophon’s home on 27nov2014. Left to right: Pailin, Sophon, Mind, and Lek. (photo © Louis Kraft 2014)

As daylight faded into darkness that evening we ate outside at Lek and Sophon’s (we had moved there to make room for Kai and Cat at Not and Font’s for the religious ceremonies). Pailin and I enjoyed our time with Font, Not, Kai, Cat, Ford, Mind, Lek, and Sophon.

The next morning (28nov14) we detoxed and drank honey and lime juice. Afterwards we walked to Not and Font’s home. Pailin and I spent two hours in the mineral waters but there were no treatments on this day. Unfortunately I didn’t have time to work on the medical novel on this day, and to date only had little over 40 new pages from scratch (I had hoped for 90 pages of brand new prose but was happy with what I had). Actually I wanted to spend time with family members and guests as I knew that my time in Uttaradit was coming to an end.

The next day (29nov14) would be our last day in Uttaradit. It was on this day that Pailin and I enjoyed our final treatments in Not’s health clinic.

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The front of Not and Font’s home in Uttaradit. You can still see the decorations on the right side of the image, along with one of the two permanent religious buildings in the front yard. From Left: Ann’s sister, the holy woman Ann (Tanakarn; don’t know her last name and in Thailand the ladies’ last names often remain their maiden names), Somchit Sawaddee (a police officer and Ann’s husband), LK, Ford (Sabrina’s son), Pailin, Font, and Not on 29nov2014. Ann, her sister, and Boy, the minister at the ceremonies created most of the decorations. Somchit is a gentleman, a good friend of Font’s, and often visited (I enjoyed all of my time with him). Good times were nearing an end; a happy and yet sad time for LK. (photo on LK’s camera and © Louis Kraft 2014)

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This image was taken just before we began our goodbye dinner at the P.N. House Resort restaurant (29nov14). Left to right: Pailin, LK, Ford, Font, Not, Mind, Lek, and Sophon. (photo © Louis Kraft 2014)

Our last day in Uttaradit ended with a meal with Pailin’s and now my family at the P.N. House Resort Restaurant. The group photo of my extended family (above image) marked the end of a key piece in my life, a part of me that I’ll never forget (and hope that I’ll revisit).

After dinner, we again spent the night at Lek and Sophon’s house. The next morning Font and Not arrived at four in the morning and we began our trip south to Bangkok in Sophon’s extended pickup (pictured above). We arrived at Phichit, the city of Pailin’s birth, which is still in the north, while it was still dark.

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After a quick stop to see some of Pailin’s relatives, we went to the crocodile preserve and got to see these marvelous creatures just as they were waking up, and as close as the preserve allowed us to get (it was tempting to jump down to them, but it didn’t look as if I’d be able to climb back up onto the bridgework if they decided that I’d make a tasty breakfast and started chasing me). Afterwards we returned to Sophon’s pickup and Not served us juice she had made that morning.

Phichit is a special city to Not and Font also, and it was with sadness that we left.

lk_pig_30nov14_wsWe still had many miles to travel before we reached the land to the north of Bangkok. The time passed quickly as Pailin, Not, and Font chatted in Thai and I watched everything that we passed (and sometimes asked questions).

During the drive Font pulled off the main road and we stopped for breakfast. Of course I was interested in soup and fish, and they were the major portion of our breakfast.

Before continuing our trip, I sat on a small pig and Pailin took a photo with her iPad. What can I say, other than, “Once a cowboy, always a cowboy.” (photo © Louis Kraft and Pailin Subanna-Kraft 2014)

On the outskirts of Bangkok (middle Thailand)

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Pailin entering Buengchawark Underwater Sea Paradise on 30nov2014. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

When we reached the Supanburi province Font (and all of us needed a break and he took us on a side trip into the countryside to see a special amusement/science park, which was on Bung Chawak (Chawak Lake). I’m talking about the Buengchawark Underwater Sea Paradise. It was large, and unfortunately our time was limited for we had a set time to hopefully meet up with Mana Subanna and Pen Saelee, who were to connect with us at a predefined location on a major street somewhere (Yep, LK had no clue where we would meet them).

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Pailin and Not leaving Buengchawark Underwater Sea Paradise on 30nov2014. (photo © Pailin Subanna-Kraft, Not Subanna, & Louis Kraft 2014)

This marine world was cool, and I wish we could have seen more than the crocodile show with the trainers in the water with their star attractions. Great show, and happily the trainers and their pets completed their demonstration without nary an incident. (I wonder if everyone could enjoy a show with Great White Sharks off the coast of SoCal with their trainers and no one got hurt; I hope so, for these fabulous creatures need to survive into the World’s future, and they are protected off California’s coast). The Great Whites are not predators of humankind, and only seldom attack swimmers and surfers who enter their domain. Yes, they are sharks, and can be deadly, but they are also one of the truly magnificent creatures whose domain is the oceans of our great earth.

After meeting up with Mana and Pen, Pailin and I rode with them and Not and Font followed us to a great restaurant (Chaitung) where the chef cooked the fish on a spike in the ground with a metal cylinder covering the fish while flames did the rest.

After snapping the below image I wandered the restaurant grounds. Of course I stood out with my wide-brimmed hat and employees (some on break) spoke with me. I returned to our table. Almost everyone was ready to go. I grabbed Pailin and told her I was taking her to meet the cook, whom I had already met. That’s right, I wanted her to translate for the cook and myself as I wanted to understand the cooking process. … I would get more than I asked for, and luckily I was able to photograph how the fish were cooked.

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At the Chaitung Restaurant from left: Pailin, Not, Font, Pen, and Mana. (photo © Louis Kraft 2014)

greatRestaurant_psk_howCookFish_30nov14_collage_wsIn Thailand my best moments were with the key people in Pailin’s life. But I was extremely lucky in that I was able to spend prime time with people that my lady didn’t know, such as the school children in the Sword Museum and the cook on the northern outskirts of Bangkok.

Bangkok (central Thailand)

Afterwards Mana and Pen introduced me and reintroduced Pailin to Bangkok traffic, and where little motorcycles are like buzzing flies (by that I mean that they are all over the place). If you think that Los Angeles, California, is large, over-populated, and has a horrendous traffic problem I’ve got news for you—Bangkok knocks LA out by 100 country miles (and that’s an understatement).

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When Mana stopped for a light there were no motorcycles in sight. That didn’t last long, for suddenly we were surrounded, including both sides and the rear of his SUV. (photo © Louis Kraft 2014)

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Mana has a great Chevrolet SUV. The ladies sat in the back seat and chatted until we drove by an area where both Mana and Pen talked about what we saw. I luckily got to ride shotgun. (photo © Louis Kraft & Mana Subanna 2014)

We spent that night in a hotel where Pum worked. The next morning Pailin and I hugged Not and Font as we exchanged an emotional goodbye.

Mana and Pen then spent the day showing us the sights in Bangkok, which is a marvelous city, and bustles with activity (including tourism).

As Mana maneuvered through downtown Bangkok (heck, all of the city felt like “downtown”), I mentioned the major homeless problem in Los Angeles and he informed me that the homeless problem in Bangkok was also huge. No more than five or seven minutes passed before Mana alerted me that we would soon pass a major homeless city in Bangkok.

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If my memory is decent this homeless city is a long block (and I’m not certain how wide it is). I’m not going to preach about Los Angeles, but this is a gigantic problem in the city that Pailin and I call home. (photo © Louis Kraft 2014)

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Photo at left: Pen, Pailin, and LK standing in front of the King’s Palace in Bangkok on 1dec2014 (photo by Mana Subanna using LK’s camera, and © Pen Saelee, Mana Subanna, Pailin Subanna-Kraft, and Louis Kraft 2014)

We drove by the King’s Palace a number of times as we moved about the city. There is a great statue of pink elephants in an area where cars circle to move in different directions.

We did stop to view the King’s Palace, and I wondered about the huge crowds that have gathered where we then stood over the decades.

We saw a lot—too much to document with words or pictures, but there was one last area that we visited that I want to mention—Chinatown.

Chinatown! A city within a city that thrives (unlike the Chinatown in Los Angeles, which in recent years struggles to survive; that said Pailin and some of her friends often go to Chinatown in LA to buy herbs, food, and other supplies).

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While the ladies shopped in Chinatown, Mana and I crossed the street and entered a mall to use the restroom. Afterwards we enjoyed coffee at a small shop on the street in front of the mall entry. Soon Pen and Pailin joined us. I took these photos in order and both are full frame. (photos © Mana Subanna, Pen Saelee, Pailin Subanna-Kraft, & Louis Kraft 2014)

It is in Chinatown where Pen works, and it is a bustling area full of life. Whew! It took my breath away.

While hoping not to be repetitive, I’ve never seen a city like Bangkok, and I need to return again to experience it. The city was alive and thriving, it featured the old and the new, rich and poor, and certainly portions of it reeked of money. Mana and Pen shared their home city with us and it reminded me of Los Angeles.

Our last night in Bangkok, special friends, and …

After our tour completed, Mana and Pen drove us to Noi and Wichan Tawon’s home in Bangkok, which is marvelous and has an interior that represents what living in Thailand is like. Unfortunately, Wichan, who is an engineer, wouldn’t join us for hours as he had a four-hour drive one way. (Yes, his commute makes those in Los Angeles little more than a stroll in the park.)

After making Pailin and me feel welcome, Noi prepared a great meal with the help of her houseboy. Pailin is close friends with Noi and Wichan, and she stayed with her friend while Pen, Mana, and I relaxed on the second floor balcony.

After eating the five of us chatted and laughed. Before night arrived Wichan, who knew English arrived, and the gathering morphed into a party atmosphere. We had a lot in common due to me writing for software companies for way too-many years, and hit it off.

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Just before preparing for bed on 1dec2014, this photo was taken of Pailin, Noi, and myself on the second-story balcony, which is a great place to entertain. (photo © Pailin Subanna-Kraft 2014)

It began to get late and everyone called it a night.

The next morning Pen, Pum, and Mana joined us for breakfast at Noi and Wichan’s.

Of course numerous photos were taken. I have a great one of Wichan and myself on my camera, but I wanted to use an image off of Pailin’s iPad as I wanted a photo of the four of us together.

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As stated above, this is a four-shot of us. These are two people that I have known for less than a day in person, but they have become my friends for all time. Noi is currently a friend with me on social media, but unfortunately it took our return to the USA before I realized how much Pailin loves Noi and Wichan. (photo © Pailin Subanna-Kraft 2014)

Another photo was captured that morning off of Pailin’s phone, and I like it.

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Mana, Pailin, LK, and Pum are on Noi and Wichan’s second story balcony on 2dec2014. Suddenly our time is speeding toward an end (not something I wanted). (photo © Pailin Subanna-Kraft 2014)

After a long goodbye (and why not, for we had plenty of time … or so I thought) we packed Mana’s SUV with our belongings and set out for the airport.

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Pailin and LK shortly before we said goodbye to everyone and went through security. March took the image (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

As soon as we entered the main street the traffic came to a complete halt. Pedestrians and then more pedestrians walked past the cars that didn’t move. “Are we going to get to the airport,” I nervously asked Mana. “Don’t worry, for we’ll be off this road in half and hour or so,” he said (my understanding of his words). “We’ll then have clear sailing to the airport.” He was right.

Our time at the airport was bittersweet as the minutes rushed past in nanoseconds.

Another friend of Pailin’s, Daranee Thamtaranon, and her son March, came to the airport to see us off. March had a great digital camera and he took some images.

We went through security and soon the never-ending flight home began.

For the record, Not’s marvelous treatments gave me four
weeks of walking pain free and sleeping at night.

Christmas 2014

Pailin and I chose to spend Christmas day with each other. We didn’t take many photos on this day, but several mean a lot to me.

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I’m used to getting up early, including on this oh-so special holiday in my life—the birth of Jesus Christ. I’m up early to get the turkey prepped and into the oven, and Pailin wanted join me, help, and learn.

We have drunk homemade juice since the beginning of our relationship, and on this Christmas morning it was no different. For the record, Pailin loves being one of Santa Claus’s helpers.

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Like LK, Pailin knows how to have fun and enjoy the moment. (photos © Pailin Subanna-Kraft & Louis Kraft (2014)

Our 2014 was about to end, but first we had an impromptu encounter (it follows); our last hours of 2014 are in the next section.

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LK massaging Pailin on 26dec2014. For the record, I’m not very good (although I try). Pailin depends upon Sabrina to massage her when she hurts and needs a massage (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

The end of 2014 was private; a special time for us while Pailin worked for Kobie at the Lily Pad Thai Spa & Massage and for Nina and Pete at Nina’s Tong Thai Spa, and LK worked on The DiscoverySand Creek and the Tragic End of a Lifeway, and a cover feature for Wild West magazine, “Geronimo’s Gunfighter Attitude.” During this time we continued to redesign Tujunga House and make it both Pailin’s and my home.

Pailin was about to end a great year. She had her Green Card; had met some of my good friends and major Indian wars companions John Monnett, Tomas Jaehn, and Glen Williams; and had obtained her California driver’s license. But we still had to deal with our health and moving forward in an economy that was huge in comparison to a big portion of the United States. One quick example: According to the Los Angeles Times, the price of a gallon of gasoline is over $1.00 more than the average cost of gasoline for the rest of the USA. This isn’t a lone example, and it is something that we must deal with on a daily and monthly basis.

The end of 2014 and early 2015

December 2014 ended quickly after our quiet Christmas and before we knew it the 31st of the month had arrived. I would spend the evening with Pailin and Sabrina at Wat Thai of Los Angeles in North Hollywood. Good time for LK.

I believe the following introduces you to Sabrina Subanna in this blog (if you follow my blogs you know who she is), and I need a quick introduction of her. She is Pailin’s niece and only relative in the USA (you’ll learn about their relationship below).

psk_sabrina_lk_montage_31dec14_1jan2015_wsI don’t celebrate New Year’s Eve and haven’t for decades—too much drinking and firecrackers and guns … with very little police activity. This is not the LA Police Department or the LA County Sheriff’s Department’s fault, for they are underpaid and understaffed for a city and county the size of Los Angeles. I prefer peace, quiet, and safety, … and more law enforcement officers should be hired.

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Minutes after the arrival of 2015. The building at the right and center background is the temple at Wat Thai of Los Angeles. I snapped the image from the second floor of the room where we had prayed with the monks. The darkness at the lower portion of the image is where there is a staircase heading downstairs (below ground level) where there is a courtyard and a large room for meetings and meals. (photo © Louis Kraft 2015)

After the prayers ended Pailin, Sabrina, and I mingled with the crowd as we worked our way down the staircase.

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Left to right: Sabrina Subanna, LK, and Pailin Subanna-Kraft at Wat Thai of Los Angeles (North Hollywood, Calif.) during the early minutes of 2015. (photo © Sabrina Subanna, Pailin Subanna-Kraft, & Louis Kraft 2015).

Pailin, Sabrina, and I welcomed in the new year at Wat Thai of Los Angeles in North Hollywood. The evening began chilly but the room where everyone prayed with the monks was warm. Afterwards, when we reached the main level of the Thai center where booths were set up and people moved about as they welcomed in 2015 we realized how much the temperature had dropped while we had prayed.

 

 

Encino Chamber of Commerce visits Nina’s Tong Thai Spa

On 28jan2015 Pete Senoff* hosted a large event at his and his wife Nina’s shop, Nina’s Tong Thai Spa, in Encino. A large number of people attended; there were speeches and documents welcoming Nina’s Tong Thai Spa as a member of the Encino Chamber of Commerce.

* Pete had gone to high school with me and we got along, although we lost contact after graduation. He located me in 2012, and our friendship began anew.

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(Group photo © Pete Senoff 2015. … Pete & Nina Senoff photo © Louis Kraft 2015)

During the event, attendees were treated to Thai food that included Pailin’s soup and other selections of food catered by Siri Thai Cuisine of Burbank, California.

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(photos © Louis Kraft & Pailin Subanna-Kraft 2015)

The Autry National Center Masters of Art Exhibit

The Autry National Center (now the Autry Museum of the American West; ouch, for I can’t keep up with the name changes over the years) hosts an art exhibit that begins in late January and ends in March. These art shows are first class in both the art exhibited and the presentation.

autryMastersArt_7mar2015_driveMontage_wsOver the years the Autry has drawn some of the best western artists to their competition,, and the reason why is evidentthe possibility of a huge payday.

To realize how important the Autry’s Masters of the American West exhibit and sale was, we need to return to Howard Terpning, whose “The Patrol—1877” was displayed on the post card advertisement for the exhibit. Although Terpning doesn’t name participants, per a conversation I had elsewhere on social media re-enactors posed for his painting, and several of them represented real people. Terpning stated that he based his painting upon an incident that he had read about during the Sioux wars. BTW, Terpning is an Autry favorite and often his work has the key location in the exhibitions and wins major awards. “The Patrol—1877” was listed at $950,000 but sold at auction for $1.3 million. I first discovered Terpning in the 1970s in Scottsdale, Arizona, and then his mostly Apache wars paintings listed for $10,000 to $18,000. (Talk about missing an investment opportunity.)

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Pailin stands in front of John Coleman’s magnificent bronze (image at left), “Honeymoon at Crow Fair” (which I assume is in Montana, for that is the only Crow Fair that I know of). Apparently Coleman created five of the bronzes and one was for sale/auction—it sold for $175,000, and it was well worth every dollar. It was my favorite piece of art in the show. (photo © Louis Kraft 2015)

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David Mann, “First of Five Thousand.” Unfortunately the Plains Indians are not identified, something that I would like. Also, here the painting’s story is about a raid that is returning home to Canada with horses stolen in Mexico. One problem for me: I don’t know of any Plains Indian raids the resulted in obtaining 5,000 horses, and worse that is one long journey with 5,000 stolen animals. (photo © Louis Kraft & Pailin Subanna-Kraft 2015)

 

 

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While talking about bleeding art or photos across pages in books or magazines, this is something that the Wild West magazine’s art director needs to realize—bleeding an image across pages ruins the impact of the image.

There was a lot of wonderful artistic works to see. We took our time and enjoyed the show, returning to pieces that we especially liked on numerous occasions.

Late spring into early fall 2015

A mix of gunfighters, hide & seek, and Wild Bill Hickok
plus a special gift from my beautiful wife

Since the cataract surgeries earlier in 2015 my eyes have become very sensitive to the sun and bright lights.

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(photo © Louis Kraft & Pailin Subanna-Kraft 2015)

LK leans against the archway that leads into the kitchen at Tujunga House in spring 2015. Pailin gave these sun glasses to me for my birthday (they are not the glasses that I wore to the Autry National Center in March; I know, it is now the Autry Museum of the American West, but it wasn’t back then). I wear the sun glasses often. Beyond protecting my eyes from harmful rays they provide me with the feeling of being “cool.” At my age being cool is a good thing, for it lets me feel as I if I still contribute writing that is valid, and, other than loving and cherishing Pailin and my daughter, have a reason for living.

Sometime in late spring Pailin and I began reverting back to younger days.

