Louis Kraft’s upcoming books: Errol Flynn & Olivia de Havilland lead the way

Website & blogs © Louis Kraft 2013-2024

Contact Kraft at writerkraft@gmail.com or comment at the end of the blogs


First, an ad for Kraft’s next blog,
which, as usual, will be long and detailed
(that is not this blog, as it isn’t a book)

This is the 20-pound bronze Wrangler that LK won for Sand Creek and the Tragic End of a Lifeway in 2021. I won my first Wrangler Award in 2012. (photo © Louis Kraft 2022)

I haven’t written and posted a blog since September 2020 due to my ongoing work preparing for the first two deliveries to the new Louis Kraft Collection at the University of New Mexico’s Center for Southwest Research & Special Collections (UNM CSWR). Pailin and I made the first delivery in a large rented Dodge Minivan in June 2021. Tomas Jaehn is the director of this huge and unbelievable archive. He flew to SoCal in December 2021, and in a rented SUV picked up the second delivery. He will also pick up a third (and smaller) delivery on 25apr2022.

The scope of the LK Collection at UNM CSWR is unbelievable, and is by far the greatest honor this writer will ever receive.

It includes not only my writing life, but my entire life including family documents that date back the end of the 19th century, restored photos, and memoir material. The photos all have captions identifying people and events and are delivered as 8×10 inch glossies and digital copies.

But it doesn’t end with just myself, my family, and my professional life, for it also includes key people in my life as well as what I have collected over the years. This includes in part an 1856 daguerreotype of Ned Wynkoop when he was 16 as well as a small ivory calendar that he owned (he has played a huge role in my writing and later acting life); Chiricahua Apache mystic and war leader Geronimo’s signature; photos and art with signatures ranging from Brooklyn Dodgers baseball great Duke Snider and my favorite player of all time Bill Buckner to Tex Ritter and Alan Jackson to Errol Flynn to 20+ letters from Olivia de Havilland, and film stars Gong Li, Val Kilmer, and Olga Kurylenko, to mention a few (still to be delivered); as well as over 300 posters (one-sheets, half sheets, inserts, and lobby cards), many of which I had restored and mounted on linen. There is also an Errol Flynn and Olivia de Havilland Collection, and it grows with each delivery.

The year 2021 was also a great year for my last published book, Sand Creek and the Tragic End of a Lifeway (University of Oklahoma Press, 2020), as it won two best nonfiction awards:

  • Western Heritage Museum’s Wrangler Award (which is major)
  • Colorado Authors’ League Award

Photo of Pailin Subanna Kraft & Louis Kraft just before entering the second banquet at the National Cowboy and Western Heritage Museum’s Wrangler Awards four-day event on 18sept2021. During the first banquet on the 17th Bruce Boxleiltner sat with us at our table, and then introduced me on stage when I accepted the Wrangler for Sand Creek and the Tragic End of a Lifeway. We had hung out together in 2012 when I won my first Wrangler and he was inducted into the Western Heritage Cowboy Hall of Fame. (photo © Pailin Subanna Kraft & Louis Kraft 2021)

Sand Creek and the Tragic End of a Lifeway was life changing for me as former University of Oklahoma Press editor-in-chief Chuck Rankin said to me after it was published: “This is your masterpiece!” Regardless if it is or not, it felt good for after almost three years of us discussing how I wanted to write the manuscript he agreed. And it was a challenge to fit everything together in a linear fashion, bring the leading and supporting players to life, while completing a book wherein I delivered it with the final agreed upon word count. Not once, but twice I cut over 60,000 words from the manuscript.

I can’t tell you how many wanna-be historians stuff their error-riddled fabricated pieces of crap that they pack with fiction disguised as fact exist. One of these wanna-be she-wolves with bottle in hand will dance in the street in delight if I die before her … I mean him … oh hell, I don’t know what this she-wolf is.

I don’t know when my next blog will go live, but it won’t be soon. … Don’t worry for it won’t feature any she-wolves.

Now to this blog …

My wonderful bro Glen Williams took this great image (right) of LK in May 2012. For me it represents exiting the past and walking into the future. In my dedication for Sand Creek and the Tragic End of a Lifeway (2020) I wrote: “For Glen Williams, my brother throughout time. Our friendship began in 1990 in a software company, and he soon became my best male friend ever. Our relationship has experienced a world of change that neither he nor I ever dreamed possible, but we have survived it. He is with me in life as he will be in deathforever linked.” Glen died on August 26, 2020, and my life has been a lot lonelier ever since.

(photo © Louis Kraft & Glen Williams 2012)

Perhaps an LK explanation would be nice

With my life, and my life expectancy, my upcoming books are my writing life. This portion of my future has been a long-time coming, and the shift in direction has been in my vision for decades. This means a number of things. ..

No more articles (I’m sick of my pitches being accepted and then an editor tells me he wants Gatewood,  Geronimo, or Custer articles—that’s past tense, as I don’t write about them any longer … not quite true with Mr. Custer (see below). Most likely there will be no more talks unless I receive my former fee of $750.00 and all expenses; no more writing for the software world and they eventually paid me six figures (I’m still approached multiple times each week) as I’m no longer Scrooge McDuck (of Donald Duck and Walt Disney fame). … This said, and when I quit the entertainment world cold turkey in the mid-1980s, I made it clear that I’d never act again. Oops! “Never say never,” at least for me, for in the first decade of this century I wrote four versions of a one-man show on Ned Wynkoop that played in Kansas, California, Colorado, and Oklahoma, and then a full-length play, Cheyenne Blood, that played for five weeks in Southern California. … What’s in my future? I don’t know.

Hopefully Olivia de Havilland enjoyed—as much as possible—her 104th birthday. I have every intention of enjoying my 104th birthday.

Key questions

As the years flash by at lightning speed there are two things that I now always ask myself:

  • Will I read the book or primary source material again for pleasure?
  • Do I need the book or primary source material for research?

If the answer is not “yes” to either question, the book/publication or primary source material has to go.

The Louis Kraft book list

The first three books in this list are most likely in the correct order, but after that it will probably turn into a flip of a coin numerous times before the following story ideas are ordered correctly.

Errol & Olivia (nonfiction)
This book has been in development since the mid-1990s. In case you didn’t know it, I’m “slow Kraft.” During this time the scope of Errol & Olivia has grown. This is good, as this manuscript will now include key events in their lives during the 1940s that are important.

Bragging aside, I have more primary source information about Mr. Flynn and Ms. de Havilland than I have for any of my Indian wars race relation books. For the record I have a ton on George Armstrong Custer; Lt. Charles Gatewood/Geronimo/Apaches; Ned Wynkoop/Cheyennes; and the Sand Creek massacre including Cheyennes/Arapahos, whites who married into the tribes, their offspring, whites who craved Indian land at all costs, and the few whites who spoke out against the sexual mutilation of human beings books, … meaning I have an EF & OdeH goldmine.

LK introducing my then girlfriend Diane Moon to Olivia de Havilland at an Academy of Motion Picture Arts & Sciences (Beverly Hills, California) on 15jun2006. There’s a story here. Hell, there’s always story in LK’s life. Do I tell it here? No, for it will be in Errol & Olivia. (photo © Louis Kraft 2006)

I enjoyed a 20-year letter correspondence with Olivia, and she invited me to her Paris, France, home twice to spend time with her and to interview her, as well as inviting me to the Academy of Motion Pictures Arts & Sciences gala when they honored her life and career. A large portion of my research on her and Mr. Flynn (and I have more on EF) is now housed at the LK Collection at the University of New Mexico’s Center for Southwest Research & Special Collections (it is the largest collection of them in the USA).*

Oh yeah Kraft knows the sword. I had planned on using art of Errol Flynn here, but got tired seeing my art stolen and then see it all over the internet. No one’s going to steal this collage for they couldn’t give a bleep about Kraft handling a blade. I will deal with EF’s swordplay in the books. I know that some people aren’t interested in this. I am, so they lose. This line of thought didn’t last long, for there is art of EF directly below. (all images © Louis Kraft 1970s & 1982)

* Any archival information I have, such as from the USC Warner Bros. Archives (Los Angeles, California), Arizona Historical Society (Tucson), or Colorado Historical Society (Denver), and so on, including photocopies, PDFs, and photos, belongs to the archive that I obtained it from and it can never be in the Louis Kraft Collection at UNM CSWR (not catalogued or available to the public yet) or in the first Louis Kraft Collection at the Chávez History Library, Museum of New Mexico, Santa Fe (created in 2002).

I changed my mind from the above caption as I’m certain that this image will not appear in my books. Flynn and Livvie (as Errol and others called Olivia) made their last film together in 1941—They Died with Their Boots On (Warner Bros.). Flynn played Custer and Olivia played Elizabeth Bacon Custer (“Libbie”). I have much to say about this film and their lives while working on it. (art ©  Louis Kraft 2013)

As with my last four Indian wars books Errol & Olivia will be published by a university press. The reason is simple: University presses strive to eliminate errors while including notes that allow their readers to locate and view the authors’ research whereas popular presses reprint errors ad nauseam while also printing new errors that will also be reprinted by writers too lazy to do real research.

My Flynn/de Havilland collection is locked down until this book and Errol Flynn: The Defining Decade are published or December 31, 2031, whichever comes first.

**********

The next book is fiction, and thereafter there is more fiction in my future than nonfiction (I know, pure heresy) but I’m a writer. I have written screenplays, plays, talks, articles, and books, not to mention 20 years writing for the software world. I have always been in control of my writing life (and even when writing technical documentation). Here’s two examples:

Louis Kraft at the Western Heritage Wrangler Awards event in April 2012. This photo was taken shortly before the book signing on the afternoon of the twentieth.

In 2011 Wild West magazine sent me a proof of my article, “When Wynkoop was Sheriff.” When I saw it I called photo editor Lori Fleming, and told her to enlarge my art of Ned Wynkoop on the first page of the article as it was dinky and the story was about him. She told me that the issue had already been designed and there was no room. I told her to remove one of the two images of Rocky Mountain News editor William Byers that I had supplied, and she told me “no.” “Fine,” I said, “kill the article for you will no longer publish it.” There was a long pause. “You call Greg, and talk to him!” she screamed and hung up. Greg was/is editor of Wild West, Gregory Lalire. I didn’t call. A few days later he called me and said, “I hear you have a problem.” “No, I don’t have a problem, but Lori does.” I told Greg what I wanted, and he said, “I’ll take care of it.” He did and “When Wynkoop was Sheriff” won my first Wrangler Award.

In 1990 when I landed my first writing job in the software world at Infonet Services Corporation I quickly realized that the only thing the other technical writer did was edit engineer copy when provided. Otherwise he spent his time on the phone with his girlfriend. I couldn’t believe what I saw. On my third day on the job I walked into documentation manager Howard Burnaugh’s office and told him that I needed the software for the product I’d be writing about on my computer. “Why?” “How can I write about a product when I don’t know how to use it?” I then added that I wanted a list of all the engineers that I’d be working with—two days later Howard provided both to me.

**********

Navajo Blood (fiction)
Before saying a word about this story that has been dormant since the mid-1990s, I was in the process of preparing yet another delivery to the LK Collection in the Chávez History Library, when I uncovered a polished draft of my novel and all the accompanying documentation.

I prepped it for that delivery, but it never happened as Tomas Jaehn’s pitch to create a second LK Collection ended my deliveries to Santa Fe. … Am I a traitor/deserter to the first LK Collection? Maybe, but the newly created LK Collection at UNM CSWR is, and will forever be, the greatest honor bestowed upon this writer who learned his craft by the seat of his pants.

Marissa Kraft sitting near a ledge on the north side of the three canyons that are known as Canyon de Chelly on the Navajo Reservation on 7aug2012. In the background is Navajo Fortress Rock, which is a key set piece for Navajo Blood . This was her third, and my fourth extended trip to the Canyon de Chelly National Monument, and the only national monument not on USA land. (photo © Marissa & Louis Kraft 2012)

Changing focus, in June 2019 my daughter Marissa Kraft and  I enjoyed a work and R&R trip to Tucson, Arizona, a city that I fell in love with in the 1970s, when my first wife and I spent a lot of time with her brother and his bride while he attended the University of Arizona. I can’t begin to tell you how much time I’ve spent there, but my research for the two Gatewood/Geronimo/Apache books kept me there for many months, and it is easily over six and a half months throughout the years. …

That 2019 June in Tucson Marissa and I saw and spent time with friend/literary agent Cherry Weiner at the Western Writers of America convention. We didn’t attend the event, but instead mingled with it at the hosting hotel. The polished genre draft of Navajo Blood was 65,000 words, and since discovering it I had been thinking about increasing its size by 35,000 words to make it an historical novel. Cherry totally agreed and might be interested. … The goal here is to add more Navajo words, culture, and mysticism, as well as more dialogue, character development, and action.

Colonel Kit Carson (right) receiving his orders from Brigadier General James Carleton in 1863 to launch a war against the Navajos, an assignment he didn’t want as the Diné were his friends. This is a detail of art displayed at the Bosque Redondo Memorial Museum in southeastern New Mexico. This museum is magnificent, and puts many national historic sites in the USA to shame.

The leading players are a Diné (as the Navajos call themselves) warrior, his granddaughter, Kit Carson, and his family during the early 1860s. I’ve shared more in the past, but not here. I will easily complete and polish a 100,000-word draft while continuing primary-source research on Errol Flynn: The Defining Decade.

Navajo Blood is also locked down at the Louis Kraft Collection, UNM CSWR, until it is published or December 31, 2031, whichever comes first, per my contract.

Errol Flynn: The Defining Decade (nonfiction)

I discovered Errol Flynn while in elementary school about two years before he died on 14oct1959. He grabbed my attention then, and believe it or not he has never let go. I’m going to say a few words that are probably in total disagreement with what has circled the news media, the internet, and in way too many publications since 1980 when Charles Higham’s heinous and untrue biography, Errol Flynn: The Untold Story, was published. In the United States you can defame the dead. In Canada you cannot defame the dead, meaning that in the USA Higham got away with murdering EF’s life and legacy. Not so in Canada where Higham’s despicable book was also published. Flynn’s two daughters Deidre and Rory with his second wife Nora Eddington sued him there. To avoid going to count Higham never again traveled to Canada during in his lifetime.

I hate to say it but there are other books as despicable as Higham’s or worse.

LK’s art based upon a 2009 photo taken at her home in Paris, France, in July 2009. Believe it or not years back a person accused me of creating this false piece of art us as I didn’t know Olivia. (art © Louis Kraft 2013)

For what it is worth, Olivia shared only a few thoughts about Higham’s book on EF or his book on her and her sister film star and Oscar winner Joan Fontaine. I share her thoughts on Higham in Errol & Olivia. Beyond that, she refused to talk.

As stated above more archival research is still needed and it is ongoing as time permits. The title says it all, and, God willing, I’ll see it published. Sorry, no more information at this point in time as there are thieves out there who would love to steal my story idea and publish long before I do.

My Flynn/de Havilland collection is locked down until this book and Errol & Olivia are published or December 31, 2031, whichever comes first.

Everything that follows will be determined when it is time to choose a follow-up book to Mr. Flynn. .. At the same time I’m wondering how much I can share of upcoming fiction without giving away too much of the plots.

LK Memoir (nonfiction)
This has been an announced project a decade or more back. Will it ever be written? I don’t know but hope so. There’s been a lot of failure, a lot of tragedy, a lot of special people, a lot of idiots (including a racist pig—my view of this piece of slim isn’t printable), a lot of incidents that will make you cheer or laugh or cry or scream or cringe. Say it “ain’t” so LK! Alas, ’tis so. …

The LK Collection at UNM CSWR includes a large section called “Louis Kraft Memoir,” and it grows with each delivery. It includes everything from notes documenting an event to historical documents, such as my father’s discharge from the U.S. Marine Corps on 1aug1946 to a package of hair with one word on the outside of the 8½ x 11″ manilla envelope that proclaimed “SHAME” in large red letters that made me thrilled that I lived on the West Coast while the lady who sent me the package lived on the East Coast as the threat was real.

My beautiful wife Pailin Subanna Kraft at the end of our Thanksgiving dinner on 25nov2021. I have just completed preparing this image of her with a caption for the third delivery to the LK Collection at UNM CSWR on April 25. Oh, the second portion of the dedication in Sand Creek and the Tragic End of a Lifeway stated: “And for Pailin Subanna-Kraft, my lady, best friend, wife, and love, who has accepted my life and world without question. Without her I would have no life.” After she became a U.S. citizen in 2020 she removed the hyphen from her last name and made “Subanna” her middle name. (photo © Pailin Subanna Kraft & Louis Kraft 2021)

I was working on the third LK Collection delivery to UNM during the Oscar telecast on 27mar2022, but had a link for “Oscar Winners” on the internet so during breaks I could see what was happening. On live TV Jada Pinkett Smith was verbally insulted/attacked before a global audience. This was not an ad-lib by any stretch of the imagination. No! It was heinous in its intent and Will Smith walked onto the stage and slapped Chris Rock on the face and then returned to his seat where he later yelled: “Keep my wife’s name out of your fucking mouth!” Mr. Smith has since taken a lot heat. On April 1st he resigned from the Academy of Motion Picture Arts & Sciences. while humbly apologizing for his actions.

I understand his live apology when he accepted his Oscar for best actor, again the following day, online, and his announcement on April 1st. He’s a real human being, and I have nothing but praise for him. On April 8 the Academy banned Smith from all events (not their wording) for 10 years. Will Smith had the perfect response: “I accept and respect the Academy’s decision.” … When your lady, your wife, you loved one is verbally assaulted as Jada was, or as my beautiful wife Pailin has been, it is totally unacceptable. …

Pailin didn’t learn of Will Smith defending his wife until the following morning when she saw the news on a Thai broadcast. I was working on the delivery to UNM and was at my computer when she asked me what I would do? I followed her into the kitchen, and when she turned back to me I swung at an invisible figure with an open hand. She grabbed me with joy and we shared a long hug as I would defend her in the flesh against some of the heinous insults that have been directed at her and myself, and they will be in the memoir.

In Errol Flynn’s great autobiography/memoir he attempted to tell the truth—good or bad—but it was mostly (not all; but mostly) from his memory. There are some errors (and not all were created by him; read his publisher or ghost writer). How many celebrity memoirs have you read? How many were total gloss-overs wherein the subject never cursed, never lied, never stole, never cheated, never did drugs, never was a racist? In other words they were God’s gift to humanity. The absolute perfect person. Errol got it right (however, if he had been living when it was published in late 1959 he could have been sued). If ever I write a memoir my goal will be to tell the truth.

Finally, and like Mr. Flynn, I need to be dead when this book is published as I don’t want to be confronted by a mob armed with guns, knives, bombs, and an army of lawyers.

Muse Eternal (fiction)
Archaeologist Olivia Mitchel uncovers a disturbing array of Anasazi bones at newly discovered ruins outside of Albuquerque, New Mexico. Close examination leads her to believe what she has found could be an example of ritualistic cannibalism. As this is heresy she keeps her discovery to herself.

This image was taken on 8sept1989 at Taos Pueblo, New Mexico. In this image my daughter Marissa is six and a half years old. At this point in time I may make Elsa, Olivia’s daughter, six while also considering making her 10 or 12. This decision is still floating on the wind. (photo © Marissa & Louis Kraft 1989)

Olivia, her daughter Elsa, and renown archeologist Charles Fairbanks go to Albuquerque for a weekend of R&R. Charles is Olivia’s mentor and lover. During their three days of partying Charles is invited to a banquet wherein the keynote speaker is a noted Indian wars historian. The evening of the event begins fabulously but ends on a sour note in the after hours when the writer named Jon Werner wins over Elsa while Olivia and Charles party with the elite of New Mexico. Later that night Olivia hesitantly presents her mutilated bone theory to Charles. He warns her that she is treading on dangerous ground. Many in the archeological field prefer the status quo of the Anasazi—that of the peaceful, sedentary people of legend. Olivia discounts the warning as little more than hidden jealousy.

The above is just a tad of what I already have in place with what could be a story that hopefully pops off the pages. Originally Werner was set to be a song writer/country singer but recently I changed him to a historian, as that will ease him into the plot with a personal interest in what is, or is not, happening.

This story is close to me; real close in ways I can never disclose. Because of this, Muse Eternal currently will become reality before The Land of the Heathen (at least at this moment). My view, these are two novels that I must complete and see published.

Land of the Heathen (fiction)

Land of the Heathen is based upon the Chinese presence on the Monterey peninsula and Stockton, California, in the 19th century. It deals with race relations during the 1880s, and yes it is a western. I have a lot of research already in-house, including an outline, synopsis, and character descriptions.

This photo of LK may represent the image that I use for Wade Hardin. (© Louis Kraft 1973)

Sheep herder Wade Hardin, brother Will, and his wife Emma defend their flock from white rustlers, but Will and his infant son are wounded. Hardin travels to Stockton to get a doctor and sell their sheep. To calm himself enters a saloon. Ling Cheng, a Chinese fisherman who was visiting friends, is pushed around by cattlemen. Normally, Hardin wouldn’t interfere, but still seething over the attack on his sheep he does and stands down the mob. Cheng departs, but Hardin is now seen as a Chinese lover and the town physician will not attend to his relatives and he receives no offers on the sheep.

When Hardin returns to camp, his young nephew is dead. Soon after cattle baron William (Billy) Johnson appears and offers a lowball amount of cash to buy the sheep. Although Johnson looks familiar Hardin accepts. He, Will, and Emma break camp and move south. At another Delta town, Hardin goes in alone for supplies. A celebrating Johnson is present and tells the sheep man, “I should have never paid for something I could have for free.” Hardin realizes that Johnson had raided his flock, and as he flees the cattle baron shouts out that Hardin “is in cahoots with the Chinese.”

Hardin finds Will murdered and Emma in shock. They flee toward Arizona but are tracked down. Hardin is shot, robbed, and  beaten. Just before Emma is raped she guts her attacker with a knife only to be shot to death. That night Hardin kills his guard and vanishes into the night on a stolen horse.

This image of Gong Li is from Zhou Yu’s Train (2004). Along with Olga Kurylenko, she is one of my top two actresses of all time. Mainly because both listen, react, and then speak. Way too many actors don’t do this. I’m using Li for my physical image of Tama.

Changing direction the wounded man rides toward the California Coast, eventually stumbling into a wooden shanty in Point Aloma, a Chinese enclave on the Monterey Peninsula. His arrival causes an uproar as the Chinese consider this white man a heathen, a devil, same as they do with all whites. Cheng arrives with news that the white devils hunt this heathen and that they make a gift of him.

An old man stands up for Hardin, as earlier he had seen him protect Cheng in the Stockton saloon. This brings the wrath of his Chinese brethren on him, but surprisingly Cheng agrees when white devils are seen riding toward the village.

Cheng hides Hardin in his house. But not all is good. The Chinese are wary of the devil within their midst and keep their distance. Hardin’s recovery is slow, and he has a difficult time adjusting to the cultural barriers. However, as he regains his strength, he attempts to fit in. Cheng’s children, and Tama, his sister, respond. The elders do not, and Cheng warns Hardin to keep to himself, as he is only welcome until he heals.

This is what a Chinese fishing town looked like on the Monterey coast about 10 years prior to Land of the Heathen.

When Cheng and the other men are at sea fishing whites invade Point Alones. Their assault includes rape of old and young. Hardin has recovered enough to step out from hiding and intervene, but Tama physically stops him. That night, after fishing, Cheng burns for revenge, but knows this cannot be. Then he sees the flicker of a relationship between Tama and Hardin. He takes Hardin aside and tells him that Tama is a rarity in the land of the heathen, the white man—a Chinese female who is not married and who isn’t a whore in the Devil’s world. She will marry one of her own. It’s simple: if Hardin touches her, he will die. … This is the beginning of the story.

Obviously this story is close to my life, and is a coin flip with Muse Eternal for which novel will be first. Best of all, and like Muse Eternal, I have a lot of research in house.

Reenter Howard Burnaugh,
LK’s documentation manager
at Infonet Services Corporation in El Segundo, California

I ought to say something here. In 1995 there was a major software convention in San Francisco that was free. ….  Howard had hired me as a technical writer in 1990 with zero experience (my background consisted of design and freelance writing).

I asked him if I could attend the convention, pitching that it would expand my knowledge on how to improve the look and feel of the books I currently wrote and designed. Without hesitation he said, “Yes.” … Before I left his his office he told me that he’d only pay for the airfare. The quotes I obtained were high. When Howard saw them he said, “No, instead I’ll pay your gasoline.” … That night I called great friends Tony and Cindy Graham, who lived in Santa Cruz, and asked if I could stay with them while I attended the convention. They said yes. I told them that I’d arrive on Wednesday evening and return home early Sunday morning. Tony and Cindy were oh-so key in my brother Lee’s life. Their children Sarah and Anthony were very young at this time. … On Sunday I detoured to explore Monterey, and stumbled upon a photographer’s shop that featured Chinese photos from the nineteenth century that he restored, printed, and sold. I spent three or four hours with him and bought Chinese Gold before I continued my drive south. All I could think about were the Chinese. By the time I got home I had a story idea.

On Monday I handed my gasoline bill to Howard. At that time I drove a 1982 F-150 Ford pickup (which he knew), and it didn’t get good mileage. When he looked at the cost I thought that he would faint, but then his face turned beet red. It was a struggle not to laugh. “If you had agreed to the air flight,” I said, “I would have stayed in an expensive hotel in downtown San Francisco that I couldn’t afford, but you didn’t. I stayed with friends in Santa Cruz.”

Untitled Kit Carson/Indians (nonfiction)
This untitled, and most-likely my last nonfiction book that deals with race relations and American Indians on the frontier, will focus on Kit Carson.

As the caption in the photo of this LK art of Kit Carson states, it is already in the first LK Collection at the Chávez History Library, and it is copyrighted art. … The art shows how Carson appeared in the first portion of the 1860s. This portion of Carson’s life may or may not be in my nonfiction manuscript. Research will be the determining factor.

This manuscript has been in the works for a long-long time, and is of great importance to me. And doubly so, for like my previous Indian wars books, it is a story that has never been told as I hope to tell it, and then with only a paragraph or three that shares nothing or is so fictional or biased that it should have never been printed. Shame on the publishers!

As always I have a lot of information that is already in-house, and much of it is primary research. But it is not enough. More primary source research is required, and it is mandatory to proceed with this manuscript. If I can’t discover and mine what is necessary it will be a tragedy for then my last nonfiction Indian wars book will have already been published.

For the record, if I am lucky, obtain long lost information, and draft a decent manuscript, my publisher of choice will be the University of Nebraska Press. If this happens, the reasons will be shared.

The Pirate Drake (fiction)
“The Pirate Drake” is mostly what I call Francis Drake, but I doubt if it will ever be a book title. … A lot about the pirate Drake needs to be said (but not here). This said, I should begin with director Richard Steele Reed, who was my acting manager in1976-1977. Unfortunately Richard is long gone, that is he no longer walks Mother Earth. After I had returned to Los Angeles after a summer of dinner theater in Lubbock, Texas, we contracted. It was a good working relationship, but it wouldn’t last. During this time we partnered on a novel dealing with Drake’s early piratical voyages to the New World. I wrote, and even then I had all the books published on Drake to that point in time, while Richard, who knew nothing about the pirate, edited. Alas, this story went on hiatus in 1977, which was good for me as my future life as a writer had just exploded although I wouldn’t realize this for years. This sounds like fiction—unpublished Kraft fiction—but it isn’t.

This image shows Drake’s ship entering a small harbor. His vessels were much smaller at the end of the 1560s and into the early 1570s. It was during this time he befriended the Cimarrons, mixed-blood African slaves who escaped from the Spaniards and married indigenous people who lived in Panama. The art is in the Louis Kraft Collection in Santa Fe.

This portion of Drake’s life isn’t well documented as there isn’t much documentation at this time of his life as he lived in obscurity. He sought revenge against the Spaniards who had promised that John Hawkins’ damaged fleet a safe harbor to repair vessels but then attacked and destroyed all the English ships save two: a small vessel named the Swan that Drake captained and another that Hawkins had boarded after his ship was engulfed in flames. … As soon as possible Drake made exploratory trips to the Caribbean Sea and the Spanish mainland to decide how he would begin his private war against Spain. During this time he wooed and won Mary Newman, who became his wife in 1569. The pirate Drake’s war against Spain began in 1572.

The Pirate Drake (nonfiction)
… And he has the potential of jumping to the top of this list in a heartbeat but it won’t happen. This is no joke. No joke. Francis Drake has been with me since early childhood, but for some reason has always been pushed to the back of my writing life.

The second time was when the Golden Hinde II was docked in Oxnard, California, but I only have photos of the vessel and not of me on it.

For the record, I’ve always been a pirate, and have always walked shoulder to shoulder with Francis Drake. I’ve made a point of exploring the Golden Hinde II as this was the vessel in which he circumnavigated the globe (1577-1580). Folks, this was a major accomplishment.

LK photo of the replica of the pirate Francis Drake’s Golden Hinde II in Oxnard, California (June 1988). Unlike my first and third times aboard his vessel I didn’t have it to myself, as his ship was jammed with people. (photo © Louis Kraft 1988)

Francis Drake was an exceptional human being. If you study the second half of the sixteenth century and are aware of the racial and religious hatred that were predominant, and more the brutal and at times the savage butchery of human beings at this time, you may understand my attraction to Drake the pirate.

Yes, he was a pirate, and the Spaniards considered him a pirate during his entire life even though he was knighted by Queen Elizabeth I of England after the circumnavigation. But he wasn’t the typical bloodthirsty pirate who butchered other human beings. Instead he treated them with respect (even though he hated Spain for their heinous murder of indigenous people in the New World and Protestants whenever captured). By the end of my college years Drake had hooked me, and thereafter I have purchased everything on him that I could find.

What’s this book going to be about? I’m not sure yet, but it will not deal with anything in my novel about him. For more on the pirate Drake see: https://www.louiskraftwriter.com/2017/05/20/the-pirate-francis-drake-and-louis-kraft/.

Phraya Phichai Dap Hak, the soldier with the broken sword (fiction)

I discovered Phraya Phichai on my second full day in Thailand in November 2014 after I joined Pailin in her homeland, and it was her first visit since leaving in 2004. We mostly stayed with family and friends (one cottage on my first night after joining Pailin and one hotel on our next to last night). Pailin’s good friend Colonel Daranee Konsin (retired) opened her home to us in Lampang. Her statue was the same as I would see time and again. Next we lived with Not and Font Subanna (they are Pailin’s sister and brother-in-law). We spent nine or eleven days with them in Uttaratt and the trip to Bangkok.

Art of Font Subanna & LK at his home in Uttaradit, Thailand, on his birthday (27nov2014). I created the painting in 2016. (art © Louis Kraft & Font Subanna 2016)

Sabrina Subanna, Not and Font’s daughter, and Pailin’s niece is her only relative in the USA. Luckily Sabrina and her hubby Carlos Castillo live near us as Pailin and Sabrina are sisters. Sabrina’s sister Lek and her husband Sophon, who live walking distance from her parents, gave us a tour of their city, and as I learned it featured Phraya Phichai. This included a huge museum that housed three paintings of him and finally the Temple where there is a huge statue of him (that the small ones replicate) plus a museum that featured him.

A boy named Choi (which meant “little one”) was born in 1741. While still a boy Thai boxing grabbed hold of his life and would not let go. Without his parents knowledge he studied it. At an unknown date he met Thiang, a master trainer who saw his potential. Although unknown at the time, their connection was key to the boy’s future. When twenty years old and now known as Thong Di he was in the town of Tak during an annual festival that included boxing matches. An unknown in the boxing world, he entered the contest but refused to fight anyone but the best. Arjarn Nai Hao, the town’s master agreed to the fight anticipating an easy victory. To the crowds’ surprise, the upstart defeated the master. Phraya Tak, who hosted the boxing matches and was an officer in the Thai army, asked Thong Di to enlist. He did.

Who says they don’t raise cowgirls in Thailand? Not true and I have photos to prove it. What you see here is Pailin Subanna in the front yard of Tujunga House in 2013. My bro in Thailand Font Subanna gave me his statue of Phraya Phichai in 2016 when Pailin visited. The soldier with the broken sword has been on my desk ever since. (photo © Louis & Pailin Kraft 2022)

Years passed, and Phraya Tak became King Taksin, “the great of Thonburi.” During all this time Thong Di never lost a boxing match. This impressed King Taksin and he asked him to become his bodyguard. But King Taksin’s kingdom was only a portion of Siam, much of which was under Burmese control. Between 1766 and 1769 Kao Tsung, the emperor of China, invaded Burma four times to stop its aggression but failed.

LK took the photo of the monument to Phraya Phichai Dap Hak. Lek and Sophon spent one perfect day with Pailin and myself in 2014, and it concluded here. They purchased the postcard (left) for me. The art at right was created by a monk (I have his name and need to find it). (photo © Louis Kraft 2014)

During this time Phraya Tak/King Taksin saw an opportunity and began a revolt with 500 followers including Thong Di. at one point Taksin was forced to flee to the East Coast of Siam. It was here that due to Thong Di’s prowess in battle and leadership abilities Taskin made him commander-in-chief of the military. Total war was declared against Burma. Thong Di, who fought with two swords, at the front of his army, hadn’t broken his sword yet. When he did it would turn him into a legend.

With Pailin I am lucky to enjoy many video phone calls to family and friends in Thailand. I enjoy our talks with TookTa (Monrumpha Subanna), Pailin’s sister, who I didn’t meet when I visited their homeland. During a recent conversion with my lady and TookTa she asked about my projects. I told about “Phraya Phichai Dap Hak,” the soldier with the broken sword and of my desire to hire a Thai historian who was fluent in English to do primary source research with me when next I travel to a country that has welcomed me with open arms.

LK’s office in the backyard of Not and Font Subanna’s home in Uttaradit on 26nov2014. (photo © Louis Kraft 2014)

TookTa told me that there isn’t much known about him. I replied that was what I thought. If true, and I totally strike out, it would eliminate any chance doing a nonfiction book on his life. Still hope burns eternal.

I have dueled with sabres in competition, I have learned swashbuckling/stage combat and have choreographed and fought duels on stage. When I return to Thailand I want to learn how to duel with two Thai swords.

Thai culture, language, religion, dialogue, action, character development and Phraya Phichai Dap Hak’s life will make a great novel.

LK’s future writing life has arrived.

Errol Flynn, Kit Carson, & a dark Louis Kraft future

Website & blogs © Louis Kraft 2013-2020

Contact Kraft at writerkraft@gmail.com or comment at the end of the blogs


My past is my future, and my future is mine.
It has arrived and it is time to share.

Music plays a big part in my life …

“From the Indian reservation to the governmental school … and
there are drums beyond the mountain … Indian drums that you can hear.
There are drums beyond the mountain … and they’re getting mighty near. Lone
Pine and Sequoria, Handsome Lake and Sitting Bull, … Crazy Horse the
legend, those who bit off Custer’s soul, … they are dead
but they are living with the great Geronimo. …”

Johnny Cash’s “Bitter Tears,” is one of the best albums ever produced. Except for the song, “Custer,” which is pure fiction and much-much worse, Johnny’s entire album, other than “Custer,” is brilliant.

“Drums” by P. La Farge and performed by Johnny Cash is dated (I originally enjoyed this song on his great album, “Bitter Tears,” which is totally from the American Indian POV on 33 1/3 RPM but only have it now on CD w/o a copyright date). I like Johnny’s music but I’m not his best fan. This said, his “Bitter Tears” album is extraordinary, and is easily near the top of my favorite 10 albums of all time (challenging John Lennon, Michael Parks, Alan Jackson, Patsy Cline, Norah Jones, Laura Branigan, and John Anderson for the leading spots).

If ever I sang in public—God forbid!—this is the song that would lead off my music set. A forthcoming blog will again deal with “the song remembers when,” and you can bet that Cash’s “Bitter Tears” album, along with more on Johnny’s legacy, will be featured in my second blog that focuses on music.

This is me, music, my daily working life, and yes, music plays a big role in my daily life.

The LK writing future begins today

As of today my entire writing future is no longer as it once was. I love my past writing life, but now I’m walking into what will eventually become my second writing past. I know, this sentence tells you nothing. Well hell; I mean good, for we’re making progress here.

You may think that you know me, but you don’t. I share a lot, and perhaps more than most people that you know, but you don’t know me. No one knows me completely, for I’m a very private person. This is totally based upon my past, for it has been one long string of tragedy, failures, and dreams that never happen. It’s my life, and I love it for without it I wouldn’t be me. I wouldn’t be the LK living in at the end of 2019 with all my special memories and special people. Here I’m talking about my huge network of writer-historian-artistic friends as well as all the people I cherish worldwide, for without any of you I would have no life and no future.

This is my first portrait of Ned Wynkoop. I based it on the woodcut that appeared in the May 11, 1867, issue of Harper’s Weekly, which has been in my private collection for decades. It was originally published in Custer and the Cheyenne: George Armstrong Custer’s Military Campaign on the Southern Plains (Upton and Sons, Publishers, 1995). (art © Louis Kraft 1990)

The only way you will ever know me is if I dare to complete that memoir that I’ve talked about off and on over the years. If I dare to complete this project, I will approach it as I do with all of my nonfiction work—attempt to tell the truth wherever that documentation trail leads. I think that Errol Flynn did a magnificent job—with help—of telling the truth in My Wicked, Wicked Ways (Putnum,1959). Perhaps so, but if he had lived to see his book’s publication he would have had his ass sued from here to kingdom come.

Lesson leaned: if you write a truthful memoir, make sure you are dead before it is published. For the record I have spent a good part of my Indian wars nonfiction life writing about two gentlemen who harbored the typical prejudices of life on the frontier (1860s & 1880s), but were able to realize that Cheyennes and Arapahos (1860s) and Apaches (1880s) were human beings. This, ladies and gentlemen, was, and is, a two-way street.

I created this portrait of Gatewood specifically for Lt. Charles Gatewood & His Apache Wars Memoir (University of Nebraska Press, 2005). (art © Louis Kraft 2004). It has since been printed in a magazine and as a post card.

I can’t begin to tell you how many Cheyennes, Arapahos, Apaches, and other American Indians did to accept the invading white man and co-exist peacefully with him. These two white men were Wynkoop and Charles B. Gatewood. Both attempted to write memoirs of their time with the Cheyenne and Arapahos (Wynkoop) and the Apaches (Gatewood). Neither completed a rough draft, and yet they—along with many others on the frontier whose memory changed with time (and remember that they didn’t have all the documentation that I have at my fingertips) have been attacked, for their views don’t coincide with modern-day historians whose tunnel vision is so extreme that they refuse to adjust their preconceived visions of their premises. … Memories change over time. Theirs did, mine does, and so it is with you.

All my work on Sand Creek and the Tragic End of a Lifeway is finished!

… And this is good.

This is a major statement, for this project has been a massive undertaking.

LK and OU Press editor-in-chief Chuck Rankin at the Western History Association convention in Newport Beach, California, on 17oct2014. (photo © Pailin Subanna-Kraft 2014)

Honestly, I can’t begin to tell how much I have cursed former University of Oklahoma Press editor-in-chief Chuck Rankin over the years, for not walking away when I told him I didn’t want to write a book about the Cheyennes and Arapahos and the heinous attack on their Colorado Territory village on November 29, 1864—an attack that should have never happened for representatives of the U.S. military had guaranteed their safety if they camped there. This said, Chuck is a marvelous person, one I call friend, and since the beginning of this century he has been the key player behind my last three nonfiction Indian wars books. This is no small statement, and I can only wonder where my writing trail would have led if not for him.

Chuck led the way, and opened the door to my relationship with the University of Oklahoma Press; making me one lucky writer, for OU Press is the best publisher of Indian and Indian wars books in the world. Here I really need to talk about my ongoing association with the entire editorial, marketing, and production staff, as well as their copyeditors (which are outsourced). I had requested photos from current editor-in-chief Adam Kane and managing editor Steven Baker (who I have enjoyed working with since Ned Wynkoop and the Lonely Road from Sand Creek), but they’re shy. So was Chuck, but he didn’t learn to duck when I or Pailin pointed a camera or phone at him.

I have completed all of my work on Sand Creek and the Tragic End of a Lifeway, and Steven Baker is the key reason why. I can’t begin to tell you how patient, understanding, and hard working he is. Steven has had my back during the entire production process (photos and art, three maps, two copyedits, two book proofs, the detailed index, and the dust jacket), and he has done everything to make the book as good as possible. The publication date is March 12, 2020; its preorder listing is on Amazon (and elsewhere), and it includes the dust jacket blurb that is right on target for what the book is about (to see it, click: Sand Creek and the Tragic End of a Lifeway on Amazon).

OUCH!!!!

The above sounds like it was a slam dunk. Not even close, for I can’t remember the last day I had off until this Christmas, which I did take off—and it was special.

But, this book was special too …
At the beginning of the project I constantly struggled with my decision to sign the contract. And even more so as the days, weeks, months, and years flashed by with no end in sight. Eventually I grew into the project, accepted it, and looked forward to what the next day would bring. I needed to walk with as many of the participants in the lead up to the murder of people at Sand Creek in Colorado Territory in 1864 as possible. More important, I had to separate myself and attempt to view their words and actions in their point of view. I also had to place myself within the village on that fatal day. I had to see the scramble to survive, the sexual butchery, and more—the aftermath that led to end of the Cheyenne and Arapahos’s freedom, religion, language, and lifeway. Little more than prisoners of war they would do what the white man dictated, or face the consequences.

All my books live on in my life, but Sand Creek and the Tragic End of a Lifeway has become the centerpiece of my writing life. If I became homeless and could only have one piece from my writing life with me, it would be this book.

My work on Sand Creek and the Tragic End of a Lifeway is over

But it isn’t, for I never stop learning and there’s always add-on work (alas, there is another piece of my life that will impact my future).

Some of what is coming:

  • An ongoing relationship with Editor Stuart Rosebrook and True West magazine in 2020 and beyond. It will include articles related to the Sand Creek story, as well as articles dealing with my writing past and hopefully future.
    • This began in earnest this December when I delivered the first article on Cheyenne chief Black Kettle.
  • Upcoming talks with Gordon Yellowman, and LK solo.
    • At the moment, Gordon and I have a confirmed talk at the Washita Battlefield National Historic Site in Cheyenne, Oklahoma, on November 8, 2020. I will talk about Cheyenne chief Black Kettle. I’ll also talk about the attack on the Sand Creek village while the Called Out People flee for their lives at the University of New Mexico in October.
  • A massive delivery to the Louis Kraft Collection at the Chávez History Library, Museum of New Mexico, Santa Fe. It is mandatory for I cite it often in Sand Creek and the Tragic End of a Lifeway. A lot of work has already been put into preparing for this delivery, but I’m not close to selecting everything that will be making the trip.

LK standing in front of the exterior entry to the Chávez History Library on July 4, 2006. (photo Louis Kraft © 2006)

    • It will include my writing, research, correspondence, photos, and art from my writing since the last delivery, plus information from my past that I had not yet provided.
    • It will also include writing from my past that I completed but never sold such as proposals and manuscripts, as well as artifacts that I own, but now believe belong in a museum for everyone to view and experience (and not be kept in a private collection).
      • We’re talking about Indian wars, and the Golden Age of the Cinema artifacts.
    • Finally, I may include research, correspondence, and drafts from projects that I haven’t completed, and perhaps now never will.

Let’s take another music break

There’s a lot of music in my life. Much of it’s world music from the Andes to Spain, Cuba, Mexico, China, Thailand, and beyond—and this includes the massive amount wonderful American Indian instrumentals and vocals. Of course there’s soundtracks, some classical, and you can bet your bottom dollar on rock ‘n roll and country and a little bit of blues.

Deportee (Plane Wreck at Los Gatos)                           

The crops are all in and the peaches are rotten,
The oranges are packed in the creosote dumps.
They’re flyin’ them back to the Mexican border,
To save all their money then wade back again.
My father’s own father, he waded that river:
Others before him had done just the same.
They died in the hills and they died in the valleys;
Some went to heaven without any name.

This great album also featured a song that I played at my brother’s funeral in March 1990 (“Highwayman”). Lee was a rebel, and so have been these four singers. All five have influenced my life more that I could ever share.

Four singers have stood out: Waylon Jennings, Willie Nelson, Johnny Cash, and Kris Kristofferson. Instead of beginning as a member of a band (such as John Lennon with the Beatles), they formed a band long after they attained solo success as The Highwaymen. I luckily saw Waylon perform live at the famed Palomino Club in North Hollywood when he was young, and Willie when he was old, but not ancient, at the Hollywood Bowl. Alas, I never saw Johnny or Kris perform, and worse never saw The Highwaymen live.

Goodbye to my Juan, goodbye Rosalita;
Adios mi amigos; Jesus y Maria.
You won’t have a name when you ride the big airplane.
All they will call you, will be: “Deportee.”

Some of us are illegal and others not wanted;
Our work contract’s out and we have to move on.
Six hundred miles to the Mexican border.
They chase us like rustlers, like outlaws, like thieves.

Obviously “Deportee (Plane Wreck at Los Gatos)” is one of my favorite songs. Many artists have sung it, but my favorite version is by The Highwaymen with Johnny taking the lead.

Goodbye to my Juan, goodbye Rosalita;
Adios mi amigos; Jesus y Maria.
You won’t have a name when you ride the big airplane.
All they will call you, will be: “Deportee.”

Woody Guthrie wrote the song in response to a plane crash in California on January 28, 1948 (music by Martin Hoffman), in which racist newspaper and radio reporting of the tragic event refused to name the deceased and grouped all of them as “deportees.”

The sky plane caught fire over Los Gatos canyon;
A fireball of thunder, it shook all the hills.
Who are all of these dear friends, scattered like dry leaves?
The radio said they were just “Deportees.”

Goodbye to my Juan, goodbye Rosalita;
Adios mi amigos; Jesus y Maria.
You won’t have a name when you ride the big airplane.
All they will call you, will be: “Deportee.”

This is one of the saddest songs I have ever listened to, and it affects me every time I hear it, for it reminds me of how callus, inhuman, racist, and hateful our homeland has become since that dark flash of time in 1948 that is now long gone.

Woody Guthrie (right) was a singer-songwriter before his time. He documented what he saw and what disturbed him. This is something that all of us should do—document our world, current and past. … I try to do this. 

One other small impact to what’s coming

Something is going down in my life, and I don’t know what it is. Actually, no one does. What follows is optimistic. Heck, I’m always optimistic. I had been enjoying myself by stating that I needed to live to 130 to complete all of my projects, and that was probably a true statement. But times have changed, and that has led to a revised and much-shortened blog. There are two books that I have a realistic chance of completing first or polished drafts of in 2020. There are two follow-up manuscripts to these books that require more research, and that will begin in 2020. … My future is out there, and it will impact what I just stated.

Errol Flynn is the perfect lead-in to my writing future

Why? The answer is simple: he is the leading player in my writing future. This said, I don’t want to mislead you for as in the past I mix and match all my work. Flynn and Olivia de Havilland have had a presence in my talks and published work since the mid-1990s. It hasn’t been large, but it exists. Come 2020, everything changes in my priorities. This doesn’t mean that I’m turning my back on the Sand Creek saga, or the major players (such as Black Kettle, Little Raven, Ned Wynkoop, and so on) for I’m not. It also doesn’t mean that I’m walking away from the Indian wars, for I’m not.

Why Mr. Flynn?

For the record, two of EF’s films influenced my entire writing future, but I was clueless when a teenager. What can I say? Life if great! (LK art of EF as George Armstrong Custer in They Died with their Boos On (1941),  © Louis Kraft 2013)

Simply put, I had set out to write a trilogy about his life. This grew to four with two partnered and the elimination of my third proposed solo manuscript. The year 2019 has been unlike any I’ve experienced in the past. Something happened, and it is impacting my life.

My brain functions; it keeps me alive, and I love it. I’m one lucky cowboy.

But you know me—I need to get personal before the main event

Let’s begin with that there is a lot going on in my life that you aren’t privy to. Most likely you’ll never be privy due to my being obscure (and this is an understatement). Bottom line, I’m a tease. It’s fun in the here and now, but a drag when long distance (and again, an understatement). It’s just me; sorry.

Times are tough, but it’s a lot more. This needs to be broken into subheadings (but they don’t deal with the understatements), for all of them are major to me. Let’s start with the land I love.

SoCal and Los Angeles

Ladies and gents I could write a book about my homeland. It would be nonfiction, and I would both praise and damn it. I’m going to start with a few positives that are out of this world:

  • Los Angeles is the melting pot of the USA
    • More people of different race and more languages are spoken in Los Angeles than any other city in the USA
  • The culture at my fingertips is astronomical
  • The diversity of restaurants are beyond belief (ditto the grocery stores)
  • Our weather is to dream for temperature wise
  • There are major archives that host subjects that have been and are key to my writing past and future

This image of Los Angeles and the San Gabriel Mountains was taken by Luis Sinco on 26dec2019 and printed in the Los Angeles Times on 27dec2019. (© Los Angeles Times 2019)

That’s right, I live in a writer’s wonderland (some might say, “a winter wonderland”). Go ahead and chuckle, but you can’t deny that this is why some of you rip LA time and again—jealousy.

The bad—that is, the very bad

Let’s begin this with I was accused of being a traitor for considering leaving the USA a year or two back. It ended a friendship. I’m good with this. Nothing more need be said, other than my exploration for where I and my loved ones could perhaps continue to live without joining the living dead that walk the streets of LA is constantly with me.

Know that I will never become a homeless person.

I’m not just talking about LA and SoCal but all of California. We now have four designations of people:

  • The rich class
  • The middle class, many of whom are now approaching the lower class
  • The lower class, many of whom are now approaching the homeless class
  • The homeless class
    I’m not going to say much about the homeless class, other than some (many more than “some”) have jobs, but they can no longer afford to own a home or to rent lodging.

LA Times columnist Steve Lopez keeps me updated

Steve (the dot and line image of him–left–reminds me of the woodcuts that I own and use from the 19th century in my writing, and I think that it’s terrific, and The Times prints it with all of his articles). He is one of numerous great columnists that the The Times employs, and let me tell you that they are worth the cost of the paper (Front page; plus California, Business, and Calendar sections), and without knowing, all of them must have staffs that supply much needed information (I need to feature them in future blogs, for their work is exceptional). This said, Steve walks the streets of Los Angeles, and he knows many of the people he writes about personally. He is a gentleman that I would like to know and hang out with. (art of Lopez © Los Angeles Times)

On 15dec2019 Steve continued his ongoing expose on the homeless situation in Los Angeles. It is both outrageous and heartbreaking. Some of Steve’s words and facts are all that need be said (they are from his front page column).

Steve began his December 15 column with: “Sometimes I wish I hadn’t seen the body up close, or the small pool of blood that dribbled out of the man’s mouth and onto a West Los Angeles sidewalk. I also wish I hadn’t seen the dead man’s open, empty eyes when he was turned over for examination by the coroner investigator.”

He was talking about a 61-year old man he knew, a married man, and father of five, who had some mental problems. This man, who shouldn’t be dismissed as little more than nobodies as the “deportees” were in Woody Guthrie’s magnificent song (above), lived. He walked the streets of LA, he was a human being, and he should not have had his end happen this way.

Several years back the residents of Los Angeles voted to increase taxes to aid and home the homeless. Not much has happened, but as Steve shockingly reports: Alvin Robinson was the 680th homeless death on the streets of LA this year (two more would die on the day of his death). As of his column of the fifteenth, 962 homeless people have died in Los Angeles County. Going back to 2013, the death count is over 5,620. These statistics are not acceptable. Los Angeles city and county needs to do something, or this epidemic is going to explode into a living nightmare of hell.

The good—that is, the very good (I’m being snarky)

It seems like the rest of the USA bitches that SoCal has no seasons. We have seasons, but they aren’t as traumatic as a good portion of the rest of our homeland. We don’t have snow and freezing temperatures six months out of the year. Let me tell you how much I hear friends—good friends—who complain about a snowstorm in April but who hate SoCal for our weather. The weather varies depending upon where we live, and now scientists in a recent report have guaranteed what all of us have experienced during the last three or four years is here to stay. That is raging firestorms, drought, freezing and snowbound winters, tornados, and hurricanes—all of which are pounding the hell out of Mother Earth.

House insurance is tripling in Los Angeles County in 2020;
making me one step closer to being a traitor to my country.
That’s right, I’m never going to get over that F—ing accusation.

I guess the above isn’t very good, but since all of us want a future I can say only one thing: If this is our future it is all we have (unless we change it). I wish it wasn’t so, but at the same time I’m thrilled to be alive. For me, this is “very good.”

I would be remiss if I didn’t mention the dark side

The 2019 fire season was again hell in SoCal.

This photo appeared in the Los Angeles Times on 29oct2019. The image was captured on the 28th; that was the day that Pailin couldn’t get out of the San Fernando Valley (see the text directly below this photo). I don’t know if you know, but the City of Los Angeles and the County of Los Angeles are a series of mountain ranges and valleys. The SFV has been threatened from the north, east, south, and west for the last three years. I don’t need to repeat what might happen if these fires aren’t stopped. In 2018 over 1100 LA County firefighters earned $100,000 in overtime; the number of firefighters with this amount of overtime pay is going to increase in 2019. The threat is no joke, and it makes the infamous California earthquakes second-class citizens. (photo © Los Angeles Times 2019)

The recent rain storms perhaps saved Santa Barbara, and certainly one of the famed Spanish missions that range across the state. The Ronald Reagan Presidential Library in Simi Valley, west of the San Fernando Valley, where I live, suffered $550 million in damage this summer but the buildings luckily survived. As always the SFV was attacked from various directions and twice fires blazed within five miles of my house (the northern side of the valley and Warner Bros. on the south side) and on another occasion within six miles.

This last was the (you choose the name) the Sepulveda Pass or the 405 freeway or the Getty Museum fire. The 405 separates the SFV from the Westside of Los Angeles (Westwood, UCLA, Brentwood, Beverly Hills, Santa Monica, Venice).

I took this image (right) of my beautiful wife on 11Dec2019 when we drank cups of good coffee at the Mercedes-Benz of Encino dealership. This is a first-class establishment, and we enjoy our time there. (photo by LK and © Pailin Subanna-Kraft & Louis Kraft 2019)

Pailin is a contractor and all of her work is on the Westside. On 28oct2019, when the blaze began (and all the southbound lanes in the Sepulveda Pass and the 405 freeway shut down), she spent over three and a half hours trying to get out of the valley and failed. If a major fire invades the SFV (and the threat has been constant the last three years), which has 1.7+ million residents (this is a .4 increase from the previous number of people I had reported), let me tell you hundreds of thousands of people will not escape the inferno.

The Books

Errol & Olivia

This book has been in the works for a long time. All I can say here is, bless all of my Errol Flynn and Olivia de Havilland fans for your patience. More important, your time has arrived, and that is that E&O will be my next published nonfiction book.* However you feel about this, it is at least a thousand times more important to me.

* I currently have 60,000+ words (some polished) and plan on a total of 125,000 words.

There’s still more writing, more polishing, and more research (research never ends). Hopefully when the book is published you will like it. I can promise you one thing, and that is that this book will not be like any book you have ever read about Errol Flynn or Olivia de Havilland in the past.Although I have shared this, the book will deal with their life and times during the eight films they made together at Warner Bros. between 1935 and 1941. I prefer to use art of them on the book cover, but if I can’t obtain the rights to use a painting or illustration that includes both of them that is appropriate for the dust jacket, I will use a photo (this will be easy to do, for I already know which series of images I’m going to pull from, but if this is the case I won’t share it until the cover design is final). One thing is certain, one of these photos from this portion of their time together will be in the book, for there are numerous images that are magnificent.

As with all my Indian wars nonfiction, this book will contain notes that point the reader to the location of the primary source research. There is a reason for this, and it is twofold. It allows anyone—a writer-historian or anyone else who has an interest in EF & OdeH—to view the material. This information should not be secretive, nor should it be hidden from the public.

On the dark side, way too often “would-be” historians create
their own facts and quotations while citing obscure historic documentation
that they think will not be viewed for no one has it or can obtain it. Vagueness
is not golden. You do not want to know my view of these slimeballs.

What has been printed is way too often in error

Hey folks, there are a lot of errors in print. Some are by writers who believed what they found in primary documentation or from books whose authors they trusted. I certainly am one of these writers. In the past I used quotes that were cited from documents in the National Archives (the cited material and how it was listed was pristine, but I didn’t have the original material to check and trusted the author (whose book I still have and like a lot). I’m a little ahead of myself here, but this is okay.

