Website & blogs © Louis Kraft 2013-2020
Contact Kraft at writerkraft@gmail.com or comment at the end of the blog

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Ladies and gents, this is an important blog in that it was supposed to share how I’ll write about Errol Flynn and Olivia de Havilland’s acting in Errol & Olivia. An intriguing thought, but alas, it isn’t about to happen, at least not in the way you expect. Why? Simply, it’s a touchy subject for me—what to share or not share. This blog will discuss some of my background while giving you a hint of how I’ll address their acting (and in Flynn’s case, his dueling). But that said and you frowning, read on for I think the following is important.

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Some bitching … or should I call it free advertising?

AT&T U-verse, the scourge of the LA internet, struck again while I was prepping the Sand Creek and the Tragic End of a Lifeway blog (which was supposed to go live before this blog. Yep, dead in the water once again. I honestly don’ know how AT&T U-verse stays in business. Simply stating that they do not deliver the product that they advertise is an understatement of huge proportions.

A ghostly LK image, for this is how I’ve felt for the last week and a half. I’ve been struggling with deadlines and a contract negotiation. I don’t need software/internet failures. If this B.S. happens again, a company is going to be fired. (art © Louis Kraft 2013)

Oops! Actually that is OOPS!!! This blog went live first. No fanfare and in totally incomplete first rough draft form. Someone even liked it (not me; you can take that one to the bank). I could have totally destroyed it, but too much work had already been given it, and I decided not to. Kudos, AT&T U-verse, for you have another notch to add to your bloody dagger. Or was it PressHarbor, which teams with WordPress, and is responsible for this website–blog, as they had just performed a software update. If yes, as Caesar said as he was being murdered in Shakespeare’s play (Julius Caesar), “Et tu, Brute.” This blog on Errol & Olivia was planned for next week. My apologies for this error (give thanks to that dastardly villain, AT&T U-verse, for their knives are bloody as they slaughter the mighty Caesar). They have become my Darth Vader. You’re getting a little more meat here than was originally intended (plus a free plug for AT&T U-verse). If AT&T U-verse crashes my internet connection after 5:00 PM Pacific Time, I’m dead in the water until the following morning between five and six. No Chrome, no Firefox, no Safari, no WordPress, oh, and that also includes no att.net (but who cares about att.net?), which all means one thing—no LK website/blog on my computers.

To help you feel better there will be a quiz at the end of this blog, and it will be easy.

A publicity image of Errol and Olivia for Dodge City. Take a close look at Mr. Flynn’s mustache. It ‘taint the one he wore in the film.

I know, some of you are thinking oh hell!!!, not another dueling lesson. Alas, I’m sorry, but ’tis true. I like the blade and want to cross it with living flesh and blood. That means you. (Or perhaps one of the key people in my life—hope burns eternal.) If I can’t secure victims—oops, I meant to say “volunteers”—locally I need to expand my horizon for would-be heroes. Smile, for you are again presented with the opportunity to enjoy swinging a saber for an hour, an hour and a half, or however long it takes me to wear you out. ‘Tis fun; trust me.

I’m not joking about the time limit with the sword. Again, this is fun for me. I’m good with the time however long it is. I’ll supply the water. If you want more punch, you supply the vino (however, this isn’t recommended).At least not until we set the blades down and enjoy each other’s company.

I think you need to know a little about me that relates to me being capable of writing Errol & Olivia. Obviously I write biographies, but more is required. I don’t want to drag this out with a lot of words, so we’ll use a few bullets:

I believe the above qualifies me to not only write about Mr. Flynn and Ms. de Havilland but to approach their lives during a very short period of time in a different and perhaps avant-garde manner. These words are key, for they provide a hint to how I’m writing Errol & Olivia. … And better, I’m going into detail and it’s going to be fun detail; fun and multi-leveled detail.

I’m not a knight in shining armor but I do research my subject matter in all ways possible. And this doesn’t include a week or two or a month or two at an archive. I’m talking about years and years of research. For example, for Errol & Olivia I have been researching them at the USC Warner Bros. Archives since the mid-1990s (and elsewhere). I haven’t finished this research. And yes, there have been interruptions, sometimes lengthy. That said, putting food on the table, paying bills, and having a life are also important. Research time is limited, not only by me surviving but also the USC WB Archives limited availability. Currently they are open to historians and college students three times a week from 10:00 AM until 4:30 PM except when they are closed. At the moment they have been closed since the last week of July until September. Also, and this is key, they usually have only six spots open for researchers, and these are by appointment. … Research, wherever it is happening, will continue up until the book is published.

In no way am I criticizing the USC WB Archives. It is a goldmine, and over all these years the archivists have been so good to me. Everyone, … everyone. Jonathon Auxier runs the archives now. I’ve known him for a number of years. Not only has he gone out of his way to make my research experience successful, he’s just a great person. Charming, funny, bright, caring. The archives are lucky they have him running the show, for I’m certain he has helped many people find the information they crave.

Not to worry, for I write as I research. Originally I had told a number of people that this blog would deal with Errol and Olivia’s acting. Unfortunately that was a false statement by me. My apologies, for I have realized that I can’t give away key elements to the book (even though it would only be related to say They Died With Their Boots On or Four’s a Crowd or The Private Lives of Elizabeth and Essex or Dodge City. These films will dominate the acting and writing in E&O. Certainly Santa Fe Trail is important as Flynn and his Livvie have moved to a new level in their relationship. The Adventures of Robin Hood is mandatory as it is key to their lives. Captain Blood introduced them, but they were little more than amateurs at this time. Captain Blood is important for the raw emotions that are captured on screen (ditto Robin Hood). The Charge of the Light Brigade is an exceptional film in that it not only clearly documents their giant steps forward as actors (especially Flynn) but it also continues/cements a relationship that is fragile. Trust me, Errol Flynn and Olivia de Havilland became attracted to each other from the moment they met during the casting of Captain Blood. No matter what happened or the directions their lives would take, they would remain connected regardless of the problems they had with each other over time.

I’m sorry for not talking about their acting in one of their films but this seemed to be wrong at this time. I want to keep your interest, I need to keep your interest, but I can’t give the book away. One thing is certain—who they were and how they felt influenced their performances on screen. I will view their acting from a multitude of layers, which includes their growth as actors (and both did grow on film), as well as raw emotions that at times were captured by the cinematographer. Regardless of what happened with their real-life relationship, they were always drawn to each other. The sexual desire was always present, regardless of the hurt or anger in their lives. This led to friendship, and this eventually gave them their best performances as an acting duo. I will discuss their acting using my acting background. Ditto Mr. Flynn and his handling of a sword. This will be a book of their life and times, but it will also be a history of their times and that includes their films and their acting in their eight films together. What I share will be lively. One final note, Errol & Olivia will be different from any book you have ever read about Mr. Flynn or Ms. de Havilland. It will change your thinking about them.

Now for your quiz

This is a two-part question that deals with Errol Flynn’s swashbuckling films (TV performances don’t count here). He made eight of them. 1) Name them, the year they were released, and the characters Flynn played. 2) He made another film that could have been a swashbuckler. Certainly he swung a blade on camera. Name this film, its year of release, and whom Flynn played in it. Like I said, easy. Email me with your answers. Remember, you’ll have to live locally or travel to cross blades with me. There is no rush to collect your winnings, for there is no time limit (other than me continuing to walk this earth and swing a sword).