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At times when we play a fun game one of us has at times captured an image, such as this photo that Pailin took on 18jun2015. The photo of Pailin on the desk was taken the first time that I photographed her wearing a cowboy hat. At that time I began calling her a “Thai cowgirl.” (photo © Louis Kraft & Pailin Subanna-Kraft 2015)

It was along the line of hide and seek but with the gunfighters of the Wild West thrown in; that is, which one of us could come out of hiding and shoot quicker with our finger guns (as I did as a child).

This began one time when Pailin returned home to Tujunga House and entered the front door. I waited in hiding until she was well within the house. I then jumped from my hiding spot and shot her with my finger. She clutched her stomach as she slumped to the floor. It was minutes before she could get up as she laughed and laughed. Pailin loved it, and suddenly we had a game that mimicked our youth and at the same time was pure fun.

psk_lk_fingerColtMontage_4jun15_wsIt has been so much fun that when one of us returns home (or even when both of us are home) we at times engage in our game. When young I had cap guns and holsters and cowboy hats, and so did my friends. Where I lived in the San Fernando Valley (Los Angeles, Calif.) was rural with lots of open spaces for wanna-be gunslingers to hide and at the right moment have a showdown with a friend. I was often Tex Ritter and some of my pals were Roy Rogers, Hopalong Cassidy, or someone else.

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Pailin sneaking out of a hallway at Tujunga House, as our fun continued on 17jun2016. (photo © Palin Subanna-Kraft & Louis Kraft 2015)

At times it has gotten elaborate. By that I mean both of us have done whatever possible to gain the upper hand in a potential shootout. I’m by far the worst at this as I write at home, which gives me an incredible advantage. For example, one night I made certain that all the interior lights that were normally on were on. I then hid under the dinning room table. Pailin entered, placed her gear where she usually did, including an item or two in the dinning room. But at that point she wasn’t looking for me. Now she was and I could hear her carefully move through the house. She didn’t find me, and unsure what was happening, she returned to the kitchen and turned on the light. I pushed the chair from the table and finger-shot her. She slumped to the floor. I crossed to her as she stood. “You are a bad boy,” Pailin said as we hugged and kissed.

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Pailin and I took some publicity shots in early September 2015, but most were not two-shots. This one I liked, but unfortunately sunlight blasted us from behind and I couldn’t bring our images into focus. On 12sept2015 I used the faded and out-of-focus photo as the basis for a painting. (art © Louis Kraft 2015)

The scout, lawman, and gunfighter Wild Bill Hickok is in this section for as soon as I read Johnny D. Boggs’ great novel about Hickok joining Buffalo Bill Cody’s theatrical troop on a tour of the East in the early 1870s (East of the Border, 2004), I knew that I wanted to play Hickok on the stage. I have given a copy of the book to my friend and director Tom Eubanks, who, if he likes it will buy in (He has directed all of my Ned Wynkoop one-man shows and Cheyenne Blood). Alas, Boggs has remained silent (even though his wife and my friend, Lisa Smith, thinks that it is a good idea to turn his novel into a play).

July 4, 2015

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Pailin with Nina and Sabrina in the Tujunga House dining room shortly after our 4jul15 get together began in the late afternoon. For the record Pailin is drinking cranberry juice and Sabrina is drinking honey, lemon, and water (which is a major drink in Pailin’s and LK’s lives). The soup is Thai Miso soup, with broth by Pailin and the ingredients by her and Nina. … Sabrina wanted to enjoy an “American” dinner and this is always something that I like to provide. The dinner would be simple: A salad with a special dressing that I make, sautéed vegetables, roasted potatoes, and salmon. Pailin requested an image of the salmon.

Vee, Saul, and a special evening w/good friends

A number of years back my great friend Veronica (Vee) von Bernarth Morra found me and we resumed our friendship that began during our college years in the dark ages.

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Vee, Pailin, and Saul, at the dinner table in Saul’s great town home in Los Angeles on 8jul2015. There were just the four of us and Vee and Saul sat across the table from Pailin and myself. I had asked them to come together on this side of the table so that I could photograph them. You can see the happiness and joy on Vee and Pailin’s faces, and the contentment on Saul’s face. (photo © Louis Kraft 2015)

This lady—Vee—is easily one of my best friends of all time, and I’m lucky to know her. Unfortunately (or perhaps fortunately for her) she lives on the East Coast of our great country—the United States of America. Luckily for me, she is able to travel to the West Coast to see her good friend Saul Salodow (who studied theater with me in college; he went on to having a great career as a film editor in Los Angeles). When Vee visited Saul in summer in 2015, Saul invited us to his home. He’s a terrific cook, and better the four of us enjoyed another great late afternoon and evening. I do hope that our four-way relationship continues for Pailin and I love it. BTW, Vee has become one of Pailin’s best friends in America—no small statement.

A wasted trip to the Autry in July

The Autry National Center had announced what sounded like a great exhibit and Pailin and I looked forward to seeing it.

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The oversized poster at the entry to the exhibit promised something special. It wasn’t, and I place the blame on research and conception. We spent no more than 15 or 20 minutes looking at it. (photo © Palin Subanna-Kraft & Louis Kraft 2015)

Once we were inside the main building of the Autry we realized that no cameras were allowed in the exhibit, and thought that it was because there were a lot of short video clips with voice overs. Perhaps. All I can say is that we didn’t stay long, and the reason was simple—the exhibit reeked of money but failed to deliver what it proclaimed. Worse, it added information to the exhibit that really didn’t belong in it other than certain celebrities had name value—such as George Armstrong Custer, who spent his entire Civil War career fighting for the North in the East. Although he wouldn’t travel to the western frontier until 1866 and not deal with American Indians until 1867, the Autry thought his demise at the battle of the Little Bighorn in 1876 was directly connected to the Civil War. I totally disagree. But hey, his name sells tickets.

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We had parked across the street from the Autry on 15jul2015, and after we crossed the street I asked Pailin to pose next to my favorite bush with the Autry National Center in the background. For the record I originally had two of these bushes that were rescued next to railroad tracks in Duarte, Calif., and now have six. (photo © Palin Subanna-Kraft & Louis Kraft 2015)

The exhibit had a great title, “Empire and Liberty: The Civil War and the West.” It opened on 25apr2015, and was a total disappointment. … I often wonder how much information that I read is inaccurate (read: error-riddled by lazy “so-called” historians who don’t do real research and repeat previously printed errors or create fiction—read “invented” history—to sell a point of view or conception). I know a fair amount about Kit Carson, the Sand Creek Massacre in 1864, and George Custer, so if something is out of place or wrong it stands out like a red flag. For example, Kit had reddish-blond hair, but the Autry decided to use a painting of him on horseback at full gallop. Two problems here: The rider didn’t look like Kit and his hair was pitch black (none of which were mentioned). … I wonder how many people now think that Carson had black hair. The Sand Creek exhibit had numerous errors, obvious errors corrected decades ago, and so bad, that I didn’t bother to take any notes. Actually there is a recent Custer book that won a Pulitzer Prize (to date I’ve read two pages, and both featured major errors). There is also an Apache wars book that places a person who wasn’t with Geronimo at the last surrender in 1886, something that was proven without a doubt in From Cochise to Geronimo, 2010, which the author listed in his bibliography but then ignored the facts. … As too many “so-called” historians have said to me: “I don’t care about truth; I care about selling books.” I hate to say it, but a good portion of the American Indian wars and the Golden Age of Cinema history stuffed down the reading public’s throats is little more than lies, deceit, and bullshit.

Pailin and the a2zheath.net Massage Schools

In mid-August 2015 Pailin began attending a school that would dominate her time until mid-March 2016. It was something that she excelled at as she was already a superb massage therapist, but she had to spend a lot of time translating the assigned books into Thai so that she could comprehend what the words meant (and this was ongoing during the class).

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From left: Pailin, Sylvia, and Jessica in the room where they performed massages as they learned. I believe that this image was taken by their instructor. (8sept2015).

Pailin enjoyed the classes, both lecture and the hands-on training, with the instructors and the other students. During the hands-on training the students took turns being the client.

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This image is of Pailin, Mimi (Pailin’s friend, and the sister of Kobie, who owns the Lily Pad Thai Massage & Spa in Sherman Oaks, Calif.), and Dr. Ben Drillings, who is the owner of the a2zhealth.net Massage Schools (Reseda and Thousand Oaks, Calif.). They were at a 14may16 street expo hosted by the city of Simi Valley. Pailin and Mimi provided free massages to people who lined up to receive them.

After completing 550 hours of training and studies Pailin participated in a number of Expos that were either sponsored by a2zhealth.net Massage Schools or by other organizations, such as the city of Simi Valley, which is in Simi Valley and to the to west of the northern portion of the San Fernando Valley (Chatsworth). When I was young there was a narrow road that wound through the Santa Susana Pass (called the Old Santa Susana Pass Road now) and allowed access between the two valleys. Great for motorcycle rides, …  and many western films had location shoots in the general area of the Simi Hills and the Santa Susana Mountains (including Errol Flynn’s great 1941 film, They Died with Their Boots On). There is also infamy attached to the pass for in the late 1960s mass-murderer Charles Manson and his followers lived at the Spahn Ranch (a stop on the road, and I spent numerous hours there). Now access between the valleys is via California State Route 118, later named the Ronald Reagan Freeway (as Simi Valley is the home of the Ronald Reagan Presidential Library).

LK is responsible for keeping his fans

The above heading is one of the most important statements that I have ever made. The LK website/blog was created to function as my publicity, for I have no publicity manager, and to help sell magazine article pitches, book pitches, books after they become reality, and hopefully to keep the fans of LK’s writing and presentations aware of his current and future projects. … I don’t sell on the website/blog as I’m not a salesman. That said, the goal has always been to keep those interested in my work aware of what I am doing at all times.

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This publicity photo of LK was taken in the front of Tujunga House on 17sept2015. Obviously the image is a piece of acting as I’m blowing imaginary smoke from an 1860 Army Colt revolver replica that has never been loaded or fired. That’s right, the revolver is a stage prop that I have used every time that I played Ned Wynkoop in one-man shows and when I played Wynkoop in Cheyenne Blood. (photo © Louis Kraft 2015)

I do this with prose, commentary, images, and art. And believe me keeping the website/blog alive is no easy task. If I told you how many hours I spend to keep those interested in what I am up to, you would be shocked. That said, the website/blog has easily become one of the most important work-related tasks that I perform.

Grover Cleveland High School 50-year reunion

A couple of my friends, Pete Senoff and Gloria Watts, played a large role (with others) for making the Grover Cleveland High School (GCHS) reunion a special event. Pailin met Pete and Nina early on in our relationship, and it was at Nina’s Tong Thai Spa that she first met Gloria.

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Pailin and LK on the Red Carpet that led to the check in for the event (17oct2015). Although I didn’t recognize him, the fellow with the mask is Milt Rouse. Soon after he had removed it and I remembered him immediately. I asked about the lady in the white dress. He said, “I don’t know who she is; she was standing in front of me in line.”

The GCHS reunion took place at the Sheraton Agoura Hills  Hotel (Agoura Hills, Calif.) on 17oct2015.

After leaving high school I really didn’t spend much time keeping up with school mates, and wasn’t sure what would happen. I’m certain that Pailin was a little on edge as she didn’t know anyone other than Nina, Pete, and Gloria.

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Pailin and LK on the red carpet entry to the GCHS event.

Nina and Pete are our friends, and they were two major pluses for Pailin on this night. And of course we sat with them.

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Pailin with Kirk Lamb and Christine Van Laar Burgoyne at the GCHS reunion on 17oct2015. I met Kirk in seventh grade and Christine in the fifth grade (photo by Louis Kraft and © Pailin Subanna-Kraft, Kirk Lamb, Christine Van Laar Burgoyne & Louis Kraft 2015)

The night before I had joined a gathering of people at the hotel, and was able to spend good time with Pete (Nina and Pailin weren’t available to join us) and Gloria, and some friends that I hadn’t seen since high school. One was a thrill for me to see, Christine Van Laar Burgoyne. Pete had created a terrific short video that highlighted eight people who had taken their lives in unique directions; Christine, Gloria, and I were among the highlighted.

Pailin, although nervous at first, mixed in nicely with some of my friends from high school.

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Pailin at the GCHS reunion on 17oct2015. She is with Judy Clover (left) and Sharon Lockwood. Judy and Sharon took acting classes with me, and both are still actively acting. … Judy and I reunited at a GCHS birthday party in 2012 and have become friends on social media. (photo by Louis Kraft and © Pailin Subanna-Kraft, Judy Clover, Sharon Lockwood & Louis Kraft 2015)

The end of 2015 and the beginning of 2016

With the beginning of 2015 I had no more time, for major writing deadlines stared me in the face. That said, I always found time for those I love—special days at Tujunga House with my beautiful lady Pailin and the people dear to our lives (along with some special days not at home).

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Our family from left: LK, Pailin, Carlos, and Sabrina. Standing between Carlos and Sabrina is Alexandra (Alex), an exchange student from Belgium who was then staying with them. Alex began her college career at home in 2016, with her major focusing upon becoming a film director. … We are in the Tujunga House dinning room just before we prayed and ate. (photo © Pailin Subanna-Kraft 2015)

Thanksgiving 2015

Thanksgiving 2015 was a small affair, as usual. It is great to be able to hang out with our guests as we want to enjoy their company. As in the recent past, our Thanksgiving was a mix of Thai food and traditional American food (with Pailin cooking the Thai food and LK cooking the American food).

 

Christmas 2015

I cherish and love Jesus Christ and this is a major day in my life. I walk with Jesus and God every day and I talk to them every day. This is who I am. … You should know that I hate the commercialization of this sacred time that represents his birth.

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The early morning sunlight shoots through the dinning room into the kitchen as Pailin prepares beans for Christmas that will begin in late morning and will last into the night. (photo © Pailin Subanna-Kraft & Louis Kraft 2015)

As said above we love hosting small parties at Tujunga House, and these days are a large portion of our social life. For those of you that aren’t aware of it, SoCal has great winters (as a boy I was always able to play football with my friends on Christmas afternoons in 70-degree weather and under blue skies).

 

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The turkey is cooking on the barbecue and the ladies (left to right): Pailin, Nina Senoff, and Sabrina Subanna) are enjoying themselves. Soup has been served (and if I haven’t said it, Pailin’s soup is out of this world). (photo © Pailin Subanna-Kraft & Louis Kraft 2015)

By the morn of the 25th all our cleaning was done, and all we had to do was prepare for the day. … Again our guest list was small so we could spend time with everyone.

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Front: LK and Sabrina Subanna. Back: Carlos Castillo, Pete Senoff, and Nina Senoff. (photo © Pailin Subanna-Kraft 2015)As the sun began to set in the west the temperatures dropped big time.

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The sun still blasts us from the west, but the temperatures have suddenly gotten a lot colder than a normal Christmas day. We added coats and I wrapped the scarf that Sabrina and Carlos had given me, to block the coming cold. (photo © Pailin Subanna-Kraft & Louis Kraft 2015)

The day dawned beautifully, but there was a breeze which was unusual at this time of year. Sabrina and Carlos arrived in late morning and helped setting up Christmas decorations in the backyard at Tujunga House.

Pete and Nina Senoff joined us in late afternoon (my daughter and her mother joined us after dark).

This was not something that we expected but it had become reality. Light clothing no longer kept anyone warm. Both Pailin and I increased our wardrobe accordingly, as did everyone else.

To this point in time, other than adding extra clothing, everyone had had a good time. As said above, Christmas day is special for me. At the same time I can accept people of other races and religions. Pailin is Buddhist, and I am good with this as shown above.

Spring 2016

A special birthday …

Sabrina Subanna told me that we are family in 2015. She was talking about Pailin and myself, she and Carlos, and hers and Pailin’s family in Thailand (and my daughter and her mother). You should know that although Pailin is “aunt” and Sabrina is “niece,” they are really like “sisters.”

sabrina_earlyBD_2may16_TH_2014_DiscoveryCollage_wsEvery time that Sabrina and Carlos visit is a special time, and Pailin and I are always good with socializing in the morning.

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Carlos Castillo brought the cake for Sabrina’s birthday at Tujunga House on 2may2016. Left to right: Pailin, Sabrina, and Carlos. (photo by Louis Kraft and © Pailin Subanna-Kraft, Sabrina Subanna, Carlos Castillo, & Louis Kraft 2016)

For the record, Carlos and I hit it off when we first met. He’s a bright fellow, and like me not racial. We can talk about anything. … This brings me back to Pailin, for she, like me, has no racial prejudices. She is good and open with all people regardless of their color, race, or religion. She is a godsend into my life, making me the luckiest guy in the world.

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Sabrina’s BD party at Khao Tom in Hollywood, Calif., on 4may2016. Left to right: Carlos Castillo, Jasmine Koomroongroj, Sabrina Subanna, and Pailin Subanna-Kraft. A fun night. (photo © Louis Kraft 2016)

Sabrina’s birthday is actually on 4may2016, and on that night we celebrated her birthday at Khao Tom in Hollywood, California.

I hate to say it but the lonely road that this writer wanders has a lot to do with my immediate family, for other than my daughter none of them still walk this earth. Sabrina confirmed what I felt in Thailand and instantly felt at the end of 2014 when Pailin and I returned home from Thailand, for at that time I had been in a country that I didn’t know but with people who in a flash of time became my brothers and sisters. I had never experienced this before.

Pailin, lemons, & peanuts at Tujunga House in mid-May

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(photo © Pailin Subanna-Kraft & Louis Kraft 2016)

Pailin in the back yard of Tujunga House on 16may2016. This is one of my favorite images of her. She is pulling a lemon from one of our lemon trees. Lemons are major in our lives. We cook with them, drink water with them, Pailin uses them in the Salsa Verde that she creates, and most important they are a major part of the honey-lemon drink that we enjoy daily. … She had just cooked the peanuts and was outside to shuck the dark covering off them. The birds enjoy the nuts that also fly off the pan.

The Green Day Spa

Jasmine Koomroongroj, who already owned and operated the Green Day Spa, had an opening for a new partner as her then partner wanted to leave the company. Earlier this year she approached Pailin.

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I’m a little out of my linear progression here as Pailin became partners with Jasmine earlier in the year, but the pictures that I want to share here are more recent. … Almost immediately the Green Day Spa became a major piece in Pailin’s life. This was an absolutely great decision by Pailin for Jasmine is a wonderful person, and I can’t think of a better person for her to work with and call “partner.”

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I really like this image of Pailin and Jasmine, and even though it was taken at Khao Tom in Hollywood on Sabrina’s birthday I wanted to use it here. (photo © Louis Kraft, Jasmine Koomroongroj, and Pailin Subanna-Kraft 2016)

Even better for Pailin, the Green Day Spa is about a 10 minute drive from Tujunga House, and when you consider working and driving in Los Angeles this is an amazing plus. When I wrote for software companies in Los Angeles, other than Yahoo! (about 2½ miles), my shortest drive was 26 miles one way.