This image probably is confusing, and certainly for being placed here. Those of you who know me well, know that I have a very deep connection with film. These films feature Rod Taylor as the pirate Francis Drake and Jon Hall as the frontiersman Kit Carson. Both films are slightly above being B-films, but both, for the most part, represent the sole representation of these key players in British and American history on film. Both, if produced by a major American film studio could have been much better. They weren’t; my loss (and perhaps yours also). More below but only on one of these gentlemen.

In the mid-1990s I had written a Kit Carson article for either Arizona Highways or Persimmon Hill. The publication used peer reviewers who were subject-matter experts (this is how it should always be), and my article was rejected as the historical quotes were incorrect. I compared the quotes I submitted in the article with the quoted material from the book (mentioned above) and the words I submitted were spot-on. I had not erred, but I now knew that the author of the book or one of his editors blind edited the quotations (and left the reader in the dark). This was a lesson I never forgot. If I change text—let’s say from a lower case letter to upper case or rewrite a word or two—they are always in brackets. Copyeditors often silently delete my brackets. They don’t realize that during copyedits I read each and every word and check everything against what I submitted. When required I re-add the brackets, and in each instance tell them exactly why I did this, and that they are not going to delete the brackets.

In the past I have missed some blind edits and when I see them (often years later)
I scream at the heavens (and my language isn’t printable here).

Charles Higham made a lot of money by creatively creating false facts about major film stars. When I questioned Olivia de Havilland about what he wrote about her and sister Joan Fontaine, all she shared was “he is an unscrupulous man.” I have this quote in a letter from her, and it will be delivered to the Louis Kraft Collection in the near future.

There are other errors that often see print. Often they are created by lazy writers who do little research, but others are created by wannabe historians to sell books. Their false facts are heinous, and I’m being kind here. Unfortunately, there are way too many of these cretins that create fiction—that is facts and quotes—while falsifying obscure sources. I chuckle over this, for often I have their “obscure sources” in-house and you can take it to the bank that I check each and every note in their travesties that cites documentation that I have.

I’m certain that their point-of-view is that you can’t be arrested and put on trial for defaming the dead in the USA, which is true. Let’s look at this another way: these wannabe’s think that defaming the dead is their key to mega bucks. Snarky Kraft has a dark view of writers who defame the dead while creating false histories that are based upon their fallacious—that is their intended and deceptive—lies.

Worse, some of these deceptions are being reproduced in articles, books, and online. Hell, if it has been printed, it must be true. Nothing could be farther from the truth. I have been pinged for pointing out egregious errors in my Indian wars writing, and if it happens again—so be it.

How can errors be corrected if they are ignored?

How I approach documenting facts

Simple: by dealing with them when I am aware of them. Alas, often changes happen after I have seen whatever version of the edits that I will see. When this happens … Well, hell, you do not want to hear my view, for it isn’t printable. Unfortunately, my vocabulary is at times X-rated (those of you who know me, mostly consider me a kind-hearted soul who wouldn’t hurt an insect). The truth be known, ask my first wife, my daughter, Cindy Tengan, Diane Moon, Pailin, or others who know me intimately, and they’ll tell you that when upset LK is someone to avoid.

This LK art is based upon an early 1970s photo negative that was degraded to the point that it could never be restored. The photo was taken in my parent’s house and I didn’t want to lose it. I created the art  based upon the negative in the 2013 timeframe, and although it doesn’t date to the last half of first decade of this century it presents a good look at my former attitude—that is: shoot first and ask questions later. (art ©  Louis Kraft 2013)

This is not me being kind to me, for way too often in the past I found it difficult to control my outrage.

Here’s an example, but years have passed and I have mellowed with time. I needed to buy a new landline phone because mine had broken. “How?” the sales person wanted to know. “It just broke,” I replied. My then long-time lady friend Diane Moon was with me, and she spoke up. “He threw the phone at the wall and bashed it to pieces.”

As I just said, I have mellowed with time.
It’s long over a decade since I’ve killed a phone.

If I ever complete that memoir, and it is printed, I hope that you won’t faint. Sorry, but that’s just part of life. The truth is always much better than fiction when writing about people’s lives and the events in them. As a nonfiction writer, I have a responsibility to tell the truth as I have discovered it.

**********

Errol & Olivia will go in directions you may not expect,
but will add to their working time together, and will hopefully present
more insight into their professional and personal lives.

Book covers are of major importance …

… and I have played a major role in every one of mine since Upton and Sons published Custer and the Cheyenne in 1995. It’s a non-brainer, for a good cover can increase book sales.

This art appeared on DVDs and other media (I have a poster of it) and I like it or it wouldn’t appear here. Still, it is not close the 1976 United Artists Classic poster for the revival showing of their classic film in Los Angeles that year, which has better art, mimics the 1938 original poster while also being superior to the initial release art. Regardless of my view of The Adventures of Robin Hood, it is their iconic film for all time. Alas, it wasn’t close to their best film (or films) together. Still, it is must viewing for anyone who has an interest in Flynn or de Havilland’s film careers. (LK collection)

I want art of Mr. Flynn and Miss de Havilland on the cover of Errol & Olivia. To date I only have a cover from a long-dead magazine that I like. This said, there is a lot of great illustration art on film posters from days long gone. American, French, Spanish, German (some of the German art of the late 1940s is to die for), … This is perhaps a good way to go, but it will include two must-needed things (other than negotiating with the copyright owner, and that is: 1) Can the poster art be altered, and 2) What is the use fee?

Let’s discuss the poster art at the right. To make it work as a dust jacket cover is simple: 1) Remove the cover text within the shield and replace it with the book title and author credit, and 2) Remove the acting credits at the bottom right of the poster (Errol and Olivia’s credits must remain at the upper left—to balance the image while informing potential readers what the book is about).

Decisions, decisions, decisions.
I have time, but not much for I’m going to fly
through the completion of the first draft of Errol & Olivia.

But what if I can’t obtain the rights to use a painting or illustration that includes both of Errol and Olivia that is appropriate for a dust jacket? No problem, for I will use a photo from a very key point in their time together. The photos from this time are absolutely magnificent, but I’ve already said this above.

A first draft of Errol & Olivia in 2020 … Oops! How about 2021?

Oh yeah, this is going to happen. More important, ladies and gents, this isn’t a wild LK dream. But alas, this first draft of the manuscript will not be by the end of 2020—it is now by the end of 2021. The reason is simple; the year 2020 is going to busy and at this moment my goal is to deliver all I’ve promised through next fall, some of which is mentioned above. This said, with the publication of Sand Creek and the Tragic End of a Lifeway in spring 2020, the demands upon my writing life is going to expand. Working seven days a week has been my past and it certainly is going to be in my future. It includes stolen time with Pailin and my family. Although trips are work, they are also R&R, and they give me additional time with Pailin and my daughter—they are special time for me, and I love it.

But this isn’t the end of Mr. Flynn

During the year 2020 I will officially begin my research on a second nonfiction book on him. Some of it is already in house, but there is much to do. I’m certain that I’ve discussed the project in the past. If so, shame on me, for it should be a surprise. As with all my biographical efforts I prefer to focus on a piece of time, and again this will be the case. For those of you who have interest in this man, who was not only a good actor and writer, but perhaps the most un-racial person I’ve ever studied and written about, it will be worth the wait.

Another piece to LK’s writing future is also in the here and now

Originally it was a genre novel that dealt with race relations during the 1863-1864 Navajo campaign. As always in my fiction, the story was character-driven and dealt with the human element.

I can’t remember who took this image but he kindly sent me a low resolution of it. The photo was taken at the Little Big Horn Associates convention in Oklahoma City on 18jun2011, when Custer and the Cheyenne received the Jay D. Smith award for its contribution to Custeriana. A good night for LK.

It had been contracted in the early 1990s, but then the contract was broken. If this hadn’t had happened I would have never become a writer of nonfiction Indian wars books.

Never.

This is/was probably the luckiest unplanned change in my writing life, and I am forever grateful to Dick Upton of Upton and Sons, Publishers, for he had been pitching me to write a nonfiction book on George Armstrong Custer. I had been turning him down, but after the novel when belly up I called Dick. Probably one of the most important phone calls I ever made. I only have a few words to say about this—Bless you Dick, and your wonderful wife Frankie, for without you I would not have enjoyed the last 26 years of my writing life. Click the link to see my thoughts on Dick and Frankie when Custer and the Cheyenne won the Jay D. Smith award in 2011.

Navajo Blood

I’ve always liked my title for the contracted novel mentioned above. After the polished draft was accepted, the publisher (which was unfortunately nearing the end of life), dropped their western line. This story, which I’ve always liked, was exiled to a filing cabinet until this year. Like The Final Showdown (Walker and Company, 1992), it deals with real historical events and people who lived through them, and again has major fictional characters.

Kit Carson meeting with General James Carleton (left in art). For my purposes it is before the 1863-64 Navajo campaign and Carson is just receiving his orders. This was a task he didn’t want, and he has been damned for it, but by people who don’t know who he was or what he attempted to do to end a war he wanted no part of. For all the racist crap about Carson, consider this: he spoke seven languages and had three wives (Arapaho, Cheyenne, and Spanish). A racist? I don’t think so. This image is a detail from a painting on display at the Bosque Redondo Memorial (Fort Summer, N.Mex.). If you have never been there, I highly recommend it.

Mixing and matching of real and fictional players is something I like doing. In this case we’re talking about Kit Carson, his wife Josefa, and their children, as well as General James Carleton, and officers under Carson’s command during the 1863-1864 Navajo campaign, and major Navajo chiefs Manuelito and Barboncito. There are three leading players in the story: an aging fictional Navajo warrior (Pedro Hueros), his granddaughter (Margarita), and Carson. These three people converge on each other, and once they meet their paths lead toward tragedy—albeit not what you expect. It is a story about human beings forced into times that they want no part of, but must experience.

Tucson, June 2019, was R&R while opening doors to my writing future.
I’ve well-documented my meeting with Stuart Rosebrook and True West magazine,
but I have ignored a chance meeting while leaving the Western Writers of
America (WWA) convention’s hotel with Cherry Wiener (my agent
for
The Final Showdown, and a lady that I have always had a
good relationship with since our parting a long time gone).

If I walked to my left from this overlook I would be looking at the western side of Navajo Fortress Rock. (Photo © Louis Kraft 2012)

While in Tucson this past June I brought a number of the chapters the Navajo Blood manuscript with me to mark them up with how I wanted to update it—mainly 1) More character development, 2) More culture, 3) More dialogue, 4) More action, and 5) Writing the story as I do now, while not forgetting how I wrote it in the past. This is all doable due to adding an extra 35,000 words to the genre novel’s 65,000-word draft and turning it into an historical novel. This will begin in earnest hopefully in 2021, which makes this endeavor a sister piece to E&O. I don’t want to say that they’re joined at the hip, but they are the two major projects in my current life.

This is Navajo Fortress Rock. It is in Canyon del Muerto (the canyon of death), which is one of three canyons that are jointly known as Canyon de Chelly (pronounced “de Shay”). This is the only American national monument not on USA land—it is in Arizona on the Navajo Reservation. This view is from the north, and the only way to see it from this angle is to hire a Navajo tour guide with a four-wheel drive vehicle. It is a key set piece for Navajo Blood. (Photo © Louis Kraft 2012)

The plot is detailed and moves between Carson’s dilemma, that is Carleton’s demand to end the Diné’s—as the Navajos call themselves—freedom, and Pedro and Margarita’s struggle to survive at this time of woe. As the story progresses you’ll become aware that the final confrontation between the Diné and Carson’s army will take place at Canyon de Chelly, but this isn’t the ending. The story’s climax takes place at Fort Canby, after the Navajos have begun to surrender by the hundreds. It brings tears to my eyes every time I review it, but I can’t share this. The book has to be published for you to experience what happened at Fort Canby. Know that I’m cocky SOB, and have full confidence in this story seeing print.

Untitled Kit Carson/Indian nonfiction book

The announcements in this blog may have been expected, or perhaps not. But now I’ve reached my nonfiction Indian wars future—and Kit Carson and his relationship with Indians is it. Over the last few decades he has garnered a lot of bad press. I disagree with all of it. … All of it! Anyone who explores this un-racial man’s life will agree with me.

I have work to do—that is research—but it will happen, and his relationship with American Indians will dominate this portion of my writing future. I can’t begin to tell you how thrilled I am to really begin walking with him and the Indians in his life.

This nonfiction book idea has been with me for a long time, but I still need more primary source material to make it become reality. The goal is to complete this research in 2021 (I know, the next two years are a mouthful, but I’m always ambitious). At this moment all I can tell you is that the research will dictate the scope of the manuscript. I know what I’d like it to be, I know what I think it should be, but I must have the research to confirm what happened. … And some of it is so obscure that at this time I’m in the dark.

As soon as I have the research in-house and have a good idea of what the book will be I’ll talk with OU Press. At the moment there is a little uncertainty of my future with them, for the two terrific editors-in-chief that I have dealt with (Chuck Rankin and Adam Kane) will be gone. Still, OU Press is “the” publisher of American Indians and American Indian wars books in the world. They are my first choice. At the same time I know that other nonfiction publishers will jump after hearing the story idea. As the X-Files used to proclaim: “The future is out there.”

The above is all that is a comin’ at this time

I have hinted at the reason for this above
(and that a lot of future writing has been purged from this blog).

In June 2019 I enjoyed a work and R&R trip to Tucson, Arizona, a city I fell in love with in the 1970s. I can’t begin to tell you how much time I’ve spent there, but it is easily over six months throughout the years. … This past June something happened. I don’t know what, and neither do any of my doctors or their tests. Whatever happened, the attacks are constant and happen twice a month. Shots and drugs stop the fire, but nothing has ended it. This month I filled out the paperwork, which will hopefully garner me more paperwork to see if I can—that is will my drug insurance accept the extremely high cost, and more important that I can afford it (I know this answer now, and it is no). This drug, which may put an end to this misery, is going to remain unnamed (at least now). The year 2019 has been pure hell with drug and medical costs. My drug cost is well over $4,000. Pailin’s and my entire health care cost for 2019 is over $18,000, and this doesn’t include $6,000 USA dollars spent outside the country. …

During one of the episodes I chose not to initiate another
round of shots and drugs and the fire did not go away.

The impact has already begun …

… and it is ongoing. But I do believe that I will see Sand Creek and the Tragic End of a Lifeway published. I want to hold the book in my hand. This is an extreme statement and hopefully little more than nervousness on my part. Earlier this fall I saw an allergist twice. He performed over 260 needle tests during my two visits three weeks apart. After the second, he said: “I don’t know what’s wrong, but what you have I have never seen before. I can’t help you. Good luck.”

What you are looking at is a photo that Pailin took on the morning of 4oct2019. My face had creamed, burned, and has begun to peel. This is the first night-day of my problem. My face will now puff out and a triangular bulge under my eyes will move to my temples. Also, my back will become a rectangle of bumps, but they will only itch. The redness on my face will grow to a burn that is so extreme that I won’t sleep. The only way to avoid this is to get a shot and a huge package of prescription pills that will stop the process momentarily. After the pills end, I will have perhaps three, four, or at the most six days until the process again begins. With drugs, this is a twice-a-month happening. Honestly, it is hell without an end.  (photo © Pailin Subanna-Kraft 2019)

Just seven months ago i could walk 14 miles a week (and did). Now walking a quarter mile is extreme foolishness. I’m not going to go into any details but a lot of normal physical pieces of daily life are involved. Do not ask, for all I intend to share will be below.

In November I began to bleed internally. On December 23, when I presented my condition to the doctor who had been handling my case in the hope of obtaining yet another shot and drugs so that I would look presentable on Christmas, it ended in a “no.” The reason was simple: there had been no improvement over the months and now my condition had begun to change in a way he couldn’t deal with medically.

That December 23 initiated the beginning of my future, and one that is darker than before. I walked into another of my doctor’s offices, one who has played a big part in my health for decades. He knew what was going on, but wasn’t involved, and immediately began a series of tests. But like when I was cracking my skull open a few years back, something that led directly to an emergency surgery (and not just stapling my head back together), but giving me a new life in August 2017. These tests were an eye opener. Mainly my red blood count was extremely low, my balance non-existent, and my breathing belly-up (last May I passed all my breathing tests with flying colors, but on December 23 I failed every breathing test I took).

Pailin and I took this photo at Tujunga House on 18oct2019, two days before her niece and only relative in the USA (Sabrina) and Carlos (who is from El Salvador) married at Wat Thai of Los Angeles. We were in the wedding, but I wore my suit pants (Carlos wore the Thai pants in the ceremony) and Pailin looked as she did in this image. I had luckily dodged my transformation into a monster and this was a good time. (photo Pailin Subanna-Kraft & Louis Kraft 2019)

The testing is ongoing, and I’m prepared for each and every step of the process. I’m always proactive with my physicians. … My last medical appointment this year was on December 27. I walked into the office with a five-page document, which listed the medications and my changing physical status since last I saw him in early fall. We then discussed the reason for my visit, which was for a series of tests that we perform three to four times each year (and they aren’t related to my current situation). While we went through the process he raised the idea of my current physician in charge perhaps sending me to either the USC or the UCLA medical school to see if they have done any testing similar to what I’m experiencing.*

* Good friend and George Armstrong Custer and Little Bighorn battle expert and author Fred Wagner recently provided me with another lead that I intend to look into—that perhaps a parasite is the culprit.

After we completed my last test (an ultrasound; my third last week), he asked about my writing. I told him that I completed the detailed Sand Creek index in November, my reviews of the two book proofs in December, as well as signing off on the dust jacket, while adding that I had submitted my first article to True West on December 22. He shook his head and smiled. “I can’t believe that you did all of that in your condition,” he said. “My brain functions,” I replied, “and I love what I do.” He smiled again. “Good for you.”

Oh yeah, I’ve always been one lucky cowboy.

What is the future?

I don’t know what’s in front of me, other than I’ll cherish each and every moment of it. One thing is certain, and that is finances and health will be key in the upcoming years. I’m looking forward to whatever it will be.

If it is a race against time, I’ll have everything that I want—
my small family, my friends, my writing, and myself.

Louis Kraft Sand Creek Massacre, Errol & Olivia, and Navajo Blood updates

Website & blogs © Louis Kraft 2013-2020

Contact Kraft at writerkraft@gmail.com or comment at the end of the blogs


LK is burned out, a skeleton that
functions on reflex. This came about from weeks,
months, and now pushing three years of working almost
seven days a week on the Sand Creek project. It
is now 11jun2019 and I have much that must
still happen for Sand Creek and the Tragic
End of a Lifeway to see the light of day
in 2020. Everything is business, but
key is that LK must provide
OU Press everything it
requires for the book
to be published.
Everything.

This is on me, and I wouldn’t have it any other way.
But before I share my progress I want to give you a hint of what follows it.

I was going to use the above image without the words later in this blog but then changed my mind. It dates to 1982 after I returned to SoCal after playing Miles Hendon during a 1981-1982 135-performance tour in Northern California of The Prince and the Pauper (based upon Mark Twain’s novel and Errol Flynn’s 1937 film). I choreographed the duel in the play and had a living blast during the tour. This image was taken while I worked out with actors that knew how to handle the sword for five one-act plays that were grouped together. We performed them in late spring or early summer. I performed in three of them and wrote one. … A battle of the sexes wherein the hero—yours truly—was done in by a lady who knew how to handle a blade, but was no competition for hero Kraft, who toyed with her before disarming her and forcing her to the ground. She was on her back, unarmed, and at the hero’s mercy as the play ended. But all wasn’t as it seemed to be. While Kraft bowed and enjoyed the audience’s applause and cheering one well-placed punch turned victory into defeat—to the delight of everyone who saw The Fencing Lesson. Well-choreographed slashing blades enacted with sexual innuendo while lightly played for laughs was perhaps one of my better writing/acting efforts … until the lady regained her feet and proceeded to bash the hell out of me with relentless fists that ended the play with a standing ovation—for her. (photo © Louis Kraft 1982)

This blog is much more than a Sand Creek book update

Much-much more. … For it marks the beginning of my writing future. The time has arrived and some of it may shock you, but what follows—like my Indian wars books—has been in place for many years. By that I mean that the research has been ongoing for decades. Decades. This does not mean that I’m turning my back on the American Indian wars, for I’m not … I’m simply changing my focus while continuing to do what I’ve done for a very long time. It feels like it has been a lifetime coming but with Sand Creek and the Tragic End of a Lifeway racing toward publication the time has arrived.

You know that I’m cryptic at times and certainly secretive. Alas, that still is in place. … This blog will deal with three books, and some important surprises.

There is no reason be silent in regards to the three books

  • Sand Creek and the Tragic End of a Lifeway (but you knew it was on this list).
  • Errol & Olivia, which is a dual biography of Errol Flynn and Olivia de Havilland during the making of the eight films they did together.
    • Research continues on two additional nonfiction books on Flynn.

This change is not a move away from my Indian wars/race passion to the world of film (my other passion), but a continuation while I branch out into areas that have been on my plate for what feels like an eternity.

  • Navajo Blood, a novel that deals with dark-dark times in the Southwest during the years 1863 and 1864 and will have a mix of real Diné (as the Navajos call themselves) such as Chiefs Manuelito and Barboncito; as well as frontiersman turned soldier Kit Carson, among others; and fictional players, two of whom are key to the entire story.
    • This novel isn’t a one-and-done effort with Mr. Carson.

What follows is my future.

Sand Creek and the Tragic End of a Lifeway status

Ohhh baby is time flying past at lightning speed.

My last manuscript status on these blogs was on the last day of December 2018. Time simply disappears when you’re having fun. I often feel as if I’m swimming off the SoCal coast in the Pacific Ocean, and this is good as I’ve been a fish ever since the first or second grade. But not really for although I’m making deliveries that are mandatory for the Sand Creek manuscript to see print I think that OU Press views my progress as I race toward the finish line closer to “a snail’s pace.”

We have Great White sharks off the coast of Los Angeles, and as temperatures warm more and more are seen. This year schools of four and five have been photographed cruising above the surface and just beyond the breakers from helicopters. One can only wonder how many of their brethren are forever searching for their next meal hidden from sight. I refuse to become shark bait screaming as I sink into the murky depths of the Pacific only to have chunks and pieces of a once-cocky writer who is no more float to the surface and gently flow to shore. … This image is an LK vision of Costa Rica’s west coast. It looks like a wonderful place to walk naked along the beach. Oops! Ignore that. … I wonder if Great Whites swim that far south. (art © Louis Kraft 2019)

I will deliver.

Manuscript delivery
I made the final manuscript delivery in mid-January. OU Press Editor-in-Chief Adam Kane and Production Manager Steven Baker (who I worked with on Ned Wynkoop and the Lonely Road from Sand Creek) have told me that the story flows, is readable, and will do well when published. Adam also told me that the book would sell even if there were no photos or art.

I took this image of Cheyenne Chiefs Lawrence Hart (standing center right) and Gordon Yellowman (praying at right) while they blessed the Cheyenne-Dog Man-Lakota village that Maj. Gen. Winfield Hancock destroyed, and in my opinion without cause, in April 1867. Just one of many heinous crimes performed by the U.S. government and their cronies during the entire 1860s when the United States swept westward with the lone goal of securing every acre of land that held value and to hell with any American Indian that dared to say, “Stop! This is my land.” I don’t know if you’ll ever read Sand Creek and the Tragic End of a Lifeway. If you don’t read the book but see it somewhere look at the last paragraph as it shows you exactly why I signed on for this project without end. The lady with the blanket around her shoulders at center-left is Gordon’s wife Connie. I met her at this two-three day event and spent a lot of time with her. Good times for LK as I enjoyed her company while appreciating what she shared with me. The only other person in this image that I know is George Elmore (left in the sergeant’s uniform). We met in 1990 while I was researching The Final Showdown (1992) and he gave me and my daughter a private tour of the Fort Larned NHS, a lot of which made it into the novel. Both he and Gordon have influenced my life, not to mention having played key roles in the completion of Sand Creek and the Tragic End of a Lifeway. (photo ©  Louis Kraft 1999)

To get to this point in time has never been a one-man show. There have been a lot of people who have unselfishly shared their knowledge, their time, and their patience with me. They have ranged from writer-historians to National Historic Site personnel to archivists to American Indians to friends whose interest is the same as mine to the staff at the University of Oklahoma Press, for without all of them there would be no book. I’m not listing them here but perhaps when I write the blog that announces the publication of the book I’ll focus on them (more below).

Images
The manuscript has 34 contracted images and all have been delivered to OU Press (the last two in late May). I’ve always known what I thought I wanted, but time and due to simply not finding specific photos or art more often than not made unexpected searches mandatory. As with my research on the manuscript many people and organizations played key roles in me actually completing this list. It goes without saying that at times this search was agonizing.

This is a colorization of a detail of a woodcut in the LK personal collection that I had used a grayscale of in Ned Wynkoop and the Lonely Road from Sand Creek. It is of Bull Bear (left) and Black Kettle on 28sept1864. I had considered using the entire woodcut in Sand Creek and the Tragic End of a Lifeway but early on decided against this. (Detail colorization © Louis Kraft 2013)

As always for me it is the process, and in the case of photographs, art, and woodcuts it included hot trails that eventually turned ice cold. When this happened I was always disappointed, but that never lasted long. As I’ve always had backup selections identified, and if they weren’t in-house I began new searches.

Working on photos that needed restoration has been an ongoing task of major proportions. Ditto obtaining photos and art from archives as well as individuals. Regrettably some of the archives’ responses have been at a turtle’s pace. Some have come through and some fell by the wayside as I ran out of time and scrambled to obtain other images. Still many people and organizations stepped up to the plate (a baseball term) in my quest to locate, obtain, and when necessary purchase the images and, if required, the use fees. To each and every one of you thank you from the bottom of my heart.

As announced, and I think at the end of last year, I will not share any image that will appear in Sand Creek and the Tragic End of a Lifeway until it is published. This is firm.

Maps
My cartographer needs to be mentioned; his name is Bill Nelson. I hired him to create two maps for Ned Wynkoop and the Lonely Road from Sand Creek (2011) from my rough drafts. If you’ve seen the book you know that his work sparkles. One of the Wynkoop maps is displayed below. I again hired Bill for this book, but this time I reworked the two Wynkoop maps to create drafts for him, and he has finished them and they will shine. I hope to deliver my draft of the third and final map to him later this week. Like my original drafts for Wynkoop this map will be rough. Although it now has a firm-no move deadline of August 5 that I think will be fine.

Ned Wynkoop and the Lonely Road from Sand Creek map © Louis Kraft 2010.

OU Press Managing Editor Steven Baker was, and still is, nervous over the last map ever seeing the light of day, much less making this final deadline. Based upon the ongoing problems I have encountered to create a rough draft of it I am hopeful that it will be of benefit to those who read Sand Creek and the Tragic End of a Lifeway. Steven has every right to be a little on edge. I know the reasons, I know them intimately, but I have no intension of sharing them for it would unleash a tirade that none of us want. Now is the perfect time for me to keep my bleepin’ mouth shut. … I needed to calm Steven somewhat, and I had already presented the option of dropping the map from the book, which he shied away from without addressing. I didn’t question his silence. … Bill and I will make our deadline.

Is Kraft cocky? At this point in time, yes. I’ve been in this position so many times over the years (and I’m not talking about just the freelance world) that it’s just another day in the LK world of chaos. My knees aren’t shaking, I’m not walking around in a cold sweat, and I don’t stare with wide-open eyes at the ceiling when I should be sleeping. I have reached the point of deliver or shut up. I’ve been here many times and it is simply taking it one step at a time. I am confident while at the same time know that if I fail now and the book isn’t published that the sun will still rise tomorrow. This is my world, and I’m in my element.

Steven, trust me.

Copyedit
Kerin Tate is my copyeditor for the Sand Creek manuscript. Adam and Steven both highly recommended her. On May 30 she emailed me to inform me that she liked the manuscript, word usage, notes, and was making good progress with minimal changes. Since then we’ve had more contact and all is good. I’m thrilled to be working with her. We’ve agreed that she’d deliver her copyedit to me June 24. Previous to this, Steven had agreed to an extension of my review/edit of the copyedit to August 5, due to events, happenings, and Pailin’s and my now annual Fourth of July open house/party that includes her birthday. Kerin’s delivery is perfect for me and will become my total focus on July 6 (although I will begin working on it after she delivers it).

Years back when I asked a George Armstrong Custer historian (alas, long dancing with angels) if he could have improved his work he replied without batting an eye, “No. My work’s perfect.” Let’s just say no LK comment about his “perfect” work. … I believe that it was in spring 2013 when I spoke at an annual Order of the Indian Wars spring event in Centennial, a suburb (?) of Denver, Colorado. While in the lunch line with friend/historian/writer/radio show host/performer Deb Goodrich—yeah, this lady is multi-talented and I didn’t list all that she does—asked me what I thought about my work. “If I could work on my published writing again,” I said, “I could improve all of it.” This was how I felt then and what I believe today. … History and writing about it is an ongoing process that is in constant change and never ends.

LK w/Deb Goodrich during the evening party after the Order of the Indian Wars Annual Symposium in Centennial, Colo., ended on 20apr2013. I had given a talk about “Ned Wynkoop’s Last Stand” during the event. It is based upon a photo by Frank Bodden. (art © Louis Kraft 2019)

My goal—always—is to bring the leading players to life, make the events jump off the page, and have my readers curse me for they can’t put down the book and the hour is creeping up on midnight. My copyeditors for Lt. Charles Gatewood & His Apache Wars Memoir (2005) and the Wynkoop book played key roles in making this happen. My hope is that Kerin’s copyedit will improve the Sand Creek manuscript while not damaging facts or corrupting Cheyenne words that are correct.

The blog that announces the Sand Creek book publication will also … Gulp … “say it ain’t so,” LK

… but it is so as I hope to feature as many of you that have helped me as possible in that blog. And here, please don’t be like former editor-in-chief of OU Press Chuck Rankin, for if not for him there would be no Sand Creek manuscript or book. My friend prefers to move in the shadows. He couldn’t get away with that with me as I have too many images of him. At the moment many of you are under the radar, and that simply means I would like one or two or three images. Do you have photos of “you” that you could share? If yes, I want them. Here I’m talking about you, and many of you are new to the LK world. Honestly, I really want to publicize your efforts and kindness in the creation of the Sand Creek manuscript and book. As they say … “a photo is worth a thousand words,” so please be generous.

As Sand Creek charges into history LK’s writing future comes into focus

Over the years I have certainly publicized upcoming book projects, and I’m certain that for most of you this has been little more than a lot of hot air. From your point of view, maybe; from mine, reality. What follows is a list, and it is in my current working order. As always, research and more research is behind everything that I write.

Errol & Olivia
Although I didn’t know it Errol Flynn would influence my life more than any other historical person, and it began while I was in elementary school. Flynn introduced me to the American Indian wars, piracy, swords, acting, and most important an openness to people of all races. While still an actor I began to research his life in earnest, and in 1996 decided to write a book about him.

This photo of LK and Olivia was taken on 3jul2009 at her home in Paris. It was an absolutely wonderful day and evening. (photo © Louis Kraft 2009)

My contact with Ms. Olivia de Havilland led to my decision to make it a joint biography beginning with their arrival in Hollywood, being cast in Captain Blood (Warner Bros.-First National Pictures, 1935), their life and times during the eight films they made together between 1935 and 1941 (three of which were westerns). It will include an extended epilogue (similar to Sand Creek and the Tragic End of a Lifeway). Easily 90 percent of the research is complete, but with this said the research is ongoing. As soon as I complete everything that is required of me during the production of the Sand Creek story this will become my number one project. … No more detours

  • Errol Flynn book number 2 (could be book 3)
    By the way, the second book on Flynn will be the best nonfiction book I write. Certainly this research is underway, but a lot more needs to be completed. This will begin in earnest as soon as the Sand Creek copyediting, my reviews of the designed  book pages, I’m good with the dust jacket design and copy, and I’ve created the index.
  • Errol Flynn book number 3 (could be book 2)
    That’s right, I have three books planned on Flynn and there’s still a chance that I could partner on this book (but in a completely different way); if true, Mr. Flynn will dominate a good portion of the rest of my nonfiction-writing life.

Navajo Blood
This novel deals with an old Diné warrior and his granddaughter during the 1863-1864 timeframe of the Kit Carson Navajo campaign. I have a polished draft, but recently decided that additional information needs to be added to the manuscript. The goal is to stay true to history while making the characters (real and fictional) come to life. My pitches will begin this year.

  • Untitled Kit Carson nonfiction book
    Primary source research is certainly underway for creating a book about Kit Carson; some of it is already in-house but I need more. If I’m able to locate what I need—and this is mandatory—I’m certain that I’ll be able to complete this manuscript without any of the problems I encountered while piecing all the parts of the Sand Creek story into a readable book. A focused continuation of the research will begin in fall 2020.
    * I haven’t begun to draft a proposal or verbally discuss it with editors yet but this will begin as soon as I have all the required research in-house, and I know exactly what I intend to use. … If I can’t find what I believe exists I will extend the scope of the story. For the record I have all the published books on Kit that are worth a damn and way-too-many that aren’t. … As soon as I’m satisfied with my primary source material I will draft an in-depth proposal. As with my previous nonfiction work this book will not be like any others in print.

LK Memoir
I’ve hinted at this for a long time, and both the research and the writing in various forms has been ongoing. Just look at the blogs for they represent some of my digging into the past, but, alas, I have shied away from the incidents/events that if published or made public at this time would cause me to ward off an invasion on Tujunga House by hooded assassins bent upon shutting my mouth for all time. It will be juicy, funny, fast-paced, and truthful (with documentation to back up what I state, something that you usually don’t see in memoirs).

The pirate Francis Drake … fiction and nonfiction
I have an incomplete fictional draft of Drake’s early piratical days that has a lot of promise.

As you can see, LK has been wielding a blade for sometime. (photo © Louis Kraft 1958)

I also have all primary and secondary sources on Drake published since the beginning of the 19th century (and much of the primary source material dates to the 16th century). Looking at the above writing projects this might sound like wishful thinking on my part. For the record Mr. Drake was light years ahead of his time, which was dominated by racial and religious prejudice and hatred. … What can I say other than I’m an optimist. For some of my views on El Draque, see The pirate Francis Drake and LK.

Various fiction projects
This ranges from Chinese fishermen in Monterey, California, during the 19th century … to modern-day Anasazi cannibalism in New Mexico … to bootlegging on the Navajo reservation … to a continuation of the two leading fictional characters introduced in The Final Showdown (1992) and their relationship with the Cheyenne Indians during the latter part of the 1860s.

Decades ago while doing research in the Monterey Peninsula, California, I discovered a photo shop/lab in Pacific Grove and spent the afternoon talking to the gentleman, who if my memory is good was a photographer/owner of it. He specialized in the Asian (mostly Chinese) presence on the California coast in the 19th and 20th centuries. Many of the photos he showed me that day I have since seen printed in books. Hopefully he is still with us, and if not hopefully his quest to preserve and share history from that time continues to live on. That day and afternoon has never left me and I have gathered as much reference material as possible (mostly academic) over the passing years knowing that some day I hope to write about the Chinese experience on the California coast. The California Historical Society call number for this public domain image is FN-22407.

All are outlined, in draft form, scripted, or partially written. I have played down fiction, but this doesn’t mean that it isn’t a medium that I would have any problem returning to full-time.

A slight change of subject, but it is related to LK writing fiction. And it is one that hovers in the shadows of my life on a daily basis. Mainly, will Pailin and I continue to be able to survive in Los Angeles? The cost of living is high, and I hate to say it but it increases almost monthly. California has become the land of the rich.

David Horsey is my favorite political cartoonist, and in this simple image he nailed the Pacific Coast (California, Oregon, and Washington) real estate market. … Simply put middle- and lower-class Angelenos are being taxed out of existence. We’re paying millions and billions for 1) Statewide gasoline taxes (by far the highest in the USA) to improve the roads (I invite you to LA to experience our roads, for it will make you feel as if your driving off-road in a third-world country). I don’t want to discuss this joke other than to say that in LA city hall is removing lanes from pot-holed (and in some cases repaved) streets with the magnificent logic that if they increase drive-time to work—let’s  say from 30 minutes to 45 or more minutes in bumper-to-bumper traffic to drive two or three miles to reach a freeway, which isn’t moving, they’ll force everyone to use public transportation. The farce doesn’t stop here for we are about two years away from being charged $4.00/day to drive into certain areas in Los Angeles County, including the Westside of Los Angeles (Westwood, Santa Monica, Venice, Brentwood, and West LA). Pailin drives there six times per week. Do you realize how many buses she would have to ride, how many subways (southeast to Hollywood and farther east to transfer to one going south to then connect with a westbound subway that will travel much farther west than from where she started her day, which won’t get her close to any of her destinations) twice daily (she has to return home)? Not to mention that she gets off at night. 2) For the homeless, which in LA increases by the year and on the week of June 3rd the LA Times announced that it is now just a few hundred short of 60,000 with somewhere around 20,000 housed. $1.2 B in the last three years. Where is all this money going? 3) Over the years the Los Angeles County School Board (the second largest in the country) has been dysfunctional, and the district is one of the worst in education achievement in the USA. Management at the top of the school board earn more than the governor of the Golden State, which I suppose gives you a good idea where some of this money ends up. There have been two tax increases in the last two or three years, but in 2019 greed took center stage yet again. On Tuesday, June 4, we voted down a new tax for the school board. This one would have levied a $0.16 tax on every square foot of building space in Los Angeles County. Yep, on every house, apartment building, condo, gas station, grocery story, movie theater, office building, factory, car dealership, hospital, ad nauseam. Put simply, that is an additional $160 tax dollars per 1,000 square feet of building space. I think it would be safe to say that the cost of everything in Los Angeles would go up. Horsey’s cartoon is right on target for a problem that is worse today than when he created it. A neighbor’s 800 square foot house sold for $650,000 earlier this year. About 20 people live in a 1200 square foot house including a converted one-car garage nearby (the adults all work and the young children all go to school except for one little girl). For the record the two bedrooms and living room have been divided into cubicles similar to what you would see in software office buildings. The Times article also pointed out that a lot of those living in their vehicles—that is homeless people—are working but can no longer afford housing. (art © Horsey and the Seattle Times 2018)

To repeat myself California has become the land of the rich, the poor, and the vanishing race once called the middle-class. Supposedly if California seceded from the United States it would become I believe the sixth largest economy in the world. This is not a joke and it is something we have to deal with every two or three years when rich clowns (read billionaires) spend a lot of money to make this reality. In two previous attempts to create the new country of California, it had been divided into three states and then six states.

I know the answer and without knowing it so do you (but you won’t admit it).

Due to the turmoil that seems to be a daily occurrence in the Golden State I have logged many hours trying to remain in the USA while also exploring becoming an expatriate.

In 2018 a person I considered a friend called me a renegade to our country, damning me as he didn’t agree with my views on our country’s current policies (which for the most part I avoid sharing, and wasn’t discussing when he slammed me).

For the record LK fits in wherever he goes. Here I’m dancing with Not (left, Pailin’s sister) and Pailin as we approach Wat Phra That Lampang Luang, a Temple in Lampang, Thailand. (photo by Daranee Kosin and © Daranee Kosin, Not Subanna, Pailin Subanna-Kraft, & Louis Kraft 2014)

Being short of cash didn’t count—just looking into living offshore turned me into a traitor or worse. Regardless of which is true, I guarantee that one thing won’t happen. I’ll never become a homeless person. I know a lot of them personally, and my heart sheds tears every time I talk with them as I can’t help their situation. See Horsey’s cartoon, above, for housing is one of the major culprits (along with LA Mayor Eric Garcetti, who talks a good story while sitting on his ass and dreaming of becoming president of the USA).

LK’s office in Uttaradit, Thailand. (photo © Louis Kraft 2014)

The point I’m trying to make is that if Pailin and I are forced to relocate to Thailand or New Mexico or Costa Rica or Arizona or Spain or elsewhere these and other story ideas will find a life of their own as my fingers dance over the keyboard and my fictional world explodes with life.

I know, the above is a shocking mouthful. … So is ‘Stayin’ Alive.’

High Noon (1952) Elmo Williams’ Oscar, UNM, Tomas Jaehn, and Errol & Olivia 

Let’s start with Tomas Jaehn, formerly of the Chávez History Library, Santa Fe, who in the early part of this century created the Louis Kraft Collection AC 402 & AC 010 for photographs.

LK with Tomas Jaehn after a talk on “Edward Wynkoop’s 1867 Fight to Prevent War” at the Chavez History Library, Santa Fe, N.Mex., on 15sept2004. (photo © Louis Kraft & Tomas Jaehn 2004)

The last two deliveries to the LK Collection have not been catalogued and the archive has not been updated. I’ve begun to prepare next delivery that will happen after Sand Creek and the Tragic End of a Lifeway is published. It will consist of two books, including The Discovery (2016), magazine articles, and talks, along with personal correspondence and additional photos and art. Access to the archive is by appointment only. Contact Heather McClure at 505.476.5090, heather.mcclure@state.nm.us. This delivery will happen at an undetermined time when I travel to New Mexico. … And it will be huge, including a lot that I have not announced.

LK and Olivia de Havilland talking about her life, Mr. Flynn, and important subjects that both of us brought up at her home in Paris on 3jul2009. During both of my visits to France our conversations were lively and full of information that also included world events and USA politics. Without hearing her view of Mr. Trump I know exactly what it is. She is a lady, does not use foul words, so if she ever shares it with me it will be printable. (photo © Louis Kraft 2009)

For the record once Errol & Olivia is published the Kraft Collection will also contain research, drafts, correspondence, and other material related to the creation of the book including the Kraft-Olivia de Havilland correspondence over approximately twenty years. Some of OdeH’s letters were hand-written while others were typed, and I assume by her then secretary but signed by her (meaning that I perhaps have more of her autographs than everyone else put together if we don’t count sports stars). During my two visits to Olivia’s home in Paris, France, she had two different secretaries. Both were young American ladies. To learn a little more about Livvie, as Errol Flynn called her, see Olivia de Havilland, a world treasure.

In 2006 the Academy of Motion Picture Arts and Sciences (Beverly Hills, Calif.) announced that it would honor Olivia that June.

Some people I thought were friends came out of the woodwork and demanded that I obtain tickets to the event for them. I told them that I was not going to ask for tickets for myself and I wouldn’t for them. Whoa baby, did I ever unleash a swarm of hatred directed at me via phone and email. The words were scathing; actually they were much worse. I ignored them, but those relationships didn’t survive. … Oh, there was still some connection with a few of the people but it never revived the past. One Flynn expert, and we had shared a lot of information over the years, became the most venomous toward me when I refused to help him obtain a ticket.

For the record OdeH invited LK to attend her gala, and it was some event.

The Flynn expert succeeded in obtaining a ticket and also attended. Surprisingly we spent a good part of the evening together. We even sat together while Olivia was honored on stage by the late Robert Osborne (former host of Turner Classic Movies). We enjoyed each other’s company that night, but we never spoke again. He died a few years later and his incomplete manuscript was never published (and I have insider information on why; this is something that I’ll never share without permission). No comments here; none whatsoever. He is gone, and so is why he failed so see his Flynn manuscript(s) through to publication.

Back to Tomas Jaehn

Tomas is now Director, Special Collections/CSWR, University of New Mexico Libraries. We see each other whenever he is in LA or I’m in Santa Fe. Always good times. During his last visit to Tujunga House in summer 2018 we talked about a lot of subjects including an upcoming event at UNM.

Standing in front of a cutout of Gary Cooper as former marshal Will Kane in the classic 1952 film, High Noon, Tomas Jaehn holds Editor Elmo Williams’ Oscar for the film. With him is Topiz, a UNM student employee who Tomas “asked to watch the Oscar during the event.” (photo © Tomas Jahen 2018)

Tomas is good at having fun with words. When he sent me the above image he called it an attachment of an ‘Albuwood’ or ‘Hollyquerque’ ‘pic.'” Love it!

The second showing happened on 1nov18, and Tomas had this to say: “Second showing of the Oscar was a blast. Folks loved it and commented on ‘how heavy that thing is.’ (A phrase that I hear every time I watch the Oscar events).”

Tomas also mentioned that UNM has Michael Blake’s papers. Novelist/screenwriter Blake became a good long-distance friend of mine for many years. He won an Oscar for his script Dances with Wolves (1990). This film has been on my film list and it has been off. There is a chance that it might be on again (but at the moment is still off). I need to watch it a few more times, if for nothing else than to enjoy Wes Studi* and Graham Greene’s performances. If yes, I’ll talk about Michael. See the section “Michael Blake, a special person and writer” (the second section) in The Louis Kraft writing world differs from other writers’ worlds for some of my views of him and of our relationship. Damn do I miss him.

* Wes Studi news flash!

On June 4 the Los Angeles Times (Calendar section, pE3) announced that Wes Studi would be awarded a special Oscar for his contribution to film over his career. Wow! The Times mentioned Last of the Mohicans (1992), Geronimo: An American Legend (1993) (see 1st fifth of a Louis Kraft 50-film list), Hostiles (2017), and Dances with Wolves (1990), among some of his other films.

A scene during Hostiles wherein Jonathan Majors is a member of the military detail that is escorting Sioux war chief Wes Studi from the south to the north so that he can see his homeland one final time. For those of you who haven’t seen the film, like the LK/Goodman novel this film’s title is misleading in that you must see the story through to its conclusion to know what the story is really about. LK personal collection.

These awards used to be presented during the live telecast at the beginning of each year but no longer. To save myself time I’m quoting the article: “The Board of Governors of the Academy of Motion Picture Arts and Sciences announced Monday that it will present its annual honorary Governors Awards to director David Lynch, actor Wes Studi and director Lina Wertmüller, while actress Geena Davis will receive the Jean Hersholt Humanitarian Award.” The Oscars will be presented at the Governors Awards ceremony on October 27, and although not mentioned I assume at the Academy of Motion Pictures and Sciences on Wilshire Boulevard in Beverly Hills, California.

Finally Mr. Flynn & Ms. de Havilland or more precisely …

I love the art for this magazine cover from January/February 1979 (unfortunately the journal no longer exists). I know who the staff artist is/was but have no contact information. This art would work nicely for the dust jacket of Errol & Olivia. … Research continues. If you know who or what institution/company owns the copyright of this art please contact me.

Errol & Olivia.

For all of you who have been patient, for all of you who have liked my talks and articles that dealt with them, your time of waiting is nearing an end. Although research on Errol & Olivia has been ongoing writing has been almost nonexistent the last half dozen years. I’m sorry but that is just a fact of life as I had to deal with completing Sand Creek and the Tragic End of a Lifeway to my satisfaction. It will turn a portion of the current literature upside down. … You know what? So will Errol & Olivia. No joke.

You probably think that this is just another LK piece of prose to keep you hanging on. No. Trust me, and I would never say this unless I meant it.

This photo was taken on the same day as the image at the top of this blog. I don’t remember the actress’s name (and unfortunately I didn’t write it on the back of the 8x10s (someday I’ll pull my book of days from the 1982 taxes; I’m certain wrote about her there). We were beginning to rehearse the routines that would be in the swashbuckling one-acts. She was good with the blade and I liked working with her. Alas, she had a conflict with the evenings when we’d rehearse and perform and dropped out soon after this photo was taken (my loss). LK knows the sword, beginning while in junior high school when I studied with U.S. fencing Olympian and film dueling choreographer and stunt double legend Ralph Faulkner at his Hollywood Blvd. studio. I later was asked to join the CSUN fencing team during my first year at the university (I fought competition sabre), and later studied swashbuckling (stage combat), which is always done little protective gear (mainly knee and elbow pads). It is perfectly safe—yeah, right Kraft, as long as you don’t loose an eye. Trust me, it’s safe, for it is just like dance and every offensive movement with the blade has a unique number, while the duelist on defense has a corresponding number to parry (block) the attack. (photo © Louis Kraft 1982)

For those of you who don’t know, the American Classic Film: The Journal of America’s Film Heritage cover art is of EF and OdeH’s first film together, Captain Blood. It became a major hit and turned Flynn into a superstar over night (the term didn’t exist in 1935) and de Havilland into a star.

Captain Blood was the first of nine Flynn swashbucklers; four of which would become classic films and the best four examples of the swashbuckling film genre to this day.

To repeat what I said in the American Classic Screen cover image above:

“If you know who or what institution/company owns
the copyright of this art please contact me.”

If the owner/copyright holder allows me to use the EF & OdeH Captain Blood art by then journal staff artist John Tibbetts (1978), you will receive my eternal gratitude along with a first edition of Errol & Olivia when it is published.

If you supply me with the owner/copyright holder of Mr. Tibbetts’
art and I fail to obtain the required permission I need you
will still receive a first edition of Errol & Olivia.

(For the record I already own the cover art for the second Flynn book.)

The goal is to be back to writing Errol & Olivia full time sometime in early 2020. Heck, that’s just around the corner. As I have a little over 60,000 words and am shooting for 125,000 words, I’m roughly halfway to a first rough draft. I’m not joking about Errol & Olivia being different for it won’t be like any joint biography that you’ve ever read and you can take that to the bank. ‘Course if you bet on this and win a goldmine don’t forget that your ol’ pal Kraft, who gave you insider information, would appreciate some of your winnings.

Three LK “long walks” in 2013 and 2015

These three years represent a sad time for me as I walked away from
what has been a major part of my life for decades.

The end of a big part of my life that wasn’t a loss

LK answering questions after speaking about “Errol Flynn, George Armstrong Custer, and a Lady called Livvie,” before the Custer Battlefield Historical and Museum Association, in a Hardin, Montana, movie theater on 25jun2011. (photo © Louis Kraft 2011)

In 2012 I stopped writing for the software world. It was forced but I was good with what happened (other than the lying manner of the presentation). Don’t get me wrong for I have had a lot of great memories, and have certainly known a lot of wonderful people from all over the world, in a fast-paced industry that took no prisoners. Put simply, you delivered on deadline or you might walk the plank. Heck, that’s not completely true, for sometimes even if you did deliver you might still end up walking the plank.*

* Walking the plank is a piratical term. When a corsair captain and his crew decided to eliminate a member of their brethren or a prisoner, at times the unfortunate person was forced to walk on a plank that extended from the side of the ship until they stepped off it and dropped into the sea or ocean, only to sink into the depths until they met Davy Jones and his locker and became his slave throughout eternity.

This impacted my life in a major way, as I knew it would, for I had made the decision to not rejoin a world wherein I made six figures per year. … It wouldn’t take long before I felt the crunch on my wallet. Still, I refused to do an about-face and rejoin the self-imposed world of slave labor (again, Yahoo! and Oracle were not and never were a part of this equation when I wrote for them).

No longer a cold-hearted gun for hire, I was free. Free at last to spend all my time writing about what was important to me.

2013: Adios cowboy; no more talks
But things would happen. Suddenly, and without warning, I needed to pay half of an operation that I didn’t know about until after the fact. By this time I knew that there would be no more talks. Some talks paid a lot of money and all expenses (and I certainly enjoyed my connection with these organizations) while many groups that I wanted to speak for paid peanuts (meaning that when I spoke for them my loss could be $1,000; no big deal in the past). There were talks I wanted to deliver in 2013 and I gave them regardless of how much it cost. Good times, times that I dearly miss to this day.

2013: Adios cowboy; no more research at a great archive
This year also marked the end of my research at the USC Warner Bros. Archives in Los Angeles, California. By this time I was in a position wherein I didn’t need to return to the archives as I had enough primary source material to complete Errol & Olivia. Still, if you know me the research is always ongoing right up until publication (and usually lasts much longer as articles and talks follow). However, this ending was never permanent as I intend to do a lot more writing about Mr. Flynn. … More, I’m always big at going back and checking what I have for accuracy along with seeing if I might have missed anything.

2015: Adios cowboy; no more magazine articles
Another part of my life came to an end two years later. I never lost money here, and often I made additional fees based upon the photos/art/woodcuts I supplied and once in a while earned cash from my rough drafts of maps. This also included reselling photos, woodcuts, and my art to other publications. But the days of pushing these sales also came to a halt with me walking away from writing for magazines.

The reason was simple

Time. I needed time to complete two books.

Cover art and book design for The Discovery © Louis Kraft 2016.

A medical-legal thriller that I partnered with Bob Goodman, one of my physicians, who had a great premise that dipped into the depths of hell. I began the project as a consultant making good money, which quickly paid for the operation. I marked the hell out of his incomplete manuscript, provided edits and instructions on how to fix the text in detailed review copy, and in person during many meetings. My job completed I walked away from the intrusion and returned to the Sand Creek manuscript. My manuscript included finding primary source material while taking multiple types of people, their goals and biases, and merging a miasma of people and attitudes into a story that flowed easily between race and desire and selected actions by key players.

There was one problem, my Sand Creek manuscript suffered from the same malaise as the Goodman manuscript—it was all over the place with no focus, no sense of scope, and worse there was an endless listing of information that was useless in its current state. Honestly, both manuscripts were pieces of crap. … Then Bob Goodman presented a proposal to me that I was going to refuse—become his partner and write the book—until I realized that both manuscripts had the same defect that would destroy them. Simply put: If I could fix the thriller I would have a blueprint on how to fix the Sand Creek manuscript, which, unlike The Discovery that extended over two decades, was well over a century.

Talks, articles, & the USC Warner Bros. Archives are no longer on forced hiatus

Oh yeah, a time of joy is about to return to Tujunga House. I’ve begun to pitch two things that I love but had exiled to “Neverland” and will later this year or early next year I’ll return to a magnificent archive. It will take time to resurrect my past from its long slumber but the process has begun.

Potential Talks
Washita Battlefield NHS (Cheyenne, Oklahoma)
Beginning a little over a year ago I introduced myself to Kevin Mohr, chief of interpretation and operations at the Washita Battlefield NHS. It would be the first of many talks and emails as we discussed the Sand Creek manuscript and Custer’s attack on Black Kettle’s Cheyenne village on the Washita River on 27nov1868 and its impact on the Cheyenne and Arapaho lifeways. I can’t begin to tell you how open and friendly Kevin has been with his input to my needs (if you read the book you’ll know what I’m talking about), but again “mums” the word on what you will see on these blogs before the book is published. I love teasing—just ask Pailin—but I’m not playing Mr. Tease here.

Former Sand Creek Massacre NHS ranger Craig Moore leading a tour of the upper portion of the Washita Battlefield on 6dec2008. I joined it, and to his displeasure spoke up during the tour when he passed certain areas without discussing them. Of major importance was the mound that Lt. Col. George Armstrong Custer used as his observation post during the fight, which still partially exists. I refused to accept this silence, halted the moving program and informed everyone of Custer and his actions to protect non-combatants that he viewed as disobedience of his orders. This was not the beginning of a sparkling relationship, still years later Craig kindly attempted to help me locate information that had since been buried by Oklahoma law and blocked from viewing by historians. … This Washita Battlefield NHS extended symposium was a big event for me as I both played Wynkoop on stage and spoke about him during it. (photo by Leroy Livesay and given to Louis Kraft with full permission to use it)

Some of you know a little and some of you know a lot of about the lead-up to that tragic November 27 day, what happened, and the aftermath. Some of you don’t know anything about this time. Whichever camp you’re in I’ve decided that I now want you to read the book with no more giveaways by me. I want you to experience it for the first time and not mumble as you turn pages that Kraft already told me all this.

Without giving too much away this portion of the book is of major importance to the Cheyennes and the Arapahos.

LK and Cheyenne Chief Gordon Yellowman after a day of talks/presentations ended at the Washita Battlefield National Historic Site two-day symposium on 7dec2011. We met in 1999, and since have crossed paths numerous times, the last being this year. With the publication of Sand Creek and the Tragic End of a Lifeway in 2020 we will be linked throughout time. I can’t begin to tell you how thrilled I am. (photo by Joel Shockley for the National Park Service).

A Ned Wynkoop one-man show has had two performances at the Washita and I’ve given two talks there. Obviously I want to return to this special land. In my opinion it, along with the Sand Creek Massacre NHS (Eads, Colorado) and the Cheyenne-Dog Man-Lakota village site (35 miles west of the Fort Larned NHS, Larned, Kansas), are three key sites in Cheyenne history. There are certainly many others including the Little Bighorn Battlefield National Monument in Montana; the Battle of Summit Springs (near present-day Sterling, Colorado) where Cheyenne Dog Man Chief Tall Bull died on 11july1869; and the Battle of Beecher Island where the great Cheyenne war leader Roman Nose died on 17sept1868 (the last two sites I’ve not seen). … In May of this year Kevin opened the door to me returning to the Washita to present a talk combined with a book signing. I’ve already mentioned two ideas to him, and for the record I won’t be talking about the battle. Hopefully we can make this happen in 2020.

Tomas Jaehn, University of New Mexico
Those of you who know about my writing/talking history may be familiar with Tomas.

From left: Pailin, LK, and Tomas Jaehn in the Tujunga House dining room on 2aug2018. Good-good times, and I wish that Tomas could have had a longer stay. Regardless of what happens with an LK talk at UNM one thing is certain, I’ll see Tomas and his family in 2020. (photo by Pailin and © Pailin Subanna-Kraft, Tomas Jaehn, & Louis Kraft 2018)

What follows is repetitious, and that’s okay for he’s become a great friend over the years, and one I always enjoy discussing any subject in our worlds. He is responsible for creating the Louis Kraft Collection in 2002. I’ve spoken there twice. Believe it or not we both put a lot of effort into an attempt to bring the Ned Wynkoop one-man play to Santa Fe. I should talk about this sometime, but not here. … Tomas has since moved on to a cool position at the University of New Mexico in Albuquerque (see above). Well, I guess you know where this is going. We have been tentatively going back and forth about an LK talk at UNM. Although below it may appear that I’m being too picky on where I want to place a Sand Creek Massacre article, this isn’t the case. The reason is simple: For me to show what happened on those two tragic days I need more words than most publications will allow and I don’t what to shortchange this important subject. … If Tomas and I can agree on what I intend to say (and it will be explicit) along with a date that is good for both of us after the book is published this is a talk that I want to give in Albuquerque.

Articles
Stuart Rosebrook, True West Magazine editor
Stuart and I connected on LinkedIn in 2018 but I don’t know if we’ve ever met. In May we shared a number of emails, which alerted him to the upcoming Sand Creek book publication and of my desire to again write for magazines, which caught his interest. Since then we’ve had a long talk on the phone to discuss this, writing for True West, and we weren’t talking about a one-time article but continuing into the future. Stuart was immediately interested in an article on the Sand Creek Massacre but I told him no, that I needed a lot more words than the 1500 maximum word count for the magazine.

In the coming days we’ll spend more time talking about LK story ideas that might be usable. Trust me, I have plenty of ideas bouncing around in my head. Most are related to the Sand Creek story, but there are others from the other side of my writing world that may grab his interest. Time will tell.


For the record I think that the best place for a Sand Creek Massacre feature might be in American History or MHQ (The Quarterly Journal of Military History). I’ve written for both and have had good experiences in the past. These pitches are in the works.

At right is the cover for the February 2008 issue of American History. The cover story was a comparison of Errol Flynn’s George Armstrong Custer in the Warner Bros. 1941 film, They Died with Their Boots On, and the real George Armstrong Custer. To date I consider it the best article that I’ve ever written. In 2008 it became the best-selling issue of the magazine (I don’t know if this is still true). For the record I campaigned to have Flynn also on the cover. This was one battle I lost, but ended up pleased with the art director’s choice. Here’s a few words to those of you interested in Mr. Flynn, Mr. Custer, or both of them, obtain the magazine (if possible) for the article may be of great interest to you.

Archives
Jonathon Auxier, USC Warner Bros. Archives
Beginning around 1995 the USC Warner Bros. Archives (Los Angeles, California) has been a mandatory destination of mine. I can’t write another word without saying the following: I have researched in a lot of first class archives over the years but none of them have come close to comparing to the USC Warner Bros. Archives. Over this time many have helped me at this magnificent archive, including Randi Hockett (director), Haden Guest (Curator), Noelle Carter (Director), Sandra Joy Lee (Director; I can’t remember her married name), and Jonathon Auxier (Curator). There were others but I can’t remember their names.

Jonathon was day in, day out light years above all of the archivists and directors at the USC Warner Bros. Archives. He always had a positive attitude, was extremely knowledgable and this is an understatement (in an archive that was so large that it had to be overwhelming to everyone that worked there, not to mention the by-appointment only researchers), and even better for I can’t tell you how many times he went the extra mile for me.

This is Jonathon Auxier near the end of our lunch at Le Pain Quotidien on Riverside Drive in Burbank, California, on 26apr2019. Good times as we talked about the past and our futures. A number of years back he left the archives for a terrific position at Warner Bros. (photo © Jonathon Auxier and Louis Kraft 2019)

One example will show just how knowledgeable Jonathon was and how willing he was to go that extra mile. There was a key event in the Errol Flynn-Olivia de Havilland relationship during their time with Warner Bros. I knew it happened but couldn’t find anything related to it at the archive. I explained exactly what I needed to Jonathon. He dug in and within days found the information I coveted. It became the spine for a talk I did about them perhaps 14 years ago or perhaps less as I’m not certain when Jonathan began working at the archives. No matter for the talk was a hit; so much so that I decided never to share this subject again. I immediately added the information to the Errol & Olivia manuscript. While polishing it I carelessly had a draft lying around when a Flynn friend who thought he knew a lot more than he actually did visited. He was a person who bought into whatever he read, proven or not (unless it was negative or debunked) and propagated clichés. While I was preparing dinner he saw it and began to thumb through the printed draft, but luckily asked what he was looking at. This brought me running to the rescue. I brushed it off as me playing with thoughts and words and nothing more. He bought what I said and the subject was closed. Over the years Jonathon has found other pieces of information that I needed but couldn’t find.

Back in those days it used to take me on average of between 20 and 25 research days to get through one box that dealt with a particular film. The Adventures of Robin Hood (1938) had two boxes and it felt like forever to get through both boxes.

Jonathon has became a friend, mostly long distance although not many miles separate us, and this year we have made an effort to bring our friendship into the here and now. Good for me, and hopefully for him.

I will continue to use other archives for Flynn/de Havilland and Carson/Indians,
but I see no need to share them at this time.

Just so you know I’m singing an Alan Jackson song as I dance into my future.
Or will it be John Lennon, or Michael Parks, or Patsy Cline, or Rhiannon
Giddens, or Waylon Jennings, or Tex Ritter, or Laura Brannigan,
or John Anderson, or Willie Nelson, or Rihanna, or Elvis
Presley, or Rita Coolidge, or Kris Kristofferson,
or Norah Jones, or Bob Dylan,
or Yoko Ono?

1st sixth of a Louis Kraft 60-film list

1st sixth of a Louis Kraft 60-film list

Posted May 14, 2019

Website & blogs © Louis Kraft 2013-2020

Contact Kraft at writerkraft@gmail.com or comment at the end of the blogs


It is time to move from my Indian wars/race passion
to the world of film, my other passion, and
a blog that I announced in days
long past.

Alas, the long proposed 60-film list has been split
into six installments due to time limitations.

None of the choices made the first sixth of this 60-film list with only one screening.


A major fact

A film must grab and hold my interest from beginning to end. And just as
important I must care about at least one character
and preferably two or more.

This detail of a photo was taken in August 2018 when Pailin shot a series of photos for the University of Oklahoma Press marketing department. I’ve used it elsewhere on social media and like it better than some of the images I delivered to the press last summer. (photo © Louis Kraft and Pailin Subanna-Kraft 2018)

So you know: I study film all the time. Yes, it is for enjoyment, it is when I exercise (or bathe—you snicker and the next time we get together you’ll experience a real evil eye), and it is when I’m looking for something that shows me a way to make a smooth transition in my writing. … It is the perfect medium to see good and bad dialogue, good and bad transitions, and good and bad plots. … I learn as much from the bad as I do from the good. What follows is a living list, and it will grow and change as I move through life. What is here today may not be here tomorrow. This said, and because I’m wordy and time is short this list has been cut into six pieces. The second installment will appear as soon as possible.

LK film lists & opinions that mean nothing

I should tell you up front that I have little respect for most reviews I read. They are opinion, and often they include the reviewer’s bias. I get the Los Angeles Times (the Times was a great newspaper and perhaps will again be so under its new management). Most of my film viewing today is on DVDs or the internet. Currently the paper has two extraordinary film critics (Justin Chang and Kenneth Turan). Even so, I often disagree with them. No big deal, for I often disagree with my view of films. I’m just like everyone else. My view of movies is opinion—nothing more and nothing less. Read it with a grain of salt. Hopefully it may influence you to see some of the films on this list.

Lists change

Certainly my film lists are in constant flux. Sometimes a film or a performance doesn’t hold up over the passage of time. And this is certainly true as films from the Golden Age of Cinema (which will soon become a major focus of future books) have little representation in this list of 50.

I don’t own a TV, and “Frankly, my dear, I don’t give a damn,” to quote Clark Gable from Gone with the Wind. (David O. Selznick/MGM 1939). BTW, this film bores me to tears and yet I will be studying it with a fine-toothed comb in the very near future (see Olivia de Havilland celebrates her 100th birthday + an example of bunk if you don’t already know the reason).

From left: Hattie McDaniel, Olivia de Havilland, and Vivien Leigh in Gone with the Wind. All three would receive Oscar nominations. McDaniel and de Havilland for supporting actress, and Leigh for lead actress. Vivien and Hattie won, and Olivia was devastated, although years later she changed her view and was thrilled that Hattie was honored. LK personal collection.

One blazing inclusion will be Olivia de Havilland’s The Snake Pit (20th Century Fox, 1948 ) along with one other guaranteed film (and perhaps two) that didn’t make an LK’s top 13 Errol Flynn films a couple of years back. For years The Snake Pit has been on and then off this list of films. Two reasons stand out: it is a hard film to view for its subject matter takes no prisoners and it is not a feel good story. At the same time it gives us Ms. de Havilland’s best screen performance of all time (no other performance of hers comes close to capturing how magnificent her acting capabilities really were). The film was extraordinary for 1948. If Olivia was thirty-two (her age when the The Snake Pit was released) in 2019 and the film was made today one can only wonder what the final product would have looked like, what she would have exposed to the camera for public viewing, and how you and I would have reacted to her performance. My view, and let me tell you that I disagree with easily 90 percent of the Oscar awards for acting and screenwriting, she was robbed for her performance as Virginia Cunningham was before its time at the end of the 1940s and it still is today.

The last two films in this 60-film list

For films at the bottom fifth of the list there is another problem, and doubly so as they won’t be shared until after four additional film blogs have been posted first. Simply this means that two really good films will never be selected as numbers 59 or 60 are firmly in place, and they’re never going away.*

* Hints: Singing while riding a Harley Davidson motorcycle and the pirate Drake. I had linked two spoilers here but changed my mind. I do love being a tease.

Wonder Woman, other films, & Hollywood kissing itself on its rear end

Wonder Woman? What the (expletive)! Yeah, Wonder Woman. Digest this!

Pailin Subanna-Kraft inside the Egyptian Theatre in Hollywood, Calif., just before she saw Errol Flynn’s last A-film The Roots of Heaven (20th Century Fox, 1958) on 15may2014. And … AND … she sat between Errol Flynn fan RF and myself at this screening. She told me that she was able to follow the story, which dealt with the preservation of elephants. (photo © Pailin Subanna-Kraft and Louis Kraft, 2014)

Let’s start with Pailin. … Her English grows with leaps and bounds, and this is on a daily basis. Still, when I show her films on the computer and when we see a movie in a theater I try keep the choices to basically western, action, and thriller (although this changed last year). Reason for these choices: Less dialogue, the action often moves the story to conclusion, and I like the above stated genres.

My gorgeous woman (Pailin) works way too-many hours while I’m chained to my computer working on getting the Sand Creek manuscript published and still punch out a blog now and again. Who knows, but perhaps some day I will return to a time currently gone but something that I dearly miss—writing magazine articles and giving talks. Pailin and I are two busy people, but we need a little R&R once in a while. A couple of years back I proposed seeing Wonder Woman to her, a film genre that I have great distaste for and avoid seeing. My proposal to my lady was based on film hype, no other decent films playing in LA, and the current trailer that I showed her, along with a decent review of the film (which, again didn’t mean much).

Pailin took this closeup image of a lighted (that is not a paper) poster of Gal Gadot as Wonder Woman, which was across the hall from the AMC 16 Burbank Theater screening room where we saw the film.

As is well known, Diana, “Wonder Woman,” was a DC Comics character. I’ve known that this film, directed by Patty Jenkins, was coming, and had for some time.

This book cover dust jacket art is by the late, and great, illustrator, Frank Frazetta (1912: Reprint; 1970 in a bookclub edition of the novel. I’ve liked Frazetta’s work since I discovered him while in junior high school and gobbled up Burroughs’ multitude of books that were then experiencing a mass-market paperback bonanza. … A film, John Carter (2012) was based somewhat on this novel (but unnecessarily updated). It had great production value, and an okay John Carter (Taylor Kitsch), but a lifeless and sexless Dejah Thoris (Lynn Collins), and I’m being kind to the lady here. The novel had a lot of sexuality and nudity; zero in the film, which still should have succeeded. Its advertising murdered it for it didn’t let a potential audience know the story’s roots and where the storyline was headed. Too bad. This film had been on an LK top 60 film list, but was banished over two years ago. Pailin has seen it in the Kraft theater and liked it. I like it too, just not Collins’ Dejah Thoris. Yuk! When you have a major player in a film and they don’t show up you have nothing. Will I ever change my mind about Collins’ dismal portrayal as Dejah Thoris?

I was pulling for Pailin to agree. … She did, and on June 3, 2017, I stole her away to see WW in a movie theater. Yeah, we went out on a date.

Wow! To steal from what I said elsewhere on social media: “All I want to say here is this is a good film. It had a plot, character development, decent characters performed by good actors, acceptable dialog, and you know what—I was on the edge of my seat during the entire film. I laughed, I smiled, I was thrilled, and I actually shed a few tears.” … Wonder Woman had been in the running to make this film list. Although it still is the only super-hero film that I’ve seen and liked it didn’t make the list. Perhaps as I’ve only seen it once,but most likely it’ll never make a Kraft film list.

Know that I am not a fan of pulp fiction, other than Edgar Rice Burroughs’ (of Tarzan fame; Tarzana, a town in Los Angeles in the San Fernando Valley, is named after his creation) eleven-book series on John Carter of Mars. The first book in the series hooked me for all time, A Princess of Mars, and her name was Dejah Thoris. A great series, although the last two or three books weren’t as good as the earlier ones.

I also want to mention an extraordinary film, War for the Planet of the Apes (20th Century Fox, 2017). It is science fiction but much more—much-much more.

Andy Serkis as Caesar in War for the Planet of the Apes. LK personal collection.

It is a story of survival and racism, and when we get to the 60 films you’ll see that people of different races play a major role in my choices. This was not pre-set, it just happened when I viewed, then viewed again and again as I studied the films that made this list. I’ve only seen War for the Planet of the Apes once and that was in a movie theater.

Andy Serkis’ work as Caesar, the leader of the apes in their revolt for freedom in War for the Planet of the Apes, was created using CGI. I’m not going to get technical but Serkis and the other ape actors performed while wearing special clothing and had devices attached to them allowing their actions be captured which in turn permitted the special effects team to use their reactions and emotions while turning them into apes. Serkis and the other actors’ work shines and his or one of the other performances should have been recognized during the god-awful four-five months of pure hell time in Los Angeles when money buys awards for films that are stuffed down our throats on a daily basis.

My view on Hollywood kissing itself on its ass for a third of the year every year isn’t printable

Steven Spielberg photo by Patrick T. Fallon for the Los Angeles Times (it appeared in the California section of the paper on 3mar19, pB8).

If those in power used the money that they waste in Los Angeles every year where it was needed there would be no homeless problem (I can give you 30,000 words on this subject). No, instead they buy awards (which is similar to buying elections). Oops! That just popped out.

Mr. Spielberg was upset that Roma won three Oscars (it was nominated for 10). As far as he was concerned it streamed on TV, and even though it had the required number of days playing in movie theaters he considered it little more than a TV film. I can’t comment on Alfonso Cuarón’s Roma as I haven’t seen it (I haven’t seen Green Book or any of the other films that were nominated for Best Picture with the lone exception being A Star is Born). BTW, Cuarón won three Oscars for Roma (directing, cinematography, and best foreign film) and previously won two others in 2014 (for directing and editing Gravity). I wonder if Mr. Spielberg is jealous. Jealous or not, my take on him is that perhaps he complains too much. Why not speak out about the millions upon millions of dollars that are wasted every year to win an Oscar (take a look at the amount of money spent, and that includes for Mr. Spielberg’s films over the decades). I guess it’s okay to buy awards, but don’t you dare stream a film while also forking out big bucks as you may have an advantage over the poor-poor-poor film companies that refused to move forward with how films are viewed today. As Jeff Daly (West Hollywood) wrote in a letter to the Times (published  on 10mar19): “As the Academy Awards attempts to stay relevant, he [LK: Spielberg] proposes to constrict, rather than expand, the scope of what constitutes an Oscar-worthy film.” I agree with Mr. Daly.

Andy Serkis deserved to be nominated for his performance. Yes, his performance was that good, and so were some of the other ape characters in the film. … Better, War for the Planet of the Apes was a story of survival, a story of caring and humanity. It was also a story of war, and it is tragic. My first impression: this is a great film. Will it make the list before the other four blogs are posted? I don’t know, but as stated above I need to see it more than once.

A lot of good films aren’t going to make this list.

Lady Gaga and A Star is Born

I don’t know Lady Gaga’s music; don’t think I ever heard her sing until I saw A Star is Born. My lone memory of the lady was at the 2016 Golden Globe awards, which I only saw clips of on the internet. She won an award and while making her way to the stage she bumped Leonardo DiCaprio’s back. He looked around to see who hit him, then turned back to his table with a huge grin on his face. I have no intention of interpreting what went through his mind at that moment, but I can guess and it was priceless.

The young Lady Gaga had posed for what might be considered risqué images but they were artistic and I think not offensive in any way. However, when compared to the painted person who created an ultra-persona that shot to mega-music stardom with her writing and singing is something that this ol’ cowboy missed. Everything: The massive hits, the multitudes of awards, and a celebrity that is extraordinary.

This image of Gaga is from a Los Angeles Times ad section that was devoted to film awards (28dec2018). Lady Gaga, just like my lady, knows how to pose for the camera.

I took Pailin to see Bradley Cooper’s directing debut while playing the jaded and on the downside rock-country star that Kris Kristofferson created in the 1976 Barbra Streisand film of the same name (which was the third reincarnation of the story of an up-and-coming talent who meets and teams with a major star spiraling, for lack of better words, toward the end of life).

I viewed the coming attraction for Cooper’s 2018 A Star is Born way too-many times. The combination of Cooper and Gaga—read the connection between them on film—grabbed me. Pailin was going to see that film if I had to hogtie her. Luckily the preview caught her interest and she readily accompanied me to a movie theater.

There’s only one question that needs to be asked here, has LK seen A Star is Born more than once?

Actually the last two years have been good for film …

I’m being sarcastic and yet I’m not. … A Star is Born was the only film I saw in movie theaters last year. To date, not one film released in 2019 has caught my interest. All I can say here is that if the film industry depended upon my cash It would have been out of business a long time ago.

Four other films that were released in 2017 and 2018 did grab and hold my attention although I didn’t see them during their theatrical runs: Hell or High Water, Wind River, Hostiles, and Juliet, Naked (which has zero nudity). I have Amazon Prime so I study film (and TV shows that have better casts, scripts, and production quality than many of the films released in recent times) that I don’t own. Oh, in case I didn’t mention it, I have not had pay TV since 2007 when I bought a Corvette (yep, the Vette was worth a hell of a lot more to me than being glued to the boob-tube), and that $130 or so monthly cost was wasted bucks that easily moved over to pay for a car that handled like none other I have ever owned.

What follows is totally opinionated and personal

First sixth of LK’s Top 60 films

Most of the films in the top 10 have remained at the top even though this blog has been years in the making (except for the last two as they have special conditions attached to them, and those “special conditions” make them mandatory). … Believe it or not I have been called a racist over the years, for the simple reason that three very important ladies in my life have been Asian. I don’t know what to say about people who say this about me. The following is not defensive, it is simply a fact of my life. When it comes to ladies I love them all. Every race has gorgeous and intelligent and caring women; every race. I am going to state a simple fact that is not self-justifying as all the attacks upon my so-called racism toward women has always come from Anglo-American women. I need to address this. They don’t know what they are talking about and they should keep their damned mouths shut. If they did any research they would know that I have been intimate with more white women than all the other races put together. More important, when a woman enters my life her race means nothing to me. All that matters is who she is.

When I finally complete the entire list of 60 films you’ll see that many actors (male and female) are in numerous films. They are listed not because of their race but because I cherish their performances in these films. Nothing more and nothing less.

  1. Thunderheart, directed by Michael Apted and w/Val Kilmer, Sam Shepard, Graham Greene, Sheila Tousey, Chief Ted Thin Elk, John Trudell, Julius Drum, Fred Ward,and Sarah Brave (1992)
    This film has moved around at the top of the LK’s favorite films since I saw it shortly after it was released.

    One of the DVD covers for the film.

    The reason is simple: Thunderheart has a great plot and screenplay (by John Fusco), deals with a fictional depiction of events that happened on a Lakota reservation in the 1970s, has many characters that grabbed my interest and made me care about them, and shows racism going in both directions. It is a thriller; it is also a tragedy. I can’t spoil the film by telling you what happens, but when it does you’ll cringe and perhaps tear up. I did. I’ve seen Thunderheart at least thirty times (not counting the three screenings for this blog), and each viewing was as alive as when I first saw it. I haven’t talked about the cast, but the leading and most of the supporting players are extraordinary. When I view the film time and again I think to myself that some of them weren’t/aren’t actors—they were/are real people playing roles based upon the tragic reality of their peoples’ lives in modern-time USA. This sentence gives you a hint of what you are going to experience in Thunderheart. It doesn’t matter if this film is number five or number one on my list, for I enjoy it every time I watch it.

    Kilmer is sitting with Chief Ted Thin Elk, who in real life was an elder in the Oglala Lakota tribe. In the film, Thin Elk is also a tribal elder who is at the center of the fictional Sioux reservation. When Kilmer first meets him he is disrespectful but over the course of the film he changes his opinion. LK personal collection.

    There are seven key relationships in this film, and all are of major importance: Kilmer/FBI agent Ray Lavoi (who hates that he is quarter Lakota); Shepard/FBI legend Frank Coutelle; Greene/Tribal police officer Walter Crow Horse; Tousey/Maggie Eagle Bear; Ted Thin Elk/Grandpa Sam Reaches; Trudell/Jimmy Looks Twice; and Brave/Grandma Maisy Blue Legs (Tousey’s name should be above the title, and I can make a case for Thin Elk and Trudell also being above the title). Kilmer must deal with all of them once he is assigned to investigate a murder on the rez (reservation); an assignment he abhors but is stuck with it because of his mixed-blood heritage.

    During Thunderheart there are many keys that unravel what really happened when a tribal member is murdered on the rez at the beginning of the film. For Kilmer’s part it is a journey that could have never happened if he didn’t follow the trail of clues without an open mind. Here he is presenting Tousey with a ticket from an event that he is certain will reveal who the murderer was. Tousey tells him that it is a piece of paper and that she won’t look into it even though she has access to who bought the tickets. LK personal collection.

    Shepard meets Kilmer at the airport and immediately sets Kilmer’s reception and status on the rez in place. “Turn your head to the right,” Shepard drily states. “In the right light you look like Sal Mineo. Did you ever see Arizona Prairie, did you ever see that one?” BTW, this film doesn’t exist and Shepard has delivered a major insult. Mineo was not an American Indian but played one at least twice (in Disney’s Tonka, 1958, and in John Ford’s Cheyenne Autumn, 1964). Still it was enough for Shepard to use him to ridicule Kilmer. It would be worse from the Indian side. Greene calls him out as a “wanna-be Indian,” Tousey dismisses him as the “FBI Indian,” and Drum/Richard Yellow Hawk fries him as the “Washington Redskin.” These relationships are critical to the plot moving forward at an increasing pace until suddenly you are confronted with wolves feasting. It is tragic and gut-wrenching moment, and I love it.

    Kilmer, who has slowly sided with Greene, has the proof he needs and brings the tribal police officer to meet the key to what is going on, but it isn’t as it was when he obtained the information. The modern-day cavalry is about to shoot them as their cars charge forward, which is similar to a dream Kilmer had of being at Wounded Knee when the Seventh U.S. Cavalry massacred the Sioux in December 1890 (Greene claims he had a vision). Their end has arrived, … or has it? LK personal collection.

    Shelia Tousey was, along with Chief Ted Thin Elk, John Trudell (who, in real life, was an activist for Indian rights), Sarah Brave, Julius Drum, and Graham Greene, perfect casting. She played a university-educated school teacher with children who had returned to the reservation to “help” her people, which also included being raped before the film begins. She is pretty, in control, but there wasn’t a forced relationship between her and Kilmer. Still, and although they were at odds and confrontational throughout most of the film, there is a connection. A connection. We’ve all been there, that is we’ve known people who might have been special but the relationship could never move to fruition for whatever reason.

    Best, Thunderheart grabbed me from the moment that Shepard began introducing Kilmer to the reservation. From there it goes in directions that change time and again. This is perhaps the most satisfying film I’m ever seen.

  2. Miami Vice, directed by Michael Mann and w/Colin Farrell, Gong Li, Jamie Foxx, John Ortiz, Naomie Harris, Luis Tosar, Elizabeth Rodriguez, John Hawkes, Barry Shabaka Henley, and Ciarán Hinds (2006)
    I liked the TV series Miami Vice with Don Johnson and Philip Michael Thomas (1984-89, with an unaired episode in January 1990), so when this film opened I was first in line to see it.

    This photo of Gong Li dates to Miami Vice. This is an LK image with her signature (not shown). LK personal collection.

    This thriller moves at lightning speed, has characters that jump off the screen, and it grabbed me from beginning to end. The TV series? Poof! Gone, never to be seen again. I have never been a fan of Farrell, but his performance was decent, tough, edgy, and by the end of the film, human. But the total surprise of the film was the Chinese actress Gong Li. For her English-language films Li learns her lines phonetically, which makes her performances even more amazing. Of her films on this list only one other is in English.

    A drug undercover operation goes bust; agents are killed, and Hawkes/Alonzo Stevens steps in front of big rig in front of Farrell/Sonny Crockett and Foxx/Ricardo Tubbs when he learns that his wife and daughter have been murdered. …

    John Ortiz as Jose Yero in one of his computer rooms watching Gong Li/Isabella dance with Colin Farrell/Sonny in a Cuban club in Havana, Florida. He isn’t pleased with what he sees and his discovery will lead to a big twist in the film. LK personal collection.

    We see Li for the first time when Florida undercover agents Farrell and Foxx pose as drug dealers who can deliver product in Florida, and maneuver to meet the linchpin who runs operation in the field, Ortiz/Jose Yero. Although Ortiz is not the kingpin of the cartel he is in complete control every time he is on camera. He is a master of the internet and the digital world and controls his domain from his computer rooms at his base or elsewhere when necessary (his performance was charismatic while being frightening). Farrell and Foxx appear to be unarmed when they enter a safe house in a very bad neighborhood way south of the border. It is obvious that they will be lucky to survive the encounter. They do, but it has nothing to have to do with luck. They are as focused, as deadly as Ortiz, and they one-up him. … They also get hired by him.

    Li is a silent image sitting in shadow, and the only memory of her is her crossed legs. This was my introduction to an actress who has since become my favorite of all time. Li’s performance was riveting, and I’m terribly understating this here. I could not take my eyes off her whenever she was on camera. This was not because she was beautiful, and she is, but because her natural and yet controlled performance captivated me in every scene.

    The film keeps me on edge while multiple characters are in jeopardy throughout. The dialogue is strong and moves the plot while developing all the characters. Yes, this film is a thriller and yet we are involved with almost every one of them, and it is relationship driven.

    Colin Farrell and Gong Li in the final scene in Miami Vice. They are outside a safe house and waiting for the boat that will remove her from the here and now. The relationship they had is over (but not dead), this is the present, and there is no future. … Been there and totally understand the moment. LK personal collection.

    Again this is a fast moving thriller, sexy beyond belief, but with a multitude of people I liked and cared about—good and evil, and trust me that John Ortiz is the devil incarnate while being so alive that he still resides in a dark area I never want to visit. … Li and Farrell struggle at the climax of the film when he must grab her and yank her to safety or watch her be killed. She is fury on two legs as she lashes out at him. He is stronger and pulls her from the carnage. By the time they reach a deserted building that butts up to a river she has calmed down. Inside the house he turns his back to her and she walks outside. She understands that the reality now controlling her life is inevitable and cannot change. So does he. Great acting. This is my favorite scene on film.

  3. Blood Diamond, directed by Edward Zwick and w/Leonardo DiCaprio, Djimon Hounsou, Jennifer Connelly, David Harewood, Arnold Vosloo, and Kagiso Kuypers (2006)
    This film is absolutely brilliant in oh-so-many ways.

    DVD cover for the widescreen edition of Blood Diamond.

    It deals with the illegal diamond trade in Sierra Leone, Africa, during the 1990s, racism, and the brutal murder of innocent people during a civil war wherein young boys were abducted and forced to become soldiers and trained to kill. It gives DiCaprio/Danny Archer (a white South African) his best part to date as a smuggler who doesn’t care about anyone or anything but himself; Hounsou/Solomon Vandy (a Black Mende fisherman who loves his family and will do anything to protect them); and Connelly/Maddy Bowen (an American reporter who craves a sensational story that would turn the diamond smuggling world on end).

    Without giving too much away, DiCaprio and Hounsou are incarcerated at the beginning of the film.

    As Hounsou and Kuypers race toward their family the worst possible happens. LK personal collection.

    This began after a good day at school for Kuypers/Dia Vandy (who is Hounsou’s son). He is excited at what he just learned as they walk back to their village. Suddenly rebels in trucks appear in the distance and it is obvious what their destination is. Hounsou forces Kuypers to flee (to no avail) as he attempts to save the rest of his family.

    The DiCaprio/Hounsou relationship doesn’t begin well. Worse, war erupts in the city and both run for their lives. LK personal collection.

    DiCaprio works for Vosloo/Colonel Coetzee (a big-time diamond smuggler). Unfortunately his latest gig to smuggle diamonds out of Sierra Leone ends badly. Hounsou’s life also sucks for after his village had been destroyed he became a forced worker for an illicit-diamond mining operation that is overseen by Harewood/Captain Poison. When the mining operation is raided Hounsou ends up in the same jail as DiCaprio. Harewood—now minus an eye—soon joins them. All three are separated in large cages of prisoners but can see each other. When Harewood exposes Hounsou for burying a huge diamond DiCaprio is all ears. DiCaprio is released first. When Djimon is set free DiCaprio is ready to strike for this diamond is his ticket out of Africa.

    But all isn’t as it should be, and this is the spine of the film. By now most of us are aware of how bad race relations have been in the Land of the Free over the centuries. No matter what my or your opinion is of the USA, it has been much worse on the continent of Africa. Some of what goes on during this small time-grab of history not long in the past is both horrifying and hard to watch.

    Hounsou is released from jail but DiCaprio’s forcing a partnership is ill-timed. They are at odds with no common ground. Worse the war has come to them and they must flee or be massacred.

    DiCaprio and Connelly in a private moment as he presents her with the information that will shoot her to the front of the newspaper-reporting world. LK personable collection.

    Enter Connelly, who oozes sex appeal (but not because she wears slinky clothes as she doesn’t). All business she connects with DiCaprio at an outside bar, but her lone goal is to expose the worldwide diamond trade, which in turn will give her credibility and celebrity. He realizes who she is, and says, “You’re a journalist.” “That’s right.” “Piss off, huh?” he replies. They see each other later at the same bar and while they dance she pushes him, finally saying, “Help me out off the record.” “Well, off the record I like to get kissed before I get fucked, huh,” he replies before walking away. A truer statement was never said. These two people never kiss, DeCaprio is harsh on Hounsou throughout the film, but by the end of it all three of them are human beings worth knowing in a shocking world that I have heard about, read about, but have never experienced. This film has been in my top five for years.

  4. Nobody’s Fool, directed by Robert Benton and w/Paul Newman, Pruitt Taylor Vince, Jessica Tandy, Dylan Walsh, Alexander Goodwin, Melanie Griffith, Bruce Willis, and Philip Seymour Hoffman (1994)
    Over time more than one person has declared that Paul Newman always played himself. This wasn’t negative, for these people made it clear that Newman was very good at playing himself. … I know this for a fact. In Nobody’s Fool, Newman/Sully struggles with surviving winter with his son’s family (and he’s not welcome), a lady who is his for the asking (Griffith/Toby Roebuck) who works for his sometime employer (Willis/Carl Roebuck), and a fragile woman who rents him a room (Tandy/Miss Beryl). This picture, probably more than most of the other films on this list, is character driven and the results are extraordinary. I can’t say enough about Newman’s sardonic and yet heartfelt performance of a man who meanders through his world of woe (he had been nominated for an Oscar and he should have won, at least in my view). The ups and downs of not only Newman, but of all the people in his life and this includes grandson Goodwin/Will Sullivan. All of them are a delight to behold regardless of their level of misery. Still I don’t want my life to be like Newman’s cinematic life, and yet I do as it is vibrant, in trouble, taking wrong-turns, caring, disappointed, and in love. No matter how bad it gets (and Newman even gets shot at and arrested for driving his pickup on the sidewalk) it is totally up-lifting. Maybe I should show you why.

    Philip Seymour Hoffman played Officer Raymer. He didn’t like Newman’s Sully and sped his patrol car to a parallel halt in front of Newman as he drove his beat-up pickup on the sidewalk in a residential neighborhood. He’s out of his car in a flash and with his revolver supported by his auto’s roof ordered Newman to stop and get out of the car. When Newman inched toward him, he fired away. The bullets missed Vince/Rub and Newman but shattered the windshield. Newman stopped the truck and walked toward Hoffman, who approached him. You can see what happened, and can guess what followed. LK personal collection.

    Maybe I shouldn’t.

    I’ve had my run-ins with John Law and they should be documented. Forget the streets for the worst was with LA County Sheriff’s Department Officer Libel. She pronounced her name differently than spelled and didn’t like it when I addressed her as Officer Libel (as spelled). This was in the mid-1980s when I quit acting cold turkey. My sister was then an officer in the Sheriff’s Department and she supported me joining her on the force. Officer Libel took offense at me applying for the position and told me, “I’m going to get you.” “Why?” “We don’t want any actors on the force,” and she did get me. When I told my sister that I was going to go after her in print, she said: “Don’t do it.” “Why?” “Don’t do it.” “Why?” “They’ll get you.” “Why?” “Don’t do it,” was all she’d say. I eventually understood her meaning and walked away from a heinous lie. … And I haven’t even mentioned encounters on the streets. All I’ll say here is that I’m not the goodie-two-shoes you think I am.

    Ditto Paul Newman’s Sully. At the same time he’s a giving and caring person (I hope that you’re making the connection here).

    Nobody’s Fool takes place in December. It is cold and dark at times. Here Newman is talking with his hired hand and best friend Pruitt Taylor Vince (as Rub Squeers). The best part of their relationship is that Vince has no fear of voicing what he is unsure or unhappy about. When Newman’s grown up son (Dylan Walsh as Peter Sullivan) enters the picture with his own family problems and Newman turns his back on the past and welcomes his reunion with his son Vince fears for his relationship, and this includes a major piece of jealousy. LK personal collection.

    Every movie—every movie—should be like this! Like Thunderheart, every time I see this film it is a new experience, and affects me in a different way. … It is a piece of life that all of us experience but in different and yet personal ways. I need to say something about Paul Newman here, and it’s a black mark on LK for I’ve mostly ignored his films over the years. Don’t ask why for I don’t know the answer while at the same time seeing some damned-good performances by him.

    I’ve made a point of ignoring the plot for the reason that it is all over the place, and I could never do it justice without giving everything away. I don’t want to do this as this is a film that must be experienced without knowledge of what is coming.

  5. Red Corner, directed by Jon Avnet and w/Richard Gere, Bai Ling, Tsai Chin (Chairman Xu), Jessey Meng, Tzi Ma, and James Hong (1997)
    This film is a nightmare lurking quietly in the dark for any of us who visit foreign countries if you or I make a mistake.


    At the beginning of this century my daughter and I were riding in a Paris subway. The
    car was empty except for two young women who sat across from us near the rear
    exit (two men stayed by the exit and although we couldn’t see them they carried on
    a conversation with the women in French. I had some words, enough to know that
    they were talking about us. “At the next stop,” I quietly said to my daughter, “we’ll wait
    until it’s almost time for the subway to depart. When I tell you, we’re going to rush
    to the front exit and get off.” “Why?” “Just do it.” During the stop the women watched            us and smiled as they chatted with the still unseen men. “Now,” I whispered and we
    dashed to the exit and got off just before the door shut. As the subway pulled away all
    four were
    glaring at us through the windows. …

    This was nothing compared to what Richard Gere is about to experience.

    Businessman Gere/Jack Moore is about to close a major deal with his Chinese partners. Everyone is enjoying themselves in a hotel banquet room, drinking, and watching a fashion show on a ramp. One of the models pointedly makes eye contact with him. He catches her look, and as she is pretty he maintains the contact. After the show has ended Gere notices her glancing at him and drawing something. He excuses himself and crosses to her table and looks at her creation. He points to his nose. “Is that me? My nose?” They’re able to communicate with a few words and gestures.

    Richard Gere and Jesse Meng easily connect, but it won’t go as either of them expect. LK personal collection.

    The conversation flows easily, too easily, and before the evening ends Meng/Hong Ling is in Gere’s hotel room. The night is magical as they enjoy each other’s company.

    Morning arrives early—too early—and Chinese police break the hotel door open and charge into the room. Gere is yanked awake. He’s groggy, unaware what has happened or is about to happen. He quickly learns that horrid screams were reported in the night. Gere appears so drunk that it would have been impossible for him to indulge in sex, much less rape and brutally murder Meng. Still, the room is one-huge murder scene. There is blood and gore everywhere, not to mention Meng’s corpse. Three large and empty bottles of alcohol are just part of the evidence (but none of the police ever question how two people could have drank that much without passing out hours before the crime allegedly happened).

    The case is open and shut and there is no doubt what the final verdict will be. Ling/Shen Yuelin is assigned to defend the evil Jack Moore. This is the last thing in the world she wants. Ditto Gere when he realizes that his defender considers him guilty. We are now at the point where the story begins.

    This is a dramatic scene from the film captured in a German lobby card, and the title translates to Red Corner: Labyrinth Without a Way Out. Gere’s character has been accused of murder in China. Bai Ling (center) is his lawyer, and her performance is right there with Gere as the story progresses to conclusion. Unfortunately I have never seen her in anything else although she has been in a number of other movies that might be considered “B” films. Perhaps it is because she had posed nude elsewhere; if yes, she shouldn’t be punished for this. LK personal collection.

    With Gere’s arrest and being assigned to Ling the plot of Red Corner moves into the world of racism and shows the consequences of might happen when a person is imprisoned in a foreign country, … and it is brutal.

                         Hey, folks, take a look at the USA: How many
                    foreign-born children are going to die in modern-day
                 concentration camps while separated from their parents,
                    or simply disappear never to be reunited with their
                                parents before they are deported?

    The film is a courtroom drama and a thriller and both genres mix easily.

    A free man, Gere is about to board a flight that will return him to the USA. Unfortunately I don’t know the translation of the words. For the record the film never screened in China. LK personal collection.

    Unforeseen circumstances lead to Gere’s eventual freedom. This is not to say that Ling’s Shen Yuelin didn’t do everything she could to win in court but her country controlled what she could and could not do.

    The scene in the poster is at the end of Red Corner. Like other films in this list the leading characters have come to respect each other, have the beginnings of feelings for each other, but there is no where to go as their lives have different life trajectories.

    Perhaps Richard Gere is ignored in the USA and damned in China for something that if you aren’t aware of it you should be: His stance on Tibet and other injustices in our world. KUDOS to him for he dares to speak up about heinous reality. This has not pleased China, and after this film was released he became a persona non grata in both Tibet and China. By the way, the film was shot in the USA.

  6. Quigley Down Under, directed by Simon Wincer and w/Tom Selleck, Laura San Giacomo, Alan Rickman, Steve Dodd (1990)
    This is a western down-under in Australia. Don’t let this fool you for it deals with racism, the butchery of indigent people, and in my opinion contains the best gunfight in all of western film history.

    This image of Tom Selleck was taken as he got off the ship that transported him from the USA to Australia. He is good with guns, especially the rifle, and he answered an ad for a gun for hire. This image is almost iconic, and I love what the production company did to move from color to almost grayscale in the photo. LK personal collection.

    Selleck/Matthew Quigley was/is just one of numerous actors that starred on TV and then moved successfully to film (Steve McQueen, Clint Eastwood, James Garner, and George Clooney were/are four biggies that made this jump).

    Although Laura San Giacomo’s Crazy Cora (left) is tough, a fighter, and a survivor, she is totally in tune with the harsh world that she has been dumped into and reacts to it. Here she is looking at a dead Aboriginal woman that she had connected with. LK personal collection.

    What can I say? Quigley Down Under is little more than an American Indian wars story moved to the Australian Outback. Yeah, right. I need to say a few more words, mainly that this is a storyline that shines beyond belief.

    The wild and unpredictable prostitute San Giacomo/(aptly named) Crazy Cora and the stoic gunman Selleck are a mismatch from the get-go. Their relationship is hilarious and sad at the same time. Their joining is one that can never work, and we know that in the first reel when Selleck protects her from an escort that are little more than thugs with rape on their minds, and whose function is to deliver her and others to their final destination that are days in the future.

    Alan Rickman is perfect as Elliott Marston, a wannabe gunman and all that it entails. LK personal collection.

    Journey’s end is the massive ranch that Rickman/Marston lords over. He is also envious and knowledgeable of the gunfighters of the American West, and especially Wild Bill Hickok whom he desperately wants to become the Australian counterpart and this to the point that he envisions himself walking the streets of Dodge City, Kansas, during its heyday. Worse, he yearns to kill a worthy pistoleer in a gunfight. Selleck had no idea what he hired on to do when he reached Rickman’s ranch. He quickly learns when he dines with his racist employer who traffics in people. Aborigines and women, and the former are the reason for his employment.

    In this scene from the film Laura San Giacomo holds an Aborigine boy who she rescued from a massacre and has since protected with her life. It is one of many in which we get an inside look at her character as well as Tom Selleck’s. LK personal collection.

    Dodd/Kunkurra is Rickman’s token Aborigine man servant and is dressed appropriately for his position. Unfortunately I don’t have any photos of Steve Dodd from the film, and it looks like his acting career and active support of Australian Aborigines was long. He is throughout the film and we get to know him for who he really is despite him performing his duties without a misstep. Actually, we soon see that the entire film focuses on the plight of the Aboriginal people who inhabit the wide open spaces of the never-ending Outback of Australia. Do not doubt that you will see that their lifeway, although on the other side of the world, is similar to the American Indians in that they are looked down upon as less than human and the invading white man would like nothing better than eliminate them. Although there are many Aborigine actors in the film, except for Dodd, their parts are small. At the same time they and what they represent is forever present.

    This is a publicity photo of Laura San Giocomo and Tom Selleck near the end of the film. It is one of several taken at this time and is my favorite. LK personal collection.

    Even though two people struggling to survive in the middle of a desert without anything but themselves, don’t let this fool you. The intended elimination and butchery of the Aborigines is the focus of the film. It is vivid, heart-rending (the only thing missing is the sexual mutilation of dead victims) and it effects me each viewing as much as it does San Giacomo and Selleck.Selleck quickly realizes he made a mistake sailing to Australia, and this quickly puts him and San Giacomo on the run—two outcasts who don’t get along with no chance of survival. This mismatched farce that joins them at the hip gives both of them plenty of room to explore who they are and what they want. Their relationship is always alive and easily worth 20 viewings of the film.

    Although presented upfront the murder of the Aborigines is basically ignored by the British who rule the land as they look down at the Australians and the wild people of the Outback. Racism drips from the screen. Although hinted at but not anticipated a one-on-one gunfight looms—a la Wild Bill Hickok. It is a comin’, and when it happens it does not disappoint. The film stands up fine without a final gunfight, but when Selleck and Rickman face each other it is a classic duel, and my favorite of all time.

  7. Last of the Mohicans, directed by Michael Mann and w/Daniel Day-Lewis, Madeleine Stowe, Wes Studi, Russell Means, Steven Waddington, Eric Schweig, Jodhi May, and Maurice Roeves (1992)
    The first time I saw this film was when my daughter needed to view it for a school assignment and we rented it on video. I was bored to tears and fell asleep.

    Daniel Day-Lewis and Madeleine Stowe are the best film duo in what I consider a western film (and that includes Errol Flynn and Olivia de Havilland in They Died with Their Boots On, Warner Bros., 1941). I know, I know—heresy! … But this isn’t so as production values and film have changed over those 51 years. If Flynn and de Havilland played George and Livvie Custer in 1992 it might have been a different LK comment here. We’re talking about place and time. LK personal collection.

    A great start (and I’m being sarcastic at myself). … Believe it or not I’ve seen the film many times since then, so I guess that first impressions are not always accurate.

    Wes Studi plays Magua, a Huron chief who has aligned with the French during the French and Indian war with the English (between 1754 and 1763). LK personal collection.

    All I can say is that the scope of this film, the script (adaptions from James Fenimore Cooper’s novel and Philip Dunne’s 1936 screenplay by John L. Balderston, Paul Perez, and Daniel Moore), the dialogue, the grasp of race (and that includes between the British and the colonists) during the French and Indian war, and acting all gel in such a fusion of reality and fiction that every time I see the film it is an experience.

    I need to introduce you to Wes Studi; he’s a great American actor who happens to be a full-blooded Cherokee from Nofire Hollow, Oklahoma. What’s best about the roles he’s played is that he easily moves between being an antagonist and a protagonist. In Last of the Mohicans his Huron Chief Magua is the former as he chose to team with the French. On screen he is focused, intense, totally in control of the moment, dangerous beyond belief, and his character is someone none of us ever want to face when our lives are on the line. This is a terrific portrayal by him and one of numerous performances wherein he brings American Indians to life on screen.

    These are real people in real situations, and I don’t care if it is Day-Lewis/Hawkeye, the scout who walks between the races with the father who adopted him; Means/Mohican Chief Chingachgook; the white princess Stowe/Cora Munro who has been sheltered from the world by her father Roeves/Colonel Edward Munro of the British army; her younger sister May/Alice, who falls in love with Chingachgook’s son Schweig/Uncas; and finally the British officer Waddington/Major Duncan Heyward who stood firmly for God and country but becomes heinous when Cora refuses to accept his proposal of marriage. It sounds complicated; it isn’t.

    Left: Major Duncan Hayward (Steven Waddington) has offered his life for Hawkeye and his lady’s lives. They run but stop and look back. He is burning at the stake. This cannot be and Hawkeye (Daniel Day-Lewis) ends his life while Cora Munro (Madeleine Stowe) watches. This is not the climax of the film. LK personal collection.

    In this film we walk between race and equality time and again. It is alive, explosive, and, even though I have read James Fenimore Cooper’s great novel several times and know the ending I am on the edge of my seat until this film ends, and the final reel explodes in tragedy.

    Chingachgook (Means) and Hawkeye (Day-Lewis) look into the distance. They have survived, as has Cora (Stowe), but the chief is now the last Mohican. LK personal collection.

    Before walking away from Mr. Means (10nov1939-22oct2012), who was an Oglala Lakota (Sioux), I need to tell you that he played a large role in the creation of the American Indian Movement (AIM), the takeover of the town of Wounded Knee, South Dakota (1973), with Dennis Banks and many others, a standoff with the U.S. government that lasted 71 days (27feb1973–8may1973). Many have cursed Means and those with him during those days that seem a lifetime ago. No! He and AIM were fighting for American Indian rights. This must be praised and not censored.

    Daniel Day-Lewis (left), Michael Mann (director), Madeline Stowe, and Russell Means at a premier of Last of the Mohicans in 1993 (but I don’t know where). LK personal collection.

    Day-Lewis and Stowe are one of the best film duos in the last 40 years. This said, Errol Flynn and Olivia de Havilland, who played George and Libbie Custer in They Died with Their Boots On (Warner Bros., 1941), are my top film duo for all time, and will forever remain so.

  8. The Birds, directed by Alfred Hitchcock and w/Rod Taylor, Tippi Hedren, Jessica Tandy, Suzanne Pleshette (as Annie Hayworth), and Veronica Cartwright (1963)
    Even though all the advertising pushed Hedren, Alfred Hitchcock’s current “discovery,” this is Rod Taylor’s film.

    Rod Taylor/Mitch Brenner begins a relationship with Tippi Hedren/Melanie Daniels in Bodega Bay shortly after they met in a bird shop in San Francisco, when he enjoyed himself at her expense. It was not a good introduction but—there’s also a “but” when a relationship begins. What I really like about this film is its closeness to the Golden Age of Cinema and the inception of what film would become by the end of the 1960s/beginning of the 1970s. LK personal collection.

    A production shot during filming with the cast listening to Hitchcock. LK personal collection.

    Mr. Taylor’s charms, as almost always, light up the screen from the moment he appears. More, the story is seen through his eyes, and he dominates this decent reinvention of Daphne du Maurier’s short horror story of birds attacking people on a farm in England. His charm, like fellow Australian Errol Flynn’s, is always present in his films after he became a leading man. Although The Time Machine (1960) would turn him into a star, it was The Birds that would be his film for all time.

    Regardless of Tipi Hedren, who was perhaps forced to do things she did not want, being publicized as the lead of the film—she wasn’t. I have heard hints of what most–likely happened between her and director Alfred Hitchcock but have never been privy to this and don’t know the details. Of course I can guess. I met Ms. Hedren once at the end of the 1970s when tigers her from Shambala Preserve, an animal sanctuary created in the early 1970s in Acton, California, were used in a Tom Skerritt TV film, Maneaters [as spelled] are Loose (Mona Productions, 1978), wherein they terrorized a rural community. I had met Tom when I was assigned to work with him on a script he was developing at Theatre West (Studio City, Calif.) in 1969. Before the play went into production he was cast as one of the three leading doctors in MASH (20th Century Fox, 1970), a black comedy about the Vietnam war, and never looked back.

    Rod Taylor and Tippi Hedren in one of their many scenes after the birds begin to attack people. Although featured and pretty to look at starlet Hedren had no chance of upending Taylor’s charm and presence in every frame in which he appeared in The Birds. From beginning until the end his persona and performance drove the film to conclusion. Taylor delivered an easy and yet well-defined performance that was key for one of Hitchcock’s best films to succeed. LK personal collection.

    The film begins simply when lawyer Taylor is in a bird shop in San Francisco to buy a bird for Cartwright/Cathy Brenner, his young sister’s birthday, who lives in the small Northern California community of Bodega Bay with their mother Tandy/Lydia Brenner. Hedren is present and they clash over the identity of lovebirds. Taylor enjoys the confrontation; her less so. On a whim she buys the lovebirds to deliver to his sister in Bodega Bay, a little more than an hour’s drive north of San Francisco on the California coast (for the record a good part of the film was shot on location). This is just the beginning of a film that is filled with charm, caring, and even love before it slowly dives into a horror that could someday happen—a relationship–centric reality that begins on a light note and slowly gets darker and darker and darker …

    The next two films are musts for this list but they shouldn’t be in the number 9 and 10 spots. They are here for one simple reason, and that is
    they have played a major role in my life. To be exact they
    have impacted over 20 years of my life.

  9. Last of the Dogmen, directed by Tab Murphy and w/Tom Berenger, Barbara Hershey, Steve Reevis (1995)
    The story centers on the Cheyenne people (seen or not), and although they are mostly shadows for easily three-fifths of the film they are the focus throughout. This film has been a major part of my life since before 2013 when I finally signed a contract to research and write a book about the Sand Creek massacre. No joke, and I’m as surprised as you, for somewhere around 2010 or 2011 if you asked me if I would write a book about the massacre and mutilation of people who thought they were under the protection of the U.S. government I would have laughed in your face.

    These photos are totally out of order here. Who gives a damn? I don’t. What you see here is Tom Berenger’s fantasy that could never be true; Barbara Hershey’s most magnificent dream becoming reality; and a world of Cheyenne people surviving from 1864 and long into the future undiscovered (Lordy, lordy, … this is a time and place that LK would gladly step into even if he could never return to reality). LK personal collection.

    Do not doubt that I have known this film since the beginning for I saw it twice when it premiered in Los Angeles in 1995. Barbara Hershey was already one of my favorite actresses and in my opinion she and Tom Berenger had the perfect chemistry to make this story work. Better, 18 years later the film influenced my decision to buy into a project with such a huge scope that I knew that it would be years before it saw print. Sand Creek and the Tragic End of a Lifeway will be published in spring 2020. Hershey and Berenger’s performances are delightful and I never saw a false moment in their relationship. At the same time I’ve cursed them for all the years they’ve stolen from my life. If not for them, and the magnificent former editor-in-chief at the University of Oklahoma Press, Chuck Rankin, the Sand Creek manuscript would have never happened. Let’s start with Cheyenne Dog Men surviving the massacre of Sand Creek on November 29, 1864, and living undiscovered into the modern world is a great premise (although totally illogic). For the record there were only a small number Dog Men (white man term for the warrior society: Dog Soldiers) at Sand Creek.

    Tom Berenger and Barbara Hershey are prisoners of Cheyennes lost in time in Last of the Dogmen. LK personal collection.

    The butchery was beyond description and included hacking sexual organs off the dead and using them as ornaments and headbands (this is a fact). Berenger can be evil and he can be charming (I could list a number of his films that didn’t make this list, but could have), … Hershey is one of the best ignored actresses of my time (perhaps because many of her films were B productions, perhaps because she never had a breakout success, perhaps because she did a lot of TV work). I don’t know. This is a lady that I have never met, have no clue to who she really is, and this is disappointing.

    Barbara Hershey in Last of the Dogmen. LK personal collection.

    Years back I fantasized that she was a guest on a major nighttime talk show and I was an add-on due a book being published and she tore into me for my view on history. I challenged her to present proof to backup what she claimed. She challenged me to do the same. The host enjoyed the fireworks and invited us both back to continue our personal war. By the second evening Ms. Hershey had read some of my books and backed away from her less than savory view of me. Alas, nothing could happen for by then our history was already fact and couldn’t be rewritten. … I like my history but at times wonder what could have happened if I had turned right instead of left on that long lonely road we all travel.

    Berenger is a modern-day bounty hunter and has ridden into a mostly unexplored Montana mountain range called the “Outback” with his dog, Zip (who is a scene stealer), to track down three escaped convicts. All he finds are a few pieces of what once were men and an Indian arrow. One night he sees Indians from the mid-nineteenth century riding in and out of the mist. Or did he? After returning to civilization and needing to know the answer he looks for a university professor and Cheyenne Indian expert on a massive excavation site but can’t find him (that is Professor L. D. Sloan). He is pointed one way and then another and always misses his target. Finally he comes upon two college students who are on both sides of a woman. In frustration he blurts out: “Do any of you know where the old fart L. D. Sloan is?” The two students slowly point at the woman (Hershey), who says: “‘L. D.,’ for ‘Lillian Diane.'” Oops!

    One of many photos of Tom Berenger and his horse in the film. He is glaring at Barbara Hershey when she announces that she is joining him in his search for Cheyennes from 1864 living into the present. LK personal collection.

    She isn’t impressed with his suggestion that Indians from the past could have survived into the future undetected. Refusing to leave he shows her the arrow. Hershey confirms that it is a Cheyenne Dog Man arrow. “Well?” he pushes, trying to get her to confirm that Cheyennes from times past are living in the Outback. “$12.95 in any gift shop,” she says, dismissing him.

    Later, and after Berenger has done research in old newspapers (something that LK does often), Hershey agrees to accompany him into the Outback. He thinks one of her male students is going to join him, and is upset when he realizes that she is going with him. After he complains that the trip is no place for a woman, she checks her saddle and mounts. “Let’s get a move on,” she tells him. “As they say, we’re burnin’ daylight.”

    Other than totally enjoying this film while knowing that it could never have happened, there is one scene in it that grabbed me the first time I saw it and it has never let go. It happened one night in the Outback while Hershey and Berenger relaxed in camp after a long day with zero results hunting for the Cheyenne Dogmen.

    Put another way, her handful of words are the reason why I decided to sign the contract for the Sand Creek manuscript …. “What happened was inevitable,” Hershey tells him. “The way it happened was unconscionable.”