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Jasmine and Pailin are in the lobby of the Green Day Spa on 14jun2016. (photo © Louis Kraft, Jasmine Koomroongroj, and Pailin Subanna-Kraft 2016)

What is also great is that Sabrina works with Jasmine and Pailin, and from what I’ve seen these ladies really like each other, … they look after each other and take care of each other. As Pailin recently told me, and I’ve known this as I’ve seen it: “We share our meals, … and we give before we receive. It’s our culture.” (Another similarity with the Cheyenne Indians.)

Also good for Pailin is that she is still able to work for Kobie at Lily Pad Thai Massage & Spa, which is a great place to work for there is no bullshit or double standards.

Gifts & food for the monks at Wat Thai of Los Angeles

On Sunday, 22may2016 Thai people celebrated the death of Buddha. Sabrina and Carlos were going to pray, provide gifts, and to feed the monks; Pailin and I joined them.

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This photo was taken with LK’s iPhone. Nam Maradei (left), Carlos Castillo, Pailin, Sabrina Subanna, and LK are standing at the bottom of the staircase that leads to the west entrance to the temple at Wat Thai of Los Angeles. (photo © Louis Kraft, Pailin Subanna-Kraft, Sabrina Subanna, Carlos Castillo 2016)

When we arrived we had the exterior to ourselves, as we didn’t know that Sabrina and Carlos were praying in the temple. We wandered about and chatted, and eventually Pailin chose the table location where she wanted to hand her gifts to the monks (including a great packet of Chinese coffee with ginseng that I love) with plenty of room for Sabrina. Sabrina and Carlos appeared and joined us.

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The little girl had been watching me from about 10 yards away. When she saw that I was alone she ran to me to say hello. We talked for about five minutes while her mother called for her to stop bothering me. She wasn’t, and I enjoyed her company. After she returned to her mother I stepped back to Pailin. She held up the coffee and I took the second image in the montage. (photos © Louis Kraft 2016)

After snapping the image of Pailin holding the coffee I didn’t rejoin our group. Instead I returned to the temple and stepped onto a ramp that also leads to the west entry into the temple.

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I relaxed while Nam, Sabrina, and Pailin, along with Greg and Carlos waited to share the ladies gifts as the monks approached. Pailin captured this image of me as I watched her on 22may2016. (photo © Louis Kraft & Pailin Subanna-Kraft 2016)

Over the years I have spent a lot of time visiting Wat Thai of Los Angeles. Always to support Pailin, but there is much more to my presence. First I need to say that the monks have always made me feel welcome at Wat Thai of Los Angeles, and often they have been concerned about my welfare. Secondly, I have been able to spend prime time with people I care about—Pailin, Sabrina and Carlos, Nina and Pete, Nam and Greg. Although I am a Christian I have seen a lot about Buddhism that is good and real and more important I have seen how it not only affects people that I care about and love, but how it provides them with a positive attitude on living in our world. What I’m trying to say here is that I see a lot of peace and acceptance of the world that surrounds them. Moreover, they can open their arms to people, such as I, who are different from them and embrace them as human beings. I see no racial hatred or persecution, … just kindness, friendship, and with Pailin and Sabrina a love without end. This gives me strength to walk through our world of woe that is engulfed by religious and racial hatred, and terrorism without end.

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Pailin (right in wide-brimmed black hat) gives a gift to the first monk to reach her on 22may2016. To her right are Carlos and Sabrina. (photo © Louis Kraft 2016)

Nam was my friend, who back in 2013 asked if she could bring a coworker—Pailin—to a dinner party for five that I hosted (two couples plus myself) on June 15. Although at first both Pailin and I said no, Nam was persistent and we gave into her request. Nam and her husband brought Pailin to the dinner party. Although we didn’t know it then, this day would change Pailin’s and my life (see the blog listed at the top of this blog for details about this meeting).

Bottom line: LK is the luckiest guy walking this earth for Pailin is my lady—today, tomorrow, and forever.

The monks reached Sabrina and Pailin, and my best image from the staircase happened with the first monk.

After the gifts were passed out Pailin and Sabrina stepped inside the temple to pray while Carlos and I found a shaded area to sit under and talk.

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From left: Nam Maradei, Pailin, and Sabrina Subanna. This photo was shot using Pailin’s iPhone while the three of them were inside Wat Thai of Los Angeles to pray.

When the noon hour neared the ladies prepared the food that they had cooked for the monks in a large room downstairs in one of the numerous buildings at the complex.

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I captured this image of Pailin as she prepared her food for the monks, who hadn’t appeared yet. (photo © Pailin Subanna-Kraft & Louis Kraft 0216)

We accompanied our wives and observed and helped them out when possible.

After the feast was set up the monks slowly began to enter the room, and after blessings began to eat at the tables set up for them. As usual everyone else would eat after the monks had finished eating. This was taking a long time, and Sabrina, Carlos, Pailin, and I had work we needed to do and as we couldn’t wait we left an hour later.

A big-time birthday for the top monk in Los Angeles

I hate to say it but every day is a work day for me, and this Sunday of 12jun2016 was no different. Although I knew that going to Wat Thai of Los Angeles on this day would cost me hours of lost work time I joined Pailin, Carlos, and Sabrina at this wonderful temple in North Hollywood.

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This event was too big to have the gift giving surrounding Wat Thai and it was moved to the northern parking lot. From right: Pailin, Sabrina, and two unidentified women (think photo by Carlos on Pailin’s iPhone and © Pailin Subanna-Kraft 2016)

Many monks joined the celebration (I think 79), and as always the celebration had an aura of holiness and festivity. We had arrived near the start time and yet had to park blocks away from the temple. Once we entered the grounds we headed for the northern portion of the property where offerings were being made to the long line of monks. Pailin found Sabrina and Carlos and joined them in the line, while I rested under a covered table area near where the various food vendors set up for the events. A short while later Carlos found me and we chatted until we decided to join our ladies. Our timing wasn’t timely for the gift presentation had ended. We returned to the tabes and sat to talk. Without warning a procession of monks, followers, and musicians turned the corner of Wat Thai and began to pass us. Pailin and Sabrina raced to join the procession while Pailin called to me to take a photo, No camera today, and by the time the procession had passed I still hadn’t turned on my phone (I guess that I now have another nickname: “Klutz Kraft”).

Unfortunately the marching participants didn’t make a second pass around Wat Thai, and I had missed a photo op I wish I had made (I should have turned into a paparazzi photographer and ran after the parade—alas, I hate playing a slimeball).

Time passed quickly, and soon it was time to move to the building that has an entry one floor below street level. While Sabrina and Pailin placed the food that they had prepared on plates for the monks to enjoy, I suddenly had exceeded my time limit and needed to return to Tujunga House and work.

Father’s Day (and the last day of spring)

In the morning Sabrina, with Pailin assisting, gave me a complete deep tissue massage at the Green Day Spa. My feet hurt for the rest of the day but then were good for about two weeks. As always we enjoyed ourselves with Sabrina and Carlos (who received a massage after me).

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After my massage on 19jun16 Pailin captured this image of the four of us just before we left. Right to left: LK, Pailin, Sabrina Subanna, and Carlos Castillo. (photo © Pailin Subanna-Kraft 2016)

Pailin dropped me off at home and then drove to Nina’s Tong Thai Spa, where she worked late into the night as she and Nina were busy.

A little after six my daughter and her mother visited to wish me a happy Father’s Day and we enjoyed an easy three-hour conversation about health. A good day for me, and perhaps my best Father’s Day in a long time, as I had stopped celebrating this day after my father had died on 14feb1999.

Summer 2016

Another 4th of July w/360 degrees of illegal explosions + Pailin’s BD

Moving forward there hasn’t been much to document. The 4th of July is not my favorite holiday for I often spend the night watching for fire in my yard. That’s right, even though fireworks are totally illegal in Los Angeles we had lived in a war zone for the past two plus weeks before the big show went live.

As Sabrina and Carlos wanted to celebrate Pailin’s birthday (which is on the fifth) we made it an affair with salmon, salad, corn, a hot Thai salad for Sabrina and Pailin, and birthday cake that Carlos and Sabrina brought on the hideous day/night of July 4. As always good times for us. We talked seriously and joked and enjoyed each other’s company. Although last year’s 4th of July celebration went into the night with everyone inside, on this night I warned Carlos and Sabrina that they’d be climbing an extension ladder to the roof top of the Tujunga House garage (which is not connected to the house) to experience a local fireworks show gone wild; that’s right, nothing would be shut down, there would be no police presence, and certainly no sirens. Basically a free-for-all display of illegal fireworks to the east, north, west, and south.

They arrived at four-thirty in the afternoon.

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Pailin and I had been working seven days per week, and other than some of the religious functions at Wat Thai of Los Angeles we really hadn’t done much in 2016. This day was special, as it was one day before Pailin’s birthday, both Sabrina and Carlos had the day off, and it would be prime time for the four of us. (photo © Pailin Subanna-Kraft 2016)

Soon after their arrival we celebrated Pailin’s birthday, Sabrina and Carlos gave her gifts and a magnificent cake. I had a bite, as I don’t eat this type of food (and it was delicious). … The sun was still high in the west, but no matter for explosions began to surround Tujunga House. …

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Pailin holding a cool glass horse that Sabrina and Carlos gave her on her birthday. This is my favorite photo off my camera. It is sometime before five, and we still have great light coming in the dinning room from the east, southeast, and northeast windows. (photo © Louis Kraft, Pailin Subanna-Kraft, Sabrina Subanna, and Carlos Castillo 2016)

After enjoying each-other’s company and celebrating my beautiful wife’s birthday I began cooking the salmon on the barbecue.

Earlier in the day I had set the extension ladder against the garage and had placed chairs on the roof top. My neighbors to the south were hosting a large party and already they had begun to ignite fireworks. They waved to me and I said hello and I told them of my plans.

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Pailin on the Tujunga House garage roof shortly before night on 4jul2016 (photo © Pailin Subanna-Kraft & Louis Kraft 2016)

When darkness neared Pailin was first on the garage roof as she was excited for the night to begin. I soon followed her, and both of us attempted to capture our southern neighbors’ fireworks party. No-no-no!!! For they didn’t like this, stopped igniting fireworks, and quickly left the backyard only to move their massive holiday extravaganza of explosions to the front yard. (I made it clear to everyone that we wouldn’t follow them as it might anger them). Believe it or not, back in the 1970s had I learned to live with people that carried knives and revolvers, and could explode at a moment’s notice.

Yes, the 4th of July is surround-sound explosions and brilliant colors streaking across the skies in all directions. These are not fireworks shot off at local parks, rather they are illegal; many of which I clean up in my yard on July 5th.

I knew that once night had fallen (and Pailin knew this too) that the sky would explode in light and color as bombs and guns exploded around us. We also knew from past experience that LA’s finest (headquartered about a mile and a half from Tujunga House) would not make an appearance on this night. There were would be no police cars, no sirens, no officers telling people to stop and desist, and there would be no arrests. For the record, the explosions would continue well after the midnight hour.

4jul16_weirdFireworks_color_collage_wsGood news: Our drought resistant vegetation (and Tujunga House) survived yet another invasion. The 4th of July is about American independence and yet for us it is about survival. Something’s wrong here.

pskBD_5jul16_collage_wsThe next morning I celebrated Pailin’s birthday. Although I couldn’t take her to a film—The Legend of Tarzan—on her special day I did the following day. Other than Errol Flynn’s The Roots of Heaven (1958), this was the first American film that I had taken Pailin to see. As with the Flynn film, which dealt with saving elephants from extinction in Africa, the new Tarzan film dealt with saving Africa from the rape of its resources (and more important it dealt with race relations). She liked the film.

A final few words

Who I am and what I do

I am a writer/historian who writes all sorts of documents. Simply put I try to write readable prose with accurate facts (something many writers don’t do).

The search for truth and words that people can read and understand is ongoing, and will be until my final breath.

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LK on Lasky Mesa, which is in the hills at the west end of the San Fernando Valley (Los Angeles, Calif., and for the record the city of Agoura Hills is in the county of Los Angeles, roughly 10 miles outside the city limits of Los Angeles). I am standing in front of the area where Errol Flynn, who played George Armstrong Custer in They Died with Their Boots On (1941), led the Seventh U.S. Cavalry toward their deaths at the battle of the Little Bighorn on 25jun1876. On 13jul16 a man who knew this land showed me some of the various film locations on Lasky Mesa; he took this photo using my camera. (photo © Louis Kraft 2016)

Who Pailin is, and that part of her life which is now part of my life

I hope that what I have shared has given you an insight into my life with my lady, best friend, confidant, wife, and the person who I cherish above all others. I have talked about religion: Christianity and Buddhism, and I hope that I have made it clear that both can exist in the same household.

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I wanted to share these images of Pailin praying with more detailed photos of her sacred areas in Tujunga House as they show that our home is a mix of cultures (those are posters of Errol Flynn’s classic swashbuckling films on the wall in the living room). More important, our cultures and religions can coexist together in harmony and with love.

Pailin is my life, and as my writing world coexists with her life, I have created this blog as a document for U.S. Immigration and Homeland Security to confirm that the above is true. I hope and pray that it removes any doubt that Pailin and I married for love (and not for any other reason).

Announcing The Discovery, the Green Day Spa + hatred & racism

Website & blogs © Louis Kraft 2013-2020

Contact Kraft at writerkraft@gmail.com or comment at the end of the blogs


The Protestant pirate Francis Drake was a Catholic priest.
Errol Flynn was the birth father of Elvis Presley.

I don’t know what to say, other than if you are going to talk about something (such as the fictitious absurdities listed above) do yourself a favor, and do some research before you open your mouth and stuff your foot in it. …

If anyone thinks that I am talking about them, guess what?—I am.

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Over the years my great friend Glen Williams has taken many reality and publicity shots of LK. This image was taken at Mission San Fernando Ray de España (one of the 21 missions that the Spanish established in early California). This photo represents LK walking out of the dark (here represented as light) and away from racial persecution. (photo © Glen Williams & Louis Kraft 2012)

Personal attacks

Actually just a week or two past it got a lot worse than the above, for racial hatred spewed forth with violent and foul words and it was directed at me (for a previous post, Gatewood & Geronimo live). … My mother and father were not racially prejudiced (actually they had an open door to anyone). This influenced my early life (I marched for Martin Luther King Jr. locally, and lived and worked with African Americans in Oklahoma City while a member of VISTA) and later impacted me to the extent that when I decided to become a writer much of what I would write about dealt with human relations and race. This would be a career choice that wouldn’t earn a lot of money but has always been alive within me and will be so until my life on this world ends (Beyond that? Someday I’ll know.). The words, actually five separate comments attached to the Gatewood/Geronimo blog, were written in such a heinous manner that if they had been painted on Tujunga House they would been investigated by authorities as a hate crime. I saved the five comments for future use (if needed) but then turned the links into spam. Elsewhere on social media I spoke about these hateful words and received marvelous thoughts and comments from friends who are truly friends.

I have begun to believe that there is a Kraft curse: If I create something—nonfiction or fiction, a talk, a play—people take offense. How dare you deal with race relations? How dare you speak up for Cheyennes, Apaches, or other people such as Asians or African Americans? These people aren’t interested in listening to or reading anything that deals with racial or human relations that disagrees with their jaded views, views that focus on destroying anything that they reject.

One person, without reading a word of The Discovery as it hadn’t been published, attacked me on social media (she didn’t attack my partner Robert Goodman, but trust me, if she wasn’t so focused on the target that she placed on my back she would have). I hate to say it, but there are so many people on social media today that jump at the opportunity to destroy books, films, actors, singers, sports figures, and normal people, that it is unbelievable. These people are bent upon attacking. Yep, that’s right. This person and others often don’t know what the bleep they’re talking about, but they are up front and center in their desire to bad-mouth anything that catches their fancy (or should I say their sexist or racist upbringing). … I guess that this is the new American way. If yes, what a sad future our children face.

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LK pondering his world at Tujunga House, a world that at times is extremely dark, but I wouldn’t want it any other way. (photo © Louis Kraft 2014)

Are these people human beings? I’m chuckling, for this isn’t a valid question. Moreover, you don’t want to hear my answer to this question. Heck, I guess I just answered it. No, they aren’t. They are just like some of the cretins that run for election nowadays. What happened to “I pledge allegiance to the Flag of the United States of America, and to the Republic for which it stands, one Nation under God, indivisible, with liberty and justice for all.”?

(I have a lot to say about the above quote, but it should have a blog all to itself.)

I have a lot of words to say about these creatures, but they aren’t worth five minutes of your time. They charge me with racism and sexism, but they are the racists and sexists. These accusations have been made without seeing one of my plays, listening to one of my talks (although some have been present at talks, probably with their ears plugged; some of these talks are available on the internet), or reading any of my articles or books. Are their comments valid? No! They are the new Americans—trash masters (if you will)—searching for prey without any understanding or knowledge of their current target because they have an agenda, and like vampires they thirst for blood.

Most of these people I don’t know, but some are acquaintances or perhaps friends at one time (but, alas, they are no longer, or most likely never were). This is one of the major lessons that I have learned in life—that it consists of constant change, … and most importantly that heinous people who attack without any knowledge of the subject matter they want to destroy are not human beings. … What is to come? I don’t know, but it won’t be in this blog.

**********

I know; a strange intro to the publication of The Discovery.
I didn’t mean to write the above, but sometimes comments not based upon facts and directed at myself are so biased and hateful or worse that my head spins.

What I write about

I write about subjects that I think are important, and always I write about relationships—relationships between people. Of extreme importance are relationships between people of different races that dare to risk their lives to prevent or end violence and attempt to stop heinous crimes upon humanity.

cookCell_boggsKill_Indian_collage_july15_wsThe Discovery is not a book that deals with race relations and horrendous murder and sexual mutilation of people of different colors and religious beliefs. That said, it is a story that is just as valid for it deals with life experiences that can make or destroy lives. Although The Discovery is a period piece set in the not-too-distant past (1951-1973), it focuses on a very important subject in our lives today—the medical world, and to be more specific, malpractice.

Do I dare say that many of us have strong feelings about the medical world, and in particular pharmaceuticals? You bet, for I certainly do. For the record I have already forked out over twice what I paid in 2015 for medicinal drugs (and the outflow of cash ain’t a gonna stop). Add that my all-time favorite novelist is Robin Cook, the physician turned novelist, who almost single-handedly created the medical thriller. His stories are page turners, and his best efforts scare the bejesus out of me when his leading players become entwined within a medical horror that Cook pulls from the front pages of the American press. Right there with Cook is Johnny D. Boggs. Boggs doesn’t write what I would call thrillers, but his plots are extremely well crafted, his dialogue extraordinary, and his characters are a joy to behold. His stories are also page turners. I highly recommend both of these fine writers to you.

The Discovery is actually a character study of a number of people whose lives become entangled due an event that happened in 1952. Dialogue and character are absolute musts for a novel to succeed. However, I had another challenge with The Discovery: How do I keep the story moving forward while seamlessly moving between the players and the passage of time while not losing focus to what is really happening. It took some time to figure this out. Oh, there was one thing that I knew was an absolute necessity—I needed to write the book as a thriller.