  10. Geronimo: An American Legend, directed by Walter Hill and w/Wes Studi, Jason Patric, Gene Hackman, Kevin Tighe, Matt Damon, Robert Duvall, Steve Reevis (Chato), Stephen McHattie, Rino Thunder, Rodney A. Grant, Lee du Broux, and Pato Hoffman (1993)
    When this film opened in Los Angeles I saw twice in movie theaters. I liked the scope and grandeur, but not the focus which I thought was all over the place. It should have concentrated on Studi/Geronimo but wandered.
    Although this blog isn’t about music I must mention Ry Cooder’s magnificent film score, which was a mix of period music and his original compositions. I have a lot of film scores that I play often, and Mr. Cooder’s soundtrack is my favorite for all time.
    … At the time I saw the film it was touted as factual. I knew nothing about the war leader/mystic Geronimo (although I did like how the mysticism was worked into the story) or the Chiricahua Apaches. I also knew nothing about the whites who had large roles.

    This image is from the beginning of the film when Geronimo and Gatewood hold off a Tucson posse after he returned to the U.S. in February 1884. There are a number of problems with this scene and they are major. 1) When Geronimo returned he was accompanied by 15-16 warriors, some 70 women and children, and a herd of 135 cattle stolen in Mexico. 2) Gatewood wasn’t present although Davis was but he wasn’t a raw recruit right of West Point. 3. There wasn’t a posse (only two government officials, whom Davis and Lt. J. Y.F. Blake got drunk while Geronimo moved northward with his people and stolen cattle). Actually the error list for Geronimo’s return to American soil is extensive. … The above scene shows Studi and Patric scattering the “Tucson” posse and it has decent dialogue and is fun to watch but is little more than pure fiction. LK personal collection.

    This is “The Dreamer” (or medicine man?) at Cibicue (think Hoffman but the credits are confusing). It is a small part but it has always stayed with me as he is sympathetic (perhaps read symbolic) while the U.S. officer in charge is brutal and non-listening and pushing the event to violence, which included three Apache scouts turning on the soldiers they served with and which resulted in them hung as traitors. It is the perfect scene to move the story forward. … Or is it? The Cibicue Apaches were/are one of five bands of Western Apaches, of whom the White Mountains were/are the largest and most aggressive (the other three were/are the San Carlos, Northern Tonto and Southern Tonto). More important. Actually MORE IMPORTANT is that that White Mountains and Chiricahuas did not get along to the point that the former often served as Apache scouts for the U.S. in the wars against the hated Chiricahuas. … The incident at Cibicue happened in 1881—three years before Geronimo returned to American soil in 1884 (see above)—and there were no Chiricahuas present and certainly not Geronimo but this tragic incident has Studi present and it shows just how good Geronimo was at surviving while at war. This is good for it gives us a close-up look at Geronimo, but again the Western Apaches were enemies of the Chiricahuas. But—that is BUT—the film continues with its fiction for the next major sequence in it gives us Geronimo’s final breakout from the reservation (1885 from Turkey Creek, which was some 30-35 miles east southeast of Fort Apache, which was located on the White Mountain Indian Reservation. Lordy-lordy, how many missed opportunities could this film present to a movie-going public that was/is clueless? LK personal collection.

    The film begins when Geronimo returns to the  U.S. from Mexico. Patric’s Gatewood and Damon’s Davis (a raw recruit just out of West Point) travel to the Mexican border to meet him and escort him to the reservation.

    Things are about to get complicated in the string of events and their dating that the film covers right through Geronimo’s final surrender. This said, they are dramatic, exciting, and present culture while supposedly documenting the final years of Geronimo and the Chiricahua Apaches freedom. A few examples will show just how mixed up the script was—and again touted as historically correct—while mixing a string of events that weren’t related and at the same time shoving a number of scenes into the film that are right out of paperback western novels sold in grocery stores that romanticize or demonize the taming of the American West.

    The killing at Cibicue, as intimated above, led to Geronimo and Naiche’s last outbreak from being prisoners of war and living on a reservation (LK: pure baloney). Naiche was the last hereditary Chiricahua chieftain and during those last years while struggling to remain free they often camped and traveled together, and of great importance were together at the final surrender. His absence from the film is huge (and in my opinion the most heinous error in it).

    This scene shows Geronimo (Studi), Nana but called “Old Nana” (Thunder) in the film as the producers probably felt we wouldn’t see his white hair and realize that he was older than Geronimo, and Mangas (Grant) at Turkey Creek. Although not in the film there would be a lot of dissension within the tribe prior to the final breakout and it totally missed the disruption between the Chiricahua leaders and people in regards to if they should flee or not. LK personal collection, and this is my favorite still from the film.

    Soon after the breakout Patric/Gatewood led a patrol of soldiers with a handful of Apache scouts. A Chiricahua war party tailed him. Soon the war leader challenged him to a one-on-one duel. This was nicely shot and exciting. In the image Patric realizes what is happening and knows what he must do. LK personal collection.

    Prior to the 1885 breakout from Turkey Creek Charles Gatewood commanded patrols of 80 Apache scouts when in the field (a subordinate officer and an interpreter were the only other white men on these patrols; sometimes the interpreters were Apaches). In 1885 the real Gatewood was military commandant of the White Mountain Indian Reservation headquartered at Fort Apache in the mountains to the north of the San Carlos Indian Reservation in the valley far below. Although in the field briefly at the beginning of the outbreak he spent the rest of the war overlooking his wards, the White Mountain Apaches. … No matter for in the film Patric/Gatewood is center stage in two of the most dramatic scenes in the film after Geronimo fled the rez for the last time—scenes that never happened in reality (see the above image for the first one).

    As you’ll see directly below I’m not too keen on Bob Duvall’s performance. This image is from the first scene in the film (I have a great shot of him firing away in the Mexican cantina but I didn’t want to use it). LK personal collection.

    In the second scene Patric/Gatewood and his totally fictional escort travel into Mexico looking for Geronimo. They stumble upon a destroyed village and see the remains of Indian men, women, and children who weren’t at war but had been murdered and then hacked to pieces by scalphunters. When Patric and escort enter a cantina he sees McHattie/Schoonover, who craves Reevis/Chato’s scalp. This scene reeks of hatred and violence.

    Before moving forward I need to share a few thoughts. Hackman/General George Crook and Tighe/General Nelson Miles provide good and believable performances while “Bob” Duvall absolutely sucked as scout Al Sieber (those of you who know anything about Sieber can guess why). I hate myself for saying this as I enjoyed a great three-plus months working closely with Bob in 1980. I can’t say enough good words about the man, the human being who was kind and giving, and one of the most iconic actors of my lifetime (more below when I share a few thoughts about Mr. Patric).

    Patric/Gatewood and Studi/Geronimo reach Skeleton Canyon, New Mexico Territory for the final surrender in September 1886 (the actor/characters in the background weren’t present). Unfortunately the entire Geronimo–Gatewood meeting in Sonora, Mexico, that August was total bullshit in the film (the researchers–writers–producers of Geronimo: An American Legend had no clue how dramatic that long one–day meeting between Gatewood, Geronimo, and Naiche was. The film’s loss, our loss, film history’s loss. LK personal collection.

    Wes Studi, even though ten–plus years too young to play Geronimo, is brilliant. I’ve always felt this way about his performance because he humanized the war leader/mystic. Geronimo’s name terrorized people in the American Southwest, but that was/is a totally one–sided view. Let’s simply consider the number of wives, number of children, number of family members he lost over his lifetime and ask one question: Why did he do what he did? I know the answer and it’s never going to change. … Not so with Jason Patric’s performance and since 1995 I’ve ripped his portrayal of Gatewood (mainly because I don’t think he did any research other than knowing that the lieutenant was from Virginia). … There have been three films that have played major impacts on my life: Errol Flynn’s The Sea Hawk (1940), Flynn’s They Died with Their Boots On (1941), and Geronimo: An American Legend. If I can remove/ignore the facts in Mr. Flynn’s films I can do it with Mr. Studi and Mr. Patric’s film. When I do this, and it has taken me over two and a half decades to do so, this is a pretty damned good movie. I just told you my view of Wes Studi’s  performance. Finally after what feels like forever I can accept Jason Patric playing Gatewood heroically (and ditto Mr. Duvall’s racist performance).


    Almost a year and a half after seeing Geronimo: An American Legend I signed Custer and the Cheyenne for Aaron and Ruth Cantor Cohen at Guidon Books in Scottsdale, Arizona. They had always helped me over the years, and on this occasion our conversation turned to western film. Specifically we discussed two films, this one (which did not do well at the box office) and Tombstone (which was a major hit), and how they impacted book sales. Wyatt Earp, Doc Holliday, and the gunfight at the OK Corral saw a major increase in sales whereas Geronimo and the Apache wars did not. I’ve read about Holliday and Earp but I’m never going to write about them. Conversely Gatewood and Geronimo had caught my interest.

    LK with a colorized cutout of a photo of Geronimo taken at Canyon de los Embudos in Sonora, Mexico, in 1886, at the Geronimo exhibit, Arizona Historical Society, Tucson, Arizona, on 12feb2012. (photo by Glen Williams and © Louis Kraft and Glen Williams 2012)

    Ruth told me that the Gatewood Collection was housed at the Arizona Historical Society in Tucson, Arizona. The following month I took a week off from Infonet (where I was a technical writer) wrapped between two weekends and drove to Tucson. Whoa, cowboy! The following month I took two weeks off wrapped between three weekends. At that time I had begun my next Indian wars book (on Ned Wynkoop), but now it went on hold (as it turned out a ten-year hold, although there were Wynkoop talks, articles, and the beginning of Wynkoop one-man plays). I had discovered an amazing man in Charles Gatewood but it wasn’t enough, and I quickly realized that Geronimo would be the perfect companion in dual biography.

    So why is this film on the list?
    No Aaron, no Ruth, and no film, … no two LK books:
    Gatewood & Geronimo (2000) and
    Lt. Charles Gatewood & His Apache Wars Memoir (2005).

Louis Kraft, SoCal fires, earthquakes, Sand Creek Massacre, & an Errol Flynn tidbit

Website & blogs © Louis Kraft 2013-2020

Contact Kraft at writerkraft@gmail.com or comment at the end of the blogs


For starters Pailin and I hope that the day we celebrated Jesus Christ’s birth was a peaceful and loving one for you with your family and friends. … Also that you had a safe and uneventful New Year’s Eve. Ours was at Wat Thai (Thai Temple of Los Angeles in North Hollywood) praying and seeing some friends as we welcomed in 2018.

On 20dec2017 Mimi took this image of us at Jantana (pronounced Jan-ta-na) and Richard’s (pronounced Ri-chard’s) apartment in Northridge, California. (photo © Pailin Subanna-Kraft and Louis Kraft 2017)

The year 2017, more than any other, has made me realize how
fragile life really is. For the record, I have a family of four—three ladies
and yours truly. I’ve survived some horrific car crashes, I’ve had guns
pointed at me, a knife at my throat, I’ve taken a motorcycle over a
a cliff, I’ve been knocked cold (I don’t know if this counts), and
I’ve survived cracking my skull open more than once as
well as surgeries that had to succeed or I would I have
been dancing with Angels long before now.

My view: I love walking on Mother Earth.

Fire, wind, more fire, & more wind … a SoCal story

Elsewhere I’ve documented the frightening Los Angeles and Ventura County fires of December 2017. It’s rough when you can watch flames billow into ever-growing puffs of brown smoke that obliterate the sky. You know that property is being destroyed and animals are dying.

This image in the Los Angele Times dates to December 6, 2017, and is of a man attempting to calm a horse during the Sylmar/Creek fire. These fires in SoCal were absolutely devastating on horses and over livestock. My great friend and Apache scouts expert Layton Hooper commented numerous times about this image (as he also cares about animals). I couldn’t agree more with Layton’s views on horses and how they are innocent bystanders to man’s destruction of our world.

But often the men and women who combat these horrific Santa Ana winds that range upwards to 80 MPH and fuel the fires that ravage SoCal year-in-and-year-out fall under the radar. These people, these heroes, risk their lives on a daily basis. During the recent Sylmar/Canyon fire in the San Fernando Valley that put Pailin and I at risk (a December 6 LA government text read: Strong winds over night creating extreme fire danger. Stay alert. Listen to authorities.”), they worked 24-hour shifts to combat an enemy (wind and fire) that is a hundred times more devastating than the earthquakes that are associated with SoCal. These brave human beings deserve all our respect and thanks. Believe it or not, they aren’t alone for volunteers joined them along with fire fighters from other states as well as people serving jail time in California.

All of them are magnificent!!! Perhaps some of these heroes serving jail time should see the remainder of their sentences commuted.

… and the Thomas fire continues to burn (as of 30dec17).

I have favorite animals. Just five: Mountain lions (pumas), horses, wolves, coyotes, and doberman pinchers, The last are dogs, and they are the most gentle animals I have ever known. The Pumas are beyond belief, and they are a major part of my life as I follow their struggle to remain free in SoCal. Today, tomorrow, and always. These photos are from an article in the 27Dec2017 issue of the LA Times. This young Puma was burned while attempting to flee from the Thomas fire. It has been rescued and is on its way to recovery.

Ye-ough!!! (a sound) … For California 2018 will be back to normal if what the LA Times just published is accurate, mainly that this winter would be one of the driest in California history. If true next year’s fires will again ravish the Golden State. Pailin’s and my home was at fire risk twice in 2017 (June and October).

This image of a condor (left) and its chick was on the front page of the LA Times on 1jan2018, as it featured a story on endangered species chick no. 871, who should have left its cave and flew for the first time in December. It didn’t as the Thomas Fire ravished the Los Padres Sespe Condor Sanctuary. Scientists have recently seen its parents near the cave and hope that the chick has survived.

If fires attack Los Angeles in 2018 it is not going to be 1,000 homes destroyed, it is not going to be 2,000 homes destroyed, … it will be thousands upon thousands of homes destroyed. The homeless count in LA is currently 55,000 (how large is the city you live in?). If, and I pray God this never becomes reality, … if the 2018 fires destroy the San Fernando Valley (one of numerous valleys in the county of Los Angeles) 1.3 million people will become homeless; the threat was ominous in 2017. … Will it become reality in 2018?

Earthquakes? What are they? Fire is the numeral uno enemy to the Golden State.

Oh, I forgot to mention that global warming is little more than fiction. My view on this: Everyone who thinks global warning is little more than a left wing piece of baloney have got their fingers firmly stuffed somewhere.

The year 2017 is one for the California record books

It is official, 2017 has been the hottest year on record for California. It has also been the worst fire year on record, and the Thomas Fire that started in Ventura County (which borders Los Angeles County) and has raged north and into Santa Barbara County is the largest fire in California since they began keeping accurate records in the early 1930s. This fire began on December 4; it was still burning on December 30 (but although it is supposedly 65 percent contained … homes are still threatened).

Something needs to be said about earthquakes

I have lived through the last two major earthquakes in SoCal: 1971 and 1994. I can’t tell you how often I have been quizzed about the horror of an earthquake when outside California. People I have met when giving talks or performances or on research trips are forever interested (some of them are terrified of experiencing one). … Let’s start this conversation with LK isn’t keen on living through a hurricane or a tornado.

I guess it’s all about perspective.

Let’s start with tornados. In 1974 I flew to Missouri to buy a 1951 Hudson Hornet, a great automobile that ruled NASCAR racing during the first half of the 1950s (I even wrote a screenplay about them cleaning up at the racetrack called Hornet; unfortunately my agent couldn’t sell it).

The Missourian picked me up at the airport. After checking out the Hornet and taking it for a test drive I bought the car. Tornado warnings were live on Missouri TV that morning. He and his family didn’t want me to leave. I ate his wife’s homemade ice cream and then allowed the family to show me the house where future U.S. president Harry Truman was born. I am a patient and polite cowboy. During this time I had visions of Judy Garland’s classic film The Wizard of Oz (1939) dancing around in my brain. If you don’t know the film, a tornado transports Judy’s character to the land of Oz. It was 1974 and I was picturing me and the 1951 Hudson Hornet being transported to the land of Oz.* Honestly, this was a living nightmare for me. When the seller’s family finally gave me a tearful goodbye about eight-thirty that morning I pushed the Hornet’s accelerator pad to the floor, … and hightailed it out of Kansas as quickly as I could.

Time is short, and this blog is about four months late. Thus this old collage. This picture of the Hudson that came from Missouri was taken in the still-rural Northridge in the San Fernando Valley. The photo of the Camaro was taken overlooking the Pacific Ocean in northern San Diego County. … BTW, bets were out that I wouldn’t make a wedding in Tucson, Arizona, which was a little over a week after I bought the car. I covered the bets and won.

From left: Hattie McDaniel, OdeH, and Vivian Leigh in Gone with the Wind. Olivia was nominated for a supporting Oscar in this film. She didn’t win. At first she was angry, but later was thrilled for Hattie’s win. I couldn’t agree more with her view. (photo in LK personal collection)

* The Wizard of Oz should have won the Oscar for best film of 1939 (I know, heresy). Gone with the Wind did. I have a large connection with Gone with the Wind due to Ms. Olivia de Havilland. Writing about her connection with this film will take up quite a number of pages in Errol & Olivia, and these words have and will flow speedily forward on the keyboard. Her story here is good stuff. No-no-no; it’s great stuff! All I want to say here is The Wizard of Oz, which took me decades to accept and like, is a great film, while Gone with the Wind, which I’ve hated since the first time I attempted to see it is not. For the record, I have never seen this film completely in one screening (and that includes seeing it in a movie theater; I walked out before falling asleep). I doubt this is a high recommendation.

Let’s get back to earthquakes. On February 8, 1971, I needed a place to sleep. My then girlfriend. Joan McGirr, was living with her father. I parked my motorcycle next to her car in the apartment building’s underground parking lot and slept in it that night.

This image of LK was taken just months before the 9feb1971 earthquake. I’m sitting in my office just north of the apartment building where my then-girlfriend lived with her father. (photo © Louis Kraft 1970)

The next morning I was awake and reading the newspaper in her car when the earthquake struck. I was out of that parking structure in a flash and as far as I could be from the surrounding apartments. In front of me was a large swimming pool with tidal waves pounding the sides. The surrounding complex consisted of three-story apartments. They looked like old-time cartoons as they swayed back and forth in rhythm with the pool’s pounding waves.

The 1994 Northridge earthquake caught me asleep in bed in North Hollywood. It struck about four-thirty in the morning on January 17. Let me say one thing here. When a fairly large earthquake hits there is no guesswork. You know immediately what is happening. Get away from windows and anything that can collapse or fall on you.

Earthquakes don’t last long. One minute, two minutes, maybe three minutes and it’s over. There are after shocks that can go on for days.

Front and center in an unbelievable story

LK image choices are now being selected for Sand Creek and the Tragic
End of a Lifeway, and they will add great value to the book.

Pailin took this photo of me relaxing at home with guests on 13sept2017. This is one of the last images of me as I looked like this. A joke? I wish, but alas, no. (photo © Louis Kraft and Pailin Subanna-Kraft 2017)

I know, I know, I’ve always known (nothing new here). For the record I’m working on the Sand Creek manuscript seven days a week until I deliver a first rough draft to the great editor-in-chief of the University of Oklahoma Press, Chuck Rankin at the end of January. He has always been my friend since we met years back. By that I mean that he has done everything possible to see that my manuscripts saw publication, … and this was long before we signed the Wynkoop contract. Folks, in case you don’t know, OU Press is the largest and best publisher of Indian wars books in the world. In the world! They are my publisher, which makes me one of the luckiest guys in the world.

At times events happen and they affect all of our hearts in different ways. …
31dec2017 was one of those days, but with life there’s always hope.
Pain over the loss of a cherished person is always private. … Life
can be fickle. One day we’re here and healthy, but there is
no guarantee for tomorrow (I’m not talking about me).

A bashed-face and worse … that’s me!!!

Ouch! … for it is worse, and I hate to say it but this is the story of my life.

Christopher Juarez at the central Los Angeles Public Library in downtown on 19nov2017. I cannot begin to tell how much this young man helped me during my two days at the library studying the Nancy Morton microfilm from the Nebraska State Historical Society. (photo © Louis Kraft 2017)

On 11nov2017 I took the subway from the North Hollywood hub (the Red line) to the main LA Public Library. My bad from the beginning, but it was worse than that for good ol’ LK got lost. What should have been three miles of total walking turned into six + miles of walking. Huh??? Take one guess. LK was clueless and got lost. If you know downtown LA there are good places and there are bad places and I got to see all of them, including a male urinating in pure daylight (I know, this is not a major selling point for Los Angeles). When I finally reached the library I was in for a shock. It was November 11—Hello cowboy! … Veteran’s Day—and the library had shut down Friday, the 10th, through Sunday, the 12th, for the Veteran’s Day weekend. What can I say other than keep your views to yourself. That’s right, I don’t want to hear them.

My day excursion, which began at nine in the morning ended at 12:25 in the afternoon with roughly two and a half hours spent as LK walked as fast as he could. Again, and by my calculations, it was over six miles. … You do not want to know what my feet felt like that afternoon, for all you’ll get from me is a bunch of XXXs and !!!s.

See below for the continuation of this story. …

The creation of history

If I chose to list all the historians who have shaped history in their image you would be shocked. I know a very good Indian wars historian who once told me that he wanted to turn history upside down. Say what? Basically this person wanted to push Indian wars history to the extreme.

That’s right, and more often than you would ever guess historians do this. Facts don’t drive what they write, sensationalization does. Most of the time they choose people who are no longer with us as you can’t be charged with defaming the dead in the USA. This is not hard to do when you write about the American Indian wars or the Golden Age of the Cinema.

LK at Tujunga House on 5mar2017. (photo © Louis Kraft 2017)

This blog, as most in the near future, features events that led to the attack by Colorado Volunteers on people who thought that they were under the protection of the U.S. military on 29nov1864.

For the record I’ve been giving talks based upon reality for thirty years, since 1987. These are talks wherein I know my subject matter and I don’t read. At the moment I’m on self-imposed sabbatical. The reason is simple: I have a book to complete that is of major importance to me.

Believe it or not, I have been persona non-grata for more years than I’d like to count. You do not want to know about people who turn their back to me when I walk past them. What’s their problem? Hell, I don’t know. I’ll say this, they ain’t my friends.

Barbara Hershey and a film I like

What can I say about Ms. Hershey other than I’d like to know her well enough that we could share our views on the world, living, and creativity. Given decent parts in film or class TV productions she has time and again proven how good of an actress she is.

Last of the Dogmen

Barbara Hershey played an anthropologist whose expertise was the Cheyenne Indians in Last of the Dogmen (Savoy Pictures, 1995). In this film, which always makes my top 50 (now 60) film list had a great quote that Barbara said. But first she had to deal with a modern-day bounty hunter played by Tom Berenger.

As stated some of Barbara Hershey’s performances are top-notch, and certainly  in Last of the Dogmen and Defenseless. Also she is someone that I wish I knew. This, in the Kraft world, is a high recommendation for more reasons than one. (photo in LK collection)

Berenger had found evidence that points to Cheyenne Indians from a time long gone killing escaped criminals, and he’s trying to learn if people from the mid-nineteenth century could have survived undiscovered into the mid-1990s. Hershey finds his quest ludicrous. And it is, but it opens a door to explore race relations between people from a time dear to my heart with those living in the mid-1990s. From the get-go the film is fantasy for the simple reason that there were few Cheyenne Dog Men (whites called them Dog Soldiers) at the November 29, 1864, massacre of Cheyenne and Arapaho Indians on Sand Creek, Colorado Territory, an attack that saw children used for target practice, an unborn child cut from its dead mother’s womb and scalped, … it gets worse, much-much worse. … Before the story can take off Hershey gives Berenger a history lesson on the Cheyennes along with their struggle to retain their freedom, land, and lifeway before again making it clear that Dog Men could not and did not murder the escaped convicts as there were no “Dog Men” from the 1860s living as they had in 1864 in modern times. Lordy-lordy, you have got to love this premise as it is a good one. Barbara’s quote in the film was great, but you’re not going to read these words in this blog. See the film, … and when Sand Creek and the Tragic End of a Lifeway is published read the book. Here’s a big hint: Barbara’s quote is the final two sentences in the book.

Sand Creek players have been pounded time and again …

Certainly Ned Wynkoop has been labeled a “traitor” to his race, and an Indian-lover. This pounding centers on his acting without orders (not cool when you are in the military) to save white prisoners and bring seven Cheyenne and Arapaho chiefs to Denver to discuss ending the 1864 Cheyenne war with John Evans, the second territorial governor of Colorado. One premise holds that the massacre at Sand Creek would have never happened if he had not done this.

LK as Ned Wynkoop in an one-man show seeing the sexually dismembered bodies of the Southern Cheyennes months after the butchery at Sand Creek on 29nov1864. (photo: Johnny D. Boggs during a dress rehearsal for performances at a Washita Battlefield National Historic Site symposium in 2008).

Really? All I’ll say here is that illogic follows and stampedes its way into the foreground.

This isn’t worth talking about, other than to say there were many participants in the events that led up to the attack on a Cheyenne and Arapaho village on Sand Creek in November 1864. It was not just one player, it was a combination of multiple players and all their actions. People make choices. You make choices; I make choices. So did Evans, Wynkoop, Colonel John Chivington, Cheyenne Chief Black Kettle, Arapaho Chief Left Hand, and on and on.

The tragedy of Sand Creek is much more than an officer (Wynkoop) acting without orders to rescue four white children and bring seven Indian leaders to Denver to discuss ending a war. If illogical thinking rules the day, why not say that the Sand Creek village was “easy prey,” like some of those hunting estates where macho men with big guns can hunt big game that can’t escape as they are trapped within the preserve?

These people had their vaginas cut out, their penises hacked off. Their children had their skulls bashed in. The term “war crime,” didn’t exist in 1864, but it does now. What happened in 1864 was a war crime regardless of what it might have been called then. Pure and simple. You do this today, and you happen to be an American soldier, you will be tried for war crimes. … I’m not certain when this came to pass but it was certainly in place at the end of World War II when Nazis were charged with heinous crimes of genocide against the Jewish people. BTW, “genocide” became a word in 1945.

These crimes live into the twenty-first century when on March 12, 2006, an American soldier (Specialist James Barker) raped and murdered a fourteen-year-old Iraqi girl, Abeer Qassim al-Janabi. He and five soldiers with him then murdered her father, mother, and six-year-old sister in Mahmoudiya, twenty miles south of Baghdad. They burned the bodies in an attempt to cover up their crime.

… and the Cheyennes?

For starters there were a number of Southern Cheyenne bands trusting Chief Black Kettle’s efforts to remove them from the on-going war. Unfortunately their approximate location was known, making them an easy target. Chivington’s goal was never to fight Cheyenne Dog Men and Lakotas who rode the war trail farther north. Instead, he wanted a target that never expected to be attacked. That’s right, he wanted “easy prey.” Chivington would claim a lopsided victory with a huge death count that perhaps exceeded the total number of people that could have possibly been living in this Sand Creek village, and for a short time became a great Indian fighter.

From left: Leo Oliva, LK, and Fort Larned Chief Historian George Elmore. We are walking the on the parade ground, and we are heading toward the building that Wynkoop rented for his headquarters when he was a U.S. Indian agent, which was just outside the perimeter of the post. Good friends Leo and George have helped me oh-so many times over the years. Both have been instrumental in getting me to Kansas time and again to speak and perform, as well as aiding my research. … I can’t begin to tell you how much George has aided my Sand Creek research. This photo was taken on 20sept2012. Two days later Leo and I spoke on the now protected Cheyenne-Dog Man-Lakota village that Major General Winfield Hancock destroyed in April 1867. … This part of Kansas is in my blood. It is one of my homes away from home.

What can I say. My Sand Creek proposal was 37 pages long. I presented a detailed outline of what I thought the final manuscript should include. It also stated that nothing was set in stone, that my research would define the flow of the manuscript. … Boy, is this a true statement.

Actually Chivington is going to have a smaller role than planned. Such is life. This said, his impact on the story is huge.

On 24apr1999 Cheyenne Peace Chiefs Gordon Yellowman (kneeling) and Lawrence Hart (standing right-center) blessed the Pawnee Fork village site. The lady with the robe wrapped around her is Connie Yellowman, Gordon’s wife. This was the first time that I spoke at Fort Larned. That’s George Elmore in the sergeant’s uniform at the left of the image. (photo © Louis Kraft 1999)

Fort Larned plays an important role in the Sand Creek story. Black Kettle, Neva, Left Hand, Little Raven, William Bent, George Bent, John Smith, and Wynkoop all spent time there. The destruction of the Pawnee Fork village (about 35 miles west of the post) was a continuation of what began in the early 1860s.

Territorial governor John Evans has been pounded

But should he have been? I’m not so sure, and although I hate to admit this, I don’t totally agree with the University of Denver’s study of Evans, and his part in the disaster. Still, they uncovered key information regarding the governor ducking the issue while in Washington D.C., and he didn’t return to Denver until spring 1865.

As I didn’t use an image of John Evans in the Wynkoop book, and have not decided what image(s) of him that I’m going to use in Sand Creek, this color portrait of Black Kettle is good here. The chief and the governor met at Camp Weld on 28sept1864, and both walked away from that meeting with totally different views upon what had been decided. For all the chief’s efforts to avoid or end war he has been pounded as hard as the governor. (art © Louis Kraft 2015)

Let’s be up front, some of John Evans’ words and actions led to his downfall (which has been frighteningly similar to the racist backlash we have seen against the Southern states fight to remove themselves from the United States of America in the 1860s. Yikes!!!! How can the USA banish and remove one of the most important pieces of our history, the war between the states? Without a doubt slavery was (and is) heinous, and it has always been so. Owning another human being and playing god with his or her life is evil (but I’m talking from a modern POV). Times have changed in regards to racism for the better, but from what we have seen in 2017 we still have a long way to go.

Some of Evans’ proclamations are damaging. However, his attempts to avoid or end war were something he tried to do. More important, he left for the east on November 10, that was nineteen days prior to Chivington’s massacre of men, women, and children, and he didn’t learn of the battle until days afterwards. Evans wanted war and wanted the Cheyennes and Arapahos removed from the territory but he had no clue that this would happen to the people who tried to end the war.

Art of Mr. Carson dating to about 1845. (LK personal collection)

Evans’ fall from grace is similar to Kit Carson’s. … Folks, Kit was a good friend to the American Indians. He spoke seven languages: English, Spanish, and five native languages. If he were the butcher that modern times attempts to label him, why would he speak (at least partially) the words of the Navajos, Mescalero Apaches, Cheyennes, Arapahos, and Utes? Oh, I forgot to mention that he had three wives: Arapaho, Cheyenne, and a Latina of Spanish decent. One more fact, he converted to Catholicism to marry his Spanish wife. Does this sound like a racist? I think not. … Pray God I live long enough to complete two books that deal with Carson and his relationship with American Indians. … One fiction; one nonfiction.

John Evans has become an evil person. … Really? Guess what? John Evans was a human being who thought he was doing right when he did it. I’m not going to tell you that he was a good person or an evil one. If I do my job his words and actions will allow you to make your own decision of who he was.

Ditto everyone else, and this includes John Chivington. BTW, he will be the last piece of the manuscript to be completed. Oh, he has a presence now, but it is not close to being finished. Like Evans and everyone else, it is my job is to show what he said and what he did. There is nothing worse than an author (history or fiction, it matters not) who has a preconceived premise on an historical personage and will stay the course regardless of how much discovery disproves their premise. God forbid they shy away from their damnation of a human being because they see facts that shoots arrows into their task of destroying a person’s life. And especially people who are gone and cannot defend themselves. Yep, folks you can defame the dead in the USA (but be careful if you attempt to defame the living, for then you might set yourself up to join the homeless wandering the streets of LA).

Back to the reality of our times

Is it ethical to sell out truth for greater book sales? Honestly, you don’t want to know my opinion on this. Many writers have done this over the years, and it isn’t confined to the Indian wars. The most infamous—in my opinion—was Charles Higham. Higham, a film biographer, printed despicable lies about two of his subjects (see below), for the simple reason that he wanted to sell books. Other biographers and historians in modern times have mimicked Higham’s practice of creating false facts that bleed red for the same reason, to pocket as many greenbacks as possible. There’s one difference, these hacks of recent times (that is post 1980) stoop so low with their fictional creations that they are little more than cockroaches that run rampant in their readers’ minds as they spread filth that has no basis in reality.

In his 1980 best-selling piece of slop called Errol Flynn: The Untold Story, without proof Higham wrote that Flynn was both homosexual and a Nazi spy. Over the years real historians have debunked all of Higham’s falsehoods. Still the general public, if they remember anything about Flynn, it is that he was homosexual Nazi spy. Hell, the media still sells this as there is nothing better than trashing a star’s name for the simple reason that the public gobbles it up. As said above there is no punishment for defaming the dead in the USA. Not so in Canada; Higham’s book was also published in the land of our neighbors to the north. Flynn’s daughters Deidre and Rory went after Higham in Canada. To avoid going to court and potential prosecution Higham never set foot in Canada for the rest of his life. … I can’t speak about Higham’s other film biographies save one—Sisters: The Story of Olivia de Havilland and Joan Fontaine (1984). I presented Olivia with a lot of questions about this book in letters and in person. Olivia made one reply in writing in which she dismissed Higham with three words (and none were profane). In person the only thing she said about him and his book on her and Joan was that he never contacted her, never asked her one question.

Was Higham a charlatan? Are other historians charlatans? I believe in challenging history. I also believe that it must be done ethically and not by presenting outrageous statements that are fiction-based on preconceived premises with the lone goal of destruction.

Another story

He was flesh and blood, had a deep baritone voice, was a college professor, had lived through the revolution of the 1960s, had evolved into the 1970s, and when I met him in the 1980s he had fine-tuned his persona. Oh, I forgot, he was also a writer. Charm oozed from him. He instantly became a friend (think 1989 in San Diego).

Years passed. It was now 1995 and we were at the Western Writers of America (WWA) convention in Cheyenne, Wyoming (I’m foggy on the location but think the timing was with the publication of Custer and the Cheyenne).

I’m going to pull from a major lesson I learned from Errol Flynn’s magnificent memoir, My Wicked, Wicked Ways, which was published shortly after his death in 1959. Mainly, that at times one must remain vague to protect friends, former lovers, and yours truly. I hope that what I share here is okay. I’m back to the writer that evolved from 1960s to the 1980s. He was working on a book wherein he claimed his subject—Billy the Kid—outlived his death by decades. “Do you believe he wasn’t murdered?” I asked. He honestly replied that he did believe that the Kid was murdered. “Why are you writing this manuscript?” He again honestly answered that it would sell books. This author’s name was W. C. Jameson.

Kudos to him for his honesty. At the same time his words now mimic the truth of today’s world. If the truth gets in the way of your preconceived premise, dismiss it. If someone confronts you on your lie, one-up them and call them “little Billy,” or “bullshitting Johnny,” or “sex stalker Alex,” or “lying Donald.” The new key words here are: “Fake News.” Point your finger at them, scream, and if possible see that your hateful rants explode all over social media.

Luckily for me the Dennis the Menace cartoons continue to live in the Los Angeles Times (this cartoon appeared in the 22nov17 edition of the paper). Although cartoonist Hank Ketcham is long gone, his wonderful creation continues to live at dennisthemeance.com and in various newspapers. The North America Synd. holds the 2017 copyright.

Good Lord, is this really today’s world? If yes, I need say no more.

The struggle to bring the Tsistsistas (Cheyennes) into their new world

Ladies and gents, separating myth and fiction from fact is an hellacious task, and one I’ve struggled with for years now. Also, unfortunately, no one is ever going to get all the facts straight. It is an impossible task.

Believe it or not the Cheyennes have been mostly painted as villains throughout their history. Their views and their facts have been almost totally ignored as little more than lies. There’s an adage, and it is that the conqueror writes the history books. … The vanquished are savages or worse and the winners are heroes who have saved mankind.

… and this includes some mixed-blood Cheyennes

I’ll mention two here: Julia Bent and her step brother Charles (Charley) Bent. Their father was trader William Bent, who plays a fairly large role in my Sand Creek manuscript, but surprisingly wasn’t as I expected him to be (this statement should have a few exclamation points as the William Bent I now know is not the William Bent I thought I knew). … I can’t begin to tell how many hours I’ve spent on Julia and Charley. I know them somewhat, but I wish more. She is little more than a beautiful image that appears and disappears during the tumultuous times of the 1860s while Charles has been pounded to hell as little more than a vicious killer.

George Bent was Julia’s older brother and Charley’s older step-brother. He lived well into the twentieth century and left a wealth of information for anyone willing to dig into and understand, and by that I mean cross-reference and closely check what he wrote.

If you believe just half of the recordings of supposed Cheyenne raids between 1864 and 1867, Charley Bent was named way-too-many times as a traitorous leader of perhaps thirty percent of these raids, and yet when he died he had not yet reached his twentieth year, and this is an easy fact to prove regardless of David Lavender’s fanciful words without a drop of proof in Bent’s Fort (1954) or Halaas & Masich’s tons of research citations in Halfbreed (2004), which simply muddies the water while providing little support for important text in their biography of George Bent.

I don’t have much on either Julia or Charles, but what I do have will be in the book for both were exceptional young people during a time of death and destruction. I won’t come close to sharing who they really were, but I will present them to you in an honest way while at the same time destroying some of the undocumented baloney that has been printed and reprinted about them ad nauseam.

There is Sand Creek Massacre research coming that will open some eyes

The misinformation and out-and-out fabrications of reality in the Sand Creek story is mind-boggling. These ongoing fabrications range from Laura Roper becoming Black Kettle’s sexual object to Isabelle Eubanks being five when the Cheyennes gave her to Wynkoop on September 12, 1864 (a date that is erroneously documented easily sixty percent of the time).

A wonderful research surprise in Downtown LA

A young wife was captured one day after the Cheyenne raid that captured Isabelle, her mother, younger brother, a relative, and Laura Roper. This young woman, like those taken with Isabelle, also plays a key if small role in the story. I had seen most if not all of the published documentation about her. Her name was Nancy Morton. During an horrendous string of a few days mostly along the Platte River Route she, along with many other whites, survived while seeing her family murdered and hacked to pieces. Traveling settlers, ranchers, station employees were attacked, many murdered, while a small number of whites were taken prisoner. There is an old cliché, “Save the last bullet for yourself,” as death or captivity by Indians was not something anyone wanted to experience. … Nancy and a boy named Daniel Marble survived the attack on their wagon train.

I have spent a lot of good time with Marty Vestecka Miller, of the Nebraska State Historical Society, who secured the interlibrary loan of a microfilm reel on Nancy Morton for me. As the only library in the 100-library system of Los Angeles that still had microfilm readers that could also print was the central library in downtown Los Angeles I had to set up the loan there as the microfilm could not leave the library.

The west entry to the Central LA Public Library in downtown Los Angeles on 18nov2017. The library is a treasure, both inside and outside. (photo © Louis Kraft 2017)

On November 18 I got wise and looked at a map of the subway exit and the downtown library. They looked shockingly close to each other. On this day I used the Hope Street exit from the subway, looked to my left and could see the library two and a half blocks distant. On this day I worked closely with Christopher Juarez (pictured above), who not only got me set up on the microfilm machine but made me aware that I didn’t have to pay for printouts of the pages, but could scan them and email them to myself free of charge. Folks, when you are looking at over 250 images this is a pretty cool savings. Christopher worked closely with me on this day and then the next day as he ensured that I obtained every image that I needed. I have nothing but kudos to say about Christopher. The city of Los Angeles should give this young man a pay raise, and I’m not joking here. Los Angeles is lucky to employ him. Good work needs to be rewarded. Mayor Eric Garcetti, if you see this post or if you hear of this post, know one thing: Christopher Juarez is an extraordinary employee and the city is lucky to have him.

LK’s workstation at the Central Los Angeles Public Library in the History Department on 19nov2017. Cool times for LK. (photo ©  Louis Kraft 2017)

The people of Sand Creek

The major players range from the second territorial governor of Colorado Territory, the chief editor and co-partner of the most successful newspaper in Denver during the 1860s and beyond, the commanding colonel of the District of Colorado, the official U.S. interpreter for all four major treaties with the Cheyenne Indians between 1851 and 1867, a major partner of the most successful trading post who married into the Cheyenne tribe, one of his mixed-blood sons, and the one man who dared to act for he thought was for the good of mankind and has since been termed a traitor to his own race. They were ambitious, had views of success in their dreams, but like you and I had to survive in a world beyond their control.

I know. Where’s Cheyennes Black Kettle, Lean Bear, or Bull Bear; and Arapahos Left Hand, Neva, and Little Raven? Trust me, for they are a comin’ to life, … I want them to be surprises; I want them to explode off the pages. Actually Black Kettle and Little Raven will surprise you, but unfortunately I simply don’t have enough on the others to allow them to also dominate. Still Left Hand was a person I wish I could have known in life.

More important, and like most of us, they thought that what they did was right when they did it. … What I’ve learned is not what I wanted to know. I’m writing the manuscript as a biography through the eyes of (currently) nine people. I’m doing everything I can to be in their point-of-view (POV), a film term.

This is my lady, Pailin, on the bluffs to the west of the 1864 Sand Creek battlefield. Our terrific friends John and Linda Monnett took us to the isolated site in 2014. You want to read good history pick up some of John’s books that deal with the Cheyennes. … Pailin and I are totally different in all phases of our lives, and yet she supports everything that I do. I pray to my God that I am capable of supporting everything that she does. Life and love is a two-way street. You won’t believe what is in our future. (photo © Louis Kraft & Palin Subanna-Kraft 2014)

Where the hell am I? Simply, I’m treading water in the middle of pure hell. Does this sound negative? Probably, but it shouldn’t be as I’m inching closer to completing perhaps the most important manuscript of my life. If true, I must see Sand Creek and the Tragic End of a Lifeway through to print. Folks, I can’t see this happening before 2019. This means I need to live another two years. Doable? I think so, … I hope so. Time will tell.

This is the OU Press dust jacket for the Wynkoop book; I’ve had some great covers over the years but this jacket is by far my favorite. It was an image that I requested, and the art director turned it into a terrific duotone.

Sand Creek and the Tragic End of a Lifeway has 37 contracted images. Three will be maps; that leaves 34 photos or art. Good times for LK to fill in the blanks. At this moment I have chosen 16 (as I don’t own the rights to all these images the process to purchase and determine the use fees is under way. Actually several have already been procured, and all that needs to happen is working out the publishing details and paying the use fees. I hate to say it but at this point in time I must become secretive. Of the 16 I’ve previously used six of them. This is more than I hoped to use, but the images that will again be used are mandatory to telling the story of the events that led up to the Sand Creek attack and its aftermath.

For the record Chuck Rankin had requested I place as many women in the manuscript as possible. My research leading to the creation of the proposal and its acceptance was less than sparkling, meaning that there were no women who would be in the manuscript. Over the last three years of research this view has changed. I mentioned a couple of young ladies above. This is, for me, great news. Hopefully they will come to life when the book is published, even if their presence is small, for they are oh-so important to the Sand Creek story.

A small repetition

My Sand Creek proposal was a very-detailed thirty-seven pages, but it also included a “get out of jail” pass. This simply means that as a writer-historian I track all the usual suspects and try to follow where the trail leads. That is, the documentable facts. Actions and words define character. My job is not to create villains and heroes; rather it is to present people to you. If I do my job correctly you will make your own decisions of who they were and what happened.

As said above, this is a seven-day-a-week job. I’m up between four and four-thirty and often don’t get to bed until nine, ten, or later. … You guessed it. Sometimes I have to crash. But even on these days I must research and/or add word count.

I love what I do.

An Errol Flynn tidbit

I want to go off course here while still tiptoeing the straight and narrow. Thank you, Mr. Flynn. I’m not being sarcastic here, for Flynn’s My Wicked, Wicked Ways is the best book that I’ve ever read. His book dealt with time and memory, it dealt with good and bad, success and failure, and protecting the innocent in more ways than one (for example: Not saying much about a person or event, changing a key fact or two, or names of people that Mr. Flynn did not want to hurt, or perhaps because he did not want to be hurt). But sometimes it also included that his memory failed him, or worse a publisher changed facts or names.

The Flynn photo used on the dust jacket for the first printing of My Wicked, Wicked Ways. (photo © Esquire, Inc. 1958)

For the record, a successful writer named Earl Conrad was hired by Flynn’s publisher (G.P. Putnam’s Sons) to spend time with him at his home in Jamaica. Flynn had received a good advance to write his memoir, but he was almost at the end of his time on earth, was having trouble completing the manuscript, and needed help. Flynn was self taught, literate, and well published. He always had a story to tell, forever stood firm for what he believed, and never shied away from anything in his life. Without checking, and perhaps it is in Conrad’s memoir of his time with Flynn or in Thomas McNulty’s Errol Flynn: The Life and Career (by far the best biography on Flynn), but I think Flynn shared about 200,000 words during a handful of weeks with his guest Conrad. Flynn would see and sign-off on the galleys of his memoir but then died before seeing his last book published. (I’ll deal with this in my third book on Flynn; perhaps my second if I get lucky and something I want to do happens.)

My friends, … those of you who fear that I’ll never complete the first book
on Errol Flynn (and Olivia de Havilland), relax, for that book is closer
to publication than you think. Moreover, the two other planned
books on Mr. Flynn will happen. The second or third
books—there is no order here—will blow you
away in many ways.

Closing thoughts

There are pieces of my life, and luckily they didn’t deal with life and death on a major scale or decisions that would affect hundreds and thousands of people. Luckily I’ve lived in the shadows of time. Honestly, I think that this is a better place to be … for if I lived in earlier times when I would have had a target on my back as I would not have stepped in line and said, “Yes sir!” Luckily I didn’t live in the 1860s, for if I had, I’m certain that I would have been murdered on the streets of Denver as Captain Silas Soule was.

Still things have happened and they have affected my life in more ways than I’ll ever admit. During those times I wasn’t smiling. Looking back I can’t stop chuckling.

The little angel sitting on my right shoulder just whacked me in the face. The little devil sitting on my left shoulder simply snickered and said, “You wimp, you deserved that!”

What it all comes down to is life—my life.
My view is simply that you and I have different views of
our lives. … I wouldn’t have it any other way.

Green Card 2016 … Two lives since September 2014

Website & blogs © Louis Kraft 2013-2020

Contact Kraft at writerkraft@gmail.com or comment at the end of the blog

This blog continues with our lives since Pailin received her
first Green Card in September 2014. You will again travel to the
American West, you will travel to Thailand, and you will be introduced
to the special people in our lives while seeing a glimpse of our
cultures, work (Green Day Spa & LK’s writing), and how it
relates to who we are and the love that we share.

On 9Sept2014 Pailin, our lawyer, interpreter, and I met with the Immigration officer who interviewed us in downtown Los Angeles.

priscilla, ps-k, lk on 9sept14

Pailin and LK with our lawyer, Priscilla Tasanont, on 9Sept2014. We were across the street from the Federal building in Los Angeles. It is about 15 minutes after Pailin had been told that she would receive her Green Card, and we were two happy people. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

It was a good day. We passed and Pailin would soon receive her first Green Card, but as it was only good for two years we are again preparing for our next meeting which will be in late summer or early fall. As we had in 2014 we are creating a photo album and this blog, which will share some of the highlights from our lives.

To see the blog that I created for this meeting with U.S. Immigration, and which I
delivered as a printout to the official who interviewed us see:

https://www.louiskraftwriter.com/2014/08/10/pailin-lk-and-an-upcoming-date-with-our-future/

The 2014 blog deals with when we met in June 2013, the beginning of our relationship,
Pailin’s introduction to the Southwest and a part of my world,
our marriage, and some of our friends.


Colorado, New Mexico, & Texas here we come!

As both of us are positive and work at what we want to accomplish we felt that Pailin would obtain her Green Card in 2014, … I set up a research trip to the West to give her a taste to my writing world and introduce her to some of my good friends. The trip began on 28sept2014 with our first destination Lafayete, Colorado.

John Monnett and Sand Creek massacre research

Good friend and great Indian wars writer-historian John Monnett, and his pretty wife Linda, invited us to stay at their house while John aided my research for Sand Creek and the Tragic End of a Lifeway (under contract with University of Oklahoma Press).

It was a long two-day drive from North Hollywood (a town in Los Angeles), California, to Lafayette, Colorado. During the first day we detoured to The Valley of Fire, which is north of Las Vegas, Nevada, and off I-15.

valley_ofFireCollage_28sept2014_diffFONT_wsOnce we got out of Nevada the landscape improved. Utah is gorgeous. The second day started out nicely in Utah, and again the landscape was beautiful to behold. But soon the climate changed. It started out with showers mixed with sunshine as we cruised through the eastern side of Utah and closed on Colorado. At Grand Junction, Colorado, it turned cold and we drove through a three-hour downpour. It was downhill from there, and looked like a repeat of the last two or three times I had visited Colorado. After we closed on the Rocky Mountains the temperature dropped to 37, 36, 35, 34, and then 33 degrees.

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Pailin’s photos remind me of James Abbott McNeill Whistler’s nocturnes. He and Vincent van Gogh are my favorite artists.

Thirty-two degrees. Ouch! Snow began to fall and traffic slowed to a halt. I called John Monnett and left a message that we wouldn’t arrive until evening.

COLO_29sept2014_apr2013_psk&lkCollage_diffFONT_wsIt started to look up when the snow returned with a vengeance. Visibility dropped to perhaps 20 feet or less, … and I hate to admit it, but I don’t know how to drive on ice. Apache wars historian and good friend Layton Hooper told me what to do, but knowing and doing are two different things and I had Pailin with me. Caution and driving safely were the only things on my mind. … We arrived at John and Linda’s at six o’clock that night without a mishap. Linda prepared a great dinner and we enjoyed our time together.

Research with John and Linda

The next day we began the Sand Creek tragedy research with John.

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While I dawdled Pailin discovered my book, Ned Wynkoop and the Lonely Road from Sand Creek, in the museum. John suggested that I sign the Boulder History Museum’s copies of the books and they agreed. This was just the beginning of what John shared with Pailin and LK on this day.

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John Monnett with Pailin and LK a the “Chief Niwot Legend & Legacy” exhibit at the Boulder History Museum. Niwot (called “Left Hand” in English) died from wounds he suffered during the tragic attack on the Sand Creek village on 29nov1864).

This visit to the Boulder History Museum was Pailin’s introduction to research. Over the coming days I wore her out with what I requested she do, and she came through admirably.

psk_jMonnett_FtChambers_BoulderMontage_diffFONT_wsJohn took us to other historical sites and to museums, and on October 1, Pailin lived through her first day of doing archival research at the Western History Department of the Denver Public Library (DPL). Almost everything I looked at was pulled from the DPL’s vault and she served as my official photographer with her iPad as it couldn’t be photocopied. The day was long, but Pailin seemed to enjoy it. I told her that this was just the beginning, and she said, “I’m good as long as I’m with you.”

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Pailin with John & Linda Monnett at Bear Lake in the Rocky Mountain National Park on 2oct2014. It was chilly but we had a good time. (photo © Pailin Subanna-Kraft & Louis Kraft, John & Linda Monnett 2014)

By Thursday, October 2, the archival and museum research work in Colorado had ended. John and Linda Monnett drove us to the Rocky Mountain National Park, which was a short drive from their home. Beautiful vistas and landscapes.

John had hoped to get us above the snow line but the roads were closed. There were remnants of a recent snow on the ground at Bear Lake.

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(photo © Pailin Subanna-Kraft & Louis Kraft 2014)

As Linda, Pailin, and I snapped photos John rolled a snowball for me. I wound up a la Sandy Koufax (the greatest baseball pitcher I have ever had the pleasure to watch perform in person and on TV) and went through the motion of flinging a fastball while John and Pailin snapped away.

The next day John and Linda drove us to that tragic and yet now holy land that is a long-long drive into the middle of nowhere Colorado—the Sand Creek Massacre National Historic Site (NHS).

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I don’t remember what John was saying at this moment, but my guess is that he was pitching my Sand Creek manuscript. Pailin took this image on 3oct2014 just outside the Sand Creek Massacre NHS visitor center. (photo © John Monnett, Pailin Subanna-Kraft & Louis Kraft 2014)

This is perhaps the most important of all the Plains Indian war sites for what happened there paved the way for the conscious destruction of American Indian people and their lifeway. What has come to be known as the “Sand Creek Massacre” created a searing wound in the Cheyennes and the Arapahos that will never heal, while at the same time made it clear that greed, prejudice, right, wrong, and conscience really have a major impact on history and that it defines the participants. This location—and I don’t care if it is in the middle of Neverland, USA—this sacred ground is magnificent, and along the bluffs that skirt the western perimeter of the property present a marvelous view of the massiveness of the ground on which the November 29, 1864, attack on a peaceful Cheyenne-Arapaho village took place.

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My lady on the bluffs above the Sand Creek village site on 3oct2014. (photo © Louis Kraft & Pailin Subanna-Kraft 2014)

To gain an understanding of all the parties involved in the massive project of purchasing the land, creating the NHS, and then piecing together all the historical events has been a joint project with many factions involved, read Ari Kelman’s book A Misplaced Massacre: Struggling over the Memory of Sand Creek (Harvard University Press, 2013).

Although Kelman’s prose is a page-turner, especially when dealing with the events in the last 30 or 40 years as he brings the modern-day Sand Creek story together—and it was a fight for the Cheyennes, Arapahos, U.S. government, land owners, historians, would-be historians, and National Park Service to create this historic site, but be wary of his information related to the battle and the events surrounding it.

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Pailin on the bluffs above the Sand Creek village site on 3oct2014. Don’t know if you can see it, but as I photographed her, her sunglass lenses captured me. She is an explorer in the mode of frontiersman Kit Carson. (photo © Louis Kraft & Pailin Subanna-Kraft 2014)

Although Kelman used, at least his notes claim he used, primary source material, there are many errors. Why? I don’t know why. Perhaps there was a poor understanding of the primary source material, not checking facts, or a rush to go to print. There is a warning here: While in modern times and dealing with the fight, and it was a fight, to create this much-needed NHS that protects this oh-so-sacred ground, Kelman’s book is a wonder. However, if writing about the participants and events of that horrific time during the 1860s be careful or you will repeat his errors.

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The four of us are at the second and final bench on the walk skirting the village site. John is checking the brochure, which has a small map and I’m asking Pailin what she is doing. “Taking a photo” (with her iPad). (photo © Pailin Subanna-Kraft & Louis Kraft, Linda & John Monnett 2014)

The attack had been a running fight. When you walk the bluffs above the grounds you easily see the immensity of the village site and the open expanse on which the butchery took place. As Johnny Boggs’ quoted me in his terrific article, “Trail of Tragedy” (True West, November 2014, page 53), “War doesn’t give soldiers the right to murder, rape, and butcher. Not yesterday, not today, and not ever.”

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Dinner at The Fort. I wanted to use a photo that I took of John, Linda, and Pailin but there was a problem with the image. Linda took this photo with Pailin’s cell phone. (photo © Pailin Subanna-Kraft & Louis Kraft)

On our last night we went to dinner at The Fort in Morrison, Colorado. I always enjoy going there, and I think that John and Linda do also. This was a first for Pailin. My lady and I had duck (a first for me), while Linda enjoyed quail and John, I think, had a steak. Pailin and I often share, as she is small and I don’t want her to grow larger (always more than enough food for both of us). I like buffalo and would have loved to have had shared buffalo with her but many years ago she swore off eating any large animals (buffalo, venison, elk, beef, and so on). I’m good with honoring her wishes when we share, and on this night we did. Loved the chile and orange duck!

For those of you that aren’t familiar with The Fort, it was built to represent one the trading posts that William Bent and company built in the early half of the 19th century to the east of the Rocky Mountains in the land that would become Colorado.

Tomas Jaehn, Santa Fe, the Louis Kraft Collection, Taos, Kit Carson & Pailin doing more research

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The Lensic Theatre, which is just off the Santa Fe Plaza, in the early evening of 5oct2014. In the previous decade Tomas Jaehn (you’ll meet him below) attempted to get the Wynkoop one-man show into the Lensic but (if memory serves me) the cost was too high to rent this historic and gorgeous theater. A shame; I drooled when I saw the interior of the Lensic. (photo © Pailin Subanna-Kraft 2014)

We arrived in Santa Fe, New Mexico, on the afternoon of 5oct2014. After unpacking at our lodging, Pailin and I drove to the historic district and ate at the Blue Corn Café. Afterwards I led her the short distance to the Santa Fe Plaza, showed her the exterior of the Palace of the Governors, and finally the Fray Angélico Chávez History Library, which for years has housed the Louis Kraft Collection. While walking back to the car I pointed out the Lensic Theatre to Pailin. For one night in December 1940 it played a large role in the lives of the people of Santa Fe and surrounding areas when the Errol Flynn-Olivia de Havilland film Santa Fe Trail premiered in Santa Fe (actually in three theaters).