If you are like me, your free reading, that is pleasure reading (and I have little time for this), is at night after preparing for bed (about a one and a half hour task for me) when I have a half hour or so to settle down and enjoy another writer’s prose before turning off the lights. I both curse when I can’t put the book down when time’s speeding by and I’m getting up at four or five while at the same time love it for the current writer’s story has grabbed hold of my soul and it won’t let go.

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Robert S. Goodman MD, internist and cardiologist, in his Tarzana, Calif., office in 2014. (photo © Louis Kraft 2014)

Why The Discovery?

Opportunity.

A little more than a couple of years back I partnered with a physician named Robert S. Goodman to write and polish a great story idea that he had created.

Robert (Bob to me) had a firm view on how he wanted The Discovery to be published, and I agreed to his desires. This means that it is a “trade paperback” book. It was mandatory that I announce The Discovery’s publication early for personal reasons. That said, the trade paperback is available for purchase on Amazon now, as is the Kindle eBook.

At the end of 2013 I began taking Bob’s idea and rough draft and turning the characters into living and breathing players, as well as expanding the dialogue and the plot. This would place a good portion of my life and my writing world on hold (but not completely, for great strides have been made with Sand Creek and the Tragic End of a Lifeway research and writing*). Although this is hard to say, everything that has happened has been for the good as I am a better writer in 2016 than I was at the end of 2013. There are two reasons: Working on The Discovery and on the LK blogs. Don’t snicker, for ’tis true.

* Sand Creek and the Tragic End of a Lifeway may perhaps be the most important book that I ever write. As you know, I’m a biographer who focuses on key times in the lives of the people I write about. The Sand Creek story will be different, but not a huge step from what I usually write, for my editor at OU Press (Chuck Rankin) and I worked out a story line that was acceptable to both of us. That is, I’ll show (“SHOW” and not tell) the story from the point of view of all the major participants in the lead-up to the attack on a Cheyenne-Arapaho village at Sand Creek, Colorado Territory, in November 1864, the attack, and the aftermath. This is basically biography but on a larger scale. The key will be to smoothly transition from one participant to the next as the story moves forward.

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LK with University of Oklahoma Press editor-in-chief Chuck Rankin at the 2011 Western History Association convention in Oakland, Calif., where Ned Wynkoop and the Lonely Road from Sand Creek was introduced to the public. The poster for the book is behind Chuck and I; he gave it to me, I framed it, and it is now displayed in my living room. The Wynkoop book is directly responsible for Sand Creek and the Tragic End of a Lifeway. (photo © Louis Kraft 2011)

There aren’t that many villains in our world, for most people truly believe that what they do is correct when they do it. (Everyone has their own point-of-view depending upon their life and culture and act accordingly. That doesn’t make them evil because I don’t agree with them or their actions, and conversely I’m not evil because my views and actions are in conflict with their culture, religion, or politics. That said the murder of innocent people can never be condoned regardless of the point-of-view.) … There are out-and-out villains, such as Charles Manson (who I had a connection to without realizing it at the time, due to my motorcycle riding) and Ted Bundy (the last project I worked on—film or TV—was a miniseries on Bundy called The Deliberate Stranger in the mid-1980s). … If I do my part correctly in the Sand Creek project you will be able to make your own decision about the key players in the story, based upon their actions. Again, the key is to show and not tell.

Back to The Discovery

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This image of LK in the Ventura News Chronicle (actually the cover to the paper’s entertainment section) dates to April 1992 when The Final Showdown was published. “T.O.” stands for Thousand Oaks, Calif. There is a major story here (but not for this blog).

Have you ever heard Yogi Berra’s quote, “It ain’t over ’til it’s over”? He was the great NY Yankee catcher from the golden age of Baseball (the 1950s), and his words certainly apply to me.

The Discovery has been a long process for me. You would faint if you knew how many hours, but all the work, that is, the process, has been worth every hour or day that it has cost me. Creative work is always about the process: That is the research, writing, rewriting, rewriting, editing, additional research, more rewriting and editing. This is an ongoing activity (which in my case always includes a multitude of people who help me during the process) until the product is printed or presented or performed. … It isn’t about awards or money (although they are nice, especially $$$, which for me is always a major reason to begin a project) but for me it is the attempt to discover what happened while not blindly restating historical errors that lazy historians who don’t do real research continue to reprint. This often includes months and even years of research, which is ongoing until a project reaches fruition.

Just about everything that I write is interconnected in one way or another. … The Discovery is the lone exception.

**********

As said above, I pushed the envelope in The Discovery. … Violence is harsh and deadly; love, infidelity, and sex are real; the story could happen and lives could plummet to disaster.

What The Discovery and the blogs have cost me in time, they have repaid in dividends to my future writing. Huh? That’s right—major dividends. Everything that LK writes in the future will be better multiple times over because of the recent past. That is an egotistical statement, but oh so true.

Constructive criticism is the most important thing
that writers, actors, artists can receive.

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LK with Bob Goodman at Flemings in Woodland Hills, Calif., on 26june2014. For the record, I’m kneeling on the floor. Doris & Bob Goodman and Pailin & LK had a great time that evening. (photo © Louis Kraft 2014)

Certainly Doris, Bob’s wife, and other family members, contributed to Bob’s initial story idea and made valid comments when the manuscript neared completion. Others, mainly Susan Snipes, a malpractice attorney, who provided important information regarding legal ramifications of the story’s lawsuit and the statute of limitations in California; and Joel Goldman, a Los Angeles civil attorney, who also advised and provided additional statute of limitations documentation.

Three talented and professional friends helped me fine-tune The Discovery’s 122,000 words, Veronica Von Bernath Morra (a retired nurse and journalist), Glen Williams (a senior manager of engineering departments that operated a global telecommunications network), and David DeWitt (an Errol Flynn expert, author, and website specialist). Another talented friend, Sherry Weng (an engineer), provided superb commentary on the rear cover. Writers and artists depend upon constructive criticism, and these people have improved the manuscript and cover copy immensely. I’ll always be grateful for their efforts. They have done for me what every writer and artist must desire and cherish—constructive criticism. My friends, thank you from the bottom of my heart.

A medical example, plus a little about Bob Goodman and myself

Over the years I have heard way-too-many people talk dirt about medicine. Medicine is an art form based upon science in which decisions must be made. Sometimes they are wrong, but often they are right on target.

For example, about three-quarters of a year before my sister died in 2006 (and if I’m off on my dating here, the following incident would have taken place a year and a quarter before the end of her life). Linda and her absolutely marvelous husband, Greg Morgon, invited a couple over for dinner. After eating Linda didn’t feel well and went to bed. After their guests left Greg checked on her. She was burning up with fever and he rushed her to emergency. From here she was transported to a hospital in the lowlands (they lived in the mountains at Lake Arrowhead, California) that could deal with what had happened to her. Actually there were a lot of doctors involved—so many that I couldn’t keep track of them. As Linda’s condition worsened, doctors and specialists couldn’t figure out what had happened, what had attacked her, or had invaded her immune system (at this time Linda was struggling with the cancer that would eventually kill her).

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Linda and Greg were to visit Tujunga House for Christmas 2005. Unfortunately I was under the weather and called it off. Reason: Linda’s immune system was at risk. Early in 2006 she called me and told me that her liver no longer functioned. “Can they fix it?” “No.” “What does this mean?” “I will die soon.” On January 15, 2006, Linda and I celebrated our last Christmas together at her home in Lake Arrowhead, Calif. This was a special day for me. She died on March 1, 2006. (photo © Louis Kraft 2006)

My beautiful sister was slender, but no longer. She puffed out and blew up as if her entire body was a balloon. And worse, all of her skin turned beet red. Shortly after this happened she dropped into a coma. After several days of this, and with the experts not able to figure out what was happening, one of the main doctors on her case, a female (I don’t remember her name), told Greg and I that there was nothing medical science could do and that we needed to prepare for the inevitable.

Days passed, but still Linda lived. One of the doctor’s on her case decided to put her on 24/7 dialysis. This went on for about a week. Then, suddenly, her skin began to return to her normal color, the ballooning of her body went away, and she woke up.

The doctors never figured out what had attacked her system.

A lot of medical bad mouthing

Ladies and gents, to repeat myself I have heard a lot of medical bad mouthing over the years. Although I have no intention of commenting on this statement I want to tell you something, and that is: If it wasn’t for my doctors I would have long ago ceased to exist.

I think that you need to know a little about my partner Bob Goodman. He has been one of my principal doctors for over 25 years. More important, if it wasn’t for him my life probably would have ended in 2003 (another physician and surgeon, Malcolm D. Cosgrove, also played a major role in my continuing to enjoy life).

Bob Goodman and John McGirr, MD

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LK’s father-in-law John McGirr on the golf course in Calabasas, Calif., in the mid-1970s. He loved golf, and throughout his life he was a very fit man. More important, he always treated me well. I miss him. (photo © J.L. McGirr mid-1970s)

I’m guessing here, but I believe that I met Bob Goodman sometime around 1986, the year that my father-in-law Dr. John I. McGirr closed his practice (more below).

At that time I had landed my first straight job (after talking my way into the position by guaranteeing that I could learn how to use a corporate insurance brokerage firm’s computers in two weeks, and at that time I had never touched a computer in my life). Yeah, I’m cocky.

Although I had lost all of the free medical attention that I had had during John McGirr’s practicing life (such as my daughter’s birth at the Tarzana Medical Center—now Providence Tarzana Medical Center, one of the top 100 hospitals in the United States in 2015—which was 100 percent free), I had, in Bob, a physician who cared about his patients and did all he could to ensure their well being. Me finding Bob was pure luck, for I had many PPO physicians to choose from. Luckily I chose him.

And it goes beyond Bob, for I also met, knew, and worked with his beautiful wife Doris. What a sweetheart! I love her! Just like Bob, she has always been there for me. …

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Pailin (center) with Doris and Bob Goodman at Flemings in Woodland Hills, Calif., on 26june2014. (photo © Louis Kraft 2014)

This leads us to a very important plot point as related to The Discovery, which is about a physician and his gorgeous wife (Harry and Helen Chapman). You need to know now and right up front that when I write fiction or screenplays I base my characters upon real people but then let my imagination take over. That said, Bob and Doris are not Harry and Helen. … for Harry and Helen are totally fictional people that Bob and I have created.

Louis Kraft screenplays, … Wonderboat

Some people know a little about my medical background, but not many. Over the years I’ve had somewhere between 15 and 16 operations (sorry, but I’ve lost count), and the next one will be this April. Most weren’t life threatening, but a few were. After a 2003 operation that saved my life, there were immediate complications and the day after the surgery a neurologist (and I’ve had a number of them) told me that I wouldn’t walk in the near future. I told him to F— himself. It’s been a painful fight but I’m still walking.

For the record I have had six major physicians that play a key role in my life (seven, if you count my long-deceased father-in-law, John McGirr, who died in 1987 … and I do miss his intelligence, his kindness, his interest in me, our adventures together, and his golf, which he loved). These gentlemen, these practitioners, have become my friends. They answer all my questions using words that I understand. Often they go way beyond what is required of them and help me to keep my health in so many ways (and Bob Goodman and Malcolm Cosgrove are at the top of this list).

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At the time of Parks’ Then Came Bronson series Harley Davidson gave away this poster. It is huge, much larger than film one-sheets. Alas, I need a taller wall; perhaps in Santa Fe (N. Mex.) or Ecuador or Southern Spain. Time will tell.

My initial writing training was writing screenplays for an agent (who took me under his wing), followed by one of the writer/producers of Then Came Bronson, the great Michael Parks 1969-1970 TV show about a loner looking for an identity as he traveled throughout the American West on a Harley Davidson motorcycle.

These two gentlemen, Ed Menerth and Bob Sabaroff (both of whom I have no images) spent a lot of time with me and my drafts. They made the effort to markup a lot of my screenplay drafts and spent hours discussing them with me. We talked about plot and character and dialogue. This was not a short time period but somewhere between five and six years. Ed was extremely detailed and at times we met weekly and worked deep into the night. I can’t begin to tell you how many hours Ed and Bob put into marking up my drafts and spending prime time with me to verbally review my scripts. Once Ed was satisfied with a draft it went on the market. … Bob was different in that he didn’t represent my work. I met him, as I had others through interviews, acting jobs, or personal connections. He was a big, burly fellow with a petite lady. When we first met we liked each other immediately, and like Menerth, he took me under his wing. His objective was not to sell one of my screenplays but, if possible, to produce it.

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This is Jürgen Prochnow, who played the U-Boat commander in the great German film, Das Boot (1981). Unfortunately his U.S. film career did not take off. That said, he would have been perfect casting as the U-boat commander in Wonderboat. For the record, “Wonderboat” refers to a much-advanced U-Boat that German engineers were creating. In 1945 their hope was that this vessel could perhaps save Germany, which was then nose-diving toward disaster. Time ran out and the hoped-for armada of wonderboats never had the chance to perhaps change history. The LK Wonderboat script deals with racism & hope; success at sea & failure; loyalty to country & standing up to evil; love & tragedy; … and most important, it is anti-war. If ever you desire to read the Wonderboat script it is housed at the Louis Kraft Collection in Santa Fe, New Mexico.

Ed and I came close to selling or optioning a number of screenplays but failed (the closest for him was to Rory Calhoun at the end of his acting career and for me to Richard Thomas (John-Boy of The Waltons TV fame), who I had a good working friendship with for several years). Bob fell in love with Wonderboat, which dealt with the destruction of Germany during WWII as seen through the eyes of a U-Boat commander who had a Jewish girlfriend. It included the German officer Claus von Stauffenberg’s assassination attempt on Hitler in July 1944, which failed and of his execution the following day. Bob asked me to move the story to WWI and remove the Nazi/Jewish portion of the story. I told him that I couldn’t do this as the entire story was based upon historic facts about WWII and the German U-boat war. More important, I told him that it was a story not only about the war but race relations and the German people (in this case a good portion of the U-Boat commanders that fought for their country but were disgusted with events that surrounded them in their Homeland). This would end my working relationship with Sabaroff, and eventually our friendship as he wasn’t pleased with me standing up to him and saying “no.”

Surprisingly the Wonderboat script would also mark the end of my relationship with Menerth in 1982 (he had been my agent since 1976).

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LK with the evil Jeff Richards during the duel that I choreographed for the 1981-1982 tour of The Prince and the Pauper. Late in the play’s run Jeff went up during the duel, but instead of returning to calling out numbers, that is blade cuts and parries, he attacked and sliced me just below my left eye. I was livid, and after the performance the other actors had to keep us apart (I’ll deal with this in the memoir). (photo © Louis Kraft 1981)

In 1981-1982 I played Miles Hendon in a 135-performance tour of The Prince and the Pauper in Northern California. The actors had Sundays off. While living on the east side of San Francisco Bay in 1982 I took BART, SF’s subway system, under the water to the city proper and saw the great German anti-war film that dealt with a single U-Boat voyage that had recently opened, Das Boot. This was about a year after I completed the final draft of Wonderboat, which Menerth loved. There was one problem, he told me that he couldn’t sell the script due to the subject matter. Das Boot became a major success in the United States. When I left the tour after 135 performances, and I did enjoy playing Hendon and performing a sword fight on stage, I fired Menerth. … There would be two additional screenplay agents but they didn’t work out.

What I write about redux …

You know what I write about; race relations during the 1860s and 1880s on the American frontier. Mostly nonfiction but some fiction and plays. As stated above, next up is Sand Creek and the Tragic End of a Lifeway, which will be followed by Errol & Olivia (the first of three nonfiction books on Errol Flynn; Olivia is Olivia de Havilland). Also in the mix is a nonfiction book on Kit Carson and Indians (sorry, but I need to be vague here), and a memoir (which is no secret, as I use the blogs to explore my life). Also, and this is not farfetched, there might be two books on the pirate Francis Drake in my future (like Flynn and Carson, I gobble up everything I can get my hands on in regards to Drake). … There you are: LK’s writing future in a nutshell. Ladies and gents, that is a lot of words and a lot of time on my part. That said, I have every intention of squeezing in fiction after Errol & Olivia (the first will be a Kit Carson/Indians story, which is not related to the nonfiction book).

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There are three major holidays in my life (see photo, right): Thanksgiving, Christmas, and Easter. Christmas and Easter gave me Christianity and my religion (along with my mother’s influence and the Catholic, Lutheran, and Methodist churches). I hate to say it, but people that I know damn me to hell as I don’t cherish Jesus Christ and God exactly as they do. I do not want to say anything about these people, for their lives are theirs, … and mine is mine. I know Jesus and God and I talk to them every day. This image was taken on 27mar2016 (Easter). My mother’s mother and my grandmother (Clara Small) gave me the portrait of Jesus (in the background) when I was a little boy. I have cherished it ever since, and it has been the major image in my dinning room at Tujunga House for many-many years. One other thing: I believe that all people have the right to cherish and pray to their God and not be persecuted, raped, or murdered because their God is different from mine … or anyone else’s God. (photo © Louis Kraft 2016)

In the middle 1980s I got tired of writing screenplays for free and  began selling magazine articles that would range from travel to baseball to the American Indian wars, and this would lead to my first published novel The Final Showdown and a contracted novel that exploded in disaster when the publishing house broke our contract. The rest is history.

A special part of LK’s world times two

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LK with Tomas Jaehn at the Fray Angélico Chávez History Library in Santa Fe on 15Sept2004 after my talk on “Cheyenne Agent Edward Wynkoop’s 1867 Fight to Prevent War.” Tomas and I had known each other for years, he had created the Louis Kraft Collection at the Chávez, and by this time we were good friends. (photo © Louis Kraft 2004)

Tomas Jaehn recently visited SoCal and we were able to enjoy time together as we drank Korean tea with ginseng and ate chicken cooked with Pailin’s Salsa Verde; salad with Italian dressing made from scratch with balsamic vinegar, virgin olive oil, water, and seasoning; and rolls. Believe it or not, ol’ LK is a decent cook. I showed him the printed proof of The Discovery (which he wanted to take to Santa Fe, but I said no as it was a proof and not the printed book) along with the daguerreotype of Wynkoop that I featured in Ned Wynkoop and the Lonely Road from Sand Creek (2011). This daguerreotype will someday be a part of the Louis Kraft Collection. I also talked about three magazines that I gave him to take to the LK Collection in Santa Fe (the recent Wild West Geronimo cover story, an Army magazine article in On Point and written by friend Col. Paul Fardink, retired, which features an LK interview turned into prose that is over half of the article; and a Johnny Boggs 2014 True West article on Sand Creek with cool LK quotes that I thought would be censored out of the final product as they were to the point and perhaps shocking). Good times for two friends and the day ended too quickly.

**********

Jasmine Koomroongroj, Sabrina, Pailin, and the Green Day Spa …

greenDaySpaCARD_wsLK’s days are limited. Hopefully not in life or in Los Angeles. (Huh? Nada; I didn’t say that!) I have a lot to do yet and Los Angeles is like no other city (for example: It is gold mine for anyone writing about Errol Flynn and Olivia de Havilland). I should add—and this is important—that there are more Thai people living in Los Angeles than in the rest of the USA (also there are more different races of people living in LA than in any other city in the USA), but more important is that Pailin loves living in the City of the Angels. She has a wonderful community of friends and plenty of massage customers who adore her, and now she is a part owner of the Green Day Spa.

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LK with Sabrina Subanna and Pailin Subanna-Kraft early on the morning of 15apr16 at Tujunga House. Good times for all of us, and certainly for LK. Pailin and Sabrina are related and in my eyes are like sisters. Certainly these are two of the three most-important people in my life (the third being my daughter). Every minute that I am lucky to spend with them is pure joy. (photo © Sabrina Subanna, Pailin Subanna-Kraft & Louis Kraft 2016)

Jasmine Koomroongroj, Sabrina, and Pailin have created a wonderful Thai massage experience at the Green Day Spa. Sabrina and Pailin excel at deep tissue massages, and Sabrina is perhaps the best deep massage artist in Los Angeles. …

Pailin is a happy and proud lady and I absolutely love it.

The door that The Discovery opened

Bob Goodman opened the door to my early return to fiction in 2013, and I jumped on it.

Two plus years with The Discovery (while partially writing and big-time researching the Sand Creek manuscript) … great times for LK.

But as my publishers know, I do not move quickly, and so now does Bob Goodman. I care about each and every one of my freelance projects, and I do everything possible to make the printed manuscript as good as possible (while making set deadlines).

That said, it is for the readers—you—to decide if an article, book, blog, play, or talk is decent. The Discovery has been a major piece of my life. I hope that if you read my collaboration with Bob that you enjoy the story. Comments are always welcome, especially if they are constructive.

Finally, a blurb about THE DISCOVERY

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The book proof of the front cover art and design for The Discovery. (© Louis Kraft 2016)

Harry Chapman, a physician beginning his career, delivered a young indigent woman’s child in 1952. Facts about that birth remained dormant for 20 years. But then, in 1972, an unexpected encounter set in motion a number of events that would impact Chapman’s life, and in ways he never imagined possible. By now, Harry is a successful and honored physician, and perhaps the top OB/GYN practitioner in Los Angeles. Although unknown to him, his world would begin to fall apart when Greg Weston, a young man he doesn’t know, is persuaded by girlfriend Gail Gordon to explore his past—that is, being blind at birth. Greg works for a law firm and knows how to obtain documents. What he discovers infuriates him and he presses forward and presents what he has found to his boss, Hal Winslow, a top malpractice lawyer. Winslow agrees that they have a case, and this initiates a domino effect that will affect a number of lives. Most notably Harry Chapman but also his wife Helen and their family; Harry’s best friend and lawyer, Sid Shapiro; golf pro Phil Rogers; Greg’s birth mother Laura Smith; and even Greg and Gail. … As the case moves toward trial in Los Angeles Superior Court Chapman is shocked by the accusations and what he learns. Bad turns to worse, and Harry secures the services of top malpractice defense attorney Tom Loman, but this is just the beginning of what happened in 1952 for now millions of dollars are at stake. … Add los Niños, the most feared Latino street gang in Los Angeles, to the mix, and suddenly life includes a price tag. As the situation spirals out of control lives begin to fall apart; sex and even the consideration of murder enters the picture. Everything comes down to Harry Chapman vs. Greg Weston with Judge Jason Kimberly presiding, and only one of them will emerge the victor.

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The book proof of the rear cover art and design for The Discovery. (© Louis Kraft 2016)

The Discovery is about conception, birth, a brilliant career, discovery, accusations, and shock. Moreover it is about people—good people—who face dire consequences if a court decision goes the wrong way. … It is a medical thriller in the genre of Robin Cook’s best selling books (such as Cell) with one difference. Instead of a character-driven thriller that confronts the evils of medicine or pharmaceuticals, it is about a doctor and his wife at the crossroad of their lives.

If interested in purchasing The Discovery, please see the following links:

Future releases with soon be available on iPad, iPhone, and elsewhere.

Sand Creek Massacre, Kit Carson, Pailin, & good friends

Website & blogs © Louis Kraft 2013-2020

Contact Kraft at writerkraft@gmail.com or comment at the end of the blog


Warning: This blog is long.

This blog has preempted the “Future Blogs List” as it is based upon a 19-day research-discovery trip that Pailin and I took recently to Colorado, New Mexico, and Texas. As Pailin now has her Green Card she is free to travel the United States, and as she is an explorer, this was a trip that hopefully she enjoyed. She got to see a lot of land she had never seen before, got a taste of what I do, and better yet became my assistant. I told her at the beginning of the trip that within five years I wanted her telling everyone about the lead-up to, the November 1864 attack on a peaceful Cheyenne-Arapaho village, and the aftermath of this tragic event. The trip also included Kit Carson research in Santa Fe, Taos, and the Bosque Redondo Memorial (Fort Sumner) in New Mexico. There was also a tad of Ned Wynkoop research; hell, we were in two of his three key areas in the West during the trip. Finally Pailin got a surprise Errol Flynn physical examination of the El Rancho Hotel, a national historic site in Gallup, New Mexico, where Flynn and the Rocky Mountain (1950) film crew stayed while they shot the film’s exteriors in the area. … But this trip was also about seeing good friends, introducing Pailin to the western landscape, looking at property in Eldorado (Santa Fe, N. Mex.), and making a delivery to the LK Collection at the Fray Angélico Chávez History Library (Santa Fe).

Colorado here we come

The trip began on 28sept2014 and it was a long drive that took us from North Hollywood (a town in Los Angeles), California, to Richfield, Utah.

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Pailin took this image as we drove east from North Hollywood, California, and as the sun began to rise. (photo © Pailin Subanna-Kraft 2014)

During the first day we did detour to The Valley of Fire, which is north of Las Vegas, Nevada, and off I-15. I had been to The Valley of Fire in 2001 after I had sold the idea of a Ned Wynkoop one-man show to Kansas.

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The image with the white hat was taken at The Valley of Fire in Nevada.

I had pitched the Wynkoop one-man show idea to Leo Oliva, who was already bringing me to Kansas to speak (and I’m certain that George Elmore, now chief historian at the Fort Larned NHS, played a key role in this important stage of my life). Leo had asked for a publicity shot.

Of course when a friend saw the publicity shot in a publication, he complained: “What the hell is this? Wynkoop didn’t dress like that!” I don’t think I calmed his anger with my reply.

valley_ofFireCollage_28sept2014_wsOnce we got out of Nevada the landscape improved. Utah is gorgeous. We turned right onto I-70 and halted for the night after about 37 miles.

The second day started out nicely in Utah, and again the landscape was beautiful to behold. But soon the easy climate began to change. It started out with showers mixed with sunshine as we cruised through the eastern side of Utah and closed on Colorado.

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After entering Colorado I got my usual welcome: Weather headed straight for the deep freeze. It is almost as if I have become a marked man in the state. If Kraft crosses our border, chill his bones until he leaves. Pailin took this photo from the window of the Vette as we cruised eastward on I-70 (she took many photos through the windshield and the right window during the trip). This image captured the beginning of the end of color for the rest of the day, and we hadn’t reached the noon hour yet. (photo © Pailin Subanna-Kraft 2014)

At Grand Junction, Colorado, it turned cold and a downpour that lasted close to three hours struck. It was downhill from there, and looked like a repeat of the last two or three times I have visited Colorado. After we closed on the Rocky Mountains the temperature began to drop at an alarming rate. Rain clobbered us and stopped only to hit again minutes later. The temperature reached 37, 36, 35, 34, and then 33 degrees.

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Pailin’s photos remind me of James Abbott McNeill Whistler’s nocturnes. He, along with Vincent van Gogh, are my favorite artists.

Snow began to fall. Thirty-two degrees. Ouch! This was not what I wanted to see. The traffic continued at a frantic pace. Soon the three lanes shrunk into one for construction, but there were no construction workers. And soon after the traffic came to a halt. We passed a sign that proclaimed, “When lights flashing chains are required” (or something like that), with a $500.00 fine if not obeyed. I’ve never seen a chain up close in my life. And soon after the traffic came to a halt. It did not appear to be for construction; an accident? Time crept forward, perhaps 30 minutes as we inched forward. We passed another construction zone but no one was working. The snow stopped falling and the temperature zoomed up to 37 degrees, but we came to a halt again a short distance in front of the Eisenhower Tunnel (there is more to the name). I called John Monnett and left a message that we were going to be late as we were expected at his and Linda’s house (I had anticipated arriving by late afternoon). Soon after we got through the tunnel the traffic jam vanished and I-70 returned to being a speedway (I have never seen so much tailgating as I have seen in Colorado on this trip). I guess everyone wanted to get off the mountain before they shut down the road. (John informed me that they don’t shut down I-70 in the fall; rather that Colorado drivers are the worst).

A short while later a ray of sunshine stole into the mountain pass, but it only lasted for a few minutes. There was no rain and the temperature reached 39 degrees and then 40. I breathed and said a silent prayer. We’ve made it. Somewhere the road grew to three lanes, and I even felt comfortable showing what my car could do (I say this fully knowing that its body is very light and it can become airborne). At the same time my goal was getting Pailin to John and Linda’s house safely.

COLO_29sept2014_apr2013_ps-k&lkCollageAll was looking good, when the snow returned with a vengeance. Visibility dropped to about 30 feet or less, and—thank goodness—the traffic slowed. Hell, they were forced to slow. Soon the three lanes closed into one for construction, but again there were no construction workers (I’m glad that they didn’t have to work in this weather). And of course the traffic came to another complete halt. We sat there and watched the temperature drop—37, 36, 35, 34, … Oh no! We started to inch forward. The downward spiral continued. Thirty-three, … 32! I hate to admit it, but I don’t know how to drive on ice. I’ve had conversations about this, most recently with my good friend Layton Hooper (2013) who just this year moved from Colorado to Arizona (and I think I know why). But knowing something (at least thinking you know something) and doing it are two different things. If it were just me, I’m good and know that I’ll survive (experience has backed this up many times in the past), but I’ve got Pailin with me. Caution and driving safely were the only things on my mind.

After reaching 32 degrees the temperature stayed at 32. We approached a tunnel and it was closed. A detour road swung to the right of, and around, the tunnel and when we reached the other side of the tunnel the road again opened into two lanes.

Soon after the snow stopped falling. We had downpours of rain, and I kept in the slow lane, but the temperature again grew. Within minutes it reached 40 degrees and never looked back. I-70 got out of the pass, and even though the downpour continued we made good time until we closed on Denver and then Lafayette.

ps&LadyJaneGray_lk&Wellington_collage_wsVisibility remained bad, but after a couple of missed turns we arrived at John & Linda’s house. Just as I was about to push the door bell my cell phone rang. It was John trying to find out where we were and if we were okay. Linda opened the door and Pailin and I met a lady I had been looking forward to meeting for a long time, and John and his lady met Pailin. It was early evening on September 29. I liked Linda immediately.

The night passed easily as Linda prepared a terrific meal and we hung out for a few hours. Pailin is shy, and there is a reason for it, but she was thrilled over meeting John and Linda.

Some background on John and this trip

John Monnett is one of the top Cheyenne wars historians writing today. We had met years back. Somewhere, and it was most likely at a western history event. We knew each other and liked each other. We had both spoken at an Order of the Indian Wars symposium in Centennial, Colorado, in 2010, and at a party afterwards we hung out and got to know each other. From then on our friendship grew. Previously John had provided me with a great peer review of the Wynkoop manuscript (Ned Wynkoop and the Lonely Road from Sand Creek, OU Press, 2011) and later a top-notch peer review of the proposal for what will be my next Indian wars book (working title: Sand Creek and the Tragic End of a Lifeway, OU Press). When I told John that after Pailin had her Green Card that we would be making a trip to Colorado, New Mexico, and Texas, he invited us to stay with him and Linda.

Research and hanging out with John and Linda

As most of you know my next book will deal with the people who lived through the events that led up to the attack on the Cheyenne-Arapaho village on Sand Creek in Colorado Territory in November 1864, the attack, and the aftermath. You also know that I write about people. I am now faced with a much larger task of making more people leading players and at the same time connecting them to the supporting players while maintaining a flow in the manuscript. This task is massive. Who, where, when, … while showing and not telling (a key to any writing). The goal is to transition smoothly between the players and the events. Doable? I have every intention of making this happen. If I fail my publisher—read my editor and friend Chuck Rankin—will do what he can to get me back on course. If I again fail, “Adios amigo!” I have no intention of failing. Actually this is the best challenge I have ever faced, and I love it.

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While I dawdled Pailin discovered the Wynkoop books in the museum. John suggested that I sign the museum’s books and the Boulder History Museum agreed. This was just the beginning of what John shared with Pailin and LK on this day.

On September 30 John took Pailin and I to a coffee shop he enjoys going to for breakfast and to work. Afterwards he drove us to the “Chief Niwot Legend & Legacy” exhibit at the Boulder History Museum. Niwot (or Left Hand, which is his name that is most known) was a chief of the Arapahos during the mid-1860s). All I’ll tell you about Niwot is that he will be featured as much as possible in Sand Creek and the Tragic End of a Lifeway and that he received wounds during the November 29, 1864, attack on the Sand Creek village and they led to his death. This man stood for peace and had done what he could to hopefully bring about an end to the 1864 Indian war in Colorado Territory (he thought he had succeeded).*

lk&ps&jMonnet_SandCreek_NiwotExhibitCollage_wsThis visit to the Boulder History Museum was Pailin’s introduction to research. Over the coming days I wore her out with what I requested she do, and she would come through admirably.

* Be careful with what you read online regarding Niwot, for some of the supposed factual information you’ll see is flat-out not true. Actually it is wise to heed this advice when researching many of the historical figures involved in the American Indian wars online.

Next up was researching a soldier who had been a member of the Third Colorado Volunteer Cavalry at the time of the Sand Creek attack and seeing the remnants of a stage station that members of Company D of the Third used to travel to Denver to join their regiment as they had not yet been assigned horses. … Pardon my vagueness here, but as books always have word counts if contracted and professionally produced, and as I don’t know what research will be included in the manuscript until I piece it together, at this time I have nothing to share.

ps&jMonnett_FtChambers_BoulderMontage_wsJohn’s next destination was the stage station in Boulder that is currently falling apart. There is hope that money can be raised to save the building for in 1864 troopers that enlisted in the Third Colorado Volunteer Cavalry Regiment in Boulder rode from this stage station to Denver as they had not yet been mounted. Unfortunately the day passed quickly, but John made it both beneficial to my Sand Creek manuscript research and fun for Pailin and I.

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On Wednesday, October 1, Pailin lived through her first day of doing archival research at the Western History Department of the Denver Public Library. Almost everything I looked at was pulled from the DPL’s vault and she served as my official photographer with her iPad as it couldn’t be photocopied. Research is two things: Finding gold and ruling out that the research location doesn’t have what is hoped to be found isn’t present. When working in an archive time is precious and I don’t believe in breaks (that includes when I research locally in Los Angeles, which contains some of the best archives I have ever seen—a major reason why I should never leave LA).

The day was long, but Pailin seemed to enjoy it. I told her that this was just the beginning, and she said, “I’m good as long as I’m with you.”

Rocky Mountain National Park

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Pailin with John & Linda Monnett at Bear Lake in the Rocky Mountain National Park on 2oct2014. It was chilly but we had a good time. (photo © Pailin Subanna-Kraft & Louis Kraft, John & Linda Monnett 2014)

By Thursday, October 2, the archival and museum research work in Colorado had ended. John and Linda Monnett drove Pailin and I to the Rocky Mountain National Park, which was a short drive from their home. Beautiful vistas and landscapes, but surprisingly the area was more crowded than John expected. Luckily we landed parking spots when we needed them.

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Although John had captured me and the snowball I like Pailin’s image better. I played centerfield, 3rd base, and 1st base with my brother on winning baseball teams. We played together for 10 years. When he died in 1990 I quit and never played again. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

John had hoped to get us above the snow line but the roads were closed. There were remnants of a recent snow on the ground at Bear Lake, and as Linda, Pailin and I snapped photos John rolled a snowball for me. I wound up a la Sandy Koufax (the greatest baseball pitcher I have ever had the pleasure to watch perform in person and on TV) and went through the motion of flinging a fastball while John and Pailin snapped away. Afterwards I tossed the snowball at a tree, but alas it wasn’t a strike. My apologies to those of you who don’t know or understand the American sport of baseball and its terms.

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Linda and John Monnett in the coffee shop of the Stanley Hotel in Estes Park, Colorado, on 2oct2014. This entire day was a joy as Pailin and I got to hang out with John and Linda. They had taken us to the Rocky Mountain National Park, which obviously both of them love. Afterwards they shared the historical Stanley Hotel with us. Linda knows I’m about to take her picture while John seems to be occupied with perhaps seeing a ghost. (photo © Louis Kraft and John & Linda Monnett 2014)

The trip also included viewing the historic Stanley Hotel in Estes Park that represented the hotel that Jack Nicholson and his cinematic family (Shelly Duvall and Danny Lloyd) encountered horror after recovering alcoholic Nicholson became the caretaker of the Overlook Hotel in Stanley Kubrick’s 1980 film version of Stephen King’s novel, The Shining. I saw it when it first opened in theaters but was bored by the film and have never seen it since. … Don’t know if I’d like to stay in the Stanley Hotel on a solo trip but the hotel would make a great location for a western history convention.

Sand Creek Massacre National Historic Site

Ladies and gents, this tragic and yet now holy land is a long-long drive into the middle of nowhere Colorado. John did all the driving on our way to the bloody ground and Linda and John split the driving back to their home. An exhaustive day for them, and John later commented on social media that he was happy when Kraft left for his life would now return to normal. John and Linda did everything possible to make our visit beneficial to my Sand Creek project while making us feel at home and welcome. They were marvelous hosts and Pailin and I enjoyed every minute of our visit. J & L, thank you.

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John knew I wanted to meet Jeff Campbell, whom he had already met, and both of our fingers were crossed on 3oct2014 (at least mine were). We—I—got lucky and Jeff worked on this day (and I do believe we—I—were/was lucky for he had a very busy schedule in front of him moving forward in October and into November with all the Sand Creek Massacre 150th anniversary events at hand (and with Cheyennes and Arapahos visiting the NHS). Pailin took this image of us on the wooden platform in front of the makeshift visitor center and as you can see there was a harsh sun that day. I don’t remember what I was saying to Jeff, but trust me for we weren’t arguing. Nor were there any comments regarding the Ned Wynkoop review I had submitted upon request to the National Park Service. (photo © Pailin Subanna-Kraft, Louis Kraft, Jeff Campbell, & John Monnett)

The Sand Creek Massacre NHS needs a lot of money to bring it up to Washita Battlefield NHS in scope, presentation, and splendor. They have the correct people in place at the NHS, they have the knowledge and understanding of what happened, but they still need U.S. government funding to make this sacred ground a jewel in the U.S. park system. This must happen, for believe it or not this is perhaps the most important of all the Plains Indian war sites for what happened there paved the way for the conscious destruction of people and their lifeway. It created a searing wound in the Cheyennes and the Arapahos that will never heal, while at the same time made it clear that greed, prejudice, right, wrong, and conscience really have a major impact on history and that it defines the participants.