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We are in front of the New Mexico Museum Art Shop, which is just off the Santa Fe Plaza and near the original entry to the Chávez on Washington Street (the entry for the Chávez is now through the recently completed museum and auditorium complex) on 5oct2014. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

Santa Fe is home to me. Our visit was to introduce Pailin to Tomas, make a delivery to the LK Collection at the Chávez, do research, and let her explore the city, the culture, the mix of people, and the land. We both love Los Angeles and Pailin has a wonderful family of Thai friends living there (LA has the largest Thai population in the U.S., and better there are over 200 languages spoken in Los Angeles, also the largest in the U.S., according to the LA Times), which means that living in LA is very important to her. She is also aware that the City of the Angels is a very expensive location to call home, and the prices continuously climb.

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Pailin, Tomas Jaehn, and me enjoying coffee at his favorite coffee shop on the morning of 6oct2014. (photo by Pailin and © Pailin Subanna-Kraft, Louis Kraft, and Tomas Jaehn 2014)

On 6oct2014 Pailin and I met Tomas Jaehn at the entry to the New Mexico History Museum. In the early part of this century Tomas approached me about creating the Louis Kraft Collection at the Fray Angélico Chávez History Library. I liked the idea but it took a year for me to make a delivery and sign the contract. Over the years Tomas and his family have become good friends. On this day Pailin entered a new world, … my world of culture, race, and history.

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Currently the Louis Kraft Collection has 20 boxes (20 linear feet) that are available for researchers to view plus one of photos and art. In this 6oct2014 photo I am touching the 18th box (a portion of a 2012 delivery, this delivery, and three magazines that I gave Tomas in April of this year when he visited LA were catalogued in April 2016). I can’t begin to tell you how much Tomas has done for my writing career over the years. He’s a great friend. (photo by Pailin Subanna-Kraft; © Pailin Subanna-Kraft, Louis Kraft, and Tomas Jaehn 2014)

After completing the delivery Pailin and I did research in the Chávez archives. We were looking for subjects for magazine articles as well as additional information on the Sand Creek tragedy.

I must add that although Pailin had done a lot of work in Colorado both in archives and in the field, in Santa Fe the research was demanding. Click Louis Kraft Collection to see a listing of its contents.

There was nary a complaint as Pailin smoothly completed each research task I asked of her, and as they related to her photographic capabilities she never had a chance to rest.

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Pailin took this self portrait on her iPad on 6oct2014 (photo © Pailin Subanna-Kraft 2014) in the Chávez History Library after we spent more prime time with Tomas but before we focused on Ned Wynkoop’s scrapbook of documents and news clippings, especially those related to Sand Creek and Kit Carson. Tomas’s office is behind Pailin’s left shoulder, and yes, the time on the clock is correct (only a little after nine in the morning; we still had the entire day in front of us).

Note: The Wynkoop scrapbook has been robbed of at least one document and it is fragile. Tomas has talked about professionally photographing it as it is an important piece of Americana as related to Wynkoop’s life, early Colorado, and the Indian wars. I hope and pray that this becomes reality.

Before moving  on, I want to announce that my great friend Tomas Jaehn is now the director of Special Collections/CSWR, University of New Mexico Libraries as of 1jul2016. I couldn’t be more thrilled for him. Congratulations Tomas.

When we finished at the Chávez and said goodbye to Tomas, Pailin visited with the Indian traders on the portico of the Palace of the Governors (including the interior of the building), took a closer look at the Plaza, walked through the narrow streets of Santa Fe with her camera constantly clicking. Images for her and for me.

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Pailin loves art, and Santa Fe is the third largest art market in the U.S. after New York City and Los Angeles. Santa Fe has art on the streets and in the galleries in the downtown area, and in galleries that surround the historic district. Unfortunately we didn’t have time for her to explore even a portion of all the roads that are lined with galleries. (photo © Pailin Subanna-Kraft and Louis Kraft 2014)

Afterwards I took her to Tia Sophia’s. We ate chicken and green chile stew especially prepared for us by the chef as the only green chile stew they made that day had beef. Good for me; a little warm for Pailin.

On the seventh Lisa Smith, my long-time friend and real estate agent in Eldorado (a housing development Santa Fe), showed us two adobe-style homes on an acre plus of land.

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Actually, Pailin said: “Why? Why?” I replied, “I don’t know what you’re talking about.” “Why all these big beautiful houses (Monnett’s, Williams’, and the houses in Eldorado) and ours is small?” I explained to her that the cost of homes in Los Angeles is high and that if we moved away from LA we could buy a larger house for less money with or without acreage (I prefer acreage). We saw this house on 7oct2014.

Santa Fe has four Thai restaurants that I know of and another that serves Thai food once a week. That said I failed to learn the size of the Thai population in Santa Fe. It will be small, but I know that the chef and owner of Thai Vegan (a great restaurant) is Thai, so that means that at least one Thai person lives in Santa Fe. Pailin would make two.

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Yes, Pailin fit right in with the International Museum of Folk Art. LK photo on 7oct2014. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

After we said goodbye to Lisa we headed to a destination that I had seen only once (in 1987 I think). I had been bored to tears decades ago but thought Pailin would love it.

I don’t remember the other museums on Museum Hill but they could have been there in the 1980s. Certainly the exteriors and everything now in place didn’t look like I remembered it, and this is good.

ps_Intl_Museum_ofFoldArt2_7oct14_wsPailin fell in love with the Museum of International Folk Art the moment she started to explore it. And you know what? So did I. Like good wine, the folk art from around the world sparkled with life and color. “Multiple Visions: A Common Bond,” which has been on display since 1982 is a marvel of culture and art. This is the exhibit that bored me in the dark ages. All I can say now—other than what I said above—is that I must have been blind when I was younger.

Taos and Kit Carson’s home

Next up was Taos and Kit Carson’s home, which has always been primary on my list (for upcoming writing projects). Taos was another example of a city with adobe and adobe-style buildings and an artistic aura, which I wanted Pailin to experience.

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By now you know that Pailin is my sole mate and lady. She is like no one I have ever known in the past. I’m lucky. She’s an adventurer and open to anything; my kind of person. I took this close-up is of her sitting in front of the Kit Carson House on 8oct2014. Although the building has been stuccoed and its exterior is no longer an adobe structure, the look and feel is close to what Kit and his family lived in more than 150 years ago. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

The Kit Carson House has changed ownership and this has affected the size of the historic site (to the better) and the interior appearance (again to the better). I believe the last time I had been to his house was about a decade earlier. This was my fourth or fifth visit; the first was in 1987.

If you’ve visited the Kit Carson House you know that the front three rooms were the rooms in which Kit, his wife Josefa, and their children lived in during the time that they called Taos home. Two rooms were added later, with the larger of the two being added in the early 20th century (a stable); it is now the entrance and gift shop of this historic site.

Yes, Mr. Carson has been with me for a long time. After Sand Creek and the Tragic End of a Lifeway is published, Kit will take center stage in my nonfiction Indian wars writing world. I have already begun a slow, very slow, conversation with Chuck Rankin, the editor-in-chief at OU Press, regarding making my next nonfiction Indian wars book deal with Carson.

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This is the middle of the three rooms that Kit and family lived in during the 20+ years that he and they lived in Taos. While walking these three rooms I tried to focus on the size of the rooms and their layout. Reason: I think a lot of what is in these rooms now are not current to the Carson family tenure (certainly there are Carson portraits that date to after his moving away; they should be in the small museum section of the building). This room served as the kitchen and eating room for the Carsons, and their guests, which included numerous Native Americans from a handful of Indian tribes that considered Carson their friend. (photo © Louis Kraft 2014)

The quiet adobe pueblo of Taos dates way back, perhaps as early as 1615 with Spanish colonization. When the Mexican-American war ended with the treaty of Guadalupe Hidalgo (1848) Mexico ceded a large section of land to the United States and this included Taos and the area that became New Mexico Territory.

psk_TaosPlaza_8oct14_collage_diffFONT_wsKit Carson’s presence dated to the early 1840s, and Taos has been a favorite destination of mine since 1987. It was during that time that I became hooked on the real Kit Carson.

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This is a portion of the Taos Plaza as it looked on 8oct2014. Pailin took some images of the plaza area but I can’t find any of them. The plaza was most-likely dirt with scattered adobe buildings surrounding it during Kit’s time. (photo © Louis Kraft 2014)

The shops enclosing the plaza (and the plaza) grabbed Pailin’s interest and she looked at some of the merchandise (but didn’t purchase anything as she isn’t a spontaneous buyer). She focused on the plaza, enjoying its serenity of the late morning, and listened to my telling of Carson rescuing the American flag when malcontents threatened to burn it. I’m certain that at times she thinks that I’m a motor mouth.

Taos Pueblo

Next we drove to the Taos Pueblo, and here Pailin enjoyed meeting the Taos people and seeing a little of their life and culture.

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La Hacienda de los Martinez

Finally, on Linda Monnett’s recommendation, I wanted both of us to see La Hacienda de los Martinez for the first time.

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Pailin leans against the archway that separates the first courtyard from the second at the Martinez Hacienda. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

A drive into the country to the southwest of Taos, and I think closer to the Río Grande Gorge but not on the road that crosses this magnificent river, a narrow street wrapped in almost a horseshoe to this cool building that the Martinez family occupied from roughly 1804 (their arrival in Taos) until the 1930s. I’m going by memory here, but I believe it was in the 1950s when two gentlemen borrowed money on their homes to ensure that the hacienda would be not only restored but would become protected and made into a museum. There weren’t enough signs and those we saw were small, and at times we wondered if we had made a wrong turn. At one point I continued straight but luckily Pailin saw that I should have turned right. … A U-turn, then a left and we were back on course.

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LK leans against the same archway that separates the first courtyard from the second at the Martinez Hacienda. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

La Hacienda de los Martinez is off the beaten path and we almost had it to ourselves. As you drive into the dirt parking lot you get the feeling that it was built as a fortress. There are no exterior windows, and only one exterior door and one large double gate for wagon and livestock entry at the front of the building (and one double gate for entry into the second courtyard). At the top of the structure, which has two courtyards is a surrounding wall with notches for defending the structure if need be from attack. Rooms are at the base of the rectangular fortress enclosure and again slicing through the middle of the structure, which creates the two courtyards. The rooms are decorated and furnished in a manner that represents how it might have looked during the hacienda’s heyday. Lighting in the rooms makes it easy to study and enjoy them.

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This is the first of the two courtyards at the Martinez Hacienda. The second is dirt, as are all the rooms, which encompass the hacienda. … Not sure about the grass during the hacienda’s heyday. (photo © Pailin Subanna-Kraft 2014)

The Martinez family certainly predated Kit Carson’s arrival in Taos and choosing it as his home. What we saw has been restored and decorated to represent 1820 (or later, as it took time to build), but it also provides a great insight into how the Spanish families (and employees and slaves) lived before and probably up to the time that Kit’s tenure in the area began.

Pailin and I took our time as we explored every nook and cranny of the hacienda. I could picture myself living there in the early 1800s. When we entered and before we left we spent time with the lady who greeted the handful of visitors, and I learned a lot from what she told us. Our western states could use more of this type of preservation as it allows those of us that want to step back in time and get the feel of what it might have been like to live as our ancestors did.

The Bosque Redondo & Kit Carson

For those of you who don’t know what the Bosque Redondo (eastern New Mexico) was, General James Carleton, who in 1852 saw the land and thought it would be good for farming, decided to turn it in an Indian reservation in the 1860s. Fort Sumner was constructed and beginning with the 1863 Mescalero Apache campaign and then the 1863-64 Navajo campaign it would now provide the perfect location to incarcerate the defeated Indians.

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This is a detail from one of the placards at the Bosque Redondo Memorial at Fort Sumner. It deals with Carson accepting the Mescalero Apache campaign (with Carleton). The artwork at this memorial is exceptional.

One of his commanders, Colonel Kit Carson, had quickly forced the Mescaleros onto Carleton’s reservation. They lived south of the Pecos River. After Carson forced the mighty Navajos to capitulate by waging a burnt-earth campaign with very few deaths (with any other commander the death count could have easily grown into the hundreds or more). He didn’t participate in the Long Walk of the Diné, as the Navajos call themselves, to the land that would become hell on earth. Actually he didn’t want anything to do with the Bosque Redondo. Carleton refused to listen to him and ordered him to command the reservation that was anything but a garden place. Winds blew, nothing grew, the Mescaleros and Navajos didn’t get along, Comanches raided, and people died in large numbers from disease and hunger. Carleton provided nothing Carson requested and, frustrated, Carson resigned his military commission. Carleton refused to honor it. The third time Cason submitted his resignation Carleton again refused but did transfer his unhappy subordinate.

I didn’t know what to expect, but a wonderful visitor center/museum has been built (replacing the smaller and earlier structure next to the remnants of Fort Sumner). The museum isn’t complete, but judging by what the Bosque Redondo Memorial currently has in place it is going to be impressive. There is a lot of land to walk but Pailin and I didn’t have time to spend a day or longer at this important piece of Mescalero and Diné memory.

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Pailin took this image of us while we were at Navajo Treaty Rock, which has a Diné prayer attached to it. The Navajo Treaty (signed on 1jun1868) is a short distance southeast from the Rock. The treaty freed the Diné and allowed them to return to their homeland. Oh yes, there was a harsh sun on that 9oct2014 day. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

There is also a nature trail with plush vegetation (natural to the area?) that obscures and skirts the Pecos River. This area is as perhaps Carleton envisioned it, as the Bosque Redondo and the surrounding area looks to be good farmland today. Alas, for the Diné and the Mescaleros it was just a land of death and desolation. During their deadly occupation of the Bosque Redondo their crops mostly died from insects, drought, and perhaps bad luck, which included bad water and a failure of the U.S. government to supply them adequate supplies.

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Pailin in the former visitor center of the Bosque Redondo Memorial at Fort Sumner. Photo by LK on 9oct2014. It is now furnished to represent soldier barracks. Pailin, like myself, avoids the sun. On this day the sun blazed and the wind whistled (although not as much as I’ve encountered in this portion of the U.S. in the past). At times she looked like a Bedouin mounted on a camel roaming the sandy deserts of the Mideast in times long past. This is to protect her face. I call her my “Bedouin.” I also call her “Chiquita.” (photo © Louis Kraft & Pailin Subanna-Kraft 2014)

Sound familiar? A resounding yes! “Shameful” is a word that accurately sums up what happened during the 1860s and throughout the American conquest of the Indian people.

By this point of the trip Pailin knew exactly what I wanted from her and at the Bosque Redondo and at the remnants of Fort Sumner she split away from me to capture what hopefully will provide a good basis for understanding what this land—so barren when the Mescaleros and Navajos were imprisoned here—looked like … minus the vegetation that now thrives. My lady is in her element and it’s a joy to watch her work.

Texas with Glen & Ellen Williams (and Glen’s sister Linda)

Glen and Ellen Williams have been my friends since the early 1990s when we began socializing outside the workplace (Infonet Services Corporation, El Segundo, Calif., where I had been hired as a technical writer and Glen was in a management position). Over the years my relationship with Glen grew, until he became my bro for all time. He and Ellen moved from Torrance, California, to Denton, Texas, in 2012. The visit with John & Linda Monnett and Sand Creek and the delivery and research with Tomas Jaehn in Santa Fe moved to Texas and Ellen and Glen on 10oct2014 (it was great to finally meet Glen’s sister Linda). Our visit had the added bonus that Glen, Ellen, and Linda welcomed Pailin with open arms. They talked with her, hugged her, and she immediately responded and became a welcome a member of their household. Better yet she joked and laughed and felt a little more comfortable in joining the conversations.

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In earlier blogs I have said: “Who says they don’t raise cowgirls in Thailand?” In Justin’s Pailin and Linda looked at clothing while Glen and I looked at hats. I told him that Barron Hats in Burbank, Calif., which makes many of the hats currently seen in film, makes mine for me. Before we left Pailin wanted to see the hats. As I led her through the aisles she liked this one and tried on her size. “Do you want it?” “Yes.” “Let me snap a picture.” More proof that Thai cowgirls really do exist. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

The next day Glen drove Ellen and her mother, Judy, to the Dallas-Fort Worth airport. Pailin rested, I did some work. Later that day Pailin, Linda, Glen, and I enjoyed talking in the living room, which is like a great room in an adobe-style house in the Southwest. Glen and I never run out of subjects to talk about, and he and Linda included Pailin at all times.

On Sunday (12oct14) Linda, Pailin, Glen, and I visited one of the Justin Boot Stores (boots, hats, clothing, and so on) in Justin, Texas. Pailin likes hats and has more than I (actually she wears two cowboy hats that I previously gave her). Lunchtime arrived, and the four of us went to Mom’s in Justin. This was a funky place with cool and long-gone stuff on the the walls, including Elvis.

Good times. Yeah, this is social time with my longtime bud, his sweet sister, and my lady, and let me tell you it is as important as the Sand Creek and Kit Carson research, and the LK Collection delivery. Tomas Jaehn is also a long-time business associate and friend. John M. is a friend, and now Pailin and I consider his wife Linda a friend. People are what our world is all about. People are our lives. Some are forever (some aren’t), but without people we have no lives.

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From left: Glen Williams, LK, Pailin, and Linda Williams at Mom’s in Justin, Texas, on 12oct2014.

Sorry, but I need to repeat the following: No matter what I think about my research and writing and no matter how much importance I place upon it, without Pailin, Glen, Ellen, Linda W., Tomas, Linda M., and John my life is empty—nothing. They, and others like them, are key to my and Pailin’s lives, yesterday, today, and tomorrow.

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Glen took this great candid of LK and Pailin in front of the entry to the courtyard of his and Ellen’s home in Denton, Texas, on 12oct2014, and Pailin is wearing the hat she found and liked at the Justin Boot Store. My bro Glen Williams has taken many great photos of me, but this is one of my favorites. For the record, Pailin and I have a good time laughing together. (photo © Louis Kraft & Pailin Subanna-Kraft, and Glen Williams 2014)

Glen and Linda relaxed (Linda also prepared to return home) while I worked and Pailin corresponded with her family and friends in Thailand and California.

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The lady in the light blouse is Linda Williams, Glen’s sister. Pailin is holding Sophie, Linda’s dog. My lady has made great strides in her command of the English language, but still she holds back (except with me) as she is conscious of her pronunciation of the words and of her sentence structure (both of which she continues to improve). That said, she gets along with animals fabulously (perhaps as there isn’t a language barrier). That’s Glen w/Linda & Pailin in the left image. These images were taken just before Linda returned to her home on 12oct14. Left image is by LK and the right image is by Glen. (photos © Glen & Linda Williams and Pailin Subanna-Kraft & Louis Kraft 2014)

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Soon after Linda left for home the three of us drove to the grocery store for supplies, including celery, parsley, carrots, and lemons to make juice. Like the previous day, we enjoyed each other’s company, rested, and got some work done until we went to the Blue Ginger, a Japanese restaurant in Denton. Good food.

Ellen & Glen Williams (left) have been my great friends for decades. As you can see Ellen is petite. She is bright, funny, open, and kind. She is also gorgeous. It was terrific seeing her again, and it was also good to see her effort to befriend Pailin, which gave my lady the confidence to open up some. (photo by Pailin Subanna-Kraft and © Ellen & Glen Williams and Pailin Subanna-Kraft, 2014)

Ellen returned home, and I’m glad she did in time to be with us, and especially Pailin. After dinner, Ellen, who was beat, went to bed early, and so did Pailin. This allowed Glen and I to talk deep into the night. Recently Pailin called Glen my brother, and I told him this he said yes, “we’re ‘bros.'”

On 14oct2014 we said goodbye to Ellen and Glen and began the long trek back to Los Angeles. The drive was boring, but we had each other and this made the miles pass quickly.

Gallup, New Mexico, and Pailin’s research introduction to Errol Flynn

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This is supposedly the room that Flynn slept in during the Rocky Mountain location shooting in New Mexico.

I’ve been passing through and sometimes staying in Gallup for a week or longer while using it as a base for Kit Carson and Navajo research. This is not my favorite town and I’m not crazy over the food served in the restaurants. Love the red rocks, and at the same time this gorgeous area always makes me sad. Errol Flynn’s last western film, Rocky Mountain (Warner Bros., 1950), was basically a location shoot (not entirely, but close) and a good part of it was shot in the area near Gallup. Flynn, the other actors, and the film crew stayed at the El Rancho Hotel, which is now a national historic site. So why am I sad? The film was shot in black and white. With the red rocks the centerpiece to the film, and they are something to behold—the film should have been shot in color. Warner Bros. was cutting back on film budgets as it continued to end its relationship with its major stars, Flynn included. Too bad, as Rocky Mountain is a decent film.

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Unfortunately you can’t see the EF signature on the Flynn photo at the El Rancho Hotel. It is not only a fraud, but the person who signed Flynn’s signature had no clue of the spelling of his name. Flynn’s Name is “Errol” Flynn but the forger signed it “Earl” Flynn. This crap is all over the place when dealing with signatures. If you buy signatures be careful. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

In the past I’ve explored the El Rancho Hotel’s expansive entry and upper floor that is open to the main floor as well as photograph the exterior. On 15oct2014 this would change as I felt it would be time to expand the physical research, which in turn would be right up Pailin’s alley. It was and she gleefully took requested photos along with ones that she wanted. After exploring we shared a salad in the hotel’s restaurant (it was decent) but afterwards we weren’t able to see the bar, as it didn’t open until 5:00 PM. I told them I was a writer doing research for a book, that I didn’t want a drink and just wanted to see the bar. This opened conversations about Flynn’s time in Gallup but it didn’t open the bar, which was locked—Some other time.

Since leaving Glen and Ellen we had covered roughly half of the 1400+ miles needed to get home. …

Pailin, Thailand, & the opening of a new world and people to me

On October 31 Pailin flew to Thailand, and on November 12 I followed her to her homeland.

Put mildly my flight to Bangkok was a nightmare. The plane boarded an hour and 20 minutes after the anticipated take off; which meant I should have missed my transfer in Taipei, China. Instead of reaching Bangkok at 12:15 AM Thai time (15 hours ahead of California time), the plane landed at 1:45 AM. There were long lines to get through immigration and when I finally did get through the lines it was a little before 3:00 AM. The baggage claim conveyer belt had shut down and my luggage was missing, but luckily I found my suitcase. I managed one email to Pailin. She was awake and worried as I had warned her from LAX that I’d be late.

The beginning of my entry into the Thai world

Pum and Mana Subanna (two of Pailin’s brothers) and Pen Saelee (Mana’s wife) were to meet me at the airport at 1:45 AM. As the time inched toward 3:30 only a handful of people still worked, and I couldn’t find them. I tried to email Pailin again—no internet. The phone number she gave me didn’t work. … I wandered the airport.

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It was about 5:30 AM when I took this photo of Pum (left), Pen, and Mana at the Bangkok Airport. (photo © Louis Kraft 2014)

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LK in the Bangkok Airport (cool airport; I like it). It was about 6:30 when Pen took this picture with my camera. She also made the necklace of welcome flowers for me. (photo © Louis Kraft 2014)

One of the support ladies was concerned about me and suggested I go to a cheap hotel where there would be internet access. I refused. My relatives were in the airport and I wasn’t about to stand them up.

About 4:00 AM Mana, Pen, Pum, and I found each other, and had a great time for the next three hours. Using a pidgin English-Thai we were able to communicate somewhat, and better we were able to share images and ideas with our phones, Mana’s iPad, and my computer. Before it was time to go through security for my next flight I was one tired cowboy as I hadn’t slept in over 25 hours (sleeping while sitting in a cramped plane seat is an impossible task for me).

Lampang (a city in the north)

My flight landed in Lampang about 9:30 that morning.

Pailin had given me explicit directions on how to exit the baggage claim, go downstairs, exit the airport, walk to a raised railroad track, pass under the railroad bridge, and she would be waiting for me. I fell for her directions hook, line, and sinker. …

When I stepped from the baggage area, Pailin and some her family and friends surrounded me (I love a good joke, especially when I’m the target). I met Not and Font Subanna (her sister and brother-in-law), Somnuck and Noi Subanna (her brother and sister-in-law), as well as Daranee Konsin (her sister, or so I thought) and others at this time. Pailin later told me that they were happy and excited to meet me. I spent most of the day sleeping at a resort we spent one night in while Pailin ran errands. In late afternoon Daranee picked me up and drove to a mall. Here we joined Pailin and some of her key relatives for dinner. The next morning (Friday, 14nov14 in LA/Saturday, 15nov14 in Thailand) Daranee arrived and we ate breakfast at the resort.

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Pailin and Daranee Konsin look at what is displayed in the outdoor eating area after we enjoyed sweet crackers, sweet bread, and strong coffee. For the record, when I was young I was a “cookie monster.” Back 20 or 30 years ago I stopped eating sweets; I liked cookies and pie, but never cakes or candies (I love ice cream but it doesn’t like me). I cheated and enjoyed a few cookies, which were good, and so was the coffee. (photo by Louis Kraft and © Pailin Subanna-Kraft, Daranee Konsin, and Louis Kraft 2014)

After we checked out Daranee drove us to her house, where we stayed in Lampang. She is a retired colonel (Thai Army), and is bright, open, fun, and caring. We quickly became friends. Her English is much better than she thinks and we had little problem understanding each other. She is a sweetheart and now she’s my “sister,” but not as I originally thought (more later).

Several things about the Thai people became obvious immediately: 1) Religion plays a huge roll in their lives, 2) The King is honored and treasured, and 3) Thai people are open and friendly.

Later that morning (15nov14) we drove to a house in Lampang. Not and Font were there as were Somnuck and Noi, and many others. They ate and talked and joked. Not told some hilarious stories and held everyone in stitches. She is open and lively.

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Pailin as LK’s interpreter on 15nov14. As said in the flow of the text, I wanted Pailin to share my views on our relationship. I spoke words and she translated them to what appeared to be a captive audience. This is my Thai cowgirl in action and I enjoyed watching. (photo © Louis Kraft and Pailin Subanna-Kraft 2014)

I was the welcomed stranger and I asked Pailin to translate for me as I wanted to share Pailin’s and my relationship and gain a knowledge of what was being said about us.

I said words and she translated. Not and others spoke and she translated. How good was Pailin’s translation of our conversation? I don’t know. Knowing that her mastery of the English language was limited at that time I’m certain that what everyone heard was not exactly what I said, and also that what she translated for me also wasn’t as originally stated. (This brings me to white and Cheyenne negotiations during the 1860s Indian wars and makes me totally aware of how easily mistakes and misrepresentations can happen when words are translated.)

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The pig’s head and other assorted piggy pieces, along with the chicken and whiskey on the table would soon become offerings to God. Yes, Pailin is having a heck of a good time at my expense. Others also had fun with my problem with this gorgeous pig’s head. That is Tim sitting next to Pailin. She is Font’s sister. Over the coming days I would see a lot of her. BTW cowgirls like to have fun, and especially at their hubby’s expense; all fun and games as I began my relationship with the Thai people and their culture. (photo © Louis Kraft 2014)

All this time a pig’s head had been staring at me on the table under a cover that sheltered the front yard of the house where everyone gathered. The pig’s head was so pristine that I thought that it was plastic. Of course I asked about the head and learned that no, it was real and would be an offering to God. Time now moved quickly toward an event that I didn’t realize would soon happen. But of course, first Pailin and others needed to enjoy themselves at Kraft’s expense. I’m okay with this. Actually I like it and feel no ill-will toward anyone who can chuckle over things that don’t quite fit into my life and which make me feel uneasy.

Every time I looked at the pig’s head it seemed to glare at me, causing me to look away. Of course this generated more chuckles of delight.

Pailin told stories about us (I hope that they were sexy ones—Whack! LK is a bad boy.), and next she shared images on her iPad.

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Before the prayers began, Pailin shared some images of our life together with Not Subanna (left), Font Subanna, Pua (wearing glasses), who owned the house, and two unidentified neighbors. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

On the street a table had been set with the pig’s head, chicken, and other offerings. Incense was lighted and candles lit. The Thai people prayed—Not, Font, Daranee, Pailin, and many of the others. Even though I’m Christian I have prayed at Wat Thai of Los Angeles in North Hollywood many times, but at this time I watched and photographed the prayers.

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After chatting and everyone getting acquainted with LK, those who would soon go to Wat Thai of Lampang prayed (others would soon arrive to join the caravan). I photographed the prayers, as did Daranee. From left: Unknown neighbor, Tim (Font’s sister), Noi, Somnuck, Not, Pailin, and behind Pailin Font (purple shirt), and Pua. (photo © Louis Kraft 2014)

After the prayers ended, Font took the lead as everyone prepared to caravan to Wat Thai of Lampang. To this point in time he had been someone I saw and observed but hadn’t connected with. I liked what I saw for he was a special human being, and this would grow in the coming days.

Wat Thai of Lampang is gorgeous. In front of the temple they have begun to build another building, and everyone on this day came to donate for the completion of the building. Soon after we stepped from the autos people began to sing and dance as we moved toward the temple entrance. I joined in immediately.

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As soon as Not, Pailin, and others began to sing and dance toward the temple, I joined them. This was a cultural event and one I could take part in and experience. To this point in time I had been an observer. No more. I think to this point in time people looked at me with quizzical eyes. If there had been a turning point in my introduction to Thailand, these few moments may have been it. (photo by Daranee Konsin, and © Daranee Konsin, Not Subanna, Louis Kraft, & Pailin Subanna-Kraft 2014)

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After the prayers completed and everyone prepared for the donation (and I photographed part of this), I saw that the Monk Sak sat and quietly and waited. I stepped to him and using a pidgin English/Thai we communicated. I told him that I wasn’t Buddhist, but now visited Thailand with my Thai wife. He was pleased that I took part in the prayers. I asked if I could photograph him, and he agreed. (photo © Louis Kraft 2014)

To date I hadn’t had much of a connection to the Thai people in their homeland but suddenly I had an entry into their lives and culture (that was different than in Los Angeles). This wasn’t manipulative on my part; rather it was the joy of participation.

The interior of this temple is a wonder to behold, and it is my favorite of all the temples I would see in Thailand and back in Los Angeles. Regardless of me not being a Buddhist, I have always felt welcome in Buddhist temples. Always. Moreover I’ve always been at ease with monks for they have been open and kind.

My Thai companions came to pray and donate to the temple. I was the outsider and yet wasn’t a creature rejected. What I saw was communal. This word, “communal,” is key to what I would soon realize in my historical writing of the Cheyenne Indians. It was also something that hasn’t been a part of my life since my early years growing up in Reseda, California. This youthful experience—communal—vanished soon after I reached manhood, but on three later occasions it returned: My mother’s death in 1980, my brother’s death in 1990, and my father’s death in 1999. During those three days, when people celebrated their lives and mourned their passing, the communal days of my early life returned. In Thailand, and on one occasion in North Hollywood years later I observed and experienced this first hand.

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Sak at Wat Thai of Lampang, Thailand when everyone prepared to leave. (photo © Louis Kraft 2014)

I had just begun to experience the communal world of Thailand. … After the initial prayers with Sak everyone participated in preparing the donation to the temple.

A short while later, and after the donation had been made by Font, and everyone began to exit. Sak stood and moved so that he could watch. I again approached him and we again spoke for a few minutes. Pailin saw that we talked and rushed to us. She then knelt down next to Sak, and told me that when in the presence of monks I should kneel (I had  in Los Angeles, but no one had told me that it was mandatory and that I should).

I had again photographed Sak (including with Pailin kneeling next to him) before departing. My last view of Sak was of him standing at the entrance to the temple and watching everyone’s departure, and I captured a long shot of him and the temple. I don’t know what he thought of me, but I liked him. Will we meet again? Time will tell.

During our time in Lampang, Daranee, Pailin, and I were a threesome as the two ladies introduced me to what I requested and to other locations that they thought I’d enjoy seeing.

We saw temples (one was very old), an extraordinary open-air grocery store, and an elephant preserve. I listened, I observed, and I learned. …The Thai Elephant Conservation Center was special as we spent a lot of time up close with a cow and her calf.

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Pailin was just like a little girl on 15nov14 as she fed both an elephant cow and her calf. It was fun to watch her and the elephants react to each other. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

On 16nov14 Daranee, Pailin, and I went to the Thai Army Base in Lampang as I wanted to see the three restaurants that Pailin owned and operated before she left Thailand.

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Pailin’s visit to the Thai Army Base in Lampang was special as she not only relived some of the events in her life when she owned and ran restaurants, but also got to see some people who were special in her life. From left: Tun, Pailin, LK, and Daranee. Second Lieutenant (and now Captain) Nanta Homkanchan took this image with Pailin’s phone in her office. (photo © Pailin Subanna-Kraft 2014)

Visiting the Thai Army Base and seeing the two buildings that were still restaurants was certainly one of my highlights. Better yet, seeing the people light up with smiles while they gave Pailin big hugs. Certainly seeing Bunjob (see below montage), who was and still is Pailin’s “brother,” and let me tell you that his eyes filled with joy when he saw her.

16nov14_GolfREST_bunjob_Montage2a_wsA major road, Phahonyotin Boulevard (which is like a highway in the USA), splits the Thai Army Base in Lampang from the army hospital and golf course (which are across the street. Pailin’s first restaurant (1987) was in a cool old wooden building; it served everyone, the snooker room (also everyone), and a huge ballroom (only officers). In 1990 she added the restaurant on the Thai Army golf course, and finally her restaurant in the army hospital (2002), which no longer exists.

Our time in Lampang finished way-too quickly and before we knew it we were celebrating our last night with Daranee at the Riverfront Restaurant in Lampang, which is on the Wang (pronounced “Wong”) River. The next day Font would pick Pailin and I up and drive us to Uttaradit.

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Pailin and Daranee Konsin at The Riverfront Restaurant in Lampang (late afternoon on 17nov2014). (photo © Louis Kraft 2014)

Pailin and Daranee have known each other since they were both young and living in Uttaradit, which means that they aren’t sisters by birth but are “sisters” because of a close friendship (Cheyenne Indians often call those close to them brothers and sisters during the 1860s and today). With the truth finally revealed to me, and as Daranee and I had bonded when we first met, she is now my sister for all time.

wangRiver_LampangI took this photo (right) of a bridge crossing the Wang River through a window to Daranee’s left shoulder in the Riverfront Restaurant (above photo)  just before darkness arrived. … I took more pictures like this (landscapes, buildings, traffic, etc.), but during my introduction to Thailand I was mostly interested in the people in Pailin’s life. I decided to share this image as I loved the colored lights on the bridge and the reverse image that the water captured of the bridge. (photo © Louis Kraft 2014)

Early on our last morning with Daranee a retired nurse who had worked in the hospital on the Thai Army Base in Lampang drove 50 U.S. miles to see Pailin.

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LK, Pailin, and Sue Lyn at Daranee’s home just before Font Subanna arrived on 17nov2014. (Daranee took this image with LK’s camera)

She was quiet but open and a good listener. Sue Lyn, her Thai nickname, was a person I liked a lot.

Around nine Font Subanna arrived to drive us to Uttaradit.  Before setting out the five of us went out for brunch at a cool two-story restaurant on the Wang River. As always the food was good with a total cost of about $20.00 U.S. As it turned out, this meal would also be our dinner.

Uttaradit, two brothers, a niece & a special lady who lives forever in my heart

During the trip Pailin sat with Font in the front of his car while I sat in the rear. Pailin’s and my baggage took up most of the back seat and all of the rear of the auto. I had hoped to sleep. Fat chance!

The drive seemed endless. At one point Font said to Pailin, “I don’t know what to say to him.” (Pailin told me this later.) From the opposite point-of-view I had no clue what I should say to Font. … They chatted until we reached a magnificent temple. Font asked if we’d like to visit it. You bet!!!!

Suddenly it was three people exploring the temple, its grounds, and museum. My camera went belly up as the batteries had died. … Daranee had a statue of the “soldier with the broken sword” in her living room. I had asked about him and learned a little. The museum had the same statue of this soldier. Pailin translated as Font and I tried to talk about this special man. I learned a little more.

Font made two stops when we arrived in Uttaradit—one at a mall where he bought batteries for my camera, and then at his daughter’s (and her husband, Sophon’s) food and juice shop. It was here that I met Lek Subanna for the first time (she is Sabrina’s sister, who you’ll see a lot of below).

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On 18nov14 an unexpected moment took me by surprise. Luckily I had loaded my camera with the batteries that Font had just bought. From left: Unknown woman, Font, Pailin, and Lek Subanna in Lek and Sophon’s restaurant. (photo © Louis Kraft 2014)

It was shortly before dark when we reached Font and Not’s home. We settled into our room and shortly after dark Lek, Sophon, Mind (their daughter) and Ford (Sabrina’s son) arrived and I met them, never dreaming that I had just met my extended family. Mind and Ford studied English in school, and both Sophon and Lek had a terrific comprehension of the English language. As I had first learned with Daranee, then with Font on the drive to Uttaradit, I now realized that I could communicate with Thai people mixing English and Thai words with hand and body movements and facial expressions.

Without missing a beat Not and Font welcomed Pailin and me into their home, into their world, and into their lives.

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My loving wife is one of the most generous people that I have ever known. Back in her dark ages a tragic event happened and it destroyed her. It took her years to recover and if wasn’t for her mother, Daranee, and other magnificent people in her life, she wouldn’t have made it. At the time of the tragedy she owned and ran three restaurants mentioned above, she owned a home, and by any standard she was successful. Everything ended. In this 20nov14 image she is relaxing in Not & Font’s home in Uttaradit, and sitting upon a magnificent chair that she gave to her sister and brother-in-law when she left her homeland to roam the world. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

Unknown to me and to my initial displeasure when I learned this, Pailin had shared my ailments with Not in Lampang. … I had not traveled to Thailand to improve my health. No! I had traveled to Thailand to experience Pailin’s homeland with her. That said, what Not had told Pailin that she would do for me was unbelievable, but Pailin had to convince me to accept the treatments, which included detoxing, mineral baths, special juices, and deep tissue massages. … I’m not going to go into detail of the physical problem that I’ve had since the 1990s, but words below will give you a hint of what I’ve had to deal with.

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Pailin and LK during our two-hour bath in mineral water on 21nov14. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

Not and Font’s home was also Not’s medical center: She was a master of deep tissue massage combined with juices, minerals, medicinal pastes, and other healing techniques I had not seen practiced. Not had many licenses and certificates to back up what I just said, and people traveled long distances to become her patients. As Not had said in Lampang, she took me under her wing, and Pailin too. We became front and center of Not’s healing and massage practice.

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Pailin after her bath in mineral water on 21nov14. Later that day she rubbed healing paste onto her skin. (photos © Pailin Subanna-Kraft & Louis Kraft 2014)

But our time in Not’s clinic was not only to improve our physical health but to also give us ideas on how to continue bettering our health after we returned to the USA.

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Not teaches Pailin how to make her honey-lime (read honey-lemon) drink on 21nov14. (photo © Louis Kraft, Not Subanna, and Pailin Subanna-Kraft 2014)

It also included Pailin learning new massage techniques (she watched and studied while Not worked on me (and Not allowed me to watch while she worked on Pailin). And the training went well beyond types of massage and health techniques for it also included learning of a special juice that is beneficial to our health.

Not improved our physical lives. For me, and after my second full treatment, I would begin to see and feel an improvement.

I think that I should say something here that I have hinted at to friends on my blogs and other social media—mainly that I struggle to walk (every step is pure pain) and sleep at night is non-existent at times. This has been ongoing for two and pushing three decades. Over all of these years I have done everything possible to walk pain free and to get a good night’s sleep. Recently, that is now in 2016, the bar of what I need to do has increased yet again. Major testing has again begun; will it obtain the answers that I need to continue protecting and cherishing Pailin? Don’t know. That said, … I’ve got at least 30 years still in front of me, and they will happen.

Trip to Chiang Mai (city in the north)

On 23nov2014 Lek and Sophon picked us up and we drove to Chiang Mai. … A long drive to see Nat Rongkun, the White Temple. Artist Chalermchai Kositpipat conceived his religious grounds as a tourist attraction, and it is. That said, it is much more for the entire layout of the grounds that he designed is extraordinary in both conception and execution. The environment that he created is a joy to explore, and I believe at the time that Lek and Sophon took us to the White Temple the project had been ongoing for over 10 years (with how much more work still to come?).

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As Pailin and I chatted with Chalermchai Kositpipat under a blazing sun Sophon called out that he was taking a photo. I think that only Pailin found him in the crowd and looked toward him. The cement work in question (in the paragraph below) is directly behind us. (photo by Sophon Yamsavai 2014)

While we were there we passed by Chalermchai Kositpipat as he gave instructions to a couple of his cement artists that were creating a walking area near his art gallery. We stopped and watched as Chalermchai made clear what he wanted done with the wet cement. When he finished speaking with his workers Pailin and I stepped to him and he graciously spoke with us for a few minutes.

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Sophon and Lek at the White Temple on 23nov16. They are filling out ornaments with Pailin’s and my name that will hang forever on the trees of life. (photo © Louis Kraft 2014)

The White Temple (which was then not complete inside; actually artists painted the walls while we enjoyed the sacred and religious milieu) and art gallery and tourist attraction were amazing. We couldn’t use a camera in the temple (totally understandable) or in the gallery that displayed Chalermchai Kositpipat’s art. I should have used a flash to fill in shadows on everyone’s faces in the harsh sunlight when they stood before the temple but didn’t. (I think that the two-shot portrait of Lek and Sophon is perfect for this blog’s storyline.)

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I took this image of Pailin outside the perimeter of the King’s Garden in Chiang Mai. I took a lot of photos and many were decent of everyone (two- and three-shots), but I especially like this image of Pailin. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

Our agenda didn’t end after we left the White Temple for now we needed to meet up with Natapron Subanna. Pong (her nickname) is another of Pailin’s nieces and Somnuck and Kulab’s (nickname Rose) her daughters, … Anuchat Sanganit is her husband (sorry as I don’t know his nickname)—both are lawyers. They met us at a shopping area and we followed them to their absolutely gorgeous home. We were to spend the night there (a surprise to me). After we chatted and settled in Natapron/Pong joined us on a trip to the King of Thailand’s Garden.

Unfortunately the King’s Garden had already closed for the day when we arrived but we were able to explore the garden outside of the gated land that looked magnificent from a small hill on the exterior grounds that we climbed.

Afterwards we drove to a great restaurant in Chiang Mai, called Im Plapao that featured seafood.

psk_pong_ImPlapaoREST_group_24nov14_Collage2a_wsAnuchat, with his and Natapron’s son, joined us shortly after we arrived.

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I shot a number of images of the performance. The fellow with the white mustache and bikini had just lost his clothing that had been pulled from him. He appeared to be the “bad guy” of the play. It was a hoot, and I think I’d enjoy doing street theater (something I’ve never done) but, alas, not wearing a bikini for my costume. LK may have been on the wild side in the dark past but he is considerably more conservative with the image he presents to the world now. (photo © Louis Kraft 2014)

After eating at the restaurant Natapron, Anuchat, and their son drove back to their house while Lek, Sophon, Pailin, and I followed in their pickup. After driving through a portion of Chiang Mai we passed an outdoor theater performance that was just off the street. Sophon saw that it had captured my interest and asked if I’d like to stop. Yes! After parking we walked to the back of the audience, which extended almost to the street, and watched for five or ten minutes. I totally enjoyed myself (think Pailin did too).

The next day we explored the temple ruins in the “Old Town” area of Chiang Mai that are called “Wiang Khum Kham.” We were a group of five: Pong (that is Natapron, but I knew her as Pong), Lek, Sophon, Pailin, and myself.

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The temple ruins were amazing, and although not like the Indian temple ruins in the Americas they were surprisingly similar. There were underground tunnels that connected all of the many temples. Wish we could have experienced the tunnels but this wasn’t allowed. Pailin took the photo of me hamming it up like Wynkoop or Booth and I took the image of the ruins. (photos © Pailin Subanna-Kraft & Louis Kraft 2014)

We then drove to doiSuthep the hillside area above Chiang Mai that had a cool and ongoing bazaar and yet another temple that looked down upon the city of Chiang Mai far below.

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As we slowly worked our we through the bazaar in doiSuthep on 24nov2014 I hustled forward to capture this image. From left: Lek Subanna, Sophon Yamasvai, Ko Subanna (Pailin’s brother), Pong, and Pailin. This was an absolutely fun time for me. (photo © Louis Kraft 2014)

We only experienced a portion of the bazaar when we crossed the street where Lek and Sophon bought tickets for us step aboard an ancient elevator on a hook that slowly took us to the top of the hill where there was a huge temple grounds that we explored.

psk&somkid_Temple_above_doiSuthep_24nov14montage_wsDuring our wanderings Ko watched out for me, and whenever I fell behind as I wanted to experience and capture what I saw he slowed his pace to ensure that I didn’t get lost or left behind. I enjoyed my time with him.

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Pailin was looking at jewelry after we left the temple and returned to the bazaar in doiSuthep. From left: Pong (Natapron), Pailin, and an unnamed woman. (photo © Louis Kraft 2014)

I love to wander through bazaars and chat with the sellers. I’m not good at bartering, but as I’m mostly a “lookie loo” it’s a lot of fun. I purchased (actually, I should say that Pailin “purchased” for me) a couple of gifts for my daughter and her mother.

After we returned to our autos Ko gave Pong a ride back to her home while Sophon, Lek, Pailin, and I began our return to Uttaradit. But first we had a short detour in Chaing Mai to an area called Tawai, where we looked at first class art, furniture, gift, and jewelry shops.

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This is Sophon’s Isuzu in Tawai on 24nov14 just before we started the long drive back to Uttaradit. (photo © Louis Kraft 2014)

Night arrived quickly and Sophon handled all the driving, much of which was on dark one-lane mountain roads. … As Sophon reached a curve we could see headlights peeking around it. As he moved through the turn suddenly a stalled pickup with everyone in it blocked the road right front of us. Sohpon couldn’t swerve to the right (Thai roads are like Great Britain’s and the opposite of the USA) as the oncoming vehicle was too close. Without any chance to brake (even though he couldn’t have been going any faster than 20 MPH U.S. speed) he swung to the left and off the road and around the small pickup that was a disaster waiting to happen. Ladies and gents, I’ve been in a lot of tight scrapes with vehicles, including taking a motorcycle over a cliff and living through the destruction of a Corvette at high speed, but let me tell you that Sophon’s driving on that night was the best that I have ever seen. Thank you, my brother, for you saved everyone from major injury or worse.

24nov14_dinner_uttaradit_collage2_wsThat night after our arrival in Uttaradit, we shared meal as we talked and joked and enjoyed each other’s company. It was on this night that Font looked at Pailin while he pointed at me and said: “When are you going to teach him the Thai language so that I can talk to him?” Everyone laughed. Wow! What an opening for a little more fun. About an hour later I looked at Pailin while I pointed at Font and said: “When are you going to teach him the English language so that I can talk to him?” Everyone laughed again. Good times!

Beginning of the end of our trip to Thailand

Days of preparation wrapped up early on 27nov2014, a day that would be huge at Not and Font’s home in Uttaradit.

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On 27nov14 Not and Font hosted two ceremonies, the first was religious and the second honored Font’s birthday. Left to right: Boy (the minister who performed the ceremonies) and Not. Directly behind Not is Ann (the religious woman, who with her sister and Boy, created most of the decorations. Centered between Boy and Ann are Kai Subanna (Lek and Sabrina’s brother) and his wife Cat. Pailin can be seen in the background at the right side of the image. (photo © Louis Kraft 2014)

On this day they hosted two ceremonies. Both were religious, but the second honored Font’s birthday.

If my memory is good there were two full days of preparation (making the decorations from flowers). When it was time for the religious ceremony to begin, Sophon and I sat beside the holy structures at the front of the house and faced everyone who took part in the prayers (we photographed the religious ceremonies).

There was a renewal and hugging and tears as those closest to Not and Font lined up to share their views of these two special people. I missed most of this as I didn’t realize it would happen. Actually on this day I was more of an observer than a participant and a lot of what I saw was mysterious.

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After the ceremonies were completed, chairs were set in front of the holy decorations and loved ones of Not and Font came before them and shared their thoughts (Sophon and Lek are also pictured). Although I couldn’t understand the words, they were touching for often I saw tears. (photo Louis Kraft 2014)

 

 

 

 

There were a number of amazing things going on, and Font and Not allowed me to photograph them, and that they, and all the other Thai people allowed me to participate in/or watch the Buddhist ceremonies when I don’t practice their religion. This was one of the best things that I experienced in Thailand.

Shortly after some group photos were taken.

After the ceremonies people danced in the front yard. I like dancing and certainly enjoyed seeing my lady easily move to the music.
pskDance_27nov14_montage_wsI mistakenly thought that the day would revert back to normal, but without massages. This would have been good for me, as I could get in some writing, relax, and chat with family and friends. No.

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After the ceremonies (27nov2014) a number of photos were taken, including this one by Sophon Yamsavai  using LK’s camera. Left to right: Ann (the holy woman, who is partially hidden), her sister (I don’t know her name), Lek, Font, Not, Pailin, LK, Tim (Font’s sister), and “Doctor Na,” who spoke English (Pailin told me that she was a neighbor; we talked, and I enjoyed knowing her, if only for a short time). (photo © Louis Kraft 2014)

The major event(s) had ended and Sophon and Lek invited us to go out for lunch and then to explore a little of Uttaradit.

I had no clue of what was to come. …

We enjoyed soup (Tom Yam) at Guay Teaw Pakmo, and it was the best that I enjoyed in Thailand, a land where all the soups were extraordinary. Lek told me that the bowls of soup cost $1.00 in U.S. money.

uttaradit_GuayTeawPakmo_REST_27nov14_montage_wsAfter eating Sophon and Lek introduced us to some of the sights of Uttaradit, all of which Pailin and I hadn’t seen as almost all of our time had been spent at Not and Font’s home, while she used her amazing skills to improve our health.

On this day I saw portion of Uttaradit that I never imagined existed.

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LK’s office in Uttaradit on 26nov14. I enjoyed and drank Thai coffee. The empty mug held the juice that Not had made for me that morning.  (photo © Louis Kraft 2014)

A glimpse of a portion of LK’s days in Thailand. I had brought work with me: The Sand Creek manuscript (only editing what I already had as I couldn’t bring research), The Discovery, and “Geronimo’s Gunfighter Attitude,” which would become an October 2015 cover story for Wild West magazine (again, only rewriting as I didn’t bring research material). During those days and nights I wasn’t anti-social. While working on my projects I was completely open to spending time with Font and Not’s friends who visited and with Not, Font, Ford, Mind, Lek, and Sophon. Believe it or not, I actually lived in the perfect environment for a writer to function on all cylinders. I had found a home that wasn’t my home, but was (if that makes any sense).

I had seen the statue of Phraya Phichai Dab Hak (“Dab Hak” means “broken sword”) at Daranee Konsin’s home in Lampang. When Font drove us from Lampang to Uttaradit and we had stopped at a huge temple complex I again saw the statue of Phraya Phichai Dab Hak, and I had mentioned him to Sophon and Lek. They told me basically what I had already found on the internet in English. As a historian I knew what I had learned was totally unusable to create a magazine article or book, but still it made my interest in him grow.

We saw a lot that afternoon, but two locations will remain with me forever, and if I am ever able to collect primary documentation about Phraya Phichai Dab Hak in Thai and have it translated to English, I do believe that he will become an important project for me.

Two of our stops on that afternoon of 27nov14 were major to me: 1) The Uttaradit Folk Museum and Wat Pratansilaart (the Thai temple in Uttaradit), and 2) The city hall complex of the province of Uttaradit.

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The entry to the Uttaradit Folk Museum, which shared the same huge parking lot with Wat Pratansilaart. (photo © Louis Kraft 2014)

Sophon and Lek had a definite reason for taking us to the Folk Museum, which had a lot artifacts that dated deep into Thailand’s past. It was a wonder to explore.

It didn’t take long for me to discover why I wandered the aisles … a painting of Phraya Phichai Dab Hak by Dr. Prakujputmanjrak, who was also a monk at Wat Pratansilaart. (Actually he had created three paintings of Phraya Phichai Dab Hak.) It almost appeared as if the artist might have been familiar with Frank Frazetta’s fantasy art that has adorned 100s of book covers, many film posters, and are displayed in museums, the Galaxy Press (Hollywood, Calif.), and private homes in the USA.

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The statue of Phraya Phichai Dab Hak was in deep shade as the sun was at the back of this major hero of Siam’s fight for freedom when I took the photo at the Uttaradit city hall complex. As I couldn’t see his face, Lek bought the 3×5″ photo of the statue for me (lower left). The art is a detail of one of Dr. Prakujputmanjrak’s paintings of Phraya Phichai Dab Hak (lower right). (photo of Phraya Phichai statue © Louis Kraft 2014)

After praying in and viewing Wat Pratansilaart, which, by the way, also had paintings of Thailand’s history by Dr. Prakujputmanjrak adorning the walls, I remembered seeing a monk talking with a man with a German accent in the Folk Museum. Sophon and I returned to the museum and indeed it was Dr. Prakujputmanjrak. The German fellow spoke English and he translated for the doctor and myself while we talked about Phraya Phichai Dab Hak.

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There was also a cool Sword Museum on the city hall grounds of Uttaradit. Those of you that know me know that I can’t resist swords—love them. Other than swimming, there is no sport I like as much as stage combat (swashbuckling) or competition dueling with sabres. There was a mirror behind the two-handed swords dating back (I think) to the time of Siam. I need to take lessons when next I travel to Thailand. (photo © Louis Kraft 2014)

Our next stop was the city hall complex of the governor of the province of Uttaradit, but it wasn’t to see the impressive building. Rather it was to see the statue of Phraya Phichai Dab Hak (see above montage). When Thailand was still Siam, a boy named Choi eventually came to the attention of King Taksin as Thong Di when he won a boxing match. This eventually led to him becoming a general under the king and leading guerrilla warfare against Burma, which occupied much of Siam. He became known as the “soldier with the broken sword” when he fought in front of his army with two two-handed swords and one broke. Instead of retreating he continued to fight. Eventually the Burmese army was driven from Siam. From then on he was known as Phraya Phichai Dab Hak.

On this day I experienced a wonderful moment, and it didn’t matter if it happened in Thailand, the USA, Spain, or Costa Rica. After seeing us, a group of school kids raced to Pailin and myself and surrounded us. …

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The little boy to the right of LK (left in the image) clung to me from the moment that we met. He didn’t understand a word that I said and I didn’t understand a word that he said, but we connected. We had a golden five minutes or perhaps more. In the inset (above) I’m pointing toward Sophon and trying to make him understand that I want him to look toward the camera. He understood, but unfortunately the little girl standing in front of him blocked Sophon from capturing a good image of him.

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LK sitting in Sophon and Lek’s living room at the end of a special day in Uttaradit. (photo  © Louis Kraft and Sophon Yamsavai 2014)

Pailin and I stayed at Lek and Sophon’s home for the first time on this night.

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Good company and good food at Lek and Sophon’s home on 27nov2014. Left to right: Pailin, Sophon, Mind, and Lek. (photo © Louis Kraft 2014)

As daylight faded into darkness that evening we ate outside at Lek and Sophon’s (we had moved there to make room for Kai and Cat at Not and Font’s for the religious ceremonies). Pailin and I enjoyed our time with Font, Not, Kai, Cat, Ford, Mind, Lek, and Sophon.

The next morning (28nov14) we detoxed and drank honey and lime juice. Afterwards we walked to Not and Font’s home. Pailin and I spent two hours in the mineral waters but there were no treatments on this day. Unfortunately I didn’t have time to work on the medical novel on this day, and to date only had little over 40 new pages from scratch (I had hoped for 90 pages of brand new prose but was happy with what I had). Actually I wanted to spend time with family members and guests as I knew that my time in Uttaradit was coming to an end.

The next day (29nov14) would be our last day in Uttaradit. It was on this day that Pailin and I enjoyed our final treatments in Not’s health clinic.