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I don’t remember what John was saying at this moment, but my guess is that he was pitching my Sand Creek manuscript. Pailin took this image on 3oct2014 just outside the Sand Creek Massacre NHS visitor center. (photo © John Monnett, Pailin Subanna-Kraft & Louis Kraft 2014)

As said above everything is falling into place at the Sand Creek Massacre NHS (more below) as to what happened, and, as Ranger Jeff Campbell (more on Jeff below) explained on this day, those leading the way to define the presentation at this oh-so-important site are getting close with confirming their facts and gaining consensus from all the parties involved. This location—and I don’t care if it is in the middle of Neverland, USA—this sacred ground deserves a visitor center/museum that matches the one at the Washita. That said, the land is magnificent, and along the bluffs that skirt the western perimeter of the property present a marvelous view of massiveness of the ground on which the November 29, 1864, attack on a peaceful Cheyenne-Arapaho village took place. There are no well-placed signs along the trail telling the visitor what he or she is looking at to date, so one must have a good knowledge of what happened to make any sense of what is seen.

Some of what follows is repetitive, but as it is important I need to repeat it here. Jeff Campbell, who has held a wide range of jobs over his career, ranging from school teacher to a crime scene investigator, has now as a National Park Service ranger taken on the challenge of piecing together the events of that tragic day as if it were a crime scene. On Friday, October 3, John, Linda, Pailin, and I spent valuable time with him as he explained his approach to his task as well as update us on the status of the NHS. Although he wouldn’t reveal details he made it clear that his and others work was about 95 percent complete as to determining where the attack happened as well gaining a consensus from the various participants who have a major stake in the telling of this horrific attack. I’m talking about the people who had attempted to end a war in September 1864, thought that peace had returned to their lives, but then on that November 29 day were attacked and brutally murdered—the Cheyennes and the Arapahos.

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My lady on the bluffs above the Sand Creek village site on 3oct2014. (photo © Louis Kraft & Pailin Subanna-Kraft 2014)

To gain an understanding of all the parties involved in the massive project of purchasing the land, creating the NHS, and then piecing together all the historical events has been a joint project with many factions involved, read Ari Kelman’s book A Misplaced Massacre: Struggling over the Memory of Sand Creek (Harvard University Press, 2013).

Although Kelman’s prose is a page-turner, especially when dealing with the events in the last 30 or 40 years as he brings the modern-day Sand Creek story together—and it was a fight for the Cheyennes, Arapahos, U.S. government, land owners, historians, would-be historians, and National Park Service to create this historic site, but be wary of his information related to the battle and the events surrounding it. Although Kelman uses, at least his notes claim he used, primary source material, there are many errors. Why? I don’t know why. Perhaps there was a poor understanding of the primary source material, not checking facts, or a rush to go to print? There is a warning here: While in modern times and dealing with the fight, and it was a fight, to create this much-needed NHS that protects this oh-so-sacred ground, Kelman’s book is a wonder. However, if writing about the participants and events of that horrific time during the 1860s be careful or you will repeat his errors.

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The four of us are at the second and final bench on the walk skirting the village site. John is checking the brochure, which has a small map and I’m asking Pailin what she is doing. “Taking a photo.” We had great temperature for exploring but the sun made for deep shadows. (photo © Pailin Subanna-Kraft & Louis Kraft, Linda & John Monnett 2014)

As Jeff Campbell had stated at the Sand Creek Massacre NHS visitor center the attack had been a running fight. When you walk the bluffs above the grounds you easily see the immensity of the village site and the open expanse on which the fight took place. I could envision myself as Capt. Silas Soule or Lt. Joseph Cramer as they instructed their men not to fire their weapons; I could envision myself as mixed-blood Cheyenne George Bent as he scrambled to escape the surrounding soldiers only to be wounded but still able to escape under the cover of darkness.

I can also easily see myself as mixed-blood Cheyenne Edmund Guerrier as he escaped unharmed; I can imagine myself as Cheyenne Chief Black Kettle who under the cover of darkness returned to where he thought he’d find his dead wife Medicine Woman Later only to find her alive and with her escape; and finally I could picture myself as Arapaho Chief Niwot (Left Hand) as he received the wounds that would lead to his death. … I can’t visualize myself as a soldier that killed women, children, and men and then sexually hacked their bodies to pieces. By now you know I can step into Ned Wynkoop’s boots and explode when news of the slaughter reached him.

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LK standing next to the plaque at the entry to the Sand Creek Massacre NHS grounds (which is separate from the visitor center). John M. took this photo on 3oct2014 when we returned to his auto. The Indian pictured on the plaque is unidentified. (photo © John Monnett & Louis Kraft 2014)

As Johnny Boggs’ quoted me in his terrific article, “Trail of Tragedy” (True West, November 2014, page 53), “War doesn’t give soldiers the right to murder, rape, and butcher. Not yesterday, not today, and not ever.” You know where I stand, but as a writer and historian I must separate myself from the story and let the participants’ actions speak for them. I must eliminate my bias from the writing and reporting, for whatever I think and feel is not the same as the people thought and felt in 1864. If I do my job properly, the readers will make their own decisions on what happened.

At the Sand Creek NHS Administrative office in Eads, Colorado, I met Shawn Gillette, chief of interpretation. Shawn liked the Wynkoop book, but more important he told me that he and the others who worked on the Ned Wynkoop NPS brochure had seen my review of their draft. He also told me that the NPS Regional Office had shredded their original draft and insisted upon certain items being in the two-page brochure and that he and the others did what they could to include as much as they could of what I had provided but were limited by space.

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I didn’t know what to expect when we walked into the Sand Creek Massacre NHS administration building in Eads, Colorado, that afternoon of 3oct2014, but I would not have guessed what happened. After Shawn realized who I was he greeted me like a long-lost friend. I’m still smiling over our meeting for I had felt when there was absolutely no response to the review of the Wynkoop brochure I submitted (upon request) that I had become public enemy no. 1 of the National Park Service. (photo © Pailin Subanna-Kraft, Louis Kraft, & Shawn Gillette)

Shawn’s comments were perhaps the best thing I heard regarding the Wynkoop brochure, and perhaps on the entire trip. Honestly, I thought that my review and the follow-up blog  (National Park Service, Ned Wynkoop, & a bad taste) killed my entire relationship with the National Park Service. Perhaps I could afford saying adios to the NPS but I didn’t want to lose my great friend, the chief ranger at the Fort Larned NHS, George Elmore. George and I became friends when he gave my then young daughter Marissa and I a private tour of Fort Larned in 1990 or 1991. At this time he had answered many questions that saw print in The Final Showdown (1992). Since that time George has been there for me 100 percent of the time every time I have called upon him. If we lived near each other I am certain that we would hang out together. … Shawn eliminated any fears that I had that I had damaged my relationship with George. Thanks Shawn!

An end to the Colorado visit 

John, Linda, Pailin, and LK had an easy Saturday. We had a late breakfast at the Monnett’s favorite coffee house (John calls it his second office; at least that is what I think he calls it). Certainly he spends a lot of time there. Afterwards we hung out at and rested at John and Linda’s great house. John and I talked a little about research and we decided not to apply for the fellowship at the Braun Research Library (Southwest Museum/now part of the Autry National Center in Los Angeles). I’m not sure of John’s reason but I know mine, and mine is firm (read into this what you will).

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Dinner at The Fort. I wanted to use a photo that I took of John, Linda, and Pailin but there was a problem with the image. Linda took this photo with Pailin’s cell phone. (photo © Pailin Subanna-Kraft & Louis Kraft)

That night we went to dinner at The Fort in Morrison, Colorado. I always enjoy going there, and I think that John and Linda do also. This was a first for Pailin. My lady and I had duck (a first for me), while Linda enjoyed quail and John, I think, had a steak. Pailin and I often share, as she is small and I don’t want to grow larger (always more than enough food for both of us). I like buffalo and would have loved to have had shared buffalo with her but she many years ago swore off eating any large animals (buffalo, venison, elk, beef, and so on). I’m good with honoring her wishes when we share, and on this night we did. Loved the chile and orange duck! We don’t eat beef at home, but Pailin also likes duck (and has since her Thailand days) and it will be added to our menu at Tujunga House.

For those of you that aren’t familiar with The Fort, it was built to represent one the trading posts that William Bent and company built in the early half of the 19th century to the east of the Rocky Mountains in the land that would become Colorado Territory.

I-25 south to that special land where I am at home

I-25 enters and then leaves Denver, Colorado, as you head south to the Land of Enchantment—New Mexico. Santa Fe grabbed me the first time I had visited in 1987 for research (and this included a side trip to Taos).

Two years later I returned to New Mexico to negotiate writing, designing, and publishing a book a month geared toward pitching New Mexico to Japan.

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This is the east-facing portion of builder Joe Cuellar’s house as it sat near the top of the mesa to the west of Albuquerque. The great room is highlighted in the lighting. It had seven windows and fully a 180-degree view of the bowl in which Albuquerque resides. At night the views were spectacular. Most of the acreage in the front of the image shows the extra acre I negotiated into the contract. I don’t live in the past, but I do learn from it and it does influence me. (photo © Louis Kraft 1989)

I had been lured to Albuquerque where I had seen several adobe-style homes on an acre that were featured in the Albuquerque Journal (I then subscribed to the Sunday edition). Before I returned to New Mexico to look at the homes, the builder and I hit it off and although I had an interview set up with a jewelry firm for a writing position builder Joe Cuellar introduced me to the vice president of the CBS TV affiliate in Albuquerque.

I loved one of the houses (3300 square feet, one level that had steps as it climbed the hill). I negotiated an extra acre into the deal ($196,000 total), and although the jewelry position didn’t work out the CBS affiliate and my negotiations made decent progress. The VP even visited Los Angeles to continue working on the deal. My task: Obtain the information from Japan, write the text, design the publication, and get it printed each month. Alas, there was one showstopper to the possibility of bringing Japanese investors into New Mexico; I had set a bottom price that I wouldn’t go below. The VP dropped below it. Adios amigo. End of deal, … and house.

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The drive was mostly straight with some curves until soon after I-25 passed Las Vegas and turned west toward Santa Fe. We cruised past Glorieta, where over three days in March 1962 Union forces, including Maj. John Chivington and Capt. Ned Wynkoop, took part in the Battle of Glorieta Pass (March 26 and March 28; the two armies didn’t fight on the 27th). A short while later we passed exit 290 (Clines Corners) where Pailin and I had an appointment with Lisa Smith on 7oct2014 to look at a couple of houses in Eldorado, a sprawling area with adobe style and adobe homes that is perhaps ten+ miles from downtown Santa Fe.

After unpacking at our lodging on Cerrillos Road, Pailin and I drove to the historic district and ate at the Blue Corn Café. Afterwards I led her the short distance to the Santa Fe Plaza, showed her the exterior of the Palace of the Governors, and finally the Fray Angélico Chávez History Library, which for years has played a special place in my life. While walking back to the car I pointed out the Lensic Theatre to Pailin. For one night in December 1940 it played a large role in the lives of the people of Santa Fe and surrounding areas when the Errol Flynn-Olivia de Havilland film The Santa Fe Trail premiered in Santa Fe (actually in three theaters). De Havilland had become ill on the train that brought the Warner Bros. junket to the city and never took part in the premier’s festivities. Not so Flynn, and he had the time of his life.

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The Lensic Theatre, which is just off the Santa Fe Plaza, in the early evening of 5oct2014. In the previous decade Tomas Jaehn (you’ll meet him below) attempted to get the Ned Wynkoop one-man show into the Lensic but (if memory serves me) the cost was too high to rent this historic and gorgeous theater. A shame; I drooled when I saw the interior of the Lensic. (photo © Pailin Subanna-Kraft 2014)

Tomas Jaehn & the Fray Angélico Chávez History Library

My first trip to Santa Fe was a visit to the New Mexico History Museum to research Ned Wynkoop in 1987. At that time Orlando Romero was in charge. Orlando was open and helpful. He was restoring (I think?) his family adobe home in Nambé Pueblo, which is at the base of the Sangre de Cristo Mountains about 16 miles north of Santa Fe. He was getting close to finishing his project and was excited (he told me that he would at some point in the near future retire).

I don’t remember exactly when Orlando retired, but soon after he did (or perhaps before he did), the New Mexico History Museum moved its document collections to the Fray Angélico Chávez History Library. The New Mexico History Museum didn’t cease to exist, and let me say that some of the treasures it holds are marvels. I know, for one day years back Charles Bennett, former assistant director of the Palace of the Governors, took daughter Marissa and I into the depths of this historic site and we saw them.

… Soon after Orlando’s retirement I returned to Santa Fe to continue my Wynkoop research.

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On 6oct2014 Pailin and I met Tomas Jaehn in the entry to the New Mexico History Museum. We walked to his favorite coffee shop and enjoyed the brew while we chatted. Old times for Tomas and myself as we caught up, but new times for Pailin as she got to know him. Unfortunately our visit wasn’t well timed and we couldn’t socialize. (photo by Pailin and © Pailin Subanna-Kraft, Louis Kraft, and Tomas Jaehn 2014)

It was at this time that I met Tomas Jaehn, who replaced Orlando. I cannot say enough good things about Tomas. He has helped my writing and research in so many ways, that if it wasn’t for him I wouldn’t have completed some of the projects that I have over the years, and I’m certain that some of the articles and certainly Ned Wynkoop and the Lonely Road from Sand Creek would have taken longer to complete to see print. In 2001 Tomas approached me about creating the Louis Kraft Collection. I liked the idea but it took a year for me to make a delivery and sign the contract.

Over the years Tomas and his family have become good friends.

A primary goal of visiting Santa Fe was and is (as this goal is ongoing) to introduce Pailin to this marvelous city and New Mexico. We both love Los Angeles and Pailin has a wonderful family of Thai friends living there (LA has the largest Thai population in the U.S., and better there are over 200 languages spoken in Los Angeles, also the largest in the U.S., according to the LA Times), which means that living in Los Angeles is very important to her. She is also aware that Los Angeles is a very expensive location to call home, and the prices climb continuously (I’m even taxed to be a writer using a computer in our home even though I don’t claim Tujunga House as a write off). There were two other primary goals for visiting Santa Fe: Making a delivery to the LK Collection and to continue my research at the Chávez.

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In the past I have handed a camera to people to take pictures of Tomas and I, but for some reason the photos have been out of focus. Not so on this visit to Santa Fe and Tomas. Pailin took a number of first class images, and this is my favorite. As you can see we are in Tomas’s office, and the morning sun is blasting through his window. Over the years Tomas has become my good friend; I wish we lived near to each other. (photo © Pailin Subanna-Kraft, Louis Kraft, and Tomas Jaehn 2014)

On Monday morning, October 6, we met Tomas at the New Mexico History Museum complex, which has been recently built, and now uses an elevator as the official entry into the Chávez. We walked to his favorite coffee shop and enjoyed coffee (see above photo). Afterwards I made the delivery, which included: Ned Wynkoop material (recent articles in the December 2013 and the August 2014 issues of Wild West magazine; an article in True West magazine; a review of the NPS brochure on Wynkoop & accompanying blog; review of Leo Oliva’s Wynkoop bio for Wynkoop’s induction into the Santa Fe Trail Hall of Fame; reviews of Ned Wynkoop and the Lonely Road from Sand Creek; and recent talks on Wynkoop), information about LK’s relationship with Pailin Subanna and their marriage, five DVDs (three Wynkoop talks, one Gatewood-Geronimo talk, and the 2012 Wrangler award in Oklahoma City), and about 100 photos (including art, collages, LK’s freelance-writing life, and Pailin Subanna-Kraft).*

* Although LK and Glen Williams made a delivery to Tomas in Williams, Arizona, in September 2011, this delivery, which mainly focused on the creation of Ned Wynkoop and the Lonely Road from Sand Creek (and also included a photo delivery), has not yet been added to the Louis Kraft Collection. It is hoped that the 2014 delivery will be added at the same time that the 2011 delivery is added to the collection so that the information related to the Wynkoop book from both deliveries can be merged together as one addition to the collection. … Currently the LK Collection includes 18 linear feet; with the addition of the 2011 and 2014 deliveries the collection should grow to 21 linear feet.

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Currently the Louis Kraft Collection has 18 boxes that are available for researchers to view. In this 6oct2014 photo I am touching the 18th box. I can’t begin to tell you how much Tomas has done for my writing career over the years. He’s a good friend. (photo by Pailin Subanna-Kraft; © Pailin Subanna-Kraft, Louis Kraft, and Tomas Jaehn 2014)

After completing the delivery Pailin and I did research in the Chávez archives. We were looking for subjects for magazine articles as well as additional information on the Sand Creek tragedy. Tomas had brought out one of his latest acquisitions, which I have been aware of since the document had been made available to the Chávez. We discussed it, and I told Tomas that to date I hadn’t come up with any background on the author, but had yet to do a search on him in the National Archives. That will happen soon after this blog goes live.

I must add that although Pailin had done a lot of work in Colorado both in archives and in the field in Santa Fe my research demands wiped her out. There was nary a complaint as she smoothly completed each research task I asked of her, and as they related to her photographic capabilities she never had a chance to rest. Yes, I am a slave driver.

Ned Wynkoop’s last job 

Tomas and I discussed Ned Wynkoop’s last job, which was as the warden of the New Mexico Territorial Penitentiary.

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The New Mexico Territorial Prison as it looked in 1890 during Ned Wynkoop’s tenure as warden. (art © Louis Kraft 2014)

In 1890, when Wynkoop landed the position the prison was a fair wagon ride from Santa Fe, which in Wynkoop’s later years had become his home of choice. I told Tomas that I thought that Wynkoop’s time as warden might be a possible story for New Mexico Magazine, and he replied that he didn’t think so? “Why?” I asked. He said that the magazine, which has always been tourist centric, had dropped its historical pieces. Alas, ’tis true. Tomas did tell me where he thought the territorial prison once stood and that the warden’s house still existed. Although not on this day, but before we left Santa Fe we found and photographed the residence (as well as the government building where the prison once stood). As warden Wynkoop stepped outside the box and made the prison self-sufficient. There’s an article here; the question is where to place it.

Pailin’s introduction to Santa Fe

On the sixth we finished at the Chávez at about 12:30 and said goodbye to Tomas. As stated above my lady was worn out as I had pushed her in the research. Still she was game and saw the Indian traders on the portico of the Palace of the Governors (including the interior of the building), took a closer look at the Plaza, walked through the narrow streets of Santa Fe with her camera constantly clicking. Images for her and for me.

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Pailin loves art, and Santa Fe is the third largest art market in the U.S. after New York City and Los Angeles. Santa Fe has art on the streets and in the galleries in the downtown area. Unfortunately we didn’t have time for her to explore even a portion of all the roads that are lined with galleries. (photo © Pailin Subanna-Kraft and Louis Kraft 2014)

We ate chicken and green chile stew especially prepared for us at Tia Sophia’s as the only green chile stew they made that day had beef. Good for me; a little warm for Pailin.

Eldorado & the International Museum of Folk Art

On the seventh Lisa Smith, my long-time friend and real estate agent in Eldorado (Santa Fe County) showed us two adobe-style homes on an acre plus of land. The first was interesting with a rustic appeal but felt small. It also had a loft that other than storage was almost useless. However, the land had a nice roll to it and the enclosed entry had lots of possibilities. Lisa told us that it was overpriced (she would tell the selling agent her view later that day, and apparently other agents had also done so, for by late afternoon the price had dropped $50,000). The second home listed for $25,000 less than the first house but was magnificent.

EldoradoHouseCollage_2014_wsAfter seeing the houses that Lisa showed us, Pailin asked me why we don’t have a home like these in Los Angeles. The answer is simple: Housing in Los Angeles costs more, and that for us to live in a home like these we would have to leave LA. … This was my kind of question and I hoped that it would remain in Pailin’s head.

Prices continually rise in Los Angeles. Currently there is a scare of an increase of gasoline tax from 15 cents to 73 per gallon to fix the roads; we’re already paying a heavy tax to fix the roads (and most haven’t been fixed in years). Don’t ask me where the money goes for the government won’t like my answer.

Oh, the Los Angeles Times featured “99 WAYS TO BOOST PENSIONS. AT PUBLIC COST. Taxpayers could shoulder billions after CalPERS approved perks for new public workers” in the 23oct2014 issue of the paper. The title and subtitle says it all, but here is just a taste of being a government employee in the late great state of California: The pension fund has quadrupled in the last 10 years, from $1.9 billion to $8.1 billion. What are some of the perks? How about a bonus each month for staying in shape (they call it “Physical Fitness Pay”), or adding to one’s pension by keeping traffic moving, working with animals, a premium for dictation/shorthand/typing skills (Are you kidding me?), writing parking tickets (What? Write more tickets and you get a bonus or your retirement grows?), auditorium preparation, mentioning school children, and my favorite, a library reference desk premium for directing visitors to the correct location in the building. The list goes on ad nauseam. … Sorry, but I’m back in the real world.

Santa Fe has four Thai restaurants that I know of and another that serves Thai food once a week. That said I failed to learn the size of the Thai population in Santa Fe. It will be small, but I know that the chef and owner of Thai Vegan (a great restaurant) is Thai, so that means that at least one Thai person lives in Santa Fe (city and county). My searches on the internet turned up zero.

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On 7oct2014 Pailin fit right in with the International Museum of Folk Art. (© Pailin Subanna-Kraft & Louis Kraft 2014 for this and next photo)

We said goodbye to Lisa (although we would see her again later in the day to see a third house) and headed to a destination that I had seen only once (in 1987 I think). I had been bored to tears decades ago but thought Pailin would love it.

I don’t remember the other museums on Museum Hill but they could have been there in the 1980s. Certainly the exteriors and everything now in place didn’t look like I remembered it, and this is good.

ps_Intl_Museum_ofFoldArt2_7oct14_wsPailin fell in love with the International Museum of Folk Art the moment she started to explore it. And you know what? So did I. Like good wine the folk art from around the world sparkled with life and color. “Multiple Visions: A Common Bond,” which has been on display since 1982 is a marvel of culture and art. This is the exhibit that bored me in the dark ages. All I can say now—other than what I said above—is that I must have been blind when I was younger. … Three other exhibits are also wondrous, but they unfortunately have end dates:

  • “Between Two Worlds: Folk Artists Reflect on the Immigrant Experience” (ends 24may2015)
  • “Wooden Menagerie: Made in New Mexico” (ends 15feb2015)
  • “Brasil & Arte Popular” (ends 4jan2015)

A trip to Taos to introduce Pailin to Kit Carson

Over the years I have done a lot of research on Kit Carson. Since Taos is so close to Santa Fe and as our work had ended there except for photographing the location of where the New Mexico Territorial Prison once stood, on 8oct2014 we drove to Taos. The goal was to introduce Pailin to:

  • Taos
  • Taos Pueblo
  • La Hacienda de los Martinez
  • Kit Carson House

The order of the list is deceiving, as returning to see Kit’s home for many years has always been primary on my list (for reasons that have been in place for decades). Taos was second as I wanted Pailin to see another example of a city with adobe-style buildings and an artistic aura, which, alas, survives on tourism (heck, New Mexico survives on tourism). Third was Taos Pueblo, actually as I wanted her to experience an Indian pueblo that was occupied. I prefer Acoma (west of Albuquerque) as it is much less commercial than Taos, but hadn’t plotted our return trip from Texas, and wouldn’t until the night before we left Texas. Kraft, how many miles can you drive during a single day? … Along with what would weather conditions along I-40 in Arizona be like during our trek homeward. Last, but certainly not least, was La Hacienda de los Martinez. When Linda Monnett learned that Taos was on our visit list she recommended that we see the hacienda and I’m glad that she did.

Taos

This quiet adobe town dates way back, perhaps as early as 1615 with Spanish colonization. When the Mexican-American war ended with the treaty of Guadalupe Hidalgo (1848) Mexico ceded a large section of land to the United States and this included Taos and the area that became New Mexico Territory. Kit Carson’s presence dated to the early 1840s, and Taos has been a favorite destination of mine since 1987. It was during that time that I became hooked on the real Kit Carson (see below). The town, which is a short drive south of the Taos Ski Valley* immediately became a second destination for my daughter and I, as we have always found it peaceful, liked the food, atmosphere, that it was a short drive to other places we visited, and best for me that it was a perfect location to take a week and create a talk (I think that the first time I did this was in 1995 when I gave a Custer-Stone Forehead talk in Amarillo, Texas, a week and a half later).

* After the portion of the trip to Albuquerque to pitch a job and look at a house that interested me the plan was to spend time and explore the surrounding area. Builder Joe Cuellar told me to cancel our lodging reservations in Taos and stay in one of his condos in the Taos Ski Valley and that he and his son Justin would join us in one of the condos he kept for himself. We did for about a week and had a great time exploring with Joe.

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This is a portion of the Taos Plaza as it looked on 8oct2014. Pailin took some images of the plaza area but I can’t find any of them. Oh well, … a little more on Kit Carson, who, during the American Civil War, rescued the American flag when malcontents threatened to burn it (or so the story goes). The plaza was most-likely dirt with scattered adobe buildings surrounding it during Kit’s time. (photo © Louis Kraft 2014)

The shops enclosing the plaza (and the plaza) grabbed Pailin’s interest and she looked at some of the merchandise (but didn’t get anything as she isn’t a spontaneous buyer). She focused on the plaza, enjoying its serenity in the peaceful October 8 late morning, and listened to my telling of Carson rescuing the American flag (history that I hope makes it into a book of mine). I’m certain that at times she thinks that I’m a motor mouth.

This time of year is perfect to visit. Although there was cloud covering the entire day we didn’t encounter scattered sprinkles until we headed back to Santa Fe late in the afternoon. The temperature was perfect, ranging between 70 and 72 degrees the entire time we were in Taos. As we brought food from the previous day, and she had enjoyed Southwest food already we didn’t eat there.

Taos Pueblo 

ps&TaosPueblo_8oct2014_collage_wsI had also visited the Taos Pueblo for the first time in 1987 (it was an extended trip of I believe 16 days with the focus on research in Santa Fe). If memory serves me I thought that in the past I had to pay for parking or to enter the pueblo (think to enter the pueblo), but not on this visit—there was no cost. I don’t know if my memory is in error or has begun to fail (hopefully the former of the two if there used to be a cost).

La Hacienda de los Martinez

A drive into the country to the southwest of Taos, and I think closer to the Río Grande Gorge but not on the road that crosses this magnificent river, a narrow street wrapped in almost a horseshoe to this cool building that the Martinez family occupied from roughly 1804 (their arrival in Taos) until the 1930s. I’m going by memory here, but I believe it was in the 1950s when two gentlemen borrowed money on their homes to ensure that the hacienda would be not only restored but would become protected and made into a museum. There weren’t enough signs and those we saw were small, and at times we wondered if we had made a wrong turn. At one point I continued straight but luckily Pailin saw that I should have turned right. … A U-turn, then a left and we were back on course.

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Pailin (left) leans against the archway that separates the first courtyard from the second at the Martinez Hacienda. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

La Hacienda de los Martinez is off the beaten path and we almost had it to ourselves. As you drive into the dirt parking lot you get the feeling that it was built as a fortress. There are no exterior windows, and only one exterior door and one large double gate for wagon and livestock entry at the front of the building (and one double gate for entry into the second courtyard). At the top of the structure, which has two courtyards is a surrounding wall with notches for defending the structure if need be from attack. Rooms are at the base of the rectangular fortress enclosure and again slicing through the middle of the structure, which creates the two courtyards. The rooms are decorated and furnished in a manner that represents how it might have looked in the hacienda’s heyday. Lighting in the rooms makes it easy to study and enjoy them.

The Martinez family certainly predated Kit Carson’s arrival in Taos and choosing it as his home. What we saw has been restored and decorated to represent 1820 (or later, as it took time to build), but it also provides a great insight into how the Spanish families (and employees and slaves) lived before and probably up to the time that Kit’s tenure in the area began.

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LK (right) leans against the same archway that separates the first courtyard from the second at the Martinez Hacienda. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

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This is the first of the two courtyards at the Martinez Hacienda. The second is dirt, as are all the rooms, which encompass the hacienda. It was built as a fortress, and had one door and two double-gated entries into the structure. Ramparts on the roof functioned as protection for the hacienda. There were no exterior windows. (photo © Pailin Subanna-Kraft 2014

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Pailin and I took our time as we explored every nook and cranny of the hacienda. I could picture myself living there in the early 1800s.

When we entered and before we left we spent time with the lady who greeted the handful of visitors, and I learned a lot from what she told us, but alas didn’t take notes so some of the above is from my memory. Our western states could use more of this preservation as it allows those of us that want to step back in time and get the feel of what it might have been like to live as our ancestors did.

If your travels take you to Taos, and you have an interest in the western experience before the great migrations westward I highly recommend La Hacienda de los Martinez.

This was the children’s room at the Martinez Hacienda. There were so many great rooms there, and they were decorated as they may have been in the first half of the 1800s. (photo © Pailin Subanna-Kraft)

Kit Carson House

The Kit Carson House has changed ownership and this has affected the size of the residence (to the better) and the interior appearance (again to the better). I believe the last time I had been to his house was about a decade earlier. This was my fourth or fifth visit; the first was in 1987. The film Kit Carson (1940) with Jon Hall playing Kit hooked me on the one man who did it all on the frontier when I was young. And Kit has been with me ever since.

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By now you know that Pailin is my sole mate and lady. She is like no one I have ever known in the past. I’m lucky. She’s an adventurer and open to anything; my kind of person. Boy, did I overwhelm her on this trip, and she didn’t miss a beat. I took this close-up is of her sitting at the front of the Kit Carson House on 8oct2014. Although the building has been re-stuccoed and is no longer an adobe structure, the look and feel is close to what Kit and his family lived in 150 years ago. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

Although I haven’t published anything about him it is a quirk of fate, at least in the 1990s after The Final Showdown (1992) was published, and this “quirk” (read: disaster at the time) changed my entire freelance writing path. Although I had been selling magazine articles and speaking about the Cheyenne wars since the mid-1980s I thought I would be a novelist. Unfortunately—or fortunately—the publisher decided to end its western fiction line and a contracted novel died. When I threatened to sue, my-then agent (a relationship also fated to end) almost had a heart attack when I told her my intention. The novel that had been vanished into oblivion dealt with Kit Carson and his relationship with Indians. Dick Upton, of Upton and Sons, Publishers (El Segundo, Calif.) had been pushing me to write a nonfiction book about George Armstrong Custer (to this point in time most of my nonfiction articles and talks had dealt with Mr. Custer). With a dead novel in hand and no book prospects I called Dick and pitched a book. He liked the idea, and I became a nonfiction book writer.

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Pailin took this image on 8oct2014. It is in the improved courtyard of what was the “old” Kit Carson House Museum. What you are looking at are the two rooms that were added after Kit no longer lived in Taos. The leftmost and smallest is now the video room of the new Carson Museum while the longer portion with the lower windows once served as a stable. The Carson Museum and its former associate/partner have severed association with each other. I hope that this makes sense. If you moved to the north of this image (that is on the right side of the image), you would enter the old Kit Carson Museum. This portion of the connected building never was part of Carson’s home, and it is now a separate entity. Life moves forward. (photo © Pailin Subanna-Kraft 2014)

But Kit never left me. I have first editions (or in the case of Kit Carson Days by Edwin Sabin, the 1935 second edition, in which many of the earlier errors had been fixed and additional material added) of all the key books written about Kit up to the most current. I have primary source documentation and am constantly on the hunt for additional material. Yes, Mr. Carson has been with me for a long time. After Sand Creek and the Tragic End of a Lifeway is published, the intent is for Kit to take center stage in my nonfiction and fiction Indian wars writing world. I have already begun a slow, very slow, conversation with Chuck Rankin regarding making my next nonfiction book about Kit.

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This is the middle of the three rooms that Kit and family lived in during the 20+ years he and they lived here. While walking these three rooms I tried to focus on the size of the rooms and their layout. Reason: I think a lot of what is in these rooms now are not current to the Carson family tenure (certainly there are Carson portraits that date to after his moving away; they should be in the small museum section of the building). This room served as the kitchen and eating room for the Carsons, and for their guests, which included numerous Indians from a handful of Indian tribes that considered Carson their friend. (photo © Louis Kraft 2014)

Back to the Kit Carson House; if you’ve visited it you know that the front three rooms are the rooms in which Kit, his wife, Josefa, and their children lived in during the time that they called this house home. Two rooms were added later (as described above), with the larger of the two being added in the early 20th century (it is the gift shop and now entrance to the Kit Carson House, and when it was added it served as a stable).

Oh, the house also served as Kit’s headquarters when he was an Indian agent. As my time with Kit nears, this visit became mandatory (for the reasons stated above). Pailin had plenty of work in Kit’s house.

(Soon after we returned home Lisa Smith sent me the following: “Conde Nast Traveler has named their Top 25 Cities in the World and Santa Fe is #10. Cool, as Santa Fe is my favorite city.)

Gone to Texas to see Glen & Ellen Williams & meet Linda (who I didn’t know)

Over the years I’ve worked in Texas in various ways. I have had great experiences and I’ve seen things that I’ll never forget, some of which I should keep silent about as I do hope to return to the Lone Star state again and I don’t want to be tarred and feathered. Nor do I want to put the Vette to a test to see if I can outrun a posse of angry Texans to the friendly lands of New Mexico or Oklahoma. I’m playing with thoughts here, but I have seen things that someday will see print in the memoir. What I had observed has remained with me, and it has influenced the direction of my life.

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This is how I looked in a generation-gap comedy at the Hayloft Dinner Theatre, Lubbock, Texas (summer 1976), called What Did We Do Wrong?, wherein a straight-laced father and his rebel son exchange places. We did seven performances a week, and had Mondays off. The lead actors came from LA while the theater hired the rest of the cast locally. During the last week of the run the next production was rehearsed during the day, making for long days (and no Monday off). This photo was taken during a rehearsal for the next play, Eat Your Heart Out, which was about an actor who waited tables while looking for acting work (my hair was trimmed and the beard became a mustache). Great play, but I saw things that I would never forget, things that affected my life. This summer led to me becoming a writer. (photo © Louis Kraft 1976)

I’ve performed a lot of jobs over the years while I attempted to figure out who I was and which direction was best for me. Many of the trails I have followed have had dead ends or just drifted off into oblivion. The visits to Texas have almost all been because of what I considered work (although some of you may not think so). My training was in theater: Acting and directing, and although I never thought about it the studies included a lot of historical reading and writing (the different eras of theater, the playwrights, and of course the actors). By the way I never considered writing for any kind of career until I acted in Texas.

I’ll touch on this a little below. Right now I want to introduce you to Glen and Ellen Williams. I met Glen shortly after I joined Infonet Services Corporation in El Segundo, California, in 1990. I landed the job on my freelance writing, design, and publishing experience. The first thing I said to my boss was: “Can I get some technical writing classes?” “No. I hired you as a technical writer. You’re on your own.” My coworkers were an editor that liked to party and not work and a writer who waited for engineers to feed him information. It took me just a day or two to realize that this wasn’t how one wrote accurate technical material that people could read and understand. I began hanging out with the engineers that created the software that I would write about. Before the first week ended I told my boss that I wanted the software that I would write about on my computer. My request surprised him. Nevertheless he quickly got me what I requested and before I knew it I was up and running.

Early on I did some writing for Glen’s team at Infonet (but never worked directly with him). We hit it off and quickly realized that the Indian world and the frontier experience was something that both of us had a great interest.

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After Glen’s and my relationship cemented and we spent time together exploring and having good times. After Glen and I made a LK Collection delivery to Tomas Jaehn in Williams, Arizona, I took this image on 5sept2011 while Glen and I tracked historic Route 66 back to Los Angeles. Here we are east of Oatman, Arizona. I think we drove a little less than 1000 miles during the three-day trip. We had plenty of time to hang out and talk. Too bad we didn’t have a tape recorder going—some of the subjects were lively (read colorful). Something I needed. (photo © Louis Kraft & Glen Williams 2011)

Our working relationship grew into a friendship (even though I don’t think I ever worked with his team again). By 1995 my life had changed drastically and it was about this time that Glen and I got together outside the workplace. It was also about this time that I met his beautiful wife, Ellen (and she’s still beautiful as her photos prove). She’s always been a joy to be around. Let me tell you that I was sad when Ellen and Glen decided to move from Torrance, California, to the land of Glen’s birth (he was born and raised in Wichita Falls, Tex.) in 2012 even though I knew and totally understood their reasons. Their destination in Texas was Denton, a city north of Dallas. It was here that we would meet Glen’s sister Linda.

A long overdue detour to the Bosque Redondo

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Carson art in LK’s personal collection that supposedly pictures him in the mid-1840s.

Glen had given good directions on how to travel from Santa Fe to Denton, saving about 100 miles off the route that I had originally plotted. On Thursday, 9oct2014, we finished the New Mexico Territorial Prison photos, quickly shot north (actually east) on I-25, got off at Clines Corners (where we had previously met Lisa Smith to view the homes at Eldorado) and moved south to I-40. It was on I-40 when my memory shot back to 1995 and Marissa and I driving to Amarillo for the Custer and Cheyenne Keeper of the Sacred Arrows Stone Forehead talk after preparing in Taos. The Bosque Redondo … Fort Sumner … we had been close but had a convention to reach. On this day we were again headed toward Amarillo. Where was the Bosque Redondo? How close would we come to it? Do I dare detour? … Indecision. Ouch! I vacillated, as it would take a lot of time (but not add many miles to the day’s drive). Time passed, way too quickly. Make a decision, damn it! Now! And I didn’t.

We had a pit stop and I yanked out the map. More time passed, again too quickly. … I continued to vacillate, but not for long. Make a decision, damn it! Now! And I did. The town of Fort Sumner was about 42 miles south of I-40. Once we reached the aged town we turned left onto route 60 to the intersection where we would head south a few miles to the Bosque Redondo Memorial at the Fort Sumner ruins.