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The front of Not and Font’s home in Uttaradit. You can still see the decorations on the right side of the image, along with one of the two permanent religious buildings in the front yard. From Left: Ann’s sister, the holy woman Ann (Tanakarn; don’t know her last name and in Thailand the ladies’ last names often remain their maiden names), Somchit Sawaddee (a police officer and Ann’s husband), LK, Ford (Sabrina’s son), Pailin, Font, and Not on 29nov2014. Ann, her sister, and Boy, the minister at the ceremonies created most of the decorations. Somchit is a gentleman, a good friend of Font’s, and often visited (I enjoyed all of my time with him). Good times were nearing an end; a happy and yet sad time for LK. (photo on LK’s camera and © Louis Kraft 2014)

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This image was taken just before we began our goodbye dinner at the P.N. House Resort restaurant (29nov14). Left to right: Pailin, LK, Ford, Font, Not, Mind, Lek, and Sophon. (photo © Louis Kraft 2014)

Our last day in Uttaradit ended with a meal with Pailin’s and now my family at the P.N. House Resort Restaurant. The group photo of my extended family (above image) marked the end of a key piece in my life, a part of me that I’ll never forget (and hope that I’ll revisit).

After dinner, we again spent the night at Lek and Sophon’s house. The next morning Font and Not arrived at four in the morning and we began our trip south to Bangkok in Sophon’s extended pickup (pictured above). We arrived at Phichit, the city of Pailin’s birth, which is still in the north, while it was still dark.

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After a quick stop to see some of Pailin’s relatives, we went to the crocodile preserve and got to see these marvelous creatures just as they were waking up, and as close as the preserve allowed us to get (it was tempting to jump down to them, but it didn’t look as if I’d be able to climb back up onto the bridgework if they decided that I’d make a tasty breakfast and started chasing me). Afterwards we returned to Sophon’s pickup and Not served us juice she had made that morning.

Phichit is a special city to Not and Font also, and it was with sadness that we left.

lk_pig_30nov14_wsWe still had many miles to travel before we reached the land to the north of Bangkok. The time passed quickly as Pailin, Not, and Font chatted in Thai and I watched everything that we passed (and sometimes asked questions).

During the drive Font pulled off the main road and we stopped for breakfast. Of course I was interested in soup and fish, and they were the major portion of our breakfast.

Before continuing our trip, I sat on a small pig and Pailin took a photo with her iPad. What can I say, other than, “Once a cowboy, always a cowboy.” (photo © Louis Kraft and Pailin Subanna-Kraft 2014)

On the outskirts of Bangkok (middle Thailand)

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Pailin entering Buengchawark Underwater Sea Paradise on 30nov2014. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

When we reached the Supanburi province Font (and all of us needed a break and he took us on a side trip into the countryside to see a special amusement/science park, which was on Bung Chawak (Chawak Lake). I’m talking about the Buengchawark Underwater Sea Paradise. It was large, and unfortunately our time was limited for we had a set time to hopefully meet up with Mana Subanna and Pen Saelee, who were to connect with us at a predefined location on a major street somewhere (Yep, LK had no clue where we would meet them).

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Pailin and Not leaving Buengchawark Underwater Sea Paradise on 30nov2014. (photo © Pailin Subanna-Kraft, Not Subanna, & Louis Kraft 2014)

This marine world was cool, and I wish we could have seen more than the crocodile show with the trainers in the water with their star attractions. Great show, and happily the trainers and their pets completed their demonstration without nary an incident. (I wonder if everyone could enjoy a show with Great White Sharks off the coast of SoCal with their trainers and no one got hurt; I hope so, for these fabulous creatures need to survive into the World’s future, and they are protected off California’s coast). The Great Whites are not predators of humankind, and only seldom attack swimmers and surfers who enter their domain. Yes, they are sharks, and can be deadly, but they are also one of the truly magnificent creatures whose domain is the oceans of our great earth.

After meeting up with Mana and Pen, Pailin and I rode with them and Not and Font followed us to a great restaurant (Chaitung) where the chef cooked the fish on a spike in the ground with a metal cylinder covering the fish while flames did the rest.

After snapping the below image I wandered the restaurant grounds. Of course I stood out with my wide-brimmed hat and employees (some on break) spoke with me. I returned to our table. Almost everyone was ready to go. I grabbed Pailin and told her I was taking her to meet the cook, whom I had already met. That’s right, I wanted her to translate for the cook and myself as I wanted to understand the cooking process. … I would get more than I asked for, and luckily I was able to photograph how the fish were cooked.

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At the Chaitung Restaurant from left: Pailin, Not, Font, Pen, and Mana. (photo © Louis Kraft 2014)

greatRestaurant_psk_howCookFish_30nov14_collage_wsIn Thailand my best moments were with the key people in Pailin’s life. But I was extremely lucky in that I was able to spend prime time with people that my lady didn’t know, such as the school children in the Sword Museum and the cook on the northern outskirts of Bangkok.

Bangkok (central Thailand)

Afterwards Mana and Pen introduced me and reintroduced Pailin to Bangkok traffic, and where little motorcycles are like buzzing flies (by that I mean that they are all over the place). If you think that Los Angeles, California, is large, over-populated, and has a horrendous traffic problem I’ve got news for you—Bangkok knocks LA out by 100 country miles (and that’s an understatement).

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When Mana stopped for a light there were no motorcycles in sight. That didn’t last long, for suddenly we were surrounded, including both sides and the rear of his SUV. (photo © Louis Kraft 2014)

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Mana has a great Chevrolet SUV. The ladies sat in the back seat and chatted until we drove by an area where both Mana and Pen talked about what we saw. I luckily got to ride shotgun. (photo © Louis Kraft & Mana Subanna 2014)

We spent that night in a hotel where Pum worked. The next morning Pailin and I hugged Not and Font as we exchanged an emotional goodbye.

Mana and Pen then spent the day showing us the sights in Bangkok, which is a marvelous city, and bustles with activity (including tourism).

As Mana maneuvered through downtown Bangkok (heck, all of the city felt like “downtown”), I mentioned the major homeless problem in Los Angeles and he informed me that the homeless problem in Bangkok was also huge. No more than five or seven minutes passed before Mana alerted me that we would soon pass a major homeless city in Bangkok.

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If my memory is decent this homeless city is a long block (and I’m not certain how wide it is). I’m not going to preach about Los Angeles, but this is a gigantic problem in the city that Pailin and I call home. (photo © Louis Kraft 2014)

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Photo at left: Pen, Pailin, and LK standing in front of the King’s Palace in Bangkok on 1dec2014 (photo by Mana Subanna using LK’s camera, and © Pen Saelee, Mana Subanna, Pailin Subanna-Kraft, and Louis Kraft 2014)

We drove by the King’s Palace a number of times as we moved about the city. There is a great statue of pink elephants in an area where cars circle to move in different directions.

We did stop to view the King’s Palace, and I wondered about the huge crowds that have gathered where we then stood over the decades.

We saw a lot—too much to document with words or pictures, but there was one last area that we visited that I want to mention—Chinatown.

Chinatown! A city within a city that thrives (unlike the Chinatown in Los Angeles, which in recent years struggles to survive; that said Pailin and some of her friends often go to Chinatown in LA to buy herbs, food, and other supplies).

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While the ladies shopped in Chinatown, Mana and I crossed the street and entered a mall to use the restroom. Afterwards we enjoyed coffee at a small shop on the street in front of the mall entry. Soon Pen and Pailin joined us. I took these photos in order and both are full frame. (photos © Mana Subanna, Pen Saelee, Pailin Subanna-Kraft, & Louis Kraft 2014)

It is in Chinatown where Pen works, and it is a bustling area full of life. Whew! It took my breath away.

While hoping not to be repetitive, I’ve never seen a city like Bangkok, and I need to return again to experience it. The city was alive and thriving, it featured the old and the new, rich and poor, and certainly portions of it reeked of money. Mana and Pen shared their home city with us and it reminded me of Los Angeles.

Our last night in Bangkok, special friends, and …

After our tour completed, Mana and Pen drove us to Noi and Wichan Tawon’s home in Bangkok, which is marvelous and has an interior that represents what living in Thailand is like. Unfortunately, Wichan, who is an engineer, wouldn’t join us for hours as he had a four-hour drive one way. (Yes, his commute makes those in Los Angeles little more than a stroll in the park.)

After making Pailin and me feel welcome, Noi prepared a great meal with the help of her houseboy. Pailin is close friends with Noi and Wichan, and she stayed with her friend while Pen, Mana, and I relaxed on the second floor balcony.

After eating the five of us chatted and laughed. Before night arrived Wichan, who knew English arrived, and the gathering morphed into a party atmosphere. We had a lot in common due to me writing for software companies for way too-many years, and hit it off.

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Just before preparing for bed on 1dec2014, this photo was taken of Pailin, Noi, and myself on the second-story balcony, which is a great place to entertain. (photo © Pailin Subanna-Kraft 2014)

It began to get late and everyone called it a night.

The next morning Pen, Pum, and Mana joined us for breakfast at Noi and Wichan’s.

Of course numerous photos were taken. I have a great one of Wichan and myself on my camera, but I wanted to use an image off of Pailin’s iPad as I wanted a photo of the four of us together.

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As stated above, this is a four-shot of us. These are two people that I have known for less than a day in person, but they have become my friends for all time. Noi is currently a friend with me on social media, but unfortunately it took our return to the USA before I realized how much Pailin loves Noi and Wichan. (photo © Pailin Subanna-Kraft 2014)

Another photo was captured that morning off of Pailin’s phone, and I like it.

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Mana, Pailin, LK, and Pum are on Noi and Wichan’s second story balcony on 2dec2014. Suddenly our time is speeding toward an end (not something I wanted). (photo © Pailin Subanna-Kraft 2014)

After a long goodbye (and why not, for we had plenty of time … or so I thought) we packed Mana’s SUV with our belongings and set out for the airport.

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Pailin and LK shortly before we said goodbye to everyone and went through security. March took the image (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

As soon as we entered the main street the traffic came to a complete halt. Pedestrians and then more pedestrians walked past the cars that didn’t move. “Are we going to get to the airport,” I nervously asked Mana. “Don’t worry, for we’ll be off this road in half and hour or so,” he said (my understanding of his words). “We’ll then have clear sailing to the airport.” He was right.

Our time at the airport was bittersweet as the minutes rushed past in nanoseconds.

Another friend of Pailin’s, Daranee Thamtaranon, and her son March, came to the airport to see us off. March had a great digital camera and he took some images.

We went through security and soon the never-ending flight home began.

For the record, Not’s marvelous treatments gave me four
weeks of walking pain free and sleeping at night.

Christmas 2014

Pailin and I chose to spend Christmas day with each other. We didn’t take many photos on this day, but several mean a lot to me.

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I’m used to getting up early, including on this oh-so special holiday in my life—the birth of Jesus Christ. I’m up early to get the turkey prepped and into the oven, and Pailin wanted join me, help, and learn.

We have drunk homemade juice since the beginning of our relationship, and on this Christmas morning it was no different. For the record, Pailin loves being one of Santa Claus’s helpers.

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Like LK, Pailin knows how to have fun and enjoy the moment. (photos © Pailin Subanna-Kraft & Louis Kraft (2014)

Our 2014 was about to end, but first we had an impromptu encounter (it follows); our last hours of 2014 are in the next section.

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LK massaging Pailin on 26dec2014. For the record, I’m not very good (although I try). Pailin depends upon Sabrina to massage her when she hurts and needs a massage (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

The end of 2014 was private; a special time for us while Pailin worked for Kobie at the Lily Pad Thai Spa & Massage and for Nina and Pete at Nina’s Tong Thai Spa, and LK worked on The DiscoverySand Creek and the Tragic End of a Lifeway, and a cover feature for Wild West magazine, “Geronimo’s Gunfighter Attitude.” During this time we continued to redesign Tujunga House and make it both Pailin’s and my home.

Pailin was about to end a great year. She had her Green Card; had met some of my good friends and major Indian wars companions John Monnett, Tomas Jaehn, and Glen Williams; and had obtained her California driver’s license. But we still had to deal with our health and moving forward in an economy that was huge in comparison to a big portion of the United States. One quick example: According to the Los Angeles Times, the price of a gallon of gasoline is over $1.00 more than the average cost of gasoline for the rest of the USA. This isn’t a lone example, and it is something that we must deal with on a daily and monthly basis.

The end of 2014 and early 2015

December 2014 ended quickly after our quiet Christmas and before we knew it the 31st of the month had arrived. I would spend the evening with Pailin and Sabrina at Wat Thai of Los Angeles in North Hollywood. Good time for LK.

I believe the following introduces you to Sabrina Subanna in this blog (if you follow my blogs you know who she is), and I need a quick introduction of her. She is Pailin’s niece and only relative in the USA (you’ll learn about their relationship below).

psk_sabrina_lk_montage_31dec14_1jan2015_wsI don’t celebrate New Year’s Eve and haven’t for decades—too much drinking and firecrackers and guns … with very little police activity. This is not the LA Police Department or the LA County Sheriff’s Department’s fault, for they are underpaid and understaffed for a city and county the size of Los Angeles. I prefer peace, quiet, and safety, … and more law enforcement officers should be hired.

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Minutes after the arrival of 2015. The building at the right and center background is the temple at Wat Thai of Los Angeles. I snapped the image from the second floor of the room where we had prayed with the monks. The darkness at the lower portion of the image is where there is a staircase heading downstairs (below ground level) where there is a courtyard and a large room for meetings and meals. (photo © Louis Kraft 2015)

After the prayers ended Pailin, Sabrina, and I mingled with the crowd as we worked our way down the staircase.

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Left to right: Sabrina Subanna, LK, and Pailin Subanna-Kraft at Wat Thai of Los Angeles (North Hollywood, Calif.) during the early minutes of 2015. (photo © Sabrina Subanna, Pailin Subanna-Kraft, & Louis Kraft 2015).

Pailin, Sabrina, and I welcomed in the new year at Wat Thai of Los Angeles in North Hollywood. The evening began chilly but the room where everyone prayed with the monks was warm. Afterwards, when we reached the main level of the Thai center where booths were set up and people moved about as they welcomed in 2015 we realized how much the temperature had dropped while we had prayed.

 

 

Encino Chamber of Commerce visits Nina’s Tong Thai Spa

On 28jan2015 Pete Senoff* hosted a large event at his and his wife Nina’s shop, Nina’s Tong Thai Spa, in Encino. A large number of people attended; there were speeches and documents welcoming Nina’s Tong Thai Spa as a member of the Encino Chamber of Commerce.

* Pete had gone to high school with me and we got along, although we lost contact after graduation. He located me in 2012, and our friendship began anew.

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(Group photo © Pete Senoff 2015. … Pete & Nina Senoff photo © Louis Kraft 2015)

During the event, attendees were treated to Thai food that included Pailin’s soup and other selections of food catered by Siri Thai Cuisine of Burbank, California.

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(photos © Louis Kraft & Pailin Subanna-Kraft 2015)

The Autry National Center Masters of Art Exhibit

The Autry National Center (now the Autry Museum of the American West; ouch, for I can’t keep up with the name changes over the years) hosts an art exhibit that begins in late January and ends in March. These art shows are first class in both the art exhibited and the presentation.

autryMastersArt_7mar2015_driveMontage_wsOver the years the Autry has drawn some of the best western artists to their competition,, and the reason why is evidentthe possibility of a huge payday.

To realize how important the Autry’s Masters of the American West exhibit and sale was, we need to return to Howard Terpning, whose “The Patrol—1877” was displayed on the post card advertisement for the exhibit. Although Terpning doesn’t name participants, per a conversation I had elsewhere on social media re-enactors posed for his painting, and several of them represented real people. Terpning stated that he based his painting upon an incident that he had read about during the Sioux wars. BTW, Terpning is an Autry favorite and often his work has the key location in the exhibitions and wins major awards. “The Patrol—1877” was listed at $950,000 but sold at auction for $1.3 million. I first discovered Terpning in the 1970s in Scottsdale, Arizona, and then his mostly Apache wars paintings listed for $10,000 to $18,000. (Talk about missing an investment opportunity.)

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Pailin stands in front of John Coleman’s magnificent bronze (image at left), “Honeymoon at Crow Fair” (which I assume is in Montana, for that is the only Crow Fair that I know of). Apparently Coleman created five of the bronzes and one was for sale/auction—it sold for $175,000, and it was well worth every dollar. It was my favorite piece of art in the show. (photo © Louis Kraft 2015)

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David Mann, “First of Five Thousand.” Unfortunately the Plains Indians are not identified, something that I would like. Also, here the painting’s story is about a raid that is returning home to Canada with horses stolen in Mexico. One problem for me: I don’t know of any Plains Indian raids the resulted in obtaining 5,000 horses, and worse that is one long journey with 5,000 stolen animals. (photo © Louis Kraft & Pailin Subanna-Kraft 2015)

 

 

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While talking about bleeding art or photos across pages in books or magazines, this is something that the Wild West magazine’s art director needs to realize—bleeding an image across pages ruins the impact of the image.

There was a lot of wonderful artistic works to see. We took our time and enjoyed the show, returning to pieces that we especially liked on numerous occasions.

Late spring into early fall 2015

A mix of gunfighters, hide & seek, and Wild Bill Hickok
plus a special gift from my beautiful wife

Since the cataract surgeries earlier in 2015 my eyes have become very sensitive to the sun and bright lights.

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(photo © Louis Kraft & Pailin Subanna-Kraft 2015)

LK leans against the archway that leads into the kitchen at Tujunga House in spring 2015. Pailin gave these sun glasses to me for my birthday (they are not the glasses that I wore to the Autry National Center in March; I know, it is now the Autry Museum of the American West, but it wasn’t back then). I wear the sun glasses often. Beyond protecting my eyes from harmful rays they provide me with the feeling of being “cool.” At my age being cool is a good thing, for it lets me feel as I if I still contribute writing that is valid, and, other than loving and cherishing Pailin and my daughter, have a reason for living.

Sometime in late spring Pailin and I began reverting back to younger days.

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At times when we play a fun game one of us has at times captured an image, such as this photo that Pailin took on 18jun2015. The photo of Pailin on the desk was taken the first time that I photographed her wearing a cowboy hat. At that time I began calling her a “Thai cowgirl.” (photo © Louis Kraft & Pailin Subanna-Kraft 2015)

It was along the line of hide and seek but with the gunfighters of the Wild West thrown in; that is, which one of us could come out of hiding and shoot quicker with our finger guns (as I did as a child).

This began one time when Pailin returned home to Tujunga House and entered the front door. I waited in hiding until she was well within the house. I then jumped from my hiding spot and shot her with my finger. She clutched her stomach as she slumped to the floor. It was minutes before she could get up as she laughed and laughed. Pailin loved it, and suddenly we had a game that mimicked our youth and at the same time was pure fun.

psk_lk_fingerColtMontage_4jun15_wsIt has been so much fun that when one of us returns home (or even when both of us are home) we at times engage in our game. When young I had cap guns and holsters and cowboy hats, and so did my friends. Where I lived in the San Fernando Valley (Los Angeles, Calif.) was rural with lots of open spaces for wanna-be gunslingers to hide and at the right moment have a showdown with a friend. I was often Tex Ritter and some of my pals were Roy Rogers, Hopalong Cassidy, or someone else.

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Pailin sneaking out of a hallway at Tujunga House, as our fun continued on 17jun2016. (photo © Palin Subanna-Kraft & Louis Kraft 2015)

At times it has gotten elaborate. By that I mean both of us have done whatever possible to gain the upper hand in a potential shootout. I’m by far the worst at this as I write at home, which gives me an incredible advantage. For example, one night I made certain that all the interior lights that were normally on were on. I then hid under the dinning room table. Pailin entered, placed her gear where she usually did, including an item or two in the dinning room. But at that point she wasn’t looking for me. Now she was and I could hear her carefully move through the house. She didn’t find me, and unsure what was happening, she returned to the kitchen and turned on the light. I pushed the chair from the table and finger-shot her. She slumped to the floor. I crossed to her as she stood. “You are a bad boy,” Pailin said as we hugged and kissed.

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Pailin and I took some publicity shots in early September 2015, but most were not two-shots. This one I liked, but unfortunately sunlight blasted us from behind and I couldn’t bring our images into focus. On 12sept2015 I used the faded and out-of-focus photo as the basis for a painting. (art © Louis Kraft 2015)

The scout, lawman, and gunfighter Wild Bill Hickok is in this section for as soon as I read Johnny D. Boggs’ great novel about Hickok joining Buffalo Bill Cody’s theatrical troop on a tour of the East in the early 1870s (East of the Border, 2004), I knew that I wanted to play Hickok on the stage. I have given a copy of the book to my friend and director Tom Eubanks, who, if he likes it will buy in (He has directed all of my Ned Wynkoop one-man shows and Cheyenne Blood). Alas, Boggs has remained silent (even though his wife and my friend, Lisa Smith, thinks that it is a good idea to turn his novel into a play).

July 4, 2015

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Pailin with Nina and Sabrina in the Tujunga House dining room shortly after our 4jul15 get together began in the late afternoon. For the record Pailin is drinking cranberry juice and Sabrina is drinking honey, lemon, and water (which is a major drink in Pailin’s and LK’s lives). The soup is Thai Miso soup, with broth by Pailin and the ingredients by her and Nina. … Sabrina wanted to enjoy an “American” dinner and this is always something that I like to provide. The dinner would be simple: A salad with a special dressing that I make, sautéed vegetables, roasted potatoes, and salmon. Pailin requested an image of the salmon.

Vee, Saul, and a special evening w/good friends

A number of years back my great friend Veronica (Vee) von Bernarth Morra found me and we resumed our friendship that began during our college years in the dark ages.

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Vee, Pailin, and Saul, at the dinner table in Saul’s great town home in Los Angeles on 8jul2015. There were just the four of us and Vee and Saul sat across the table from Pailin and myself. I had asked them to come together on this side of the table so that I could photograph them. You can see the happiness and joy on Vee and Pailin’s faces, and the contentment on Saul’s face. (photo © Louis Kraft 2015)

This lady—Vee—is easily one of my best friends of all time, and I’m lucky to know her. Unfortunately (or perhaps fortunately for her) she lives on the East Coast of our great country—the United States of America. Luckily for me, she is able to travel to the West Coast to see her good friend Saul Salodow (who studied theater with me in college; he went on to having a great career as a film editor in Los Angeles). When Vee visited Saul in summer in 2015, Saul invited us to his home. He’s a terrific cook, and better the four of us enjoyed another great late afternoon and evening. I do hope that our four-way relationship continues for Pailin and I love it. BTW, Vee has become one of Pailin’s best friends in America—no small statement.

A wasted trip to the Autry in July

The Autry National Center had announced what sounded like a great exhibit and Pailin and I looked forward to seeing it.

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The oversized poster at the entry to the exhibit promised something special. It wasn’t, and I place the blame on research and conception. We spent no more than 15 or 20 minutes looking at it. (photo © Palin Subanna-Kraft & Louis Kraft 2015)

Once we were inside the main building of the Autry we realized that no cameras were allowed in the exhibit, and thought that it was because there were a lot of short video clips with voice overs. Perhaps. All I can say is that we didn’t stay long, and the reason was simple—the exhibit reeked of money but failed to deliver what it proclaimed. Worse, it added information to the exhibit that really didn’t belong in it other than certain celebrities had name value—such as George Armstrong Custer, who spent his entire Civil War career fighting for the North in the East. Although he wouldn’t travel to the western frontier until 1866 and not deal with American Indians until 1867, the Autry thought his demise at the battle of the Little Bighorn in 1876 was directly connected to the Civil War. I totally disagree. But hey, his name sells tickets.

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We had parked across the street from the Autry on 15jul2015, and after we crossed the street I asked Pailin to pose next to my favorite bush with the Autry National Center in the background. For the record I originally had two of these bushes that were rescued next to railroad tracks in Duarte, Calif., and now have six. (photo © Palin Subanna-Kraft & Louis Kraft 2015)

The exhibit had a great title, “Empire and Liberty: The Civil War and the West.” It opened on 25apr2015, and was a total disappointment. … I often wonder how much information that I read is inaccurate (read: error-riddled by lazy “so-called” historians who don’t do real research and repeat previously printed errors or create fiction—read “invented” history—to sell a point of view or conception). I know a fair amount about Kit Carson, the Sand Creek Massacre in 1864, and George Custer, so if something is out of place or wrong it stands out like a red flag. For example, Kit had reddish-blond hair, but the Autry decided to use a painting of him on horseback at full gallop. Two problems here: The rider didn’t look like Kit and his hair was pitch black (none of which were mentioned). … I wonder how many people now think that Carson had black hair. The Sand Creek exhibit had numerous errors, obvious errors corrected decades ago, and so bad, that I didn’t bother to take any notes. Actually there is a recent Custer book that won a Pulitzer Prize (to date I’ve read two pages, and both featured major errors). There is also an Apache wars book that places a person who wasn’t with Geronimo at the last surrender in 1886, something that was proven without a doubt in From Cochise to Geronimo, 2010, which the author listed in his bibliography but then ignored the facts. … As too many “so-called” historians have said to me: “I don’t care about truth; I care about selling books.” I hate to say it, but a good portion of the American Indian wars and the Golden Age of Cinema history stuffed down the reading public’s throats is little more than lies, deceit, and bullshit.

Pailin and the a2zheath.net Massage Schools

In mid-August 2015 Pailin began attending a school that would dominate her time until mid-March 2016. It was something that she excelled at as she was already a superb massage therapist, but she had to spend a lot of time translating the assigned books into Thai so that she could comprehend what the words meant (and this was ongoing during the class).

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From left: Pailin, Sylvia, and Jessica in the room where they performed massages as they learned. I believe that this image was taken by their instructor. (8sept2015).

Pailin enjoyed the classes, both lecture and the hands-on training, with the instructors and the other students. During the hands-on training the students took turns being the client.

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This image is of Pailin, Mimi (Pailin’s friend, and the sister of Kobie, who owns the Lily Pad Thai Massage & Spa in Sherman Oaks, Calif.), and Dr. Ben Drillings, who is the owner of the a2zhealth.net Massage Schools (Reseda and Thousand Oaks, Calif.). They were at a 14may16 street expo hosted by the city of Simi Valley. Pailin and Mimi provided free massages to people who lined up to receive them.

After completing 550 hours of training and studies Pailin participated in a number of Expos that were either sponsored by a2zhealth.net Massage Schools or by other organizations, such as the city of Simi Valley, which is in Simi Valley and to the to west of the northern portion of the San Fernando Valley (Chatsworth). When I was young there was a narrow road that wound through the Santa Susana Pass (called the Old Santa Susana Pass Road now) and allowed access between the two valleys. Great for motorcycle rides, …  and many western films had location shoots in the general area of the Simi Hills and the Santa Susana Mountains (including Errol Flynn’s great 1941 film, They Died with Their Boots On). There is also infamy attached to the pass for in the late 1960s mass-murderer Charles Manson and his followers lived at the Spahn Ranch (a stop on the road, and I spent numerous hours there). Now access between the valleys is via California State Route 118, later named the Ronald Reagan Freeway (as Simi Valley is the home of the Ronald Reagan Presidential Library).

LK is responsible for keeping his fans

The above heading is one of the most important statements that I have ever made. The LK website/blog was created to function as my publicity, for I have no publicity manager, and to help sell magazine article pitches, book pitches, books after they become reality, and hopefully to keep the fans of LK’s writing and presentations aware of his current and future projects. … I don’t sell on the website/blog as I’m not a salesman. That said, the goal has always been to keep those interested in my work aware of what I am doing at all times.

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This publicity photo of LK was taken in the front of Tujunga House on 17sept2015. Obviously the image is a piece of acting as I’m blowing imaginary smoke from an 1860 Army Colt revolver replica that has never been loaded or fired. That’s right, the revolver is a stage prop that I have used every time that I played Ned Wynkoop in one-man shows and when I played Wynkoop in Cheyenne Blood. (photo © Louis Kraft 2015)

I do this with prose, commentary, images, and art. And believe me keeping the website/blog alive is no easy task. If I told you how many hours I spend to keep those interested in what I am up to, you would be shocked. That said, the website/blog has easily become one of the most important work-related tasks that I perform.

Grover Cleveland High School 50-year reunion

A couple of my friends, Pete Senoff and Gloria Watts, played a large role (with others) for making the Grover Cleveland High School (GCHS) reunion a special event. Pailin met Pete and Nina early on in our relationship, and it was at Nina’s Tong Thai Spa that she first met Gloria.

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Pailin and LK on the Red Carpet that led to the check in for the event (17oct2015). Although I didn’t recognize him, the fellow with the mask is Milt Rouse. Soon after he had removed it and I remembered him immediately. I asked about the lady in the white dress. He said, “I don’t know who she is; she was standing in front of me in line.”

The GCHS reunion took place at the Sheraton Agoura Hills  Hotel (Agoura Hills, Calif.) on 17oct2015.

After leaving high school I really didn’t spend much time keeping up with school mates, and wasn’t sure what would happen. I’m certain that Pailin was a little on edge as she didn’t know anyone other than Nina, Pete, and Gloria.

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Pailin and LK on the red carpet entry to the GCHS event.

Nina and Pete are our friends, and they were two major pluses for Pailin on this night. And of course we sat with them.

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Pailin with Kirk Lamb and Christine Van Laar Burgoyne at the GCHS reunion on 17oct2015. I met Kirk in seventh grade and Christine in the fifth grade (photo by Louis Kraft and © Pailin Subanna-Kraft, Kirk Lamb, Christine Van Laar Burgoyne & Louis Kraft 2015)

The night before I had joined a gathering of people at the hotel, and was able to spend good time with Pete (Nina and Pailin weren’t available to join us) and Gloria, and some friends that I hadn’t seen since high school. One was a thrill for me to see, Christine Van Laar Burgoyne. Pete had created a terrific short video that highlighted eight people who had taken their lives in unique directions; Christine, Gloria, and I were among the highlighted.

Pailin, although nervous at first, mixed in nicely with some of my friends from high school.

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Pailin at the GCHS reunion on 17oct2015. She is with Judy Clover (left) and Sharon Lockwood. Judy and Sharon took acting classes with me, and both are still actively acting. … Judy and I reunited at a GCHS birthday party in 2012 and have become friends on social media. (photo by Louis Kraft and © Pailin Subanna-Kraft, Judy Clover, Sharon Lockwood & Louis Kraft 2015)

The end of 2015 and the beginning of 2016

With the beginning of 2015 I had no more time, for major writing deadlines stared me in the face. That said, I always found time for those I love—special days at Tujunga House with my beautiful lady Pailin and the people dear to our lives (along with some special days not at home).

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Our family from left: LK, Pailin, Carlos, and Sabrina. Standing between Carlos and Sabrina is Alexandra (Alex), an exchange student from Belgium who was then staying with them. Alex began her college career at home in 2016, with her major focusing upon becoming a film director. … We are in the Tujunga House dinning room just before we prayed and ate. (photo © Pailin Subanna-Kraft 2015)

Thanksgiving 2015

Thanksgiving 2015 was a small affair, as usual. It is great to be able to hang out with our guests as we want to enjoy their company. As in the recent past, our Thanksgiving was a mix of Thai food and traditional American food (with Pailin cooking the Thai food and LK cooking the American food).

 

Christmas 2015

I cherish and love Jesus Christ and this is a major day in my life. I walk with Jesus and God every day and I talk to them every day. This is who I am. … You should know that I hate the commercialization of this sacred time that represents his birth.

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The early morning sunlight shoots through the dinning room into the kitchen as Pailin prepares beans for Christmas that will begin in late morning and will last into the night. (photo © Pailin Subanna-Kraft & Louis Kraft 2015)

As said above we love hosting small parties at Tujunga House, and these days are a large portion of our social life. For those of you that aren’t aware of it, SoCal has great winters (as a boy I was always able to play football with my friends on Christmas afternoons in 70-degree weather and under blue skies).

 

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The turkey is cooking on the barbecue and the ladies (left to right): Pailin, Nina Senoff, and Sabrina Subanna) are enjoying themselves. Soup has been served (and if I haven’t said it, Pailin’s soup is out of this world). (photo © Pailin Subanna-Kraft & Louis Kraft 2015)

By the morn of the 25th all our cleaning was done, and all we had to do was prepare for the day. … Again our guest list was small so we could spend time with everyone.

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Front: LK and Sabrina Subanna. Back: Carlos Castillo, Pete Senoff, and Nina Senoff. (photo © Pailin Subanna-Kraft 2015)As the sun began to set in the west the temperatures dropped big time.

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The sun still blasts us from the west, but the temperatures have suddenly gotten a lot colder than a normal Christmas day. We added coats and I wrapped the scarf that Sabrina and Carlos had given me, to block the coming cold. (photo © Pailin Subanna-Kraft & Louis Kraft 2015)

The day dawned beautifully, but there was a breeze which was unusual at this time of year. Sabrina and Carlos arrived in late morning and helped setting up Christmas decorations in the backyard at Tujunga House.

Pete and Nina Senoff joined us in late afternoon (my daughter and her mother joined us after dark).

This was not something that we expected but it had become reality. Light clothing no longer kept anyone warm. Both Pailin and I increased our wardrobe accordingly, as did everyone else.

To this point in time, other than adding extra clothing, everyone had had a good time. As said above, Christmas day is special for me. At the same time I can accept people of other races and religions. Pailin is Buddhist, and I am good with this as shown above.

Spring 2016

A special birthday …

Sabrina Subanna told me that we are family in 2015. She was talking about Pailin and myself, she and Carlos, and hers and Pailin’s family in Thailand (and my daughter and her mother). You should know that although Pailin is “aunt” and Sabrina is “niece,” they are really like “sisters.”

sabrina_earlyBD_2may16_TH_2014_DiscoveryCollage_wsEvery time that Sabrina and Carlos visit is a special time, and Pailin and I are always good with socializing in the morning.

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Carlos Castillo brought the cake for Sabrina’s birthday at Tujunga House on 2may2016. Left to right: Pailin, Sabrina, and Carlos. (photo by Louis Kraft and © Pailin Subanna-Kraft, Sabrina Subanna, Carlos Castillo, & Louis Kraft 2016)

For the record, Carlos and I hit it off when we first met. He’s a bright fellow, and like me not racial. We can talk about anything. … This brings me back to Pailin, for she, like me, has no racial prejudices. She is good and open with all people regardless of their color, race, or religion. She is a godsend into my life, making me the luckiest guy in the world.

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Sabrina’s BD party at Khao Tom in Hollywood, Calif., on 4may2016. Left to right: Carlos Castillo, Jasmine Koomroongroj, Sabrina Subanna, and Pailin Subanna-Kraft. A fun night. (photo © Louis Kraft 2016)

Sabrina’s birthday is actually on 4may2016, and on that night we celebrated her birthday at Khao Tom in Hollywood, California.

I hate to say it but the lonely road that this writer wanders has a lot to do with my immediate family, for other than my daughter none of them still walk this earth. Sabrina confirmed what I felt in Thailand and instantly felt at the end of 2014 when Pailin and I returned home from Thailand, for at that time I had been in a country that I didn’t know but with people who in a flash of time became my brothers and sisters. I had never experienced this before.

Pailin, lemons, & peanuts at Tujunga House in mid-May

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(photo © Pailin Subanna-Kraft & Louis Kraft 2016)

Pailin in the back yard of Tujunga House on 16may2016. This is one of my favorite images of her. She is pulling a lemon from one of our lemon trees. Lemons are major in our lives. We cook with them, drink water with them, Pailin uses them in the Salsa Verde that she creates, and most important they are a major part of the honey-lemon drink that we enjoy daily. … She had just cooked the peanuts and was outside to shuck the dark covering off them. The birds enjoy the nuts that also fly off the pan.

The Green Day Spa

Jasmine Koomroongroj, who already owned and operated the Green Day Spa, had an opening for a new partner as her then partner wanted to leave the company. Earlier this year she approached Pailin.

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I’m a little out of my linear progression here as Pailin became partners with Jasmine earlier in the year, but the pictures that I want to share here are more recent. … Almost immediately the Green Day Spa became a major piece in Pailin’s life. This was an absolutely great decision by Pailin for Jasmine is a wonderful person, and I can’t think of a better person for her to work with and call “partner.”

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I really like this image of Pailin and Jasmine, and even though it was taken at Khao Tom in Hollywood on Sabrina’s birthday I wanted to use it here. (photo © Louis Kraft, Jasmine Koomroongroj, and Pailin Subanna-Kraft 2016)

Even better for Pailin, the Green Day Spa is about a 10 minute drive from Tujunga House, and when you consider working and driving in Los Angeles this is an amazing plus. When I wrote for software companies in Los Angeles, other than Yahoo! (about 2½ miles), my shortest drive was 26 miles one way.

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Jasmine and Pailin are in the lobby of the Green Day Spa on 14jun2016. (photo © Louis Kraft, Jasmine Koomroongroj, and Pailin Subanna-Kraft 2016)

What is also great is that Sabrina works with Jasmine and Pailin, and from what I’ve seen these ladies really like each other, … they look after each other and take care of each other. As Pailin recently told me, and I’ve known this as I’ve seen it: “We share our meals, … and we give before we receive. It’s our culture.” (Another similarity with the Cheyenne Indians.)

Also good for Pailin is that she is still able to work for Kobie at Lily Pad Thai Massage & Spa, which is a great place to work for there is no bullshit or double standards.

Gifts & food for the monks at Wat Thai of Los Angeles

On Sunday, 22may2016 Thai people celebrated the death of Buddha. Sabrina and Carlos were going to pray, provide gifts, and to feed the monks; Pailin and I joined them.

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This photo was taken with LK’s iPhone. Nam Maradei (left), Carlos Castillo, Pailin, Sabrina Subanna, and LK are standing at the bottom of the staircase that leads to the west entrance to the temple at Wat Thai of Los Angeles. (photo © Louis Kraft, Pailin Subanna-Kraft, Sabrina Subanna, Carlos Castillo 2016)

When we arrived we had the exterior to ourselves, as we didn’t know that Sabrina and Carlos were praying in the temple. We wandered about and chatted, and eventually Pailin chose the table location where she wanted to hand her gifts to the monks (including a great packet of Chinese coffee with ginseng that I love) with plenty of room for Sabrina. Sabrina and Carlos appeared and joined us.

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The little girl had been watching me from about 10 yards away. When she saw that I was alone she ran to me to say hello. We talked for about five minutes while her mother called for her to stop bothering me. She wasn’t, and I enjoyed her company. After she returned to her mother I stepped back to Pailin. She held up the coffee and I took the second image in the montage. (photos © Louis Kraft 2016)

After snapping the image of Pailin holding the coffee I didn’t rejoin our group. Instead I returned to the temple and stepped onto a ramp that also leads to the west entry into the temple.

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I relaxed while Nam, Sabrina, and Pailin, along with Greg and Carlos waited to share the ladies gifts as the monks approached. Pailin captured this image of me as I watched her on 22may2016. (photo © Louis Kraft & Pailin Subanna-Kraft 2016)

Over the years I have spent a lot of time visiting Wat Thai of Los Angeles. Always to support Pailin, but there is much more to my presence. First I need to say that the monks have always made me feel welcome at Wat Thai of Los Angeles, and often they have been concerned about my welfare. Secondly, I have been able to spend prime time with people I care about—Pailin, Sabrina and Carlos, Nina and Pete, Nam and Greg. Although I am a Christian I have seen a lot about Buddhism that is good and real and more important I have seen how it not only affects people that I care about and love, but how it provides them with a positive attitude on living in our world. What I’m trying to say here is that I see a lot of peace and acceptance of the world that surrounds them. Moreover, they can open their arms to people, such as I, who are different from them and embrace them as human beings. I see no racial hatred or persecution, … just kindness, friendship, and with Pailin and Sabrina a love without end. This gives me strength to walk through our world of woe that is engulfed by religious and racial hatred, and terrorism without end.

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Pailin (right in wide-brimmed black hat) gives a gift to the first monk to reach her on 22may2016. To her right are Carlos and Sabrina. (photo © Louis Kraft 2016)

Nam was my friend, who back in 2013 asked if she could bring a coworker—Pailin—to a dinner party for five that I hosted (two couples plus myself) on June 15. Although at first both Pailin and I said no, Nam was persistent and we gave into her request. Nam and her husband brought Pailin to the dinner party. Although we didn’t know it then, this day would change Pailin’s and my life (see the blog listed at the top of this blog for details about this meeting).

Bottom line: LK is the luckiest guy walking this earth for Pailin is my lady—today, tomorrow, and forever.

The monks reached Sabrina and Pailin, and my best image from the staircase happened with the first monk.

After the gifts were passed out Pailin and Sabrina stepped inside the temple to pray while Carlos and I found a shaded area to sit under and talk.

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From left: Nam Maradei, Pailin, and Sabrina Subanna. This photo was shot using Pailin’s iPhone while the three of them were inside Wat Thai of Los Angeles to pray.

When the noon hour neared the ladies prepared the food that they had cooked for the monks in a large room downstairs in one of the numerous buildings at the complex.

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I captured this image of Pailin as she prepared her food for the monks, who hadn’t appeared yet. (photo © Pailin Subanna-Kraft & Louis Kraft 0216)

We accompanied our wives and observed and helped them out when possible.

After the feast was set up the monks slowly began to enter the room, and after blessings began to eat at the tables set up for them. As usual everyone else would eat after the monks had finished eating. This was taking a long time, and Sabrina, Carlos, Pailin, and I had work we needed to do and as we couldn’t wait we left an hour later.

A big-time birthday for the top monk in Los Angeles

I hate to say it but every day is a work day for me, and this Sunday of 12jun2016 was no different. Although I knew that going to Wat Thai of Los Angeles on this day would cost me hours of lost work time I joined Pailin, Carlos, and Sabrina at this wonderful temple in North Hollywood.

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This event was too big to have the gift giving surrounding Wat Thai and it was moved to the northern parking lot. From right: Pailin, Sabrina, and two unidentified women (think photo by Carlos on Pailin’s iPhone and © Pailin Subanna-Kraft 2016)

Many monks joined the celebration (I think 79), and as always the celebration had an aura of holiness and festivity. We had arrived near the start time and yet had to park blocks away from the temple. Once we entered the grounds we headed for the northern portion of the property where offerings were being made to the long line of monks. Pailin found Sabrina and Carlos and joined them in the line, while I rested under a covered table area near where the various food vendors set up for the events. A short while later Carlos found me and we chatted until we decided to join our ladies. Our timing wasn’t timely for the gift presentation had ended. We returned to the tabes and sat to talk. Without warning a procession of monks, followers, and musicians turned the corner of Wat Thai and began to pass us. Pailin and Sabrina raced to join the procession while Pailin called to me to take a photo, No camera today, and by the time the procession had passed I still hadn’t turned on my phone (I guess that I now have another nickname: “Klutz Kraft”).

Unfortunately the marching participants didn’t make a second pass around Wat Thai, and I had missed a photo op I wish I had made (I should have turned into a paparazzi photographer and ran after the parade—alas, I hate playing a slimeball).

Time passed quickly, and soon it was time to move to the building that has an entry one floor below street level. While Sabrina and Pailin placed the food that they had prepared on plates for the monks to enjoy, I suddenly had exceeded my time limit and needed to return to Tujunga House and work.

Father’s Day (and the last day of spring)

In the morning Sabrina, with Pailin assisting, gave me a complete deep tissue massage at the Green Day Spa. My feet hurt for the rest of the day but then were good for about two weeks. As always we enjoyed ourselves with Sabrina and Carlos (who received a massage after me).

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After my massage on 19jun16 Pailin captured this image of the four of us just before we left. Right to left: LK, Pailin, Sabrina Subanna, and Carlos Castillo. (photo © Pailin Subanna-Kraft 2016)

Pailin dropped me off at home and then drove to Nina’s Tong Thai Spa, where she worked late into the night as she and Nina were busy.

A little after six my daughter and her mother visited to wish me a happy Father’s Day and we enjoyed an easy three-hour conversation about health. A good day for me, and perhaps my best Father’s Day in a long time, as I had stopped celebrating this day after my father had died on 14feb1999.

Summer 2016

Another 4th of July w/360 degrees of illegal explosions + Pailin’s BD

Moving forward there hasn’t been much to document. The 4th of July is not my favorite holiday for I often spend the night watching for fire in my yard. That’s right, even though fireworks are totally illegal in Los Angeles we had lived in a war zone for the past two plus weeks before the big show went live.

As Sabrina and Carlos wanted to celebrate Pailin’s birthday (which is on the fifth) we made it an affair with salmon, salad, corn, a hot Thai salad for Sabrina and Pailin, and birthday cake that Carlos and Sabrina brought on the hideous day/night of July 4. As always good times for us. We talked seriously and joked and enjoyed each other’s company. Although last year’s 4th of July celebration went into the night with everyone inside, on this night I warned Carlos and Sabrina that they’d be climbing an extension ladder to the roof top of the Tujunga House garage (which is not connected to the house) to experience a local fireworks show gone wild; that’s right, nothing would be shut down, there would be no police presence, and certainly no sirens. Basically a free-for-all display of illegal fireworks to the east, north, west, and south.

They arrived at four-thirty in the afternoon.

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Pailin and I had been working seven days per week, and other than some of the religious functions at Wat Thai of Los Angeles we really hadn’t done much in 2016. This day was special, as it was one day before Pailin’s birthday, both Sabrina and Carlos had the day off, and it would be prime time for the four of us. (photo © Pailin Subanna-Kraft 2016)

Soon after their arrival we celebrated Pailin’s birthday, Sabrina and Carlos gave her gifts and a magnificent cake. I had a bite, as I don’t eat this type of food (and it was delicious). … The sun was still high in the west, but no matter for explosions began to surround Tujunga House. …

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Pailin holding a cool glass horse that Sabrina and Carlos gave her on her birthday. This is my favorite photo off my camera. It is sometime before five, and we still have great light coming in the dinning room from the east, southeast, and northeast windows. (photo © Louis Kraft, Pailin Subanna-Kraft, Sabrina Subanna, and Carlos Castillo 2016)

After enjoying each-other’s company and celebrating my beautiful wife’s birthday I began cooking the salmon on the barbecue.

Earlier in the day I had set the extension ladder against the garage and had placed chairs on the roof top. My neighbors to the south were hosting a large party and already they had begun to ignite fireworks. They waved to me and I said hello and I told them of my plans.

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Pailin on the Tujunga House garage roof shortly before night on 4jul2016 (photo © Pailin Subanna-Kraft & Louis Kraft 2016)

When darkness neared Pailin was first on the garage roof as she was excited for the night to begin. I soon followed her, and both of us attempted to capture our southern neighbors’ fireworks party. No-no-no!!! For they didn’t like this, stopped igniting fireworks, and quickly left the backyard only to move their massive holiday extravaganza of explosions to the front yard. (I made it clear to everyone that we wouldn’t follow them as it might anger them). Believe it or not, back in the 1970s had I learned to live with people that carried knives and revolvers, and could explode at a moment’s notice.

Yes, the 4th of July is surround-sound explosions and brilliant colors streaking across the skies in all directions. These are not fireworks shot off at local parks, rather they are illegal; many of which I clean up in my yard on July 5th.

I knew that once night had fallen (and Pailin knew this too) that the sky would explode in light and color as bombs and guns exploded around us. We also knew from past experience that LA’s finest (headquartered about a mile and a half from Tujunga House) would not make an appearance on this night. There were would be no police cars, no sirens, no officers telling people to stop and desist, and there would be no arrests. For the record, the explosions would continue well after the midnight hour.

4jul16_weirdFireworks_color_collage_wsGood news: Our drought resistant vegetation (and Tujunga House) survived yet another invasion. The 4th of July is about American independence and yet for us it is about survival. Something’s wrong here.

pskBD_5jul16_collage_wsThe next morning I celebrated Pailin’s birthday. Although I couldn’t take her to a film—The Legend of Tarzan—on her special day I did the following day. Other than Errol Flynn’s The Roots of Heaven (1958), this was the first American film that I had taken Pailin to see. As with the Flynn film, which dealt with saving elephants from extinction in Africa, the new Tarzan film dealt with saving Africa from the rape of its resources (and more important it dealt with race relations). She liked the film.

A final few words

Who I am and what I do

I am a writer/historian who writes all sorts of documents. Simply put I try to write readable prose with accurate facts (something many writers don’t do).

The search for truth and words that people can read and understand is ongoing, and will be until my final breath.

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LK on Lasky Mesa, which is in the hills at the west end of the San Fernando Valley (Los Angeles, Calif., and for the record the city of Agoura Hills is in the county of Los Angeles, roughly 10 miles outside the city limits of Los Angeles). I am standing in front of the area where Errol Flynn, who played George Armstrong Custer in They Died with Their Boots On (1941), led the Seventh U.S. Cavalry toward their deaths at the battle of the Little Bighorn on 25jun1876. On 13jul16 a man who knew this land showed me some of the various film locations on Lasky Mesa; he took this photo using my camera. (photo © Louis Kraft 2016)

Who Pailin is, and that part of her life which is now part of my life

I hope that what I have shared has given you an insight into my life with my lady, best friend, confidant, wife, and the person who I cherish above all others. I have talked about religion: Christianity and Buddhism, and I hope that I have made it clear that both can exist in the same household.

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I wanted to share these images of Pailin praying with more detailed photos of her sacred areas in Tujunga House as they show that our home is a mix of cultures (those are posters of Errol Flynn’s classic swashbuckling films on the wall in the living room). More important, our cultures and religions can coexist together in harmony and with love.

Pailin is my life, and as my writing world coexists with her life, I have created this blog as a document for U.S. Immigration and Homeland Security to confirm that the above is true. I hope and pray that it removes any doubt that Pailin and I married for love (and not for any other reason).

The mists of reality dance in and out of my writing world

Website & blogs © Louis Kraft 2013-2020

Contact Kraft at writerkraft@gmail.com or comment at the end of the blogs


LK is pounding the keys on Sand Creek and the Tragic End of a Lifeway, but as usual I juggle my major projects. The Discovery has demanded a lot of my time over the last year and a half, but now that the novel’s prose has reached the polishing stage it demands less (although I still have a lot to do before it sees publication).

I plan on spending some time dealing with writing hacks and technical writing.

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A publicity photo taken on 24mar2002 for the first Wynkoop one-man play. I had the hat designed from an 1867 woodcut of Wynkoop that appeared in the 11may1867 issue of Harper’s Weekly. (photo © Louis Kraft 2002)

This means that Black Kettle, Tall Bull, Lean Bear, William Byers, John Evans, John Chivington, Charley, George and William Bent, John Smith, Silas Soule, and of course that ol’ blackguard Ned Wynkoop will dominate my mind for a long time to come. They will remain the number one consumer of my time until Sand Creek and the Tragic End of a Lifeway is published. Of course not too far back “Geronimo’s Gunfighter Attitude” dominated my life. Heck, it only took five days for me to edit, rewrite, and cut 900+ words from the October 2015 Wild West article earlier this month (see Geronimo preempts the Sand Creek manuscript). WW editor Greg Lalire then edited my changes and added a little less than 100 words to the story. Unfortunately he got creative and added some errors, which my second review fixed. I think Greg is correct, a shortened word count can still produce a good story. I won’t be happy until the article is published for then, and only then, will I be able to read it and decide if it is decent or a piece of crap. This isn’t a negative view by me, for this is how I view all of my written work—I must read the published piece before I can judge it.

Moving into my writing world

Damn, but Kraft is dancing on air. No more articles; at least none are planned or pitched. No more talks (although I have an idea for one on Errol Flynn that would be perfect for New Mexico). No more anything but writing books (and blogs). I’m in hog heaven. Or should I say Harley-Davidson heaven? Now there’s a thought. …

krafts&PailinMotorcycleMontage_wsPailin has ridden motorcycles in her homeland as have I in my dark ages. … If ever we made Thailand our homeland (Pailin, please don’t growl if you read this) and we had a Vette (and they sell them in Bangkok) or a Harley (and I’m certain that they sell them in Bangkok) we would be noticed wherever we cruised in Thailand. … Oops! No–no Kraft! This is a taboo subject and not open to discussion (sorry; don’t ask).

Back to the point … my writing world

I have finally reached my present life. Believe it or not, it has taken me three years to reach this point in time. A lot of thinking and decisions led the way to this rainy May day late last week.

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LK art of Tujunga House on 14may2015 due to me trying to capture a photo on this early morn after rainfall (something that doesn’t happen often in SoCal). Unfortunately I tried to get artsy-fartsy and took the image from behind growth in the foreground, which threw the subject matter out of focus. I had to play around to make the image usable. What you are seeing is a long-term project to turn the jungle into cacti and other vegetation natural to the SoCal climate. This project (which isn’t complete) began over two years ago when I realized the future. … Moreover, and more important, it was my attempt to deal with the LA Department of Water and Power (I’d like to say some truths here but don’t dare). I’ll let the Los Angeles Times, which has been pounding all sorts of issues within the LA DWP for a long time, do it for me. Here are two features in the 20may2015 issue of the paper: “Bill For $51,649.32: Couple were charged for using 6.7 million gallons of water” by columnist Steve Lopez (This elderly couple were basically ignored when they inquired about the bill, but were eventually told that they had a leaky toilet.), and “DWP hints at raising rates” by Matt Stevens (Nothing new here, for the DWP, and again I don’t want to say anything that will garner me a $50 thousand bill, need an additional $270 million for the next five years to cover their costs. There is more to this story than in the article. I know what has been going on for years and so do many Angelenos, but silence is golden.)

Undoubtedly, or perhaps unfortunately, this blog will go live on a sunny May day.

I need to do another rain dance outside … to break up the monotony of blue skies with nary a rain cloud in sight.

For the record, I love talking in front of an audience, I love acting on stage in plays that I write (and fingers are crossed that I can eventually play Flynn on stage), and I love writing magazine articles, but something had to give. Something had to be jettisoned to ensure that my ship doesn’t capsize.

Two major pieces to this puzzle are finances and time.

If I want to place the blame on anything, my mentalist capabilities point directly at these two villains, finances and time.

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Simon Baker is The Mentalist in this superb TV series that includes a cast that has a connection with each other, and there are backstories on all them. More to come on this show. This image is the cover for the third season.

BTW, The Mentalist is a great TV show. Well-crafted scripts and good production values, and the five leading actors play well off each other. For me the show is an absolute delight to watch, especially Simon Baker as Patrick Jane, a consultant to the California Bureau of Investigation (CBI). As I’ve stated before, when I exercise I study film. Currently The Mentalist is my partner in crime. While it thrills me, grabs me, and has involved me, it allows me to work on my strength, my balance, and hopefully my capability to walk.

Back to the point … my current projects

  • Sand Creek and the Tragic End of a Lifeway
    Research and writing continues, and as mentioned above, this manuscript is now my prime project (no more detours!). When completed, this will be the most difficult book that I have ever written. Ladies and gents, I’m a biographer; I write about one or two people and their actions dictate the flow of the text. I write about people, and my friend and great editor-in-chief at OU Press Chuck Rankin bought into this. He has enough trust in me to deliver a manuscript, and I will, that shows the events through the eyes of the players in the story—leading and major supporting (and they will be determined by what I have, what I find, and by what writer-historian friends have kindly supplied me with that I wasn’t privy to).

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    My Sand Creek manuscript is again dominating my life (and has for days). Yes!!! (Alas, this is not the forthcoming announcement that I mentioned in the previous blog; the link is above). … In my people-dominated Sand Creek manuscript I’m currently dealing with William and Elizabeth Byers. Good stuff, especially for Elizabeth, as I want as much about the ladies as I can possibly get into the book. William was publisher and editor of the Rocky Mountain News, and he played a huge role in the Sand Creek story. I’m also moving forward with John Evans, the second governor of Colorado Territory. He was instrumental to the events that led up to the November 1864 attack on the Cheyenne and Arapaho village on Sand Creek. There is a big smile on my face … and it is growing by the minute as the word count grows. I chose to show this image of Byers as it will never make it into the Sand Creek story. Reason: This image is long out of the scope of the book, but more important I have three images I want to use of him. As my image contract count has expanded (without checking I believe it has grown to 37 including maps), I’m seriously considering two images of Mr. Byers. BTW if you don’t know Byers, he was one tough hombre in a harsh land. He was opinionated and had no problems sharing his views. This made him a marked man, and yet he never backed down from what he thought was right. His connection to Wynkoop dates back to early 1859 when he and a partner were preparing a book on the Colorado gold fields. Byers and Wynkoop began their long-term relationship as friends, but it didn’t end that way.

    Moving the story forward through people’s actions sounds easy, but it isn’t. I’ve got facts and figures, and there is still more that I’m researching, but they—reports, letters, statements—don’t add up to a readable book that will keep readers turning pages as opposed to falling asleep after ten or fifteen minutes. My goal is to bring these players to life and allow them through their actions to breathe life into this story. The scope is huge for there are numerous leading and supporting players (and don’t forget minor players), and they all lived through a turbulent time where violence could strike without warning. One day you could be fine and enjoying life and the next day your family could be dead. Fear, hatred, a need to seek revenge are normal and in no way make people in this situation evil.1 They react. We all react.

    War has never changed, for it is basically kill or be killed.

    However, sometimes actions go beyond kill or be killed, and I’m not talking about a bloodlust. What I’m talking about is stepping beyond the limit of what a person knows is wrong and yet still does it. It is action, that is what a person does as it shows who he or she really is and it negates what they say they are. For example, during George W. Bush’s Iraq war U.S. soldiers in a war zone discovered a girl, and if my memory is good she was 13 or 14 years old. They desired her. One day after she returned to her home these soldiers entered it. They murdered her family, they raped her and then they killed her. To hide their crime they set the house on fire. This wasn’t bloodlust in the middle of a firefight, … this was rape and murder and it was plotted. This was a heinous crime, and I have nothing good to say about those U.S. soldiers.

    What about the major and supporting players in the Sand Creek story? I don’t believe any of them viewed themselves as an evil person. Not one of them. If I do my job properly, the reader will be able to make their own decisions.

    1 There is a heck of a lot more to the Sand Creek story, and it includes culture, land, politics, and the struggle to open a new land while at the same time to retain a lifeway and freedom. This, and more, is also a part of the Sand Creek story.

  • Errol & Olivia
    In 1995 or 1996 I decided to write the first of what I envisioned as three books on Errol Flynn. Like my first book on Lt. Charles Gatewood, it took me awhile to realize that this first book needed a supporting player. For Gatewood it was Geronimo; for Flynn it is Olivia de Havilland. This manuscript has had starts and stops, and I can blame them on too much overtime in the software world, other freelance project deliveries, but most important is that I still haven’t completed what I consider mandatory research (this research is massive when compared to my Indian wars research, which is huge). I absolutely refuse to create false quotes and notes that are inaccurate at best and totally fictitious at worst. … A writer-historian has facts told to him (or her) by someone living—let’s say Olivia de Havilland (OdeH)—but if that person (for example, OdeH) can’t, or won’t, confirm when the event happened this creates a major problem. Did the event happen in 1940? In June 1940? Or did it happen in 1942? September 1942? If when the event happened can’t be confirmed and the writer—read LK—writes inaccurate facts, guess what? That’s right, this error, which might be considered major, now places a dark-dark cloud over the rest of the book’s accuracy. … I have some great stories from OdeH, but when I questioned her on when they happened, she stated: “You figure it out.” Not the correct answer. Unfortunately this answer, along with a book of fiction posing as fact in which I had no input to in any way (and you can guess what book that was), severed my inside track with this beautiful person. I feed her information when requested but it is no longer a two-way street. …eoImage_whiteAboveBottom line: I must confirm actions and tie them in with dates and locations. Until I can do this, and this deals with what I consider valid information that shows who Flynn and de Havilland were/are I can’t complete the manuscript. I absolutely refuse to create a nonfiction manuscript that includes fiction (a future blog will deal with books that do this, and the errors in those books weren’t mistakes and I can prove it). Not going to happen. For me it has been searching dark alleys in an attempt to confirm what I think is the truth. To date I have followed a lot of leads that have proved fruitless.


    When Sand Creek and the Tragic End of a Lifeway is totally back on track and humming toward completion, Errol & Olivia will again move forward as the search for truth and reality continues. … But if those dark alleys continue to lead to dead ends the 2nd Flynn book will become the 1st Flynn book. That doesn’t mean that Errol & Olivia won’t be finished, it will but it won’t happen until supposed facts are confirmed (or dropped). Simple, and that’s life. I live with it. OdeH needs to live with it.

  • The Discovery
    This is the first time that I have ever partnered on a freelance writing project. Let me put it this way, I could not have had a better experience.

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    LK with Bob Goodman, MD, at Flemings in Woodland Hills, Ca., on 26jun14. I’ve know Bob for almost 25 years, and over that time we have bonded on two levels that goes beyond medicine: Friendship and writing. That said his discovery and recommendations in 2002 set in motion many events that have affected my life to this day, … the most important being that I’m still walking the land. (photo © Pailin Subanna-Kraft & Louis Kraft and Bob Goodman 2014)

    Bob Goodman and his beautiful wife Doris have done so much to help me bring this story to completion. For the record, and I want to say it right here, when published this story will be one of the best books I’ve ever written. I still have a lot of work to do (and some of it deals with design), but I’m proud to have partnered with Bob. This book is major in my life, for it will be the first book published after I have used the LK blogs to discover my writing world voice. But, as stated elsewhere in this blog, it marks my return to fiction. For what it is worth, this is a story of people (read a character study) and their lives but I have written the text as if it is a thriller. A thriller? Surprisingly, perhaps shockingly, but certainly joyfully (from my perspective) for this story is a thriller. It will be published in early 2016 in paper and as an eBook.

    ps_doris&bobGoodman_26jun13

    At Flemings on 26jun14, Doris and Bob Goodman didn’t allow Pailin’s vocabulary or shyness to hinder this first meeting (for the record, Pailin works on her English every day and it shows). Doris was absolutely marvelous and within half an hour she and Pailin had bonded big time. And Bob was right there with Doris in opening up to Pailin’s charm. (photo © Pailin Subanna-Kraft & Louis Kraft, Doris & Bob Goodman (2014)

    A book isn’t a book until it is published. The Discovery, which I’ve often shied away from saying anything about the plot as I didn’t want to give it away, is a good story. My partner, Dr. Robert Goodman, had a great idea, and we have worked hard to bring the story to life. It is not the time to say anything, … but soon. All I can say at this point is that the story is different. If you read fiction before bed and early in 2016 you obtain The Discovery there is a chance that you will be cursing Bob and I for keeping you awake. Years ago I had approached film legend Olivia de Havilland to help her complete her memoir (a manuscript that I hope and pray that she finishes, but don’t think she will). Livvie had asked me if ever I partnered with anyone on my books, and I had told her that I didn’t. She smiled and told me that was how she felt about it. … I never asked her again, but hopefully she has someone in mind if, God forbid, she can’t finish her story of her life. Bob Goodman has played a major role in my life, and if it wasn’t for him and other physicians I would have already been dancing with the angels for a long time. Years passed and Bob and I talked more and more about writing. Beginning in 2010 I acted as a consultant, edited some of his work, and provided detailed information on how to improve it. During this time our friendship grew, and in November 2013 Bob asked me if I’d like to partner on The Discovery. I was already intimate with this project and provided him with a proposal. In The Discovery things happen to real people in real ways, and best of all—and just like my Indian wars writing—there are no bad guys even though bad things happen. I don’t want to say that I’ve been there and I’ve done that, for I haven’t. … Hell, I’m not a physician and I’ve never been on trial. That said, things happen and the events affect lives. … I know that my life has traveled a rocky and very winding path. I don’t wallow in sorrow. At the same time I’m thrilled to be alive (the forever upcoming walkabout in Thailand blog will actually deal with this in some detail).

Back to the point … my future projects

Ladies and gents, fiction will play a large part in the rest of my life. No more 20+ year gaps between published novels. Actually, after The Final Showdown was published in 1992, I thought I would be a novelist while keeping my nonfiction focus on articles and talks throughout the western states that dealt with race relations during the Indian wars (and Errol Flynn, in believe it or not five states to date). My agent and I sold a follow-up book idea to the publisher of The Final Showdown. It focused on Kit Carson and Indian relations. But just before I delivered the completed manuscript to the publisher, they dropped their western line. When I confronted the agent about suing she told me that the publisher would blackball me and I’d never sell another book. Although I listened to her and agreed with her, I think her main concern was that she’d also be blackballed. Soon after we parted company. Over the years that agent and I have seen each other twice or maybe three times, and we have gotten along, but there will never be another agreement between us. Never.

This gets me to the next grouping of lk book manuscripts after Sand Creek and the Tragic End of a Lifeway, Errol & Olivia, and The Discovery. Like the above subsection I think it is best to bullet the book ideas (and that’s all they are at this point in time).

  • Kit Carson nonfiction (one or perhaps two books)
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    Carson art in LK’s personal collection that pictures him in the mid-1840s.

    I have a lot of primary source information on Mr. Carson in-house, and I have located missing primary source information. I have all of the valid secondary books from the 20th and 21st centuries, as well as what I consider valid books dating to the 19th century. Yep, I have a lot on Carson, and he is someone that I’ve been tracking for decades. Why? And especially so since he has been pounded for the last 15-20 years. The reason is simple: Most of the people that pound him (including the cretins in Taos, N. Mex., today) don’t know what the bleep they are talking about. The reason why these people are wrong is simply because they listen to, and buy into, bullshit that has no basis in reality. You do not want to know my opinion of these people, but let me just say this—their fingers are stuck where the sun doesn’t shine.

  • Kit Carson fiction
    This novel, if I do complete it, will be based upon a genre novel that I wrote in the early 1990s, but was killed when a publisher broke its contract with me. There is one major difference: It will no longer be genre fiction.When this rewrite/expansion is completed the manuscript will grow to between 100,000 and 125,000 words.It will be both a character study of Carson and an historical thriller that also features a Navajo warrior and his granddaughter. It will deal with race and race relations and it will deal with the human element during Carson and the two Navajos lives during this short piece of time.

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    Marissa Kraft w/Navajo Fortress Rock in the background (Canyon del Muerto, which is part of Canyon de Chelly on the Navajo Reservation in Arizona—the only national monument not on U.S. property) on August 7, 2012. Fortress Rock is one of the major set pieces of Navajo Blood, for it is here that fictional Navajo warrior Pedro Hueros must make a decision that will impact his and his granddaughter’s lives. … If you don’t know how I write about the Indian wars—fiction or nonfiction—I must walk the land. I must feel the sun, the wind, … I must experience how hard it is to walk. I must rub shoulders with those who came before me. The next day a Navajo guide took Marissa and I to Fortress Rock in her four-wheel drive and we studied it from all sides. It was just the three of us. Our guide requested that we not share her name or her image (and I have photos of her) on social media. Marissa and I don’t go back on our word; this lady’s name and image won’t be shared on social media. (photo © Louis & Marissa Kraft 2012)

    Carson was not the racist that he is currently being portrayed as by people who base their views on sound bytes, repeated statements in the media, and secondary books by writers who are wanna-be historians that don’t do primary research but repeat what has been printed time and again by previous writers who don’t do primary research. DUH!!! Carson was illiterate, but he did learn how to sign his name. That doesn’t mean that he was stupid for he wasn’t. Carson could speak six or seven languages: English, Spanish, Arapaho, Cheyenne, Ute, and most likely Mescalero Apache and Navajo. Why? These people of all these languages were his friends and they played a major role in his life. … The fictional Navajo warrior Pedro Hueros and his granddaughter will interact with key Navajos who lived during this tragic time.

  • 2nd Errol Flynn book
    Unlike the first book, which has the added person of Olivia de Havilland, this manuscript will focus solely on Flynn. I can’t tell you anything about this book other than it will be the best book that I write.
  • lk Memoir
    I have certainly talked about this manuscript in blogs and in other social media. This is an important book for me, for I want to delve into my psyche as well tell a truthful story of my life. To do this I must obviously deal with facts and details as I don’t want to create a whitewash, which is something many memoirs do.I learned a great lesson a long time ago: If you want to tell the truth you had better be dead when the book is published for then those who don’t want the truth known can’t sue you. Those are hard words to say, but they hit the target dead center. I have boxes of notes and documents that will back up anything that I dare to say. Hopefully when I deliver this information to the Louis Kraft Collection, this important documentation will be added to my archive. … I need to make something clear here—I’ve enjoyed my life, and would not change anything. I had a long first marriage that ended in divorce and then long-time relationships with two women. These three relationships failed, but I loved these three ladies and they me (at least for a while). From my point of view the good in these relationships far outweighs any of the bad. I do not hate these people. Far from it. My ex-wife is a friend, and I harbor no ill feelings toward the other two ladies.

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    LK leans against the archway that separates the first courtyard from the second at the Martinez Hacienda in Taos, N. Mex. I’m at home in New Mexico and I could live here, but due to recent happenings the chances of me living in Taos have about as much chance as me living in Arizona (and that is close to zero). (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

    I also need to say that in Pailin I have found my soulmate and my life partner. I also need to let you know that my daughter Marissa is forever a major piece in my life. This manuscript will be truthful, and although it will deal with the bad it will be very positive.

  • A novel dealing with modern-day Anasazi in the Southwest
    This novel, which was plotted in the early 1980s, deals with modern times, people, and racism. The three leading players are a male, his daughter, and a lady. It is a thriller that will deal with mysticism, cannibalism, and love. Trust me, for it will be a be a page turner.
  • A Ned Wynkoop novel
    Originally my OU Press contract for Ned Wynkoop and the Tragic End of a Lifeway specified that I could not write about Wynkoop in the future. I refused to sign the contract with this clause and Editor-in-Chief Chuck Rankin removed it. Later Chuck explained to me that he was concerned about me writing a competitive nonfiction book about Wynkoop for another press. He also told me that what he originally wanted in the contract did not include Wynkoop in fiction. … After the Sand Creek nonfiction book I’m certain that I will walk away from Mr. Wynkoop. That said, and if I live long enough, I may attempt to deal with him in fiction but for this to happen I must double my life expectancy.
  • The pirate Francis Drake
    “El Draque,” the dragon, as the Spanish called Drake joined my life in the 5th grade and he never left. I don’t have as much primary source material on him as I’d like, but book-wise I have it all.
    lkDrakeGH_websiteHis shockingly passive attitude toward England’s deadly foe, Spain, allowed him to deal with captives in a humane way. In a time of extreme religious war Drake did not butcher. Instead he treated his captives as welcomed guests, which made him an extraordinary person during the 16th century, a time of hatred and mass killings. Back in the mid-1970s I had an acting manager, a very talented and good person whom I liked. Eventually we teamed on what would have been my first novel, but it was never completed. It dealt with Drake. I don’t know if I’ll return to this manuscript, which I have, but I will return to Drake. Certainly in fiction and hopefully in nonfiction. Yes, you are reading me correctly, for both Flynn nonfiction and Drake nonfiction could eventually impact my Indian wars nonfiction world in a major way.
  • An Errol Flynn play
    My favorite role that I ever played on stage was as Charley in Eat Your Heart Out.

    In this scene of Eat Your Heart Out, I leaped upon the chair and lunged to impress actress Robin LaValley, who played my soon-to-be girlfriend in the play. The chair always rocked and I always had to do a balancing act, … but it was fun. (photo © Louis Kraft 1976)

    I played Charley in a dinner theater in Lubbock, Texas, in 1976, and in Inglewood, California, in 1977. I luckily landed a great part in a great play. Eat Your Heart Out is about an actor trying to land acting work while waiting tables. There are four other actors in the play: Two women and two men who play various roles.

    Richard Steel-Reed, who directed Eat Your Heart Out in Lubbock and who would soon become my manager, brought in a photographer to shoot a rehearsal of the play.

    The first time I swung an imaginary blade on stage was in high school in a play called Teach Me How to Cry. Miss Victoria Francis, my acting teacher/coach, directed that play. Although I had studied under the famed U.S. Olympian, stunt man, and fencing coach Ralph Faulkner in junior high school I had trouble choreographing and performing the duel. She told me that if I didn’t get the action to look believable she’d cut the scene (it wasn’t cut). She is a special person that I know to this day.

    How Eat Your Heart Out was set up will work for the Flynn play, but I intend to increase the actors to six: Flynn and another actor with two women and two men who play various roles. I think that this will work on stage. Tom Eubanks, my good friend and great director, take heed, for this could be a great production for your theater company. Hey my friend, we need to partner one more time. Yeah, if I can sell you on another play idea this is the one.

  • A nonfiction book on Phraya Phichai
    Phraya Phichai was the Thai soldier with the broken sword. Actually this is not quite true, for he was a nobleman, a general, and close to his king. From what little I have learned of this man’s story, he was amazing (Bless you my brother Sophon and Pailin’s wonderful niece Lek for making this happen).

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    This attempt at art was based upon a statue of Phraya Phichai at Not and Font Subanna’s house in Uttaradit, Thailand, in November 2014.

    Alas, I need primary source material in the Thai language. Enter Pailin, for when I secure the primary source material, her command of the English language will be pristine and will allow me to learn the details of this exceptional man’s life. This will a book for both the USA and Thailand.

By now you know that Pailin is my lady, my best friend, and my wife. She has done Sand Creek research, Wynkoop research, and Kit Carson research.

Is she my research assistant?

According to Pailin, … “No!”

But just the other day she asked when our next research trip to the West would happen. Unfortunately I had to tell her, “Not in 2015.” On the bright side, it will happen again, as she and I love the experience of discovery and the experience of people. Our future is still to be written. Some of it will be intimate and most likely never to be shared. But there is a lot of our time together that can be shared. Yes, the times they are a changin’ and lk is loving every minute of it.

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Pailin in the front yard of Tujunga House, shortly after she moved in (17nov13). In 2013 I published a blog called Who says they don’t raise cowgirls in Thailand and other stories of Sand Creek, and I featured this image. As soon as I took this photo of her it became one of my all-time favorites, and it is on my desk. (photo © Pailin Subanna-Kraft & Louis Kraft 2013)

Another nonfiction book floats in the mists of time until reality happens

Actually there hopefully is another major nonfiction book in my future. It has never been discussed or named, but it has been hinted at. It is a book that I am capable of writing and it is a book that I really want to write. My potential partner needs time, somewhere between two and three years (maybe longer). This is vague, but it is all that I can say. I had cryptically mentioned it in the previous blog, and as I said then, “Don’t ask, for I ain’t talkin’.” If this story becomes reality, it will not only be a page-turner, it will change history. With or without me this is going to be a great book. My fingers are crossed that it happens and that I’m a part of the project. Time will tell. At the moment it is a go for me. Will it be the same in three years? The future has the answer, and I’m good with whatever that answer will be.

The LK future is now

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An early publicity image for The X-Files with David Duchovny and Gillian Anderson.

As The X-Files used to proclaim: “The truth is out there,” and I’m ready for it (BTW, beginning on January 24, 2016, there will be six new and special episodes of The X-Files on Fox). I wonder if David Duchovny (as Fox Mulder) and Gillian Anderson (as Dana Scully) will grab me and not let go as they had in years past.

As I hope you can tell by what you’ve read, books (and my lady) are my future. There is one additional ingredient here, my daughterMarissa. But regardless of how I view my future with Pailin or Marissa, or of my remaining time in the U.S., and I must remain in the states to complete a major portion of the Errol Flynn research (preferably in LA). Ditto Kit Carson, but a lot of my primary research on him is already in-house. I think I could complete Carson research living outside the U.S., but Flynn research is questionable at best for the cost to return to LA (and elsewhere in the USA) would be astronomical. Regardless, the clock is ticking. How fast—how fast!!?? … Still, the USA is my homeland and I love it here (I actually love LA, even though I pick on it more than I should). My first, and as the minutes speed by, most likely my only real possible destination in my homeland is Santa Fe, N. Mex. Actually I’m at home in the entire state. I always feel welcome, and there is so much of me that is already at home there. The search to move to the Land of Enchantment is ongoing, and if I never move there, it will remain ongoing until the day I die. ‘Course I’ve got to convince Pailin that this is the land for us (she was impressed in fall 2014). I think she also liked Colorado and Texas.

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This image is of Ellen & Glen William in October 2014. Good times for PSK and LK for Pailin got to meet two of my great friends and we had a good time in Texas. I’ve had bad, read “very bad,” times in Texas and good times. During the summer of 1976, which I spent in Lubbock, tornado warnings were a daily occurrence but I never saw a tornado. Most of the time I’ve spent in Texas (six plus months) the weather has been good if you ignore the wind and the humidity. Ellen, luckily, was able to spend good time with her sister and mother at this time. I met her mother during this trip and she is a special lady (I’m glad that I met her). Ellen, like Pailin, is a little pixie, and like Pailin, she is full of life. (photo © Louis Kraft, Ellen & Glen Williams 2014)

My great friend Glen Williams, who with his gorgeous wife Ellen, opened their new home to us in Denton, Texas, in October 2014. They have been my friends since sometime in the early 1990s when Glen and I linked up while at Infonet Services Corporation (now British Telecom Infonet). Glen and Ellen had had enough of the California bullshit (read taxes, taxes, and more taxes along with the escalating cost to pay for everything else). California is truly the land of the rich. Everyone else, grab your crotch for you are speeding straight toward poverty. The middle-class will soon be extinct in California. Believe me, in California you can earn over six figures and not save much, I did this, and I know it is true. At that time I worked two jobs: Writing for the software industry and freelance writing and easily put in 70 hours per week when I wasn’t getting killed with overtime by by the technology companies that hired me. For the record, Oracle paid time and a half for overtime (but I worked with a great crew of people, both engineers and management, and kept the overtime to a minimum). Some of the other companies (especially two that are long dead) were a joke. They paid great money, but you do not want to hear my opinion of them. … Someday after I spend a lot of time with a lawyer discussing details, maybe I’ll write an expose. It would be a page turner … writing about the past but still something I’m certain continues to this day. I won’t, for if I want to write an expose it will deal with my life, and in it the software companies I wrote for didn’t mean anything to my life, other than guaranteeing that I could do what I wanted on the freelance side without starving to death. They used me, and I used them. A manager I had at Sun Microsystems (a long-dead company but not lamented) asked me what I thought of my writing position. I told him, “If McDonald’s paid me more to cook hamburgers I’d work for them.”

He didn’t much care for my answer.

A short while later when Sun Microsystems resembled an airplane that had lost power and was spiraling toward a fiery impact with land this manager held a meeting to inform the writing staff (I think about 13 or 14) that a layoff was coming, a major layoff. Most didn’t believe him. I had inside information, for I spent a good amount of time with upper management and product and program managers and I had a clear picture of the future. This was supposedly illegal, but I had it. During the meeting the manager asked how the group would remember him. “As the executioner,” I proclaimed. People laughed, but several asked me if I were crazy. “No.” … On a fateful, and an oh-so publicized, day in January 2009, 69 percent of the staff in the Monrovia, Calif., office were laid off.

That afternoon a good portion of us gathered at a restaurant in Arcadia, Calif., to celebrate. To quote Martin Luther King, Jr. from his 28aug1963 speech, “I Have a Dream”: “Thank God Almighty, we are free at last!”

The nether world

Years back a clown I knew, that is a so-called novelist, questioned why I wrote for major companies. I told him, “the money.” Moreover I didn’t want to write clichéd genre novels each month, of which most were published under pseudonyms and often in numbered series that had a stable of writers hacking out the required 65,000 words. If you read one of these volumes you would run to the toilet to vomit. Or perhaps you’d enjoy the fluff that had you turning pages. I read a lot of this stuff. Hell, I studied this stuff. My decision: No way in hell am I going to write bullshit prose that is an embarrassment to me. BTW, and for the record there are some great western novels being written. My personal favorite is Johnny D. Boggs. If you want to read good western fiction, buy one of his books.

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LK at a Joni Blair catalogue shoot in 1974. The car is a 1931 Model A Ford (owned and restored by Hank Sorni). (photo © Louis Kraft & Joan McGirr 1974)

… I survived for years in the entertainment world doing just that; that is crap jobs that meant nothing. Talking only commercials here, I played a dancing sock (product???), and a tennis athlete with Micky Dolenz of Monkees’ TV fame (it may have been Kmart but I don’t remember, and I didn’t keep modeling resumes) commercials that played forever in LA in the late 1970s. There were many, but my favorite was a string of Jantzen sportswear commercials for Japan (I had the “American” look, whatever the hell that was). We shot at Union Station in downtown LA and had at least two days of shooting on the University of Southern California (USC) campus. During the shooting of a shower scene in the men’s locker room, my bathing suit apparently showed and the director called my female Japanese interpreter in from outside the locker room. After he spoke with her she asked me if I would strip. I had no problem. She stepped outside and the shooting continued. My back was to the camera, but by this time I had learned that I could have my face in profile. I don’t want to call myself a method actor, but hell, I’ve got to rinse soap off my back. I turned around. The director suddenly started jumping up and down as he screamed and pulled his hair. One of the male crew members ran to me and wrapped a towel around me. In the meantime one of the other male crew members ran to get my interpreter. After she listened to the director scream at her for a full five minutes, she calmly told me that I couldn’t face the camera.

lk_8jun80_plazaDelOro_EncinoCA_3_wsOver those years I had a lot of commercial agents, and some of them handled print work … which I absolutely hated, although at times it meant receiving nice clothes for free not to mention the salary. One thing I always made clear up front: “No ramp work!!!!” “Why not?” “Because I will hit the closest person to me when I learn I have to do this and demean myself.” “It isn’t demeaning, and you can earn good money.” “I don’t give a F—!” “That’s not a good attitude!” “Listen to me, for I will hit someone and they will land on the floor.” … I never had to hit anyone, but print work was pure hell.

The above image was taken on 8jun1980 at Plaza del Oro in Encino, Calif. (photo © Louis Kraft & Joan McGirr 1980)

Back to my writing world

There’s a wealth of Flynn research at my fingertips, as is much more Indian wars material than you’d ever guess. I write and I talk to myself as I wander about my 1928 lath and plaster house as I work on my day’s writing schedule. Write, research, write, read, write, research, edit, write some more (and if need be talk to my plants before I bang my head against a wall that won’t give, which isn’t quite true—see A gunslinger in a bathroom for a humorous story of when I locked myself in the bathroom). My writing world is mine. It is personal, and I never buy into a subject that I can’t marry for years or decades. I don’t write about good or bad, but rather I strive for a reality based upon what a person or people did. Their actions define who they are. If I do my job I provide you with their actions, and it allows you to make your decision about them. This is not easy, and takes a lot more time then you’d guess. For the last several weeks I’ve been pounding the keys on the Sand Creek manuscript. Good stuff, but only the beginning for this portion of the story for I’ll eventually need to figure out how to translate the facts to action. … I need to make a confession here; during these same three weeks I’ve been doing the same thing with Kit Carson. “What?” “Yes.” “Meaning?” “Meaning I constantly study the facts as I attempt to figure out what happened and what Carson did.” “Are you working on Carson?” “No, no work on the nonfiction Carson until I have a contract. The fictional Carson already exists, and although I haven’t done any rewriting other than on the beginning of the story, research is ongoing.” … It is research that I’m looking at. I should add that I have begun to polish The Discovery (as the reviews are in-house).

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LK & Pailin at Glen and Ellen Williams’ home in Denton, Texas, in fall 2014. Good times for the four of us and Glen’s wonderful sister, Linda Williams. I love this photo, which Glen shot at the entry to their home, for it captures PSK & LK’s life in one simple image. (photo © Louis Kraft, Pailin Subanna-Kraft, & Glen Williams 2014)

At the moment my world couldn’t be better. On 14may2015 Pailin told me how happy she was that I accepted her life. And I do, although I growl at times. She was bouncing, as she was so happy. She always is, and moreover so positive and thrilled with life. I told her that I was happy too, and as happy as she was for I was thrilled over how she has accepted my life.

Geronimo preempts the Sand Creek manuscript

Website & blogs © Louis Kraft 2013-2020

Contact Kraft at writerkraft@gmail.com or comment at the end of the blog


I thought that I had completed my work on my “Geronimo’s Gunfighter Attitude” article for the October 2015 issue of Wild West magazine until I would proof the design layout. No! The article now requires more work. As must be expected the World History Group, which now owns the former Weider History Group’s stable of history magazines, is making major changes to the look and feel of the magazines. … This affects the entire publishing staff in Leesburg, Virginia, as well as the freelance writers that contribute to the magazines. This blog not only preempts my work on Sand Creek and the Tragic End of a Lifeway, it has also preempted my ongoing work on upcoming blogs.

Just for fun, a quick change of pace …

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Sudeshna Ghosh, my friend and former manager at SeeBeyond Technology Corporation and Sun Microsystems liked this image of LK (at left). Russ Williams, a writer, screenwriter, novelist, and friend dating back to the early SeeBeyond days and beyond also liked this image, which was taken earlier this year. I actually don’t like what I look like, and this simply means that my appearance constantly changes. That said I do like this image, which has appeared on other social media. Both Sudeshna and Russ liked the long hair (and long hair is decades in my past). Still pirates and frontiersmen wore their hair long, as did the Cheyennes and Apaches. Perhaps it is time for LK to belly up to the people he writes about. Ned Wynkoop, Kit Carson, George Armstrong Custer, Black Kettle, Geronimo, Bull Bear, Roman Nose, if I want to walk with you perhaps it is time that my hair is as long as you wore your hair. (photo © Pailin Subanna-Kraft & Louis Kraft 2015)

I’m okay with birthdays except for mine, which I absolutely hate. Since mine is long past I feel safe mentioning it here. Most of you probably think that I’m a motor mouth. Not true. Actually there are many things that I keep very secretive. One happens to be my birthday. This is my least favorite day of the year. Mainly because it loudly proclaims: “Kraft, the clock is ticking and now you have XXX days left.” Not my favorite thought. … All this negativity finished, and since my BD is now far in my rearview mirror, I feel safe to post an image that was taken on that dreaded day at Tujunga House. I’m wearing the cool shades that Pailin had given me (the first non-prescription sunglasses that I’ve owned in 35 years). The new LK? Maybe. For how long? That is a great question for I don’t have a clue. Maybe tomorrow, maybe next week, or maybe next month. Flip a coin for any date beyond the end of May.

Life moves forward & as Ernest Hemingway proclaimed the sun also rises

All of my proposed blogs haven’t gone live. Why? There’s a reason, but I hate excuses for they are BS. Sorry, but ’tis the truth. Read to the end of this blog and you’ll have at least a hint of the upcoming blogs’ status.

Music plays a large part in my writing world (although I never used it while writing software documentation). … Alan Jackson, Michael Parks, Waylon Jennings, John Lennon, Rhiannon Giddens, Rihanna, Patsy Cline, Elvis Presley, Tex Ritter, John Anderson, world music (especially Andean, Chinese, and Native American), but perhaps my all-time favorites are film soundtracks (classic music too, but to a much lesser extent).

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An LK rendering of the final duel in Flynn’s Adventures of Don Juan (right). Something needs to be explained here, and it is very important. To succeed film duels must have three pieces in place: Choreography, performance by the actors and stunt men, and a great editor. If not, the film audience yawns and mumbles “ho-hum” before they fall asleep. I hate to say it but this most often happens, and especially in modern times. Trust me on this view. I learned how to fence while as a teenager I studied under Olympic competitor and film stuntman and choreographer Ralph Faulkner, fought saber competition in college, and as a professional actor learned stage combat and choreographed and fought duels. (art ©  Louis Kraft 2015)

This week Hugo Friedhofer’s musical adaptation for the film version of Ernest Hemingway’s The Sun Also Rises (20th Century Fox, 1957, which has a great cast including Tyrone Power, Ava Gardner, Mel Ferrer, who I luckily interviewed before his death, Errol Flynn, Eddie Albert, and Juliet Greco) shares time with Blue, the obscure Manos Hadjidoakis score for the Terence Stamp Paramount Pictures western film (1968); Ernest Gold’s magnificent score for the 1960 Paul Newman film Exodus; Klaus Doldinger’s score for Das Boot (Columbia Pictures, 1981, which I saw on the day that it opened in San Francisco while playing Miles Hendon during a 135-performance tour of The Prince and the Pauper. … I accepted the role as it included me choreographing and fighting the duel, and better yet getting to say much of the dialogue that had been stolen from Flynn’s 1937 Warner’s film of the same name); and Max Steiner’s magnificently composed and conducted score of Errol Flynn’s Adventures of Don Juan (Warner Bros., 1948).

Progress on the Sand Creek manuscript

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In 1990 I moved to Thousand Oaks, California, and was soon after under contract to write The Final Showdown (Walker and Company, 1992). I had always excelled at art in school (no collage classes) and had even contracted artwork and attempted (“attempted” is the key word here) during the 1970s and 1980s to experiment. Nineteen-ninety was a key year for me as I decided to play around with pen and ink. This image of Ned Wynkoop (based upon an 1867 woodcut) was the result. It saw publication in Custer and the Cheyenne (Upton and Sons, 1995). (art © Louis Kraft 1990)

Ouch!!! I thought that perhaps I’d talk about progress writing about Colorado territorial governor John Evans, Rocky Mountain News publisher and editor William Byers and his wife Elizabeth, Episcopal Father John Kehler (the correct spelling of his last name) and Ned Wynkoop.

Nope. Not today.

Oh heck, … I don’t want to be a killjoy. At this point in time, Evans is standalone in the manuscript, but I know that he’ll have connections with Wynkoop and I’m certain with Byers. In one way or another, Byers, Elizabeth, Kehler, and Wynkoop are already connected or will be connected with each other. The question here is, what scenes of them together; especially between Byers and Wynkoop will make it into the draft and not be edited out of it by the time of the final delivery? Arrival timing in Denver for Byers, Elizabeth (different dates), and Kehler have proved problematical but I’m now good to go with them. Progress is good … and maybe even great (from my point of view).

For what it is worth, Byers, Wynkoop, Black Kettle, Little Raven, Colonel John Chivington, Evans, mixed-blood George Bent, and his father trader William Bent will most likely be the leading players in the manuscript. Hopefully others will also play leading or major supporting roles (my research is key here). At the moment Elizabeth Byers is by far my leading lady (unfortunately I just don’t have enough about her, the Cheyenne woman Mo-nahs-e-tah, or even Wynkoop’s wife Louise).

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LK & OU Press Editor-in-Chief Chuck Rankin at the Western History Association (WWA) convention in Newport Beach, Ca., on 17oct2014. (photo by Pailin Subanna-Kraft; © Louis Kraft, Pailin Subanna-Kraft & Chuck Rankin 2014)

OU Press editor-in-chief Chuck Rankin and I both want to highlight the women as much as possible. To do this, I need to find the information (if it exists). A fellow writer-historian Linda Wommack has offered to help with Elizabeth. I told her that I wanted to get what I knew about Elizabeth in place first, so that I don’t waste any of her time. Am looking forward to our upcoming (alas, long distance) time together. I have located a great image of Elizabeth that I want to use in Sand Creek and the Tragic End of a Lifeway, but have seen it dated to both the mid-1860s and mid-1870s. Fingers are crossed that it dates to the 1860s, for if it is from the the 1870s it is out of the scope of the book and I won’t use it. Although I had purchased a low-resolution copy of the image I do not have the permission to post it. Too bad, for it is a great image.

What you see here is an invitation to speak up if you can share information about other key players in the Sand Creek story, including, but not limited to, trader and Cheyenne interpreter John Smith; Major Scott Anthony; Captain Silas Soule; Chivington’s subordinate officers in the Third Colorado (especially George Shoup); as well as other Cheyennes and Arapahos, such has Tall Bull, Bull Bear, Stone Forehead, Lean Bear, Little Raven, and Left Hand (BTW, a bio on Left Hand at times uses notes that are either inaccurate or don’t support the text, which makes the research questionable); Wynkoop’s subordinate Lieutenant Joseph Cramer; and Cheyenne mixed bloods Edmund Guerrier, Charley Bent, and Jack Smith. Over the years I’ve mined Anthony and Soule heavily at History Colorado and at the Western History Department at the Denver Public Library, but I’m certain that there is more on them that I haven’t seen.

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This image of Black Kettle was also an early LK attempt at illustrative art. It also was published in Custer and the Cheyenne. I placed it here just to grab your attention, as I want to bring the chief into the Sand Creek book as soon as possible and I don’t have much on his early life.

The goal is to bring the people in the manuscript to life. It is easier to do with participants that were verbal and left a lot of documentation in letters and other writing or had their actions constantly reported in the press. Guerrier was literate but didn’t leave much behind while George Bent left a goldmine of letters (all of which I have in house, either in his hand or in typescript form).

I know that I have said the following before, but it is worth repeating. I don’t write about good guys and bad guys. My opinion will not be in the book, but if I do my job properly the actions of the people I write about will allow you to form your own view of them. The following is also worth repeating: It is what a person does and not what he or she says about themselves that defines who they are or were.

Kit Carson is in LK’s future

I don’t think that Kit Carson is a supporting player in the Sand Creek story (he is minor at best), but he will be a major player in my writing future (anything you can share about Kit is of great interest to me, and at all times). As far as Kit goes, be warned for I believe that I have all of the books published about him in the 20th and 21st centuries. I also have the bio (in hardbound) based upon what he told DeWitt C. Peters in 1859, as well as a few other 19th century volumes that were accounts of a piece of time spent with Kit and not bios or dime novels. I’m especially interested in his relationship with Indians (yes, the plan is to follow how I wrote about Custer, Gatewood, and Wynkoop).

The World History Group flexes its muscles and takes a bite out of my ass

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LK art of Geronimo based upon the cover art that I created for Gatewood & Geronimo (University of New Mexico Press, 2000). This is just LK playing around with color and line. It isn’t very good and it will never be published. I view art as a learning process, and that is experimenting and trying to create an image that is decent. This is an ongoing process.

No, no, … no … NO!!! I received the World History Group contract for “Geronimo’s Gunfighter Attitude” (October 2015 issue of Wild West, and soon to go into production) on 27apr2015.

Editor Greg Lalire and I had already gone through our copyediting (which usually gets tweaked while in production) and we were good to go with the 3800-word feature. Just like in the IT software world, the times they change and to survive a writer must dodge and duck and go with the punches while standing upright. It’s called survival. Greg and I began our working relationship 20+ years ago. Over this time we have become good friends, and we help each other out when needed. Greg is doing what he can to survive the change happening with the 11 or 12 great history magazines that the World History Group now owns (I’ve been there and have done that way-too-many times in the software industry). Greg is a great editor, and he’s also a damned good writer. He will survive.

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I created this map for the “Geronimo’s Gunfighter Attitude” October 2015 Wild West article. If it is used, the contractor for Wild West, Joan Pennington, will create the final artwork (and she does good work). Back in 1999 I submitted one of the final pieces of art that was published in Gatewood & Geronimo to Wild West, it was recreated and published in the magazine with no credit (or payment to LK). I complained this time around, and if the map is published I will receive a “based upon” credit. Good, for this is the first time I have ever seen the Valenzuela ambush location and the Gatewood/Geronimo confrontation with Smith & Wood added to a map, and both are major pieces to the Geronimo story. (map © Louis Kraft 2015)

I study my contracts, and anything that is questionable, is not in line with what I want, or what has suddenly become a concern I confront immediately. The contract stated 3800 words. The “3800” was marked out in ink and replaced with “3200.” What? Did I lose 600 words and didn’t see the edit? I called Greg. My timing was perfect. He was typing an email to me that explained what had happened—and it got worse. The “3200” words is now “3000” words, and this word count would now be the maximum for a feature.

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Gregory J. Lalire’s dust jacket image for his novel: Captured: From the Frontier Diary of Infant Danny Duly (Five Star, 2014)

World History Group wants to mimic the Cowboys & Indians magazine, that is they want to obtain better advertisers. I consider the feature content in Cowboys & Indians as little more than fluff (which I can’t stand; oops, I shouldn’t have said that—disregard what you just read). Cowboys & Indians is big on color and images, and even bigger on good advertising. … That, ladies & gents is the future of Wild WestAmerican History and MHQ (three key magazines in my life) while keeping the same historical content these magazines have always had in the past.

My opinion doesn’t count here, for the publisher has every right to do what they think they need to do to stay in business. I agree with this, and as it was with the IT software companies, they need to survive to employ me.

While work is in progress Greg and I always keep good phone or email contact with each other. “Believe me,” he wrote me yesterday, “I know all about the pain of cutting, but as I found out in August, a story can still be strong at a shorter length.” (He is talking about the August 2015 issue of Wild West.)

I have 800 words to cut from a 3800-word article (that is a little over 20 percent of the word count). I will do what is required, and we’ll find out if the article still retains its impact. Hope so.

A few words on long overdue blogs …

For those of you who are wondering about upcoming blogs here’s an update. A blog dealing with what could be a major change in my writing world is ready to post (I just need reality and the future to merge in the present). …. Don’t ask, for I ain’t talkin’. The Thai walkabout blog continues to be written (and it will be an eye-opener, for you and for me, if I ever post it), and I have finally begun to draft the unscrupulous writer-historians blog (and it will not be vague, but to be honest this being posted is iffy at best—and you know the reason why). Trust me, for if I ever post the unscrupulous blog—and again, “if ever” are the key words—I will forever sit with my back to a wall with two Colts crossed over my chest like Wild Bill Hickok. People will be gunning for me and ifGod forbidmy life ends in violence it will be because someone is angry over what I have posted. This is not how I view my end so I hope and pray that my dark vision of my future never comes to pass.

A few people that know me believe one, and only one thing, about methat I’m good at dramatics. I don’t agree, but my fear of the future is out there, for knowing my past I am aware that unsavory events can and do happen.

Sand Creek Massacre, Kit Carson, Pailin, & good friends

Website & blogs © Louis Kraft 2013-2020

Contact Kraft at writerkraft@gmail.com or comment at the end of the blog


Warning: This blog is long.

This blog has preempted the “Future Blogs List” as it is based upon a 19-day research-discovery trip that Pailin and I took recently to Colorado, New Mexico, and Texas. As Pailin now has her Green Card she is free to travel the United States, and as she is an explorer, this was a trip that hopefully she enjoyed. She got to see a lot of land she had never seen before, got a taste of what I do, and better yet became my assistant. I told her at the beginning of the trip that within five years I wanted her telling everyone about the lead-up to, the November 1864 attack on a peaceful Cheyenne-Arapaho village, and the aftermath of this tragic event. The trip also included Kit Carson research in Santa Fe, Taos, and the Bosque Redondo Memorial (Fort Sumner) in New Mexico. There was also a tad of Ned Wynkoop research; hell, we were in two of his three key areas in the West during the trip. Finally Pailin got a surprise Errol Flynn physical examination of the El Rancho Hotel, a national historic site in Gallup, New Mexico, where Flynn and the Rocky Mountain (1950) film crew stayed while they shot the film’s exteriors in the area. … But this trip was also about seeing good friends, introducing Pailin to the western landscape, looking at property in Eldorado (Santa Fe, N. Mex.), and making a delivery to the LK Collection at the Fray Angélico Chávez History Library (Santa Fe).

Colorado here we come

The trip began on 28sept2014 and it was a long drive that took us from North Hollywood (a town in Los Angeles), California, to Richfield, Utah.

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Pailin took this image as we drove east from North Hollywood, California, and as the sun began to rise. (photo © Pailin Subanna-Kraft 2014)

During the first day we did detour to The Valley of Fire, which is north of Las Vegas, Nevada, and off I-15. I had been to The Valley of Fire in 2001 after I had sold the idea of a Ned Wynkoop one-man show to Kansas.

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The image with the white hat was taken at The Valley of Fire in Nevada.

I had pitched the Wynkoop one-man show idea to Leo Oliva, who was already bringing me to Kansas to speak (and I’m certain that George Elmore, now chief historian at the Fort Larned NHS, played a key role in this important stage of my life). Leo had asked for a publicity shot.

Of course when a friend saw the publicity shot in a publication, he complained: “What the hell is this? Wynkoop didn’t dress like that!” I don’t think I calmed his anger with my reply.

valley_ofFireCollage_28sept2014_wsOnce we got out of Nevada the landscape improved. Utah is gorgeous. We turned right onto I-70 and halted for the night after about 37 miles.

The second day started out nicely in Utah, and again the landscape was beautiful to behold. But soon the easy climate began to change. It started out with showers mixed with sunshine as we cruised through the eastern side of Utah and closed on Colorado.

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After entering Colorado I got my usual welcome: Weather headed straight for the deep freeze. It is almost as if I have become a marked man in the state. If Kraft crosses our border, chill his bones until he leaves. Pailin took this photo from the window of the Vette as we cruised eastward on I-70 (she took many photos through the windshield and the right window during the trip). This image captured the beginning of the end of color for the rest of the day, and we hadn’t reached the noon hour yet. (photo © Pailin Subanna-Kraft 2014)

At Grand Junction, Colorado, it turned cold and a downpour that lasted close to three hours struck. It was downhill from there, and looked like a repeat of the last two or three times I have visited Colorado. After we closed on the Rocky Mountains the temperature began to drop at an alarming rate. Rain clobbered us and stopped only to hit again minutes later. The temperature reached 37, 36, 35, 34, and then 33 degrees.

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Pailin’s photos remind me of James Abbott McNeill Whistler’s nocturnes. He, along with Vincent van Gogh, are my favorite artists.

Snow began to fall. Thirty-two degrees. Ouch! This was not what I wanted to see. The traffic continued at a frantic pace. Soon the three lanes shrunk into one for construction, but there were no construction workers. And soon after the traffic came to a halt. We passed a sign that proclaimed, “When lights flashing chains are required” (or something like that), with a $500.00 fine if not obeyed. I’ve never seen a chain up close in my life. And soon after the traffic came to a halt. It did not appear to be for construction; an accident? Time crept forward, perhaps 30 minutes as we inched forward. We passed another construction zone but no one was working. The snow stopped falling and the temperature zoomed up to 37 degrees, but we came to a halt again a short distance in front of the Eisenhower Tunnel (there is more to the name). I called John Monnett and left a message that we were going to be late as we were expected at his and Linda’s house (I had anticipated arriving by late afternoon). Soon after we got through the tunnel the traffic jam vanished and I-70 returned to being a speedway (I have never seen so much tailgating as I have seen in Colorado on this trip). I guess everyone wanted to get off the mountain before they shut down the road. (John informed me that they don’t shut down I-70 in the fall; rather that Colorado drivers are the worst).

A short while later a ray of sunshine stole into the mountain pass, but it only lasted for a few minutes. There was no rain and the temperature reached 39 degrees and then 40. I breathed and said a silent prayer. We’ve made it. Somewhere the road grew to three lanes, and I even felt comfortable showing what my car could do (I say this fully knowing that its body is very light and it can become airborne). At the same time my goal was getting Pailin to John and Linda’s house safely.

COLO_29sept2014_apr2013_ps-k&lkCollageAll was looking good, when the snow returned with a vengeance. Visibility dropped to about 30 feet or less, and—thank goodness—the traffic slowed. Hell, they were forced to slow. Soon the three lanes closed into one for construction, but again there were no construction workers (I’m glad that they didn’t have to work in this weather). And of course the traffic came to another complete halt. We sat there and watched the temperature drop—37, 36, 35, 34, … Oh no! We started to inch forward. The downward spiral continued. Thirty-three, … 32! I hate to admit it, but I don’t know how to drive on ice. I’ve had conversations about this, most recently with my good friend Layton Hooper (2013) who just this year moved from Colorado to Arizona (and I think I know why). But knowing something (at least thinking you know something) and doing it are two different things. If it were just me, I’m good and know that I’ll survive (experience has backed this up many times in the past), but I’ve got Pailin with me. Caution and driving safely were the only things on my mind.

After reaching 32 degrees the temperature stayed at 32. We approached a tunnel and it was closed. A detour road swung to the right of, and around, the tunnel and when we reached the other side of the tunnel the road again opened into two lanes.

Soon after the snow stopped falling. We had downpours of rain, and I kept in the slow lane, but the temperature again grew. Within minutes it reached 40 degrees and never looked back. I-70 got out of the pass, and even though the downpour continued we made good time until we closed on Denver and then Lafayette.

ps&LadyJaneGray_lk&Wellington_collage_wsVisibility remained bad, but after a couple of missed turns we arrived at John & Linda’s house. Just as I was about to push the door bell my cell phone rang. It was John trying to find out where we were and if we were okay. Linda opened the door and Pailin and I met a lady I had been looking forward to meeting for a long time, and John and his lady met Pailin. It was early evening on September 29. I liked Linda immediately.

The night passed easily as Linda prepared a terrific meal and we hung out for a few hours. Pailin is shy, and there is a reason for it, but she was thrilled over meeting John and Linda.

Some background on John and this trip

John Monnett is one of the top Cheyenne wars historians writing today. We had met years back. Somewhere, and it was most likely at a western history event. We knew each other and liked each other. We had both spoken at an Order of the Indian Wars symposium in Centennial, Colorado, in 2010, and at a party afterwards we hung out and got to know each other. From then on our friendship grew. Previously John had provided me with a great peer review of the Wynkoop manuscript (Ned Wynkoop and the Lonely Road from Sand Creek, OU Press, 2011) and later a top-notch peer review of the proposal for what will be my next Indian wars book (working title: Sand Creek and the Tragic End of a Lifeway, OU Press). When I told John that after Pailin had her Green Card that we would be making a trip to Colorado, New Mexico, and Texas, he invited us to stay with him and Linda.

Research and hanging out with John and Linda

As most of you know my next book will deal with the people who lived through the events that led up to the attack on the Cheyenne-Arapaho village on Sand Creek in Colorado Territory in November 1864, the attack, and the aftermath. You also know that I write about people. I am now faced with a much larger task of making more people leading players and at the same time connecting them to the supporting players while maintaining a flow in the manuscript. This task is massive. Who, where, when, … while showing and not telling (a key to any writing). The goal is to transition smoothly between the players and the events. Doable? I have every intention of making this happen. If I fail my publisher—read my editor and friend Chuck Rankin—will do what he can to get me back on course. If I again fail, “Adios amigo!” I have no intention of failing. Actually this is the best challenge I have ever faced, and I love it.

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While I dawdled Pailin discovered the Wynkoop books in the museum. John suggested that I sign the museum’s books and the Boulder History Museum agreed. This was just the beginning of what John shared with Pailin and LK on this day.

On September 30 John took Pailin and I to a coffee shop he enjoys going to for breakfast and to work. Afterwards he drove us to the “Chief Niwot Legend & Legacy” exhibit at the Boulder History Museum. Niwot (or Left Hand, which is his name that is most known) was a chief of the Arapahos during the mid-1860s). All I’ll tell you about Niwot is that he will be featured as much as possible in Sand Creek and the Tragic End of a Lifeway and that he received wounds during the November 29, 1864, attack on the Sand Creek village and they led to his death. This man stood for peace and had done what he could to hopefully bring about an end to the 1864 Indian war in Colorado Territory (he thought he had succeeded).*

lk&ps&jMonnet_SandCreek_NiwotExhibitCollage_wsThis visit to the Boulder History Museum was Pailin’s introduction to research. Over the coming days I wore her out with what I requested she do, and she would come through admirably.

* Be careful with what you read online regarding Niwot, for some of the supposed factual information you’ll see is flat-out not true. Actually it is wise to heed this advice when researching many of the historical figures involved in the American Indian wars online.

Next up was researching a soldier who had been a member of the Third Colorado Volunteer Cavalry at the time of the Sand Creek attack and seeing the remnants of a stage station that members of Company D of the Third used to travel to Denver to join their regiment as they had not yet been assigned horses. … Pardon my vagueness here, but as books always have word counts if contracted and professionally produced, and as I don’t know what research will be included in the manuscript until I piece it together, at this time I have nothing to share.

ps&jMonnett_FtChambers_BoulderMontage_wsJohn’s next destination was the stage station in Boulder that is currently falling apart. There is hope that money can be raised to save the building for in 1864 troopers that enlisted in the Third Colorado Volunteer Cavalry Regiment in Boulder rode from this stage station to Denver as they had not yet been mounted. Unfortunately the day passed quickly, but John made it both beneficial to my Sand Creek manuscript research and fun for Pailin and I.

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On Wednesday, October 1, Pailin lived through her first day of doing archival research at the Western History Department of the Denver Public Library. Almost everything I looked at was pulled from the DPL’s vault and she served as my official photographer with her iPad as it couldn’t be photocopied. Research is two things: Finding gold and ruling out that the research location doesn’t have what is hoped to be found isn’t present. When working in an archive time is precious and I don’t believe in breaks (that includes when I research locally in Los Angeles, which contains some of the best archives I have ever seen—a major reason why I should never leave LA).

The day was long, but Pailin seemed to enjoy it. I told her that this was just the beginning, and she said, “I’m good as long as I’m with you.”

Rocky Mountain National Park

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Pailin with John & Linda Monnett at Bear Lake in the Rocky Mountain National Park on 2oct2014. It was chilly but we had a good time. (photo © Pailin Subanna-Kraft & Louis Kraft, John & Linda Monnett 2014)

By Thursday, October 2, the archival and museum research work in Colorado had ended. John and Linda Monnett drove Pailin and I to the Rocky Mountain National Park, which was a short drive from their home. Beautiful vistas and landscapes, but surprisingly the area was more crowded than John expected. Luckily we landed parking spots when we needed them.

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Although John had captured me and the snowball I like Pailin’s image better. I played centerfield, 3rd base, and 1st base with my brother on winning baseball teams. We played together for 10 years. When he died in 1990 I quit and never played again. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

John had hoped to get us above the snow line but the roads were closed. There were remnants of a recent snow on the ground at Bear Lake, and as Linda, Pailin and I snapped photos John rolled a snowball for me. I wound up a la Sandy Koufax (the greatest baseball pitcher I have ever had the pleasure to watch perform in person and on TV) and went through the motion of flinging a fastball while John and Pailin snapped away. Afterwards I tossed the snowball at a tree, but alas it wasn’t a strike. My apologies to those of you who don’t know or understand the American sport of baseball and its terms.

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Linda and John Monnett in the coffee shop of the Stanley Hotel in Estes Park, Colorado, on 2oct2014. This entire day was a joy as Pailin and I got to hang out with John and Linda. They had taken us to the Rocky Mountain National Park, which obviously both of them love. Afterwards they shared the historical Stanley Hotel with us. Linda knows I’m about to take her picture while John seems to be occupied with perhaps seeing a ghost. (photo © Louis Kraft and John & Linda Monnett 2014)

The trip also included viewing the historic Stanley Hotel in Estes Park that represented the hotel that Jack Nicholson and his cinematic family (Shelly Duvall and Danny Lloyd) encountered horror after recovering alcoholic Nicholson became the caretaker of the Overlook Hotel in Stanley Kubrick’s 1980 film version of Stephen King’s novel, The Shining. I saw it when it first opened in theaters but was bored by the film and have never seen it since. … Don’t know if I’d like to stay in the Stanley Hotel on a solo trip but the hotel would make a great location for a western history convention.

Sand Creek Massacre National Historic Site

Ladies and gents, this tragic and yet now holy land is a long-long drive into the middle of nowhere Colorado. John did all the driving on our way to the bloody ground and Linda and John split the driving back to their home. An exhaustive day for them, and John later commented on social media that he was happy when Kraft left for his life would now return to normal. John and Linda did everything possible to make our visit beneficial to my Sand Creek project while making us feel at home and welcome. They were marvelous hosts and Pailin and I enjoyed every minute of our visit. J & L, thank you.

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John knew I wanted to meet Jeff Campbell, whom he had already met, and both of our fingers were crossed on 3oct2014 (at least mine were). We—I—got lucky and Jeff worked on this day (and I do believe we—I—were/was lucky for he had a very busy schedule in front of him moving forward in October and into November with all the Sand Creek Massacre 150th anniversary events at hand (and with Cheyennes and Arapahos visiting the NHS). Pailin took this image of us on the wooden platform in front of the makeshift visitor center and as you can see there was a harsh sun that day. I don’t remember what I was saying to Jeff, but trust me for we weren’t arguing. Nor were there any comments regarding the Ned Wynkoop review I had submitted upon request to the National Park Service. (photo © Pailin Subanna-Kraft, Louis Kraft, Jeff Campbell, & John Monnett)

The Sand Creek Massacre NHS needs a lot of money to bring it up to Washita Battlefield NHS in scope, presentation, and splendor. They have the correct people in place at the NHS, they have the knowledge and understanding of what happened, but they still need U.S. government funding to make this sacred ground a jewel in the U.S. park system. This must happen, for believe it or not this is perhaps the most important of all the Plains Indian war sites for what happened there paved the way for the conscious destruction of people and their lifeway. It created a searing wound in the Cheyennes and the Arapahos that will never heal, while at the same time made it clear that greed, prejudice, right, wrong, and conscience really have a major impact on history and that it defines the participants.