AmFlags_GraceRoybal_9oct14CollageFIX_wsFor those of you who don’t know what the Bosque Redondo was, Gen. James Carleton, who in 1852 saw the land and thought it would be good for farming, decided to turn it into an Indian reservation in the 1860s. Fort Sumner was constructed and beginning with the 1863 Mescalero Apache campaign and then the 1863-64 Navajo campaign it would now provide the perfect location to incarcerate the defeated Indians.

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This is a detail from one of the placards at the Bosque Redondo Memorial at Fort Sumner. It deals with Carson accepting the Mescalero Apache campaign (with Carleton). The artwork at this memorial is exceptional.

One of his commanders, Col. Kit Carson had quickly forced the Mescaleros onto Carleton’s reservation. They lived south of the Pecos River. After Carson forced the mighty Navajos to capitulate by waging a burnt-earth campaign with very few deaths (with any other commander the death count could have easily grown into the hundreds or more) he didn’t participate in the Long Walk of the Diné, as the Navajos call themselves, to the land that would become hell on earth. Actually he didn’t want anything to do with the Bosque Redondo. Carleton refused to listen to him and ordered him to command the reservation that was anything but a garden place. Winds blew, nothing grew, the Mescaleros and Navajos didn’t get along, Comanches raided, and people died in large numbers from disease and hunger. Carleton provided nothing Carson requested and, frustrated, Carson resigned his military commission. Carleton refused to honor it. The third time Cason submitted his resignation Carleton still refused to accept it but he did transfer his unhappy subordinate.

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In February 1971 Navajos carried rocks from their reservation to the Bosque Redondo to commemorate the Diné that had been exiled from their land and died while incarcerated between 1863 and 1868. (photo © Louis Kraft 2014)

I didn’t know what to expect, but a wonderful visitor center/museum has been built (replacing the smaller and earlier structure next to the remnants of Fort Sumner). The museum isn’t complete, but judging by what the Bosque Redondo Memorial currently has in place it is going to be impressive. There is a lot of land to walk and the center has a recording that can be borrowed (I think there are 90 locations* with commentary as one walks the grounds) but Pailin and I didn’t have time to spend a day or longer at this important piece of Mescalero and Diné memory.

* There is a marker at the spot where Sheriff Pat Garrett shot and killed William H. Bonney, born William Henry McCarty, Jr., and of course known as Billy the Kid (this is a classy historical destination and I’m assuming they are accurate with the placement of the marker, which is close to what remains of Fort Sumner). He was shot in the Maxwell House, which had been the commanding officer’s quarters until the fort was abandoned on 31aug1869. Lucian Maxwell purchased the fort in October 1870, and would die in this building in 1875. All that said, we walked west from the remnants of the fort to view the “Kid’s” marker. The map pictured in the brochure clearly marks where the fort stood. However, it also clearly places the Maxwell House south of Fort Sumner. If true, the marker is misplaced.

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Pailin took this image of us (right) while we were at Navajo Treaty Rock, which has a Diné prayer attached to it. The Navajo Treaty (signed on 1jun1868) is a short distance southeast from the Rock (if the map is correct). The treaty freed the Diné  and allowed them to return to their homeland. Oh yes, there was a harsh sun on that 9oct2014 day. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

There is also a nature trail with plush vegetation (natural to the area?) that obscures and skirts the Pecos River. This area is as perhaps Carleton envisioned it, as the Bosque Redondo and the surrounding area looks to be good farmland today. Alas, for the Diné and the Mescaleros it was just a land of death and desolation. During their deadly occupation of their forced time there their crops mostly died from insects, drought, and perhaps bad luck, which included bad water and a failure of the U.S. government to supply them adequate supplies. Sound familiar? A resounding yes! “Shameful” is a word that accurately sums up what happened during the 1860s and throughout the American conquest of the Indian people.

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This is my daughter Marissa Kraft (right) on one of her many research trips to the American West. She sits above Navajo Fortress Rock on August 7, 2012. The Fortress Rock is in Canyon del Muerto (Canyon of the Dead), one of the three canyons of Canyon de Chelly (the only national monument not on U.S. government land; it is on the Navajo Indian Reservation in Arizona). Navajo Fortress Rock is one of the major set pieces of Navajo Blood, my upcoming Carson/Navajo novel for it is here that the fictional Diné Pedro Hueros must make a decision that will impact his life for all time. If you don’t know how I write about the Indian wars-—fiction or nonfiction—I must walk the land. I must feel the sun, the wind, and I must experience how hard it is to walk. (photo © Louis Kraft 2012)

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Pailin in the former and small visitor center of the Bosque Redondo Memorial at Fort Sumner. Photo by LK on 9oct2014. It is now furnished to represent soldier barracks. Pailin, like myself, avoids the sun. On this day the sun blazed and the wind whistled (although not as much as I’ve encountered in this portion of the U.S. in the past). At times she looks like a Bedouin mounted on a camel roaming the sandy deserts of the Mideast in times long past (at least as seen in countless films). This is to protect her face. I call her my “Bedouin.” I also call her “Chiquita.” (photo © Louis Kraft & Pailin Subanna-Kraft 2014)

I have a novel about Carson and the Navajos underway, but am currently waiting for the completion of the Sand Creek manuscript and the medical-legal thriller—but the novel doesn’t deal with the Bosque Redondo unless I decide to continue with the fictional Navajo warrior and again mix his life with historical Diné leaders during the tragic incarceration. Additional research is needed before I even consider a follow-up book on the Navajos’ exile from their homeland. … At this time I have nothing to share about the nonfiction book idea on Kit Carson that I hope interests Chuck, as there is still a lot of primary source research to complete before I have any chance of writing a nonfiction book about him. As in my nonfiction past I will focus on a specific piece of Carson’s life. The hunt is on, and it is no longer lackadaisical.

By this point of the trip Pailin knew exactly what I wanted from her and at the Bosque Redondo and at the remnants of Fort Sumner she split away from me to capture what hopefully will provide a good basis for understanding what this land—so barren when the Mescaleros and Navajos were imprisoned here—looked like … minus the vegetation that now thrives. My lady is in her element and it’s a joy to watch her work.

Back to Glen, Ellen, and Linda

It has been great to see Ellen and Glen again and to just hang out with them. It was also nice to meet Glen’s sister Linda and Ellen’s mother Judy. And I had the added bonus that Glen, Ellen, and Linda welcomed Pailin with open arms. They talked with her, hugged her, and she immediately responded and became a welcome a member of their household. Better yet she joked and laughed and felt a little more comfortable in joining the conversations.

Glen was home and working in his garage on 10oct2014, but Ellen and Linda were on an errand in Fort Worth and we wouldn’t see them until the late afternoon. After giving us a quick tour of his and Ellen’s home we went out for lunch at the Wildhorse Grill in Robson Ranch. Nice place and good food. Afterwards we returned to their house. This was the fifth house Pailin had been in on the trip. The first was John & Linda Monnett’s marvelous house, then three houses in Eldorado that Lisa Smith showed us of which the middle one was to both of our liking, and finally Glen & Ellen’s home, which is open and perfect for entertaining (we stayed in a casita that was part of their property). That day Pailin again said to me, “Why?” “Why?” I replied, “I don’t know what you’re talking about.” “Why are all these big beautiful houses and ours is small.” I again explained to her that the cost of homes in Los Angeles is high and that if we moved away from LA we could buy a larger house for less money (with or without acreage; I prefer acreage).

Sorry to repeat myself, but the trip goals were Sand Creek Massacre and
Kit Carson research, a delivery to the Chávez History Library, introduce
Pailin to some of my good friends (while I met two ladies named
Linda in person), and finally to give Pailin a taste
of the land and some of the areas I love.

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Shortly after Ellen and Linda returned from Fort Worth, and Pailin and I met them, and Chewy, short for Chewbacca, Han Solo’s sidekick in the Star Wars films (Ellen & Glen’s dog), and Sophie (Linda’s dog), both of whom are friendly, we returned to the Wildhorse for dinner. Pailin had been slow to open up to John and Linda, but felt more relaxed by the time we got together with Tomas, and now she had opened up and although she still didn’t say a lot she spoke up whenever she wanted. Pailin works on the English language every day and let me tell you she is progressing with leaps and bounds. This includes her pronunciation, her sentence structure, and her comprehension of words (spelling and meaning). While driving she constantly reads the words off signs, buildings, trucks, and when the words aren’t names she asks for the meanings of them.

The next day Glen drove Ellen and her mother, Judy, to the Dallas-Fort Worth airport. Judy lives with Ellen and Glen half of each year and with her other daughter in Hawaii the rest of the year. They always meet in Las Vegas, where they can have a short family gathering before Judy returns to her other home. Pailin rested, I did some work, and then before Glen returned Linda and I had a nice talk in the living room, which is like a great room in an adobe-style house in the Southwest. The day and evening was easy as we enjoyed each other’s company. Glen and I never run out of subjects to talk about.

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After looking at clothing Pailin wanted to see the hats. As I led her through the aisles she liked this one and tried on her size. “Do you want it?” “Yes.” “Let me snap a picture.” More proof that Thailand cowgirls exist. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

On Sunday (12oct14) Linda, Pailin, Glen, and I went out for breakfast.

You’ve already seen me say, “Who says they don’t raise cowgirls in Thailand?” After breakfast Glen took us to Justin’s Boot Store (one of three stores in Justin, Texas, I think, that sell boots, hats, clothing, and so on). Pailin and Linda looked at clothes while Glen and I looked at hats. I told him that Barron Hats in Burbank, Calif., which makes many of the hats currently seen in film, makes mine for me.

Pailin likes hats and has more than I (actually she wears three cowboy hats that I gave her; one from the famed Nudie Cohn’s country and western superstore in Van Nuys, Calif., now long gone (as is unfortunately Nudie, who was a classic), an Australian hat that Glen had given me, and the black one I bought for her at Justin’s.

Lunchtime arrived, and the four of us went to Mom’s in Justin. This was a funky place with cool and long-gone stuff on the the walls, including Elvis.

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From left: Glen Williams, LK, Pailin, and Linda Williams at Mom’s in Justin, Texas, on 12oct2014.

Good times. Yeah, this is social time with my longtime bud, his sweet sister, and my lady. Afterwards we returned to Glen and Ellen’s home in Robson Ranch.

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My bro Glen took this great candid of LK and Pailin in front of the entry to the courtyard of his and Ellen’s home in Denton, Texas. It’s still 12oct2014, and Pailin is wearing the hat she found and liked at the Justin Boot Store. He has taken many great photos for me, but this is one of my favorites. For the record, Pailin and I have a good time laughing together. (photo © Louis Kraft & Pailin Subanna-Kraft and Glen Williams 2014)

Glen and Linda relaxed (Linda also prepared to return home) while I worked on this blog and Pailin relaxed and dealt with her family and friends in Thailand on social media. … Soon Linda drove home, and Glen drove Pailin and me to the grocery store for supplies, including celery, parsley, carrots, and lemons to make juice. Like the previous day, we enjoyed each other’s company, rested, and got some work done until we went to the Blue Ginger, a Japanese restaurant in Denton. Good food.

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In the below image the lady in the light blouse is Linda Williams, Glen’s sister. We have been friends on social media, but I didn’t meet her until Pailin and I visited Denton, Texas. Pailin is holding Sophie, Linda’s sweet and loving dog. My lady has made great strides in her command of the English language, but still she holds back (except with me) as she is conscious of her pronunciation of the words and of her sentence structure (both of which she becomes better at by the day). That said, she gets along with animals fabulously (perhaps as there isn’t a language barrier). That’s Glen w/Linda & Pailin in the left image. These photos were taken just before Linda returned to her home on 12oct14. Left image is by LK and the right image is by Glen. (photos © Glen & Linda Williams and Pailin Subanna-Kraft & Louis Kraft 2014)

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Monday was more of the same until Glen picked up Ellen at the Dallas-Fort Worth airport.

Ellen is petite, bright, funny, open, and kind. She is also gorgeous. It was terrific seeing her again, and it was also good to see her effort to befriend Pailin, which gave my lady the confidence to open up some. These were good times with Ellen and I’m glad she returned in time to be with us.

Ellen & Glen Williams have been my great friends since the 1990s. (photo by Pailin Subanna-Kraft and © Ellen & Glen Williams and Pailin, 2014)

After dinner, Ellen, who was beat, went to bed early, and so did Pailin.

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This allowed Glen and I to talk deep into the night. He made certain that I had a drum made for him by Devereaux Old Elk*, who grew up near Garryowen on the Crow Reservation in Montana, and a breastplate, which, according to Glen’s provenance, came from a Crow trader but was created by a Northern Cheyenne (based upon the bead colors). The breastplate dates to the early 1950s and shows considerable use as it was worn for years in powwows. Glen had carefully packed it. These had been his possessions for a long time and he wanted me to enjoy them. I had tried to talk him out of the gifts, but he wouldn’t listen. They are marvelous, and I will enjoy them. Thank you, Glen.

* The Crow scout Curley, who survived the Battle of the Little Bighorn, was Devereaux’s great grandfather.

The image to the left shows the two items that Glen graciously gave me (photo © Louis Kraft 2014).

Ladies and gents, my friend blew me away, and I told him that he needed to keep and enjoy them. He refused to listen, and you are now seeing two of my most prized possessions in Tujunga House. I wasn’t sure how I should share the images and cut them from a larger photo that I took. Most of our money goes toward paying bills, which means that most of my prized possessions were purchased in the past. We talked about the Cheyennes, Kiowas, Crows, among other subjects, and I went to bed blown away by Glen’s friendship and kindness.

Glen, my friend, you have been a highlight in my life. Your gift has floored me and I’m still struggling to accept it. Thank you, my friend, from the bottom of my heart.

Let me tell you that my social time on this trip was as important as the Sand Creek and Kit Carson research, and the LK Collection delivery.

Tomas Jaehn is a long-time business associate and terrific friend (unfortunately Pailin wasn’t able to meet his wife Audrey or his daughters Pilar and Leah). John M is a great Indian wars friend, and now Pailin and I consider his wonderful wife Linda a friend. People are what our world is all about. People are our lives. Some are forever (some aren’t), but without people we have no lives. No matter what I think about my research and writing and no matter how much importance I place upon it, without Pailin, Glen, Ellen, Linda W., Tomas, Audrey, Linda and John my life is empty—nothing. They, and others (such as David DeWitt and Marissa K.) are key to my life, yesterday, today, and tomorrow.

A sad goodbye to Texas

On 14oct2014 we said goodbye to Ellen and Glen, but do hope to return again.

Ellen&Glen_wChewy_earlyAM_14oct14_wsEllen & Glen Williams, and Chewy (pictured at left) on the morning of 14oct2014, a morning in which Pailin and I hit the road early on our trip back to LA. I usually prefer to move forward in linear time, and did some juggling to make this happen here. This morning was both happy and sad for me. Sad in that we said goodbye to two friends I love, and a lifestyle that perhaps we’ll never know (and yet hope always burns eternal). (photo © Pailin Subanna-Kraft, and Ellen & Glen Williams 2014)

Our boring drive ended in Tucumcari, New Mexico (room was decent but the food was pitiful; I won’t bother to mention the restaurant). On the fifteenth we cruised along I-40. West of Albuquerque is the Acoma Pueblo. I believe it is the longest inhabited town in the United States. It sits on top of a 600-foot mesa and is my favorite pueblo but as Pailin had already seen Taos Pueblo we bypassed it. One of the reasons was the long walk during the tour, which is the only way visitors can experience it and the people that live there today. The sun also was a deterrent.

Gallup, New Mexico, and Pailin’s research introduction to Mr. Flynn

lk&ps_EF&elRanchoHotelCollage_15oct14_wsI’ve been passing through and sometimes staying in Gallup for a week or longer while using it as a base for research. This is not my favorite town and I’m not crazy over the food served in the restaurants. Love the red rocks, and at the same time this gorgeous area always makes me sad. Errol Flynn’s last western film, Rocky Mountain (Warner Bros., 1950) was basically a location shoot (not entirely, but close) and a good part of it was shot in the area surrounding Gallup. Flynn, the other actors, and the film crew stayed at the El Rancho Hotel, which is now a national historic site. So why am I sad? The film was shot in black and white. With the red rocks the centerpiece to the film, and they are something to behold, the film should have been shot in color. Warner Bros. was cutting back on film budgets as it continued to end its relationship with its major stars, Flynn included. Too bad, as Rocky Mountain is a decent film.

psEFphoto_signatureFAKE_elRanchoHotel_15oct14_ws

Unfortunately you can’t read the EF signature on the Flynn photo at the El Rancho Hotel. It is not only a fraud, but the person who signed Flynn’s name had no clue of the spelling of his name. Flynn’s Name is “Errol Flynn” and the forger signed it “Earl” Flynn. This crap is all over the place when dealing with signatures. If you buy signatures be careful. BTW, this Flynn image dates from the early- to the mid-1940s. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

In the past I’ve explored the El Rancho Hotel’s expansive entry and upper floor that is open to the main floor as well as photograph the exterior. On 15oct2014 this would change as I felt it would be time to expand the physical research, which in turn would be right up Pailin’s alley. It was and she gleefully took requested photos along with ones that she wanted. After exploring we shared a salad in the hotel’s restaurant (it was decent) but afterwards we weren’t able to see the bar, as it didn’t open until 5:00 PM. I told them I was a writer doing research on a book (No ladies and gents: Although there will be a lot of western fact and fiction in Errol & Olivia as three of their eight films were westerns, Rocky Mountain won’t make it into that book), that I didn’t want a drink and just wanted to see the bar. This opened conversations about Flynn’s time in Gallup but it didn’t open the bar, which was locked—Some other time.

lk_elRanchoHotel_15oct14_lkVetteTight_15oct14_ws

LK leaning against the Vette just before we hit the road. Many more miles to cover, and LK needed to stay awake. The research for this trip had ended, and it was now time to get home safely. Pailin took this image, which shows the exterior to the El Rancho Hotel. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

Gallup was our last point of interest stop as we still had roughly half of the 1400+ miles that I needed to drive since saying goodbye to Ellen and Glen. And each day felt longer than the previous. By the time we said goodbye to I-40 (in California) and drove south on I-15 I was bleary-eyed. Adding to the misery we had to deal with major roadwork with narrow pieces of road and idiots darting in and out of the two lanes. The trip would come in at 60 miles shy of 4,000. And as a bonus, the Automobile Club of Southern California (ACSC) reduced my insurance by $1,300.00; the bill was waiting for me when we returned home. And why not? Kraft is a good ol’ boy and hasn’t killed any cars lately and since he now works at home his driving mileage has shrunk big time. … Of course, if the ACSC had known how many miles the Vette had just covered they would have cried foul!

One final thing

I’m a biographer who focuses on race relations. That is I deal with people who turn their back on racial prejudice, and often attempt to bring an end to war as opposed to butchering people just because they are different. This was difficult to do in 1864 and it is still difficult in our day and age. A lot of people have problems with this. It’s their problem and not mine. Our world consists of many types of people—different races, cultures, religions, and lifeways. If our world is to survive all of us must figure out how to peacefully coexist. If not … BOOM!!! … No more world as we know it and goodbye to the human race.

Today is a good day to be alive. …