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I don’t remember what John was saying at this moment, but my guess is that he was pitching my Sand Creek manuscript. Pailin took this image on 3oct2014 just outside the Sand Creek Massacre NHS visitor center. (photo © John Monnett, Pailin Subanna-Kraft & Louis Kraft 2014)

As said above everything is falling into place at the Sand Creek Massacre NHS (more below) as to what happened, and, as Ranger Jeff Campbell (more on Jeff below) explained on this day, those leading the way to define the presentation at this oh-so-important site are getting close with confirming their facts and gaining consensus from all the parties involved. This location—and I don’t care if it is in the middle of Neverland, USA—this sacred ground deserves a visitor center/museum that matches the one at the Washita. That said, the land is magnificent, and along the bluffs that skirt the western perimeter of the property present a marvelous view of massiveness of the ground on which the November 29, 1864, attack on a peaceful Cheyenne-Arapaho village took place. There are no well-placed signs along the trail telling the visitor what he or she is looking at to date, so one must have a good knowledge of what happened to make any sense of what is seen.

Some of what follows is repetitive, but as it is important I need to repeat it here. Jeff Campbell, who has held a wide range of jobs over his career, ranging from school teacher to a crime scene investigator, has now as a National Park Service ranger taken on the challenge of piecing together the events of that tragic day as if it were a crime scene. On Friday, October 3, John, Linda, Pailin, and I spent valuable time with him as he explained his approach to his task as well as update us on the status of the NHS. Although he wouldn’t reveal details he made it clear that his and others work was about 95 percent complete as to determining where the attack happened as well gaining a consensus from the various participants who have a major stake in the telling of this horrific attack. I’m talking about the people who had attempted to end a war in September 1864, thought that peace had returned to their lives, but then on that November 29 day were attacked and brutally murdered—the Cheyennes and the Arapahos.

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My lady on the bluffs above the Sand Creek village site on 3oct2014. (photo © Louis Kraft & Pailin Subanna-Kraft 2014)

To gain an understanding of all the parties involved in the massive project of purchasing the land, creating the NHS, and then piecing together all the historical events has been a joint project with many factions involved, read Ari Kelman’s book A Misplaced Massacre: Struggling over the Memory of Sand Creek (Harvard University Press, 2013).

Although Kelman’s prose is a page-turner, especially when dealing with the events in the last 30 or 40 years as he brings the modern-day Sand Creek story together—and it was a fight for the Cheyennes, Arapahos, U.S. government, land owners, historians, would-be historians, and National Park Service to create this historic site, but be wary of his information related to the battle and the events surrounding it. Although Kelman uses, at least his notes claim he used, primary source material, there are many errors. Why? I don’t know why. Perhaps there was a poor understanding of the primary source material, not checking facts, or a rush to go to print? There is a warning here: While in modern times and dealing with the fight, and it was a fight, to create this much-needed NHS that protects this oh-so-sacred ground, Kelman’s book is a wonder. However, if writing about the participants and events of that horrific time during the 1860s be careful or you will repeat his errors.

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The four of us are at the second and final bench on the walk skirting the village site. John is checking the brochure, which has a small map and I’m asking Pailin what she is doing. “Taking a photo.” We had great temperature for exploring but the sun made for deep shadows. (photo © Pailin Subanna-Kraft & Louis Kraft, Linda & John Monnett 2014)

As Jeff Campbell had stated at the Sand Creek Massacre NHS visitor center the attack had been a running fight. When you walk the bluffs above the grounds you easily see the immensity of the village site and the open expanse on which the fight took place. I could envision myself as Capt. Silas Soule or Lt. Joseph Cramer as they instructed their men not to fire their weapons; I could envision myself as mixed-blood Cheyenne George Bent as he scrambled to escape the surrounding soldiers only to be wounded but still able to escape under the cover of darkness.

I can also easily see myself as mixed-blood Cheyenne Edmund Guerrier as he escaped unharmed; I can imagine myself as Cheyenne Chief Black Kettle who under the cover of darkness returned to where he thought he’d find his dead wife Medicine Woman Later only to find her alive and with her escape; and finally I could picture myself as Arapaho Chief Niwot (Left Hand) as he received the wounds that would lead to his death. … I can’t visualize myself as a soldier that killed women, children, and men and then sexually hacked their bodies to pieces. By now you know I can step into Ned Wynkoop’s boots and explode when news of the slaughter reached him.

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LK standing next to the plaque at the entry to the Sand Creek Massacre NHS grounds (which is separate from the visitor center). John M. took this photo on 3oct2014 when we returned to his auto. The Indian pictured on the plaque is unidentified. (photo © John Monnett & Louis Kraft 2014)

As Johnny Boggs’ quoted me in his terrific article, “Trail of Tragedy” (True West, November 2014, page 53), “War doesn’t give soldiers the right to murder, rape, and butcher. Not yesterday, not today, and not ever.” You know where I stand, but as a writer and historian I must separate myself from the story and let the participants’ actions speak for them. I must eliminate my bias from the writing and reporting, for whatever I think and feel is not the same as the people thought and felt in 1864. If I do my job properly, the readers will make their own decisions on what happened.

At the Sand Creek NHS Administrative office in Eads, Colorado, I met Shawn Gillette, chief of interpretation. Shawn liked the Wynkoop book, but more important he told me that he and the others who worked on the Ned Wynkoop NPS brochure had seen my review of their draft. He also told me that the NPS Regional Office had shredded their original draft and insisted upon certain items being in the two-page brochure and that he and the others did what they could to include as much as they could of what I had provided but were limited by space.

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I didn’t know what to expect when we walked into the Sand Creek Massacre NHS administration building in Eads, Colorado, that afternoon of 3oct2014, but I would not have guessed what happened. After Shawn realized who I was he greeted me like a long-lost friend. I’m still smiling over our meeting for I had felt when there was absolutely no response to the review of the Wynkoop brochure I submitted (upon request) that I had become public enemy no. 1 of the National Park Service. (photo © Pailin Subanna-Kraft, Louis Kraft, & Shawn Gillette)

Shawn’s comments were perhaps the best thing I heard regarding the Wynkoop brochure, and perhaps on the entire trip. Honestly, I thought that my review and the follow-up blog  (National Park Service, Ned Wynkoop, & a bad taste) killed my entire relationship with the National Park Service. Perhaps I could afford saying adios to the NPS but I didn’t want to lose my great friend, the chief ranger at the Fort Larned NHS, George Elmore. George and I became friends when he gave my then young daughter Marissa and I a private tour of Fort Larned in 1990 or 1991. At this time he had answered many questions that saw print in The Final Showdown (1992). Since that time George has been there for me 100 percent of the time every time I have called upon him. If we lived near each other I am certain that we would hang out together. … Shawn eliminated any fears that I had that I had damaged my relationship with George. Thanks Shawn!

An end to the Colorado visit 

John, Linda, Pailin, and LK had an easy Saturday. We had a late breakfast at the Monnett’s favorite coffee house (John calls it his second office; at least that is what I think he calls it). Certainly he spends a lot of time there. Afterwards we hung out at and rested at John and Linda’s great house. John and I talked a little about research and we decided not to apply for the fellowship at the Braun Research Library (Southwest Museum/now part of the Autry National Center in Los Angeles). I’m not sure of John’s reason but I know mine, and mine is firm (read into this what you will).

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Dinner at The Fort. I wanted to use a photo that I took of John, Linda, and Pailin but there was a problem with the image. Linda took this photo with Pailin’s cell phone. (photo © Pailin Subanna-Kraft & Louis Kraft)

That night we went to dinner at The Fort in Morrison, Colorado. I always enjoy going there, and I think that John and Linda do also. This was a first for Pailin. My lady and I had duck (a first for me), while Linda enjoyed quail and John, I think, had a steak. Pailin and I often share, as she is small and I don’t want to grow larger (always more than enough food for both of us). I like buffalo and would have loved to have had shared buffalo with her but she many years ago swore off eating any large animals (buffalo, venison, elk, beef, and so on). I’m good with honoring her wishes when we share, and on this night we did. Loved the chile and orange duck! We don’t eat beef at home, but Pailin also likes duck (and has since her Thailand days) and it will be added to our menu at Tujunga House.

For those of you that aren’t familiar with The Fort, it was built to represent one the trading posts that William Bent and company built in the early half of the 19th century to the east of the Rocky Mountains in the land that would become Colorado Territory.

I-25 south to that special land where I am at home

I-25 enters and then leaves Denver, Colorado, as you head south to the Land of Enchantment—New Mexico. Santa Fe grabbed me the first time I had visited in 1987 for research (and this included a side trip to Taos).

Two years later I returned to New Mexico to negotiate writing, designing, and publishing a book a month geared toward pitching New Mexico to Japan.

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This is the east-facing portion of builder Joe Cuellar’s house as it sat near the top of the mesa to the west of Albuquerque. The great room is highlighted in the lighting. It had seven windows and fully a 180-degree view of the bowl in which Albuquerque resides. At night the views were spectacular. Most of the acreage in the front of the image shows the extra acre I negotiated into the contract. I don’t live in the past, but I do learn from it and it does influence me. (photo © Louis Kraft 1989)

I had been lured to Albuquerque where I had seen several adobe-style homes on an acre that were featured in the Albuquerque Journal (I then subscribed to the Sunday edition). Before I returned to New Mexico to look at the homes, the builder and I hit it off and although I had an interview set up with a jewelry firm for a writing position builder Joe Cuellar introduced me to the vice president of the CBS TV affiliate in Albuquerque.

I loved one of the houses (3300 square feet, one level that had steps as it climbed the hill). I negotiated an extra acre into the deal ($196,000 total), and although the jewelry position didn’t work out the CBS affiliate and my negotiations made decent progress. The VP even visited Los Angeles to continue working on the deal. My task: Obtain the information from Japan, write the text, design the publication, and get it printed each month. Alas, there was one showstopper to the possibility of bringing Japanese investors into New Mexico; I had set a bottom price that I wouldn’t go below. The VP dropped below it. Adios amigo. End of deal, … and house.

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The drive was mostly straight with some curves until soon after I-25 passed Las Vegas and turned west toward Santa Fe. We cruised past Glorieta, where over three days in March 1962 Union forces, including Maj. John Chivington and Capt. Ned Wynkoop, took part in the Battle of Glorieta Pass (March 26 and March 28; the two armies didn’t fight on the 27th). A short while later we passed exit 290 (Clines Corners) where Pailin and I had an appointment with Lisa Smith on 7oct2014 to look at a couple of houses in Eldorado, a sprawling area with adobe style and adobe homes that is perhaps ten+ miles from downtown Santa Fe.

After unpacking at our lodging on Cerrillos Road, Pailin and I drove to the historic district and ate at the Blue Corn Café. Afterwards I led her the short distance to the Santa Fe Plaza, showed her the exterior of the Palace of the Governors, and finally the Fray Angélico Chávez History Library, which for years has played a special place in my life. While walking back to the car I pointed out the Lensic Theatre to Pailin. For one night in December 1940 it played a large role in the lives of the people of Santa Fe and surrounding areas when the Errol Flynn-Olivia de Havilland film The Santa Fe Trail premiered in Santa Fe (actually in three theaters). De Havilland had become ill on the train that brought the Warner Bros. junket to the city and never took part in the premier’s festivities. Not so Flynn, and he had the time of his life.

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The Lensic Theatre, which is just off the Santa Fe Plaza, in the early evening of 5oct2014. In the previous decade Tomas Jaehn (you’ll meet him below) attempted to get the Ned Wynkoop one-man show into the Lensic but (if memory serves me) the cost was too high to rent this historic and gorgeous theater. A shame; I drooled when I saw the interior of the Lensic. (photo © Pailin Subanna-Kraft 2014)

Tomas Jaehn & the Fray Angélico Chávez History Library

My first trip to Santa Fe was a visit to the New Mexico History Museum to research Ned Wynkoop in 1987. At that time Orlando Romero was in charge. Orlando was open and helpful. He was restoring (I think?) his family adobe home in Nambé Pueblo, which is at the base of the Sangre de Cristo Mountains about 16 miles north of Santa Fe. He was getting close to finishing his project and was excited (he told me that he would at some point in the near future retire).

I don’t remember exactly when Orlando retired, but soon after he did (or perhaps before he did), the New Mexico History Museum moved its document collections to the Fray Angélico Chávez History Library. The New Mexico History Museum didn’t cease to exist, and let me say that some of the treasures it holds are marvels. I know, for one day years back Charles Bennett, former assistant director of the Palace of the Governors, took daughter Marissa and I into the depths of this historic site and we saw them.

… Soon after Orlando’s retirement I returned to Santa Fe to continue my Wynkoop research.

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On 6oct2014 Pailin and I met Tomas Jaehn in the entry to the New Mexico History Museum. We walked to his favorite coffee shop and enjoyed the brew while we chatted. Old times for Tomas and myself as we caught up, but new times for Pailin as she got to know him. Unfortunately our visit wasn’t well timed and we couldn’t socialize. (photo by Pailin and © Pailin Subanna-Kraft, Louis Kraft, and Tomas Jaehn 2014)

It was at this time that I met Tomas Jaehn, who replaced Orlando. I cannot say enough good things about Tomas. He has helped my writing and research in so many ways, that if it wasn’t for him I wouldn’t have completed some of the projects that I have over the years, and I’m certain that some of the articles and certainly Ned Wynkoop and the Lonely Road from Sand Creek would have taken longer to complete to see print. In 2001 Tomas approached me about creating the Louis Kraft Collection. I liked the idea but it took a year for me to make a delivery and sign the contract.

Over the years Tomas and his family have become good friends.

A primary goal of visiting Santa Fe was and is (as this goal is ongoing) to introduce Pailin to this marvelous city and New Mexico. We both love Los Angeles and Pailin has a wonderful family of Thai friends living there (LA has the largest Thai population in the U.S., and better there are over 200 languages spoken in Los Angeles, also the largest in the U.S., according to the LA Times), which means that living in Los Angeles is very important to her. She is also aware that Los Angeles is a very expensive location to call home, and the prices climb continuously (I’m even taxed to be a writer using a computer in our home even though I don’t claim Tujunga House as a write off). There were two other primary goals for visiting Santa Fe: Making a delivery to the LK Collection and to continue my research at the Chávez.

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In the past I have handed a camera to people to take pictures of Tomas and I, but for some reason the photos have been out of focus. Not so on this visit to Santa Fe and Tomas. Pailin took a number of first class images, and this is my favorite. As you can see we are in Tomas’s office, and the morning sun is blasting through his window. Over the years Tomas has become my good friend; I wish we lived near to each other. (photo © Pailin Subanna-Kraft, Louis Kraft, and Tomas Jaehn 2014)

On Monday morning, October 6, we met Tomas at the New Mexico History Museum complex, which has been recently built, and now uses an elevator as the official entry into the Chávez. We walked to his favorite coffee shop and enjoyed coffee (see above photo). Afterwards I made the delivery, which included: Ned Wynkoop material (recent articles in the December 2013 and the August 2014 issues of Wild West magazine; an article in True West magazine; a review of the NPS brochure on Wynkoop & accompanying blog; review of Leo Oliva’s Wynkoop bio for Wynkoop’s induction into the Santa Fe Trail Hall of Fame; reviews of Ned Wynkoop and the Lonely Road from Sand Creek; and recent talks on Wynkoop), information about LK’s relationship with Pailin Subanna and their marriage, five DVDs (three Wynkoop talks, one Gatewood-Geronimo talk, and the 2012 Wrangler award in Oklahoma City), and about 100 photos (including art, collages, LK’s freelance-writing life, and Pailin Subanna-Kraft).*

* Although LK and Glen Williams made a delivery to Tomas in Williams, Arizona, in September 2011, this delivery, which mainly focused on the creation of Ned Wynkoop and the Lonely Road from Sand Creek (and also included a photo delivery), has not yet been added to the Louis Kraft Collection. It is hoped that the 2014 delivery will be added at the same time that the 2011 delivery is added to the collection so that the information related to the Wynkoop book from both deliveries can be merged together as one addition to the collection. … Currently the LK Collection includes 18 linear feet; with the addition of the 2011 and 2014 deliveries the collection should grow to 21 linear feet.

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Currently the Louis Kraft Collection has 18 boxes that are available for researchers to view. In this 6oct2014 photo I am touching the 18th box. I can’t begin to tell you how much Tomas has done for my writing career over the years. He’s a good friend. (photo by Pailin Subanna-Kraft; © Pailin Subanna-Kraft, Louis Kraft, and Tomas Jaehn 2014)

After completing the delivery Pailin and I did research in the Chávez archives. We were looking for subjects for magazine articles as well as additional information on the Sand Creek tragedy. Tomas had brought out one of his latest acquisitions, which I have been aware of since the document had been made available to the Chávez. We discussed it, and I told Tomas that to date I hadn’t come up with any background on the author, but had yet to do a search on him in the National Archives. That will happen soon after this blog goes live.

I must add that although Pailin had done a lot of work in Colorado both in archives and in the field in Santa Fe my research demands wiped her out. There was nary a complaint as she smoothly completed each research task I asked of her, and as they related to her photographic capabilities she never had a chance to rest. Yes, I am a slave driver.

Ned Wynkoop’s last job 

Tomas and I discussed Ned Wynkoop’s last job, which was as the warden of the New Mexico Territorial Penitentiary.

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The New Mexico Territorial Prison as it looked in 1890 during Ned Wynkoop’s tenure as warden. (art © Louis Kraft 2014)

In 1890, when Wynkoop landed the position the prison was a fair wagon ride from Santa Fe, which in Wynkoop’s later years had become his home of choice. I told Tomas that I thought that Wynkoop’s time as warden might be a possible story for New Mexico Magazine, and he replied that he didn’t think so? “Why?” I asked. He said that the magazine, which has always been tourist centric, had dropped its historical pieces. Alas, ’tis true. Tomas did tell me where he thought the territorial prison once stood and that the warden’s house still existed. Although not on this day, but before we left Santa Fe we found and photographed the residence (as well as the government building where the prison once stood). As warden Wynkoop stepped outside the box and made the prison self-sufficient. There’s an article here; the question is where to place it.

Pailin’s introduction to Santa Fe

On the sixth we finished at the Chávez at about 12:30 and said goodbye to Tomas. As stated above my lady was worn out as I had pushed her in the research. Still she was game and saw the Indian traders on the portico of the Palace of the Governors (including the interior of the building), took a closer look at the Plaza, walked through the narrow streets of Santa Fe with her camera constantly clicking. Images for her and for me.

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Pailin loves art, and Santa Fe is the third largest art market in the U.S. after New York City and Los Angeles. Santa Fe has art on the streets and in the galleries in the downtown area. Unfortunately we didn’t have time for her to explore even a portion of all the roads that are lined with galleries. (photo © Pailin Subanna-Kraft and Louis Kraft 2014)

We ate chicken and green chile stew especially prepared for us at Tia Sophia’s as the only green chile stew they made that day had beef. Good for me; a little warm for Pailin.

Eldorado & the International Museum of Folk Art

On the seventh Lisa Smith, my long-time friend and real estate agent in Eldorado (Santa Fe County) showed us two adobe-style homes on an acre plus of land. The first was interesting with a rustic appeal but felt small. It also had a loft that other than storage was almost useless. However, the land had a nice roll to it and the enclosed entry had lots of possibilities. Lisa told us that it was overpriced (she would tell the selling agent her view later that day, and apparently other agents had also done so, for by late afternoon the price had dropped $50,000). The second home listed for $25,000 less than the first house but was magnificent.

EldoradoHouseCollage_2014_wsAfter seeing the houses that Lisa showed us, Pailin asked me why we don’t have a home like these in Los Angeles. The answer is simple: Housing in Los Angeles costs more, and that for us to live in a home like these we would have to leave LA. … This was my kind of question and I hoped that it would remain in Pailin’s head.

Prices continually rise in Los Angeles. Currently there is a scare of an increase of gasoline tax from 15 cents to 73 per gallon to fix the roads; we’re already paying a heavy tax to fix the roads (and most haven’t been fixed in years). Don’t ask me where the money goes for the government won’t like my answer.

Oh, the Los Angeles Times featured “99 WAYS TO BOOST PENSIONS. AT PUBLIC COST. Taxpayers could shoulder billions after CalPERS approved perks for new public workers” in the 23oct2014 issue of the paper. The title and subtitle says it all, but here is just a taste of being a government employee in the late great state of California: The pension fund has quadrupled in the last 10 years, from $1.9 billion to $8.1 billion. What are some of the perks? How about a bonus each month for staying in shape (they call it “Physical Fitness Pay”), or adding to one’s pension by keeping traffic moving, working with animals, a premium for dictation/shorthand/typing skills (Are you kidding me?), writing parking tickets (What? Write more tickets and you get a bonus or your retirement grows?), auditorium preparation, mentioning school children, and my favorite, a library reference desk premium for directing visitors to the correct location in the building. The list goes on ad nauseam. … Sorry, but I’m back in the real world.

Santa Fe has four Thai restaurants that I know of and another that serves Thai food once a week. That said I failed to learn the size of the Thai population in Santa Fe. It will be small, but I know that the chef and owner of Thai Vegan (a great restaurant) is Thai, so that means that at least one Thai person lives in Santa Fe (city and county). My searches on the internet turned up zero.

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On 7oct2014 Pailin fit right in with the International Museum of Folk Art. (© Pailin Subanna-Kraft & Louis Kraft 2014 for this and next photo)

We said goodbye to Lisa (although we would see her again later in the day to see a third house) and headed to a destination that I had seen only once (in 1987 I think). I had been bored to tears decades ago but thought Pailin would love it.

I don’t remember the other museums on Museum Hill but they could have been there in the 1980s. Certainly the exteriors and everything now in place didn’t look like I remembered it, and this is good.

ps_Intl_Museum_ofFoldArt2_7oct14_wsPailin fell in love with the International Museum of Folk Art the moment she started to explore it. And you know what? So did I. Like good wine the folk art from around the world sparkled with life and color. “Multiple Visions: A Common Bond,” which has been on display since 1982 is a marvel of culture and art. This is the exhibit that bored me in the dark ages. All I can say now—other than what I said above—is that I must have been blind when I was younger. … Three other exhibits are also wondrous, but they unfortunately have end dates:

  • “Between Two Worlds: Folk Artists Reflect on the Immigrant Experience” (ends 24may2015)
  • “Wooden Menagerie: Made in New Mexico” (ends 15feb2015)
  • “Brasil & Arte Popular” (ends 4jan2015)

A trip to Taos to introduce Pailin to Kit Carson

Over the years I have done a lot of research on Kit Carson. Since Taos is so close to Santa Fe and as our work had ended there except for photographing the location of where the New Mexico Territorial Prison once stood, on 8oct2014 we drove to Taos. The goal was to introduce Pailin to:

  • Taos
  • Taos Pueblo
  • La Hacienda de los Martinez
  • Kit Carson House

The order of the list is deceiving, as returning to see Kit’s home for many years has always been primary on my list (for reasons that have been in place for decades). Taos was second as I wanted Pailin to see another example of a city with adobe-style buildings and an artistic aura, which, alas, survives on tourism (heck, New Mexico survives on tourism). Third was Taos Pueblo, actually as I wanted her to experience an Indian pueblo that was occupied. I prefer Acoma (west of Albuquerque) as it is much less commercial than Taos, but hadn’t plotted our return trip from Texas, and wouldn’t until the night before we left Texas. Kraft, how many miles can you drive during a single day? … Along with what would weather conditions along I-40 in Arizona be like during our trek homeward. Last, but certainly not least, was La Hacienda de los Martinez. When Linda Monnett learned that Taos was on our visit list she recommended that we see the hacienda and I’m glad that she did.

Taos

This quiet adobe town dates way back, perhaps as early as 1615 with Spanish colonization. When the Mexican-American war ended with the treaty of Guadalupe Hidalgo (1848) Mexico ceded a large section of land to the United States and this included Taos and the area that became New Mexico Territory. Kit Carson’s presence dated to the early 1840s, and Taos has been a favorite destination of mine since 1987. It was during that time that I became hooked on the real Kit Carson (see below). The town, which is a short drive south of the Taos Ski Valley* immediately became a second destination for my daughter and I, as we have always found it peaceful, liked the food, atmosphere, that it was a short drive to other places we visited, and best for me that it was a perfect location to take a week and create a talk (I think that the first time I did this was in 1995 when I gave a Custer-Stone Forehead talk in Amarillo, Texas, a week and a half later).

* After the portion of the trip to Albuquerque to pitch a job and look at a house that interested me the plan was to spend time and explore the surrounding area. Builder Joe Cuellar told me to cancel our lodging reservations in Taos and stay in one of his condos in the Taos Ski Valley and that he and his son Justin would join us in one of the condos he kept for himself. We did for about a week and had a great time exploring with Joe.

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This is a portion of the Taos Plaza as it looked on 8oct2014. Pailin took some images of the plaza area but I can’t find any of them. Oh well, … a little more on Kit Carson, who, during the American Civil War, rescued the American flag when malcontents threatened to burn it (or so the story goes). The plaza was most-likely dirt with scattered adobe buildings surrounding it during Kit’s time. (photo © Louis Kraft 2014)

The shops enclosing the plaza (and the plaza) grabbed Pailin’s interest and she looked at some of the merchandise (but didn’t get anything as she isn’t a spontaneous buyer). She focused on the plaza, enjoying its serenity in the peaceful October 8 late morning, and listened to my telling of Carson rescuing the American flag (history that I hope makes it into a book of mine). I’m certain that at times she thinks that I’m a motor mouth.

This time of year is perfect to visit. Although there was cloud covering the entire day we didn’t encounter scattered sprinkles until we headed back to Santa Fe late in the afternoon. The temperature was perfect, ranging between 70 and 72 degrees the entire time we were in Taos. As we brought food from the previous day, and she had enjoyed Southwest food already we didn’t eat there.

Taos Pueblo 

ps&TaosPueblo_8oct2014_collage_wsI had also visited the Taos Pueblo for the first time in 1987 (it was an extended trip of I believe 16 days with the focus on research in Santa Fe). If memory serves me I thought that in the past I had to pay for parking or to enter the pueblo (think to enter the pueblo), but not on this visit—there was no cost. I don’t know if my memory is in error or has begun to fail (hopefully the former of the two if there used to be a cost).

La Hacienda de los Martinez

A drive into the country to the southwest of Taos, and I think closer to the Río Grande Gorge but not on the road that crosses this magnificent river, a narrow street wrapped in almost a horseshoe to this cool building that the Martinez family occupied from roughly 1804 (their arrival in Taos) until the 1930s. I’m going by memory here, but I believe it was in the 1950s when two gentlemen borrowed money on their homes to ensure that the hacienda would be not only restored but would become protected and made into a museum. There weren’t enough signs and those we saw were small, and at times we wondered if we had made a wrong turn. At one point I continued straight but luckily Pailin saw that I should have turned right. … A U-turn, then a left and we were back on course.

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Pailin (left) leans against the archway that separates the first courtyard from the second at the Martinez Hacienda. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

La Hacienda de los Martinez is off the beaten path and we almost had it to ourselves. As you drive into the dirt parking lot you get the feeling that it was built as a fortress. There are no exterior windows, and only one exterior door and one large double gate for wagon and livestock entry at the front of the building (and one double gate for entry into the second courtyard). At the top of the structure, which has two courtyards is a surrounding wall with notches for defending the structure if need be from attack. Rooms are at the base of the rectangular fortress enclosure and again slicing through the middle of the structure, which creates the two courtyards. The rooms are decorated and furnished in a manner that represents how it might have looked in the hacienda’s heyday. Lighting in the rooms makes it easy to study and enjoy them.

The Martinez family certainly predated Kit Carson’s arrival in Taos and choosing it as his home. What we saw has been restored and decorated to represent 1820 (or later, as it took time to build), but it also provides a great insight into how the Spanish families (and employees and slaves) lived before and probably up to the time that Kit’s tenure in the area began.

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LK (right) leans against the same archway that separates the first courtyard from the second at the Martinez Hacienda. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

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This is the first of the two courtyards at the Martinez Hacienda. The second is dirt, as are all the rooms, which encompass the hacienda. It was built as a fortress, and had one door and two double-gated entries into the structure. Ramparts on the roof functioned as protection for the hacienda. There were no exterior windows. (photo © Pailin Subanna-Kraft 2014

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Pailin and I took our time as we explored every nook and cranny of the hacienda. I could picture myself living there in the early 1800s.

When we entered and before we left we spent time with the lady who greeted the handful of visitors, and I learned a lot from what she told us, but alas didn’t take notes so some of the above is from my memory. Our western states could use more of this preservation as it allows those of us that want to step back in time and get the feel of what it might have been like to live as our ancestors did.

If your travels take you to Taos, and you have an interest in the western experience before the great migrations westward I highly recommend La Hacienda de los Martinez.

This was the children’s room at the Martinez Hacienda. There were so many great rooms there, and they were decorated as they may have been in the first half of the 1800s. (photo © Pailin Subanna-Kraft)

Kit Carson House

The Kit Carson House has changed ownership and this has affected the size of the residence (to the better) and the interior appearance (again to the better). I believe the last time I had been to his house was about a decade earlier. This was my fourth or fifth visit; the first was in 1987. The film Kit Carson (1940) with Jon Hall playing Kit hooked me on the one man who did it all on the frontier when I was young. And Kit has been with me ever since.

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By now you know that Pailin is my sole mate and lady. She is like no one I have ever known in the past. I’m lucky. She’s an adventurer and open to anything; my kind of person. Boy, did I overwhelm her on this trip, and she didn’t miss a beat. I took this close-up is of her sitting at the front of the Kit Carson House on 8oct2014. Although the building has been re-stuccoed and is no longer an adobe structure, the look and feel is close to what Kit and his family lived in 150 years ago. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

Although I haven’t published anything about him it is a quirk of fate, at least in the 1990s after The Final Showdown (1992) was published, and this “quirk” (read: disaster at the time) changed my entire freelance writing path. Although I had been selling magazine articles and speaking about the Cheyenne wars since the mid-1980s I thought I would be a novelist. Unfortunately—or fortunately—the publisher decided to end its western fiction line and a contracted novel died. When I threatened to sue, my-then agent (a relationship also fated to end) almost had a heart attack when I told her my intention. The novel that had been vanished into oblivion dealt with Kit Carson and his relationship with Indians. Dick Upton, of Upton and Sons, Publishers (El Segundo, Calif.) had been pushing me to write a nonfiction book about George Armstrong Custer (to this point in time most of my nonfiction articles and talks had dealt with Mr. Custer). With a dead novel in hand and no book prospects I called Dick and pitched a book. He liked the idea, and I became a nonfiction book writer.

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Pailin took this image on 8oct2014. It is in the improved courtyard of what was the “old” Kit Carson House Museum. What you are looking at are the two rooms that were added after Kit no longer lived in Taos. The leftmost and smallest is now the video room of the new Carson Museum while the longer portion with the lower windows once served as a stable. The Carson Museum and its former associate/partner have severed association with each other. I hope that this makes sense. If you moved to the north of this image (that is on the right side of the image), you would enter the old Kit Carson Museum. This portion of the connected building never was part of Carson’s home, and it is now a separate entity. Life moves forward. (photo © Pailin Subanna-Kraft 2014)

But Kit never left me. I have first editions (or in the case of Kit Carson Days by Edwin Sabin, the 1935 second edition, in which many of the earlier errors had been fixed and additional material added) of all the key books written about Kit up to the most current. I have primary source documentation and am constantly on the hunt for additional material. Yes, Mr. Carson has been with me for a long time. After Sand Creek and the Tragic End of a Lifeway is published, the intent is for Kit to take center stage in my nonfiction and fiction Indian wars writing world. I have already begun a slow, very slow, conversation with Chuck Rankin regarding making my next nonfiction book about Kit.

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This is the middle of the three rooms that Kit and family lived in during the 20+ years he and they lived here. While walking these three rooms I tried to focus on the size of the rooms and their layout. Reason: I think a lot of what is in these rooms now are not current to the Carson family tenure (certainly there are Carson portraits that date to after his moving away; they should be in the small museum section of the building). This room served as the kitchen and eating room for the Carsons, and for their guests, which included numerous Indians from a handful of Indian tribes that considered Carson their friend. (photo © Louis Kraft 2014)

Back to the Kit Carson House; if you’ve visited it you know that the front three rooms are the rooms in which Kit, his wife, Josefa, and their children lived in during the time that they called this house home. Two rooms were added later (as described above), with the larger of the two being added in the early 20th century (it is the gift shop and now entrance to the Kit Carson House, and when it was added it served as a stable).

Oh, the house also served as Kit’s headquarters when he was an Indian agent. As my time with Kit nears, this visit became mandatory (for the reasons stated above). Pailin had plenty of work in Kit’s house.

(Soon after we returned home Lisa Smith sent me the following: “Conde Nast Traveler has named their Top 25 Cities in the World and Santa Fe is #10. Cool, as Santa Fe is my favorite city.)

Gone to Texas to see Glen & Ellen Williams & meet Linda (who I didn’t know)

Over the years I’ve worked in Texas in various ways. I have had great experiences and I’ve seen things that I’ll never forget, some of which I should keep silent about as I do hope to return to the Lone Star state again and I don’t want to be tarred and feathered. Nor do I want to put the Vette to a test to see if I can outrun a posse of angry Texans to the friendly lands of New Mexico or Oklahoma. I’m playing with thoughts here, but I have seen things that someday will see print in the memoir. What I had observed has remained with me, and it has influenced the direction of my life.

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This is how I looked in a generation-gap comedy at the Hayloft Dinner Theatre, Lubbock, Texas (summer 1976), called What Did We Do Wrong?, wherein a straight-laced father and his rebel son exchange places. We did seven performances a week, and had Mondays off. The lead actors came from LA while the theater hired the rest of the cast locally. During the last week of the run the next production was rehearsed during the day, making for long days (and no Monday off). This photo was taken during a rehearsal for the next play, Eat Your Heart Out, which was about an actor who waited tables while looking for acting work (my hair was trimmed and the beard became a mustache). Great play, but I saw things that I would never forget, things that affected my life. This summer led to me becoming a writer. (photo © Louis Kraft 1976)

I’ve performed a lot of jobs over the years while I attempted to figure out who I was and which direction was best for me. Many of the trails I have followed have had dead ends or just drifted off into oblivion. The visits to Texas have almost all been because of what I considered work (although some of you may not think so). My training was in theater: Acting and directing, and although I never thought about it the studies included a lot of historical reading and writing (the different eras of theater, the playwrights, and of course the actors). By the way I never considered writing for any kind of career until I acted in Texas.

I’ll touch on this a little below. Right now I want to introduce you to Glen and Ellen Williams. I met Glen shortly after I joined Infonet Services Corporation in El Segundo, California, in 1990. I landed the job on my freelance writing, design, and publishing experience. The first thing I said to my boss was: “Can I get some technical writing classes?” “No. I hired you as a technical writer. You’re on your own.” My coworkers were an editor that liked to party and not work and a writer who waited for engineers to feed him information. It took me just a day or two to realize that this wasn’t how one wrote accurate technical material that people could read and understand. I began hanging out with the engineers that created the software that I would write about. Before the first week ended I told my boss that I wanted the software that I would write about on my computer. My request surprised him. Nevertheless he quickly got me what I requested and before I knew it I was up and running.

Early on I did some writing for Glen’s team at Infonet (but never worked directly with him). We hit it off and quickly realized that the Indian world and the frontier experience was something that both of us had a great interest.

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After Glen’s and my relationship cemented and we spent time together exploring and having good times. After Glen and I made a LK Collection delivery to Tomas Jaehn in Williams, Arizona, I took this image on 5sept2011 while Glen and I tracked historic Route 66 back to Los Angeles. Here we are east of Oatman, Arizona. I think we drove a little less than 1000 miles during the three-day trip. We had plenty of time to hang out and talk. Too bad we didn’t have a tape recorder going—some of the subjects were lively (read colorful). Something I needed. (photo © Louis Kraft & Glen Williams 2011)

Our working relationship grew into a friendship (even though I don’t think I ever worked with his team again). By 1995 my life had changed drastically and it was about this time that Glen and I got together outside the workplace. It was also about this time that I met his beautiful wife, Ellen (and she’s still beautiful as her photos prove). She’s always been a joy to be around. Let me tell you that I was sad when Ellen and Glen decided to move from Torrance, California, to the land of Glen’s birth (he was born and raised in Wichita Falls, Tex.) in 2012 even though I knew and totally understood their reasons. Their destination in Texas was Denton, a city north of Dallas. It was here that we would meet Glen’s sister Linda.

A long overdue detour to the Bosque Redondo

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Carson art in LK’s personal collection that supposedly pictures him in the mid-1840s.

Glen had given good directions on how to travel from Santa Fe to Denton, saving about 100 miles off the route that I had originally plotted. On Thursday, 9oct2014, we finished the New Mexico Territorial Prison photos, quickly shot north (actually east) on I-25, got off at Clines Corners (where we had previously met Lisa Smith to view the homes at Eldorado) and moved south to I-40. It was on I-40 when my memory shot back to 1995 and Marissa and I driving to Amarillo for the Custer and Cheyenne Keeper of the Sacred Arrows Stone Forehead talk after preparing in Taos. The Bosque Redondo … Fort Sumner … we had been close but had a convention to reach. On this day we were again headed toward Amarillo. Where was the Bosque Redondo? How close would we come to it? Do I dare detour? … Indecision. Ouch! I vacillated, as it would take a lot of time (but not add many miles to the day’s drive). Time passed, way too quickly. Make a decision, damn it! Now! And I didn’t.

We had a pit stop and I yanked out the map. More time passed, again too quickly. … I continued to vacillate, but not for long. Make a decision, damn it! Now! And I did. The town of Fort Sumner was about 42 miles south of I-40. Once we reached the aged town we turned left onto route 60 to the intersection where we would head south a few miles to the Bosque Redondo Memorial at the Fort Sumner ruins.

AmFlags_GraceRoybal_9oct14CollageFIX_wsFor those of you who don’t know what the Bosque Redondo was, Gen. James Carleton, who in 1852 saw the land and thought it would be good for farming, decided to turn it into an Indian reservation in the 1860s. Fort Sumner was constructed and beginning with the 1863 Mescalero Apache campaign and then the 1863-64 Navajo campaign it would now provide the perfect location to incarcerate the defeated Indians.

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This is a detail from one of the placards at the Bosque Redondo Memorial at Fort Sumner. It deals with Carson accepting the Mescalero Apache campaign (with Carleton). The artwork at this memorial is exceptional.

One of his commanders, Col. Kit Carson had quickly forced the Mescaleros onto Carleton’s reservation. They lived south of the Pecos River. After Carson forced the mighty Navajos to capitulate by waging a burnt-earth campaign with very few deaths (with any other commander the death count could have easily grown into the hundreds or more) he didn’t participate in the Long Walk of the Diné, as the Navajos call themselves, to the land that would become hell on earth. Actually he didn’t want anything to do with the Bosque Redondo. Carleton refused to listen to him and ordered him to command the reservation that was anything but a garden place. Winds blew, nothing grew, the Mescaleros and Navajos didn’t get along, Comanches raided, and people died in large numbers from disease and hunger. Carleton provided nothing Carson requested and, frustrated, Carson resigned his military commission. Carleton refused to honor it. The third time Cason submitted his resignation Carleton still refused to accept it but he did transfer his unhappy subordinate.

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In February 1971 Navajos carried rocks from their reservation to the Bosque Redondo to commemorate the Diné that had been exiled from their land and died while incarcerated between 1863 and 1868. (photo © Louis Kraft 2014)

I didn’t know what to expect, but a wonderful visitor center/museum has been built (replacing the smaller and earlier structure next to the remnants of Fort Sumner). The museum isn’t complete, but judging by what the Bosque Redondo Memorial currently has in place it is going to be impressive. There is a lot of land to walk and the center has a recording that can be borrowed (I think there are 90 locations* with commentary as one walks the grounds) but Pailin and I didn’t have time to spend a day or longer at this important piece of Mescalero and Diné memory.

* There is a marker at the spot where Sheriff Pat Garrett shot and killed William H. Bonney, born William Henry McCarty, Jr., and of course known as Billy the Kid (this is a classy historical destination and I’m assuming they are accurate with the placement of the marker, which is close to what remains of Fort Sumner). He was shot in the Maxwell House, which had been the commanding officer’s quarters until the fort was abandoned on 31aug1869. Lucian Maxwell purchased the fort in October 1870, and would die in this building in 1875. All that said, we walked west from the remnants of the fort to view the “Kid’s” marker. The map pictured in the brochure clearly marks where the fort stood. However, it also clearly places the Maxwell House south of Fort Sumner. If true, the marker is misplaced.

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Pailin took this image of us (right) while we were at Navajo Treaty Rock, which has a Diné prayer attached to it. The Navajo Treaty (signed on 1jun1868) is a short distance southeast from the Rock (if the map is correct). The treaty freed the Diné  and allowed them to return to their homeland. Oh yes, there was a harsh sun on that 9oct2014 day. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

There is also a nature trail with plush vegetation (natural to the area?) that obscures and skirts the Pecos River. This area is as perhaps Carleton envisioned it, as the Bosque Redondo and the surrounding area looks to be good farmland today. Alas, for the Diné and the Mescaleros it was just a land of death and desolation. During their deadly occupation of their forced time there their crops mostly died from insects, drought, and perhaps bad luck, which included bad water and a failure of the U.S. government to supply them adequate supplies. Sound familiar? A resounding yes! “Shameful” is a word that accurately sums up what happened during the 1860s and throughout the American conquest of the Indian people.

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This is my daughter Marissa Kraft (right) on one of her many research trips to the American West. She sits above Navajo Fortress Rock on August 7, 2012. The Fortress Rock is in Canyon del Muerto (Canyon of the Dead), one of the three canyons of Canyon de Chelly (the only national monument not on U.S. government land; it is on the Navajo Indian Reservation in Arizona). Navajo Fortress Rock is one of the major set pieces of Navajo Blood, my upcoming Carson/Navajo novel for it is here that the fictional Diné Pedro Hueros must make a decision that will impact his life for all time. If you don’t know how I write about the Indian wars-—fiction or nonfiction—I must walk the land. I must feel the sun, the wind, and I must experience how hard it is to walk. (photo © Louis Kraft 2012)

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Pailin in the former and small visitor center of the Bosque Redondo Memorial at Fort Sumner. Photo by LK on 9oct2014. It is now furnished to represent soldier barracks. Pailin, like myself, avoids the sun. On this day the sun blazed and the wind whistled (although not as much as I’ve encountered in this portion of the U.S. in the past). At times she looks like a Bedouin mounted on a camel roaming the sandy deserts of the Mideast in times long past (at least as seen in countless films). This is to protect her face. I call her my “Bedouin.” I also call her “Chiquita.” (photo © Louis Kraft & Pailin Subanna-Kraft 2014)

I have a novel about Carson and the Navajos underway, but am currently waiting for the completion of the Sand Creek manuscript and the medical-legal thriller—but the novel doesn’t deal with the Bosque Redondo unless I decide to continue with the fictional Navajo warrior and again mix his life with historical Diné leaders during the tragic incarceration. Additional research is needed before I even consider a follow-up book on the Navajos’ exile from their homeland. … At this time I have nothing to share about the nonfiction book idea on Kit Carson that I hope interests Chuck, as there is still a lot of primary source research to complete before I have any chance of writing a nonfiction book about him. As in my nonfiction past I will focus on a specific piece of Carson’s life. The hunt is on, and it is no longer lackadaisical.

By this point of the trip Pailin knew exactly what I wanted from her and at the Bosque Redondo and at the remnants of Fort Sumner she split away from me to capture what hopefully will provide a good basis for understanding what this land—so barren when the Mescaleros and Navajos were imprisoned here—looked like … minus the vegetation that now thrives. My lady is in her element and it’s a joy to watch her work.

Back to Glen, Ellen, and Linda

It has been great to see Ellen and Glen again and to just hang out with them. It was also nice to meet Glen’s sister Linda and Ellen’s mother Judy. And I had the added bonus that Glen, Ellen, and Linda welcomed Pailin with open arms. They talked with her, hugged her, and she immediately responded and became a welcome a member of their household. Better yet she joked and laughed and felt a little more comfortable in joining the conversations.

Glen was home and working in his garage on 10oct2014, but Ellen and Linda were on an errand in Fort Worth and we wouldn’t see them until the late afternoon. After giving us a quick tour of his and Ellen’s home we went out for lunch at the Wildhorse Grill in Robson Ranch. Nice place and good food. Afterwards we returned to their house. This was the fifth house Pailin had been in on the trip. The first was John & Linda Monnett’s marvelous house, then three houses in Eldorado that Lisa Smith showed us of which the middle one was to both of our liking, and finally Glen & Ellen’s home, which is open and perfect for entertaining (we stayed in a casita that was part of their property). That day Pailin again said to me, “Why?” “Why?” I replied, “I don’t know what you’re talking about.” “Why are all these big beautiful houses and ours is small.” I again explained to her that the cost of homes in Los Angeles is high and that if we moved away from LA we could buy a larger house for less money (with or without acreage; I prefer acreage).

Sorry to repeat myself, but the trip goals were Sand Creek Massacre and
Kit Carson research, a delivery to the Chávez History Library, introduce
Pailin to some of my good friends (while I met two ladies named
Linda in person), and finally to give Pailin a taste
of the land and some of the areas I love.

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Shortly after Ellen and Linda returned from Fort Worth, and Pailin and I met them, and Chewy, short for Chewbacca, Han Solo’s sidekick in the Star Wars films (Ellen & Glen’s dog), and Sophie (Linda’s dog), both of whom are friendly, we returned to the Wildhorse for dinner. Pailin had been slow to open up to John and Linda, but felt more relaxed by the time we got together with Tomas, and now she had opened up and although she still didn’t say a lot she spoke up whenever she wanted. Pailin works on the English language every day and let me tell you she is progressing with leaps and bounds. This includes her pronunciation, her sentence structure, and her comprehension of words (spelling and meaning). While driving she constantly reads the words off signs, buildings, trucks, and when the words aren’t names she asks for the meanings of them.

The next day Glen drove Ellen and her mother, Judy, to the Dallas-Fort Worth airport. Judy lives with Ellen and Glen half of each year and with her other daughter in Hawaii the rest of the year. They always meet in Las Vegas, where they can have a short family gathering before Judy returns to her other home. Pailin rested, I did some work, and then before Glen returned Linda and I had a nice talk in the living room, which is like a great room in an adobe-style house in the Southwest. The day and evening was easy as we enjoyed each other’s company. Glen and I never run out of subjects to talk about.

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After looking at clothing Pailin wanted to see the hats. As I led her through the aisles she liked this one and tried on her size. “Do you want it?” “Yes.” “Let me snap a picture.” More proof that Thailand cowgirls exist. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

On Sunday (12oct14) Linda, Pailin, Glen, and I went out for breakfast.

You’ve already seen me say, “Who says they don’t raise cowgirls in Thailand?” After breakfast Glen took us to Justin’s Boot Store (one of three stores in Justin, Texas, I think, that sell boots, hats, clothing, and so on). Pailin and Linda looked at clothes while Glen and I looked at hats. I told him that Barron Hats in Burbank, Calif., which makes many of the hats currently seen in film, makes mine for me.

Pailin likes hats and has more than I (actually she wears three cowboy hats that I gave her; one from the famed Nudie Cohn’s country and western superstore in Van Nuys, Calif., now long gone (as is unfortunately Nudie, who was a classic), an Australian hat that Glen had given me, and the black one I bought for her at Justin’s.

Lunchtime arrived, and the four of us went to Mom’s in Justin. This was a funky place with cool and long-gone stuff on the the walls, including Elvis.

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From left: Glen Williams, LK, Pailin, and Linda Williams at Mom’s in Justin, Texas, on 12oct2014.

Good times. Yeah, this is social time with my longtime bud, his sweet sister, and my lady. Afterwards we returned to Glen and Ellen’s home in Robson Ranch.

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My bro Glen took this great candid of LK and Pailin in front of the entry to the courtyard of his and Ellen’s home in Denton, Texas. It’s still 12oct2014, and Pailin is wearing the hat she found and liked at the Justin Boot Store. He has taken many great photos for me, but this is one of my favorites. For the record, Pailin and I have a good time laughing together. (photo © Louis Kraft & Pailin Subanna-Kraft and Glen Williams 2014)

Glen and Linda relaxed (Linda also prepared to return home) while I worked on this blog and Pailin relaxed and dealt with her family and friends in Thailand on social media. … Soon Linda drove home, and Glen drove Pailin and me to the grocery store for supplies, including celery, parsley, carrots, and lemons to make juice. Like the previous day, we enjoyed each other’s company, rested, and got some work done until we went to the Blue Ginger, a Japanese restaurant in Denton. Good food.

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In the below image the lady in the light blouse is Linda Williams, Glen’s sister. We have been friends on social media, but I didn’t meet her until Pailin and I visited Denton, Texas. Pailin is holding Sophie, Linda’s sweet and loving dog. My lady has made great strides in her command of the English language, but still she holds back (except with me) as she is conscious of her pronunciation of the words and of her sentence structure (both of which she becomes better at by the day). That said, she gets along with animals fabulously (perhaps as there isn’t a language barrier). That’s Glen w/Linda & Pailin in the left image. These photos were taken just before Linda returned to her home on 12oct14. Left image is by LK and the right image is by Glen. (photos © Glen & Linda Williams and Pailin Subanna-Kraft & Louis Kraft 2014)

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Monday was more of the same until Glen picked up Ellen at the Dallas-Fort Worth airport.

Ellen is petite, bright, funny, open, and kind. She is also gorgeous. It was terrific seeing her again, and it was also good to see her effort to befriend Pailin, which gave my lady the confidence to open up some. These were good times with Ellen and I’m glad she returned in time to be with us.

Ellen & Glen Williams have been my great friends since the 1990s. (photo by Pailin Subanna-Kraft and © Ellen & Glen Williams and Pailin, 2014)

After dinner, Ellen, who was beat, went to bed early, and so did Pailin.

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This allowed Glen and I to talk deep into the night. He made certain that I had a drum made for him by Devereaux Old Elk*, who grew up near Garryowen on the Crow Reservation in Montana, and a breastplate, which, according to Glen’s provenance, came from a Crow trader but was created by a Northern Cheyenne (based upon the bead colors). The breastplate dates to the early 1950s and shows considerable use as it was worn for years in powwows. Glen had carefully packed it. These had been his possessions for a long time and he wanted me to enjoy them. I had tried to talk him out of the gifts, but he wouldn’t listen. They are marvelous, and I will enjoy them. Thank you, Glen.

* The Crow scout Curley, who survived the Battle of the Little Bighorn, was Devereaux’s great grandfather.

The image to the left shows the two items that Glen graciously gave me (photo © Louis Kraft 2014).

Ladies and gents, my friend blew me away, and I told him that he needed to keep and enjoy them. He refused to listen, and you are now seeing two of my most prized possessions in Tujunga House. I wasn’t sure how I should share the images and cut them from a larger photo that I took. Most of our money goes toward paying bills, which means that most of my prized possessions were purchased in the past. We talked about the Cheyennes, Kiowas, Crows, among other subjects, and I went to bed blown away by Glen’s friendship and kindness.

Glen, my friend, you have been a highlight in my life. Your gift has floored me and I’m still struggling to accept it. Thank you, my friend, from the bottom of my heart.

Let me tell you that my social time on this trip was as important as the Sand Creek and Kit Carson research, and the LK Collection delivery.

Tomas Jaehn is a long-time business associate and terrific friend (unfortunately Pailin wasn’t able to meet his wife Audrey or his daughters Pilar and Leah). John M is a great Indian wars friend, and now Pailin and I consider his wonderful wife Linda a friend. People are what our world is all about. People are our lives. Some are forever (some aren’t), but without people we have no lives. No matter what I think about my research and writing and no matter how much importance I place upon it, without Pailin, Glen, Ellen, Linda W., Tomas, Audrey, Linda and John my life is empty—nothing. They, and others (such as David DeWitt and Marissa K.) are key to my life, yesterday, today, and tomorrow.

A sad goodbye to Texas

On 14oct2014 we said goodbye to Ellen and Glen, but do hope to return again.

Ellen&Glen_wChewy_earlyAM_14oct14_wsEllen & Glen Williams, and Chewy (pictured at left) on the morning of 14oct2014, a morning in which Pailin and I hit the road early on our trip back to LA. I usually prefer to move forward in linear time, and did some juggling to make this happen here. This morning was both happy and sad for me. Sad in that we said goodbye to two friends I love, and a lifestyle that perhaps we’ll never know (and yet hope always burns eternal). (photo © Pailin Subanna-Kraft, and Ellen & Glen Williams 2014)

Our boring drive ended in Tucumcari, New Mexico (room was decent but the food was pitiful; I won’t bother to mention the restaurant). On the fifteenth we cruised along I-40. West of Albuquerque is the Acoma Pueblo. I believe it is the longest inhabited town in the United States. It sits on top of a 600-foot mesa and is my favorite pueblo but as Pailin had already seen Taos Pueblo we bypassed it. One of the reasons was the long walk during the tour, which is the only way visitors can experience it and the people that live there today. The sun also was a deterrent.

Gallup, New Mexico, and Pailin’s research introduction to Mr. Flynn

lk&ps_EF&elRanchoHotelCollage_15oct14_wsI’ve been passing through and sometimes staying in Gallup for a week or longer while using it as a base for research. This is not my favorite town and I’m not crazy over the food served in the restaurants. Love the red rocks, and at the same time this gorgeous area always makes me sad. Errol Flynn’s last western film, Rocky Mountain (Warner Bros., 1950) was basically a location shoot (not entirely, but close) and a good part of it was shot in the area surrounding Gallup. Flynn, the other actors, and the film crew stayed at the El Rancho Hotel, which is now a national historic site. So why am I sad? The film was shot in black and white. With the red rocks the centerpiece to the film, and they are something to behold, the film should have been shot in color. Warner Bros. was cutting back on film budgets as it continued to end its relationship with its major stars, Flynn included. Too bad, as Rocky Mountain is a decent film.

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Unfortunately you can’t read the EF signature on the Flynn photo at the El Rancho Hotel. It is not only a fraud, but the person who signed Flynn’s name had no clue of the spelling of his name. Flynn’s Name is “Errol Flynn” and the forger signed it “Earl” Flynn. This crap is all over the place when dealing with signatures. If you buy signatures be careful. BTW, this Flynn image dates from the early- to the mid-1940s. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

In the past I’ve explored the El Rancho Hotel’s expansive entry and upper floor that is open to the main floor as well as photograph the exterior. On 15oct2014 this would change as I felt it would be time to expand the physical research, which in turn would be right up Pailin’s alley. It was and she gleefully took requested photos along with ones that she wanted. After exploring we shared a salad in the hotel’s restaurant (it was decent) but afterwards we weren’t able to see the bar, as it didn’t open until 5:00 PM. I told them I was a writer doing research on a book (No ladies and gents: Although there will be a lot of western fact and fiction in Errol & Olivia as three of their eight films were westerns, Rocky Mountain won’t make it into that book), that I didn’t want a drink and just wanted to see the bar. This opened conversations about Flynn’s time in Gallup but it didn’t open the bar, which was locked—Some other time.

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LK leaning against the Vette just before we hit the road. Many more miles to cover, and LK needed to stay awake. The research for this trip had ended, and it was now time to get home safely. Pailin took this image, which shows the exterior to the El Rancho Hotel. (photo © Pailin Subanna-Kraft & Louis Kraft 2014)

Gallup was our last point of interest stop as we still had roughly half of the 1400+ miles that I needed to drive since saying goodbye to Ellen and Glen. And each day felt longer than the previous. By the time we said goodbye to I-40 (in California) and drove south on I-15 I was bleary-eyed. Adding to the misery we had to deal with major roadwork with narrow pieces of road and idiots darting in and out of the two lanes. The trip would come in at 60 miles shy of 4,000. And as a bonus, the Automobile Club of Southern California (ACSC) reduced my insurance by $1,300.00; the bill was waiting for me when we returned home. And why not? Kraft is a good ol’ boy and hasn’t killed any cars lately and since he now works at home his driving mileage has shrunk big time. … Of course, if the ACSC had known how many miles the Vette had just covered they would have cried foul!

One final thing

I’m a biographer who focuses on race relations. That is I deal with people who turn their back on racial prejudice, and often attempt to bring an end to war as opposed to butchering people just because they are different. This was difficult to do in 1864 and it is still difficult in our day and age. A lot of people have problems with this. It’s their problem and not mine. Our world consists of many types of people—different races, cultures, religions, and lifeways. If our world is to survive all of us must figure out how to peacefully coexist. If not … BOOM!!! … No more world as we know it and goodbye to the human race.

Today is a good day to be alive